| Adagio for English Horn Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba Cimarron Music Press
By Borealis Wind Quintet. Arranged by Anton Reicha. Quintet. For woodwind quinte...(+)
By Borealis Wind Quintet.
Arranged by Anton Reicha.
Quintet. For woodwind
quintet. Published by
Cimarron Music Press
$18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Solos for the English Horn Player Cor anglais, Piano Schirmer
Piano, English Horn - Difficulty: medium to medium-difficult SKU: HL.50333080...(+)
Piano, English Horn -
Difficulty: medium to
medium-difficult SKU:
HL.50333080
English Horn and
Piano. Composed by
Various. Edited by P.
Thomas. Woodwind.
Classical. Book only.
With solo part, standard
notation and piano
accompaniment. 64 pages.
G. Schirmer #ED2988.
Published by G. Schirmer
(HL.50333080). ISBN
9780793508723. UPC:
073999330809. 9x12
inches.
Stacy/Thomas. Conte
nts: Adagio (Mozart)
â?¢ Gymnopedie No. 2
(Satie) â?¢ Intermezzo
(Granados) â?¢ Theme
from New World Symphony
(Dvorák) �
Notturno (Borodin) â?¢
Sicilienne (Fauré)
â?¢ Sonata (Marcello)
â?¢ Sonata (Telemann)
â?¢ The Swan (Le Cygne)
â?¢ The Swan of Tuonela
(Sibelius) â?¢ Tristan
and Isolde Theme (Wagner)
â?¢ When I Am Laid in
Earth (Purcell) â?¢
Where E'er You Walk
(Handel). (2)$21.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Music for Four, Volume 2, Part 3 - French Horn/English Horn [Partie séparée] Last Resort Music Publishing
(Baroque, Classical and Romantic Favorites, Wedding Music). By Various. Arranged...(+)
(Baroque, Classical and
Romantic Favorites,
Wedding Music). By
Various. Arranged by
Daniel Kelley. String
quartet, woodwind
quartet, piano quintet,
mixed quartet, clarinet
quartet. For French Horn
or English Horn.
Quartets. Music for Four
series. Baroque /
Classical.
Intermediate/Advanced.
Partbook - part 3.
Published by Last Resort
Music Publishing
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Adagio in C Major Walter Wollenweber
By Wolfgang Amadeus Mozart. For english horn/oboe/viola, 2 violin, violoncello. ...(+)
By Wolfgang Amadeus
Mozart. For english
horn/oboe/viola, 2
violin, violoncello.
K.580a. Published by
Walter Wollenweber.
$25.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Barcarolles for a Sinking City [Conducteur] Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion 1,
Percussion 2, Percussion
3, Percussion 4, Piccolo
and more. SKU:
PR.11641139S Composed
by Lowell Liebermann.
Full score. Duration 15
minutes. Theodore Presser
Company #116-41139S.
Published by Theodore
Presser Company
(PR.11641139S). UPC:
680160682119. Barca
rolles for a Sinking City
was inspired by the city
of Venice, a place that
has long held the
fascination of artists,
writers and composers,
and which I have been
lucky enough to visit on
several occasions. Sadly
it seems that future
generations may not be so
lucky: in addition to the
city's slow sinking and
recently discovered
tilting, studies predict
that if global warming
and the resultant rise of
ocean levels is unabated,
the entire city (as well
as many other coastal
cities around the globe)
will be under water by
2100. I. Funeral
Gondola The late, cryptic
piano works of Franz
Liszt made a profound
impression on me as a
young composer, among
them two works he
entitled La Lugubre
Gondola (usually
translated as The Funeral
Gondola ) which were said
to be a premonition of
Wagner's death in Venice,
his coffin transported
through the canals in a
black gondola. These late
pieces of Liszt acquired
even greater significance
to me after I spent two
summers in Bayreuth under
the patronage of
Friedelind Wagner, the
granddaughter of Wagner
and great-granddaughter
of Liszt. This movement
is a meditation on
Wagner, Liszt, Venice and
its own evanescence. II.
Barcarolle/Quodlibet The
Quodlibet (Latin for what
pleases) is a musical
form dating back to the
15th century where many
disparate melodies are
juxtaposed. Popular in
the Renaissance, sacred
and secular melodies were
combined, often to
comical effect due to the
resultant incongruity of
the words. The form was
considered the ultimate
test of a composer's
mastery of counterpoint.
The most famous Quodlibet
is without doubt the
final Variation of Bach's
Goldberg Variations. As a
form the Quodlibet is
less common in more
recent music, although
examples can be found in
the works of Kurt Weill
and David Del Tredici.
My own
Barcarolle/Quodlibet was
inspired by the (perhaps
apocryphal) story of the
funeral where musicians
were asked to play a Bach
Choral, but due to
miscommunication played
instead the Bacarolle
from The Tales of
Hoffmann. Here, the Bach
Choral Allen Menschen
mussen sterben (All Men
Must Die) is heard in the
strings pizzicato, with a
tempo indication In slow
motion. The alto line of
the Bach suggests a
phrase from Beethoven's
Ninth Symphony (Alle
Menchen werden Bruder)
heard in the muted
trombone. Before long,
the famous tune from
Offenbach's opera is
heard, followed by
quotations from iconic
Barcarolles by Chopin,
Mendelssohn and Faure, as
well as two Venetian
popular songs and more
Beethoven. III.
Barcarola/Ostinato/Carill
on An ostinato is a
repeated musical figure,
and carillon is Italian
for music box. This
movement references the
obsolete genre of salon
pieces that imitated
music boxes: such works
by composers like Liadov
and Gretchaninov used to
be a mainstay of
pianists' encore
repertoire. This movement
is however much darker in
conception than those
pleasant trifles.
Utilizing the full
battery of percussion,
the carefully notated
temporal slowing of the
ostinato becomes
overwhelmed by a poignant
chorale melody before
this box is snapped shut.
IV. Barcarolle
Oubliee (Forgotten
Barcarolle) Marked
limpido (still) the final
movement begins with the
sound of rain produced by
a percussion instrument
called (appropriately) a
rain stick. Halting
phrases in the harp
coalesce into the
accompaniment for a
plangent melody heard in
the clarinet. The central
Adagio of this movement
leads to a shattering
climax, before the
opening phrases return
and dissipate into
nothingness. $48.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Barcarolles for a Sinking City Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion 1,
Percussion 2, Percussion
3, Percussion 4, Piccolo
and more. SKU:
PR.11641139L Composed
by Lowell Liebermann.
Large Score. Duration 15
minutes. Theodore Presser
Company #116-41139L.
Published by Theodore
Presser Company
(PR.11641139L). UPC:
680160682126. Barca
rolles for a Sinking City
was inspired by the city
of Venice, a place that
has long held the
fascination of artists,
writers and composers,
and which I have been
lucky enough to visit on
several occasions. Sadly
it seems that future
generations may not be so
lucky: in addition to the
city's slow sinking and
recently discovered
tilting, studies predict
that if global warming
and the resultant rise of
ocean levels is unabated,
the entire city (as well
as many other coastal
cities around the globe)
will be under water by
2100. I. Funeral
Gondola The late, cryptic
piano works of Franz
Liszt made a profound
impression on me as a
young composer, among
them two works he
entitled La Lugubre
Gondola (usually
translated as The Funeral
Gondola ) which were said
to be a premonition of
Wagner's death in Venice,
his coffin transported
through the canals in a
black gondola. These late
pieces of Liszt acquired
even greater significance
to me after I spent two
summers in Bayreuth under
the patronage of
Friedelind Wagner, the
granddaughter of Wagner
and great-granddaughter
of Liszt. This movement
is a meditation on
Wagner, Liszt, Venice and
its own evanescence. II.
Barcarolle/Quodlibet The
Quodlibet (Latin for what
pleases) is a musical
form dating back to the
15th century where many
disparate melodies are
juxtaposed. Popular in
the Renaissance, sacred
and secular melodies were
combined, often to
comical effect due to the
resultant incongruity of
the words. The form was
considered the ultimate
test of a composer's
mastery of counterpoint.
The most famous Quodlibet
is without doubt the
final Variation of Bach's
Goldberg Variations. As a
form the Quodlibet is
less common in more
recent music, although
examples can be found in
the works of Kurt Weill
and David Del Tredici.
My own
Barcarolle/Quodlibet was
inspired by the (perhaps
apocryphal) story of the
funeral where musicians
were asked to play a Bach
Choral, but due to
miscommunication played
instead the Bacarolle
from The Tales of
Hoffmann. Here, the Bach
Choral Allen Menschen
mussen sterben (All Men
Must Die) is heard in the
strings pizzicato, with a
tempo indication In slow
motion. The alto line of
the Bach suggests a
phrase from Beethoven's
Ninth Symphony (Alle
Menchen werden Bruder)
heard in the muted
trombone. Before long,
the famous tune from
Offenbach's opera is
heard, followed by
quotations from iconic
Barcarolles by Chopin,
Mendelssohn and Faure, as
well as two Venetian
popular songs and more
Beethoven. III.
Barcarola/Ostinato/Carill
on An ostinato is a
repeated musical figure,
and carillon is Italian
for music box. This
movement references the
obsolete genre of salon
pieces that imitated
music boxes: such works
by composers like Liadov
and Gretchaninov used to
be a mainstay of
pianists' encore
repertoire. This movement
is however much darker in
conception than those
pleasant trifles.
Utilizing the full
battery of percussion,
the carefully notated
temporal slowing of the
ostinato becomes
overwhelmed by a poignant
chorale melody before
this box is snapped shut.
IV. Barcarolle
Oubliee (Forgotten
Barcarolle) Marked
limpido (still) the final
movement begins with the
sound of rain produced by
a percussion instrument
called (appropriately) a
rain stick. Halting
phrases in the harp
coalesce into the
accompaniment for a
plangent melody heard in
the clarinet. The central
Adagio of this movement
leads to a shattering
climax, before the
opening phrases return
and dissipate into
nothingness. $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Facile Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(8)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Adagio Religioso (from Concerto, K622) - Intermédiaire Southern Music Ltd
(Woodwind Solos & Ensemble/English Horn Music). By Wolfgang Amadeus Mozart (1756...(+)
(Woodwind Solos &
Ensemble/English Horn
Music). By Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Andraud, Albert. For
English Horn (Horn).
Woodwind Solos &
Ensembles - English Horn
Music. Southern Music.
Grade 4. 8 pages.
Southern Music Company
#SS272. Published by
Southern Music Company
$9.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Microsymph Conducteur de poche, d'étude [Conducteur] Carl Fischer
For Orchestra - Full Score. By Sebastian Currier. Orchestra. For Piccolo I, Picc...(+)
For Orchestra - Full
Score. By Sebastian
Currier. Orchestra. For
Piccolo I, Piccolo II,
Piccolo III, Flute I,
Flute II, Flute III, Oboe
I, Oboe II, Oboe III,
English Horn, Clarinet I,
Clarinet II, Clarinet
III, Bass Clarinet,
Bassoon I, Bassoon II,
Bassoon III, Horn I, Horn
II, Horn III, Horn IV,
Trumpet in C I, Trumpet
in C II, Trumpet in C
III, Tenor I, Tenor II,
Tenor III, Percussion I,
Percussion II, Percussion
III, Percussion IV, Piano
I, Piano II, Celesta,
Harp, Violin I, Violin
II, Viola, Cello,
Contrabass. Full Score -
Study. 87 pages.
Published by Carl
Fischer.
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute, Flute...(+)
Orchestra Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
Flute, Flute 1, Flute 2,
Harp, Horn 1, Horn 2,
Oboe 1, Oboe 2,
Percussion, Piano,
Timpani, Trumpet 1,
Trumpet 2, Viola, Violin
1, Violin 2, Violoncello
SKU: PR.11641142S
Op. 39. Composed
by Lowell Liebermann.
Study Score. 84 pages.
Duration 25 minutes.
Theodore Presser Company
#116-41142S. Published by
Theodore Presser Company
(PR.11641142S). ISBN
9781491134030. UPC:
680160683772. The
Concerto for Flute and
Orchestra, Op. 39 was
completed in September of
1992. It was commissioned
by James Galway, and is
dedicated to him. The
work is scored for an
orchestra comprised of
piccolo, flute, oboe,
english horn, clarinet,
bass clarinet, bassoon,
contrabassoon, two horns,
two trumpets, timpani,
percussion, harp, piano
and strings. The Concerto
is in three movements.
The first movement,
Moderato, is an arc-like
form, all of whose
components are in fact
variations on the
harmonic progression of
its principal theme. The
central section of this
movement is a set of
explicit chaconne
variations on a
chorale-version of this
progression. The second
movement, Adagio molto,
presents a lyrical melody
which is spun out over a
pulsating syncopated
ostinato which persists
through the entire length
of the movement. The
final movement, Presto,
is a virtuoso work-out
for the flutist in a
rondo-like form which
closes with a Prestissimo
coda. The Concerto for
Flute and Orchestra has
been recorded for release
on the BMG label by James
Galway with the London
Mozart Players conducted
by the composer. The
Concerto for Flute and
Orchestra, Op. 39 was
completed in September of
1992. It was commissioned
by James Galway, and is
dedicated to him.The work
is scored for an
orchestra comprised of
piccolo, flute, oboe,
english horn, clarinet,
bass clarinet, bassoon,
contrabassoon, two horns,
two trumpets, timpani,
percussion, harp, piano
and strings.The Concerto
is in three movements.
The first movement,
Moderato, is an arc-like
form, all of whose
components are in fact
variations on the
harmonic progression of
its principal theme. The
central section of this
movement is a set of
explicit chaconne
variations on a
chorale-version of this
progression.The second
movement, Adagio molto,
presents a lyrical melody
which is spun out over a
pulsating syncopated
ostinato which persists
through the entire length
of the movement.The final
movement, Presto, is a
virtuoso work-out for the
flutist in a rondo-like
form which closes with a
Prestissimo coda.The
Concerto for Flute and
Orchestra has been
recorded for release on
the BMG label by James
Galway with the London
Mozart Players conducted
by the composer. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Real Little Classical Fake Book - 2nd Edition Piano seul - Intermédiaire Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
$27.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| One Hundred Classical Themes: Saxophone Saxophone Music Sales
By Alan Gout (Compiler) ; Martin Frith (Editor). For Saxophone. Classical. Sheet...(+)
By Alan Gout (Compiler) ;
Martin Frith (Editor).
For Saxophone. Classical.
Sheet Music. 64 pages.
Published by Music Sales.
$17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony f sharp minor Hob. I:45 'Farewell Symphony' Orchestre [Conducteur] G. Henle
By Franz Joseph Haydn (1732-1809). Edited by Carl-Gabriel Stellan Morner. For or...(+)
By Franz Joseph Haydn
(1732-1809). Edited by
Carl-Gabriel Stellan
Morner. For orchestra (2
Oboes/Bassoon/2 Horns/2
Violins/Viola/Bass). This
edition: Stapled, Urtext
edition. Urtext, Stapled.
Urtext from: Joseph Haydn
Werke, G. Henle Verlag
Munich. Score.
$34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Battle Hymn of the Republic Chorale SATB SATB [Octavo] Alfred Publishing
Arranged by Jay Althouse. For Choir. (SATB). Choral Octavo. Patriotic, American...(+)
Arranged by Jay Althouse.
For Choir. (SATB).
Choral Octavo. Patriotic,
Americana. Level: Level 4
(grade L4). Choral
Octavo. 12 pages.
Published by Alfred
Publishing.
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
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