Transcription for Guitar Quartet Score and Parts. Composed by Johann Sebastian Bach (1685-1750) and Heitor Villa-Lobos (1887-1959). Arranged by Alessandro Borin. Guitar. Softcover. Ricordi #ER3071. Published by Ricordi

Composed by Johann Sebastian Bach (1685-1750), edited by Alfred Durr. BWV 243. Study score for SSATB choir and mixed orchestra (3 tr, timp, 2 fl, 2 ob, 2 vl, vla, organ). Urtext of the New Bach Edition. With introductory text. D Major. Text language Latin. 58 pages. Published by Baerenreiter-Taschenparti turen (German import).

(A Fun and Comprehensive Overview of Latin Guitar Playing). By Doug Munro. For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. The Total Guitarist. Jazz. 128 pages

(All-Time Hits from Latin America). Arranged by John Kember. For Piano. Book; Piano Collection; Piano Supplemental. Faber Edition: Play Latin. Latin. Intermediate. Published by Faber Music

Composed by Johann Sebastian Bach (1685-1750), edited by Emil Platen. BWV 236. For SATB solos, SATB choir and piano accompaniment. Urtext of the New Bach Edition. Format: vocal score. With choral notation and piano reduction. Baroque. G Major. Text language Latin. 47 pages. 7.5x10.5 inches. Duration 30m. Published by Baerenreiter-Ausgaben.

Composed by Johann Sebastian Bach (1685-1750), edited by Chrisoph Wolff, Johannes Muntschick. BWV 232. For SSATB solos, SSATB choir and piano accompaniment. Urtext. Format: vocal score. With choral notation, piano reduction and introductory text. Baroque. Text language Latin. 199 pages. 7.5x10.5 inches. Published by C.F. Peters.

From Magnificat. Composed by Johann Sebastian Bach (1685- 1750). Arranged by Russell L. Robinson. Choral Exploration. Baroque, Concert, Festival, General Worship, Latin, Mass, Sacred. Octavo. 8 pages. Duration 130 seconds. Published by Hal Leonard

Choral (SSA a cappella) From Magnificat. Composed by Johann Sebastian Bach (1685- 1750). Arranged by Russell L. Robinson. Choral Exploration. Baroque, Concert, Festival, General Worship, Latin, Mass, Sacred. Octavo. 8 pages. Duration 130 seconds. Published by Hal Leonard

By Johann Sebastian Bach. Arranged by John W. Schaum. For Piano. Piano - Schaum Method Supplement. Schaum Master Composer Series. Book. 32 pages. Published by Alfred Publishing.

Anson Introduces Series. By Johann Sebastian Bach. Arranged by George Anson. Willis. Book only. 20 pages. Published by Willis Music.

Composed by Charles Francois Gounod (1818-1893), Franz Schubert (1797-1828), Johann Sebastian Bach (1685-1750). For high voice, medium voice, low voice, piano (accompaniment and solo) and organ (accompaniment and solo). Format: Vocal/piano/organ book. With vocal melody, vocal text, piano accompaniment, organ accompaniment, piano solo, organ solo and introductory text. Baroque and classical period. 80 pages. 9x12 inches.

By Rolando Morales-Matos. For Percussion Ensemble (marimba, vibraphone, and 3 percussion). Includes 5 parts and score. Score and set of parts. Duration 12-20 minutes. Published by Bachovich Music Publications

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500911

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Violin 1. Sacred vocal music, Masses, Latin. Part. Duration 12 minutes. Carus Verlag #CV 35.009/11. Published by Carus Verlag (CA.3500911).

ISBN M-007-25279-3. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500913

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Viola 1. Sacred vocal music, Masses, Latin. Single Part, Viola 1. Duration 12 minutes. Carus Verlag #CV 35.009/13. Published by Carus Verlag (CA.3500913).

ISBN M-007-25281-6. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500919

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Complete orchestral parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 12 minutes. Carus Verlag #CV 35.009/19. Published by Carus Verlag (CA.3500919).

ISBN M-007-25284-7. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500912

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Violin 2. Sacred vocal music, Masses, Latin. Part. Duration 12 minutes. Carus Verlag #CV 35.009/12. Published by Carus Verlag (CA.3500912).

ISBN M-007-25280-9. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500903

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Sacred vocal music, Masses, Latin. Vocal score. Duration 12 minutes. Carus Verlag #CV 35.009/03. Published by Carus Verlag (CA.3500903).

ISBN M-007-24549-8. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500900

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Sacred vocal music, Masses, Latin. Full Score. Duration 12 minutes. Carus Verlag #CV 35.009/00. Published by Carus Verlag (CA.3500900).

ISBN M-007-24548-1. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500949

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Organ. Sacred vocal music, Masses, Latin. Part. Duration 12 minutes. Carus Verlag #CV 35.009/49. Published by Carus Verlag (CA.3500949).

ISBN M-007-24550-4. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500914

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Viola 2. Sacred vocal music, Masses, Latin. Single Part, Viola 2. Duration 12 minutes. Carus Verlag #CV 35.009/14. Published by Carus Verlag (CA.3500914).

ISBN M-007-25282-3. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500915

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Basso continuo. Sacred vocal music, Masses, Latin. Single Part, basso continuo. Duration 12 minutes. Carus Verlag #CV 35.009/15. Published by Carus Verlag (CA.3500915).

ISBN M-007-25283-0. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

Complete edition in 23 volumes. Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger, Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Set with study scores. Sacred vocal music, Cantatas, Masses, Latin, Oratorios, Passions. Package. 12808 pages. Carus Verlag #CV 31.500/00. Published by Carus Verlag (CA.3150000).