Ligne De Mélodie, Paroles et Accords [Fake Book] - Intermédiaire Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics, chord
names and guitar chord
chart. Gospel and
worship. Series: Hal
Leonard Fake Books. 295
pages. 9x12 inches.
Published by Hal Leonard.
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Riemenschneider. For
piano. Format: piano solo
book. With piano
reduction, introductory
text, instructional text,
lyrics and performance
notes. Baroque. 184
pages. 9x12 inches.
Published by Schirmer
Chamber Music Marimba, alto Saxophone SKU: PR.114423770 Composed by Stacy...(+)
Chamber Music Marimba,
alto Saxophone
SKU:
PR.114423770
Composed
by Stacy Garrop. Set of
Score and Parts. 16+12+16
pages. Duration 11
minutes. Theodore Presser
Company #114-42377.
Published by Theodore
Presser Company
(PR.114423770).
(Movements I and II Arranged for Clarinet in Bb and Piano). Composed by Igor Fyo...(+)
(Movements I and II
Arranged for Clarinet in
Bb and Piano). Composed
by Igor Fyodorovich
Stravinsky. Arranged by
David Dutkanicz. For Bb
clarinet, piano. 8 2
pages. Duration 7
minutes. Published by
Carl Fischer
Orchestra (Study Score) SKU: HL.49046988 Lyric Trilogy After Maurice M...(+)
Orchestra (Study Score)
SKU: HL.49046988
Lyric Trilogy After
Maurice Maeterlinck Study
Score, French.
Composed by Aribert
Reimann. Edition Schott.
Classical. Softcover. 280
pages. Duration 5400
seconds. Schott Music
#ED23491. Published by
Schott Music
(HL.49046988).
ISBN
9781705174333. UPC:
842819115281.
8.25x11.75x0.695
inches.
SYNOPSIS
Aribert Reimann's
'Trilogie lyrique' is
based on three plays by
Maurice Maeterlinck: In
L'Intruse, a family is
sitting at the table with
their blind grandfather.
They are waiting for the
doctor to arrive and tend
to his daughter who is
lying ill in bed after
having given birth: her
new-born son has not yet
made a single sound. The
old man senses that
something is wrong due to
the uneasy atmosphere in
the room. Who is sitting
in our midst? he asks. He
is the only one who
cansee the presence of
death. Interieur: Once
again a family is
gathered round the table
in the evening, but this
time we observe the
action from outside,
looking through the
window with the
grandfather and a
stranger: no sound can be
heard. Outside the house,
the stranger reports that
the eldest daughter has
drowned and that he has
pulled her out of the
river. Although the
corpse is already being
carried through the
village to the family,
the grandfather cannot
bring himself to destroy
this idyll. La Mort de
Tintagiles: The young
Tintagiles is told a
story about a mysterious
castle and the aged queen
who has all potential
heirsto the throne
murdered. His siblings
sense that Tintagiles has
been summoned to the
castle to be murdered,
but nobody openly
expresses this fact. It
is the sinister
messengers of death from
the interludes, now
visible as the queens
servants, who ful?l her
demand and snatch the
sleeping boy from his
sisters'arms. Commentary
'In comparison with his
Medea for example with
its stormy outbreaks of
emotion and violence,
Reimann's score is worked
in an impressive
refinement of sound. It
begins with rumbling,
hesitating and expressive
music in the first
section, demanding highly
ingenious sound effects
from the lower strings
including tapping and
faltering glissandos in
its noisy expression of
mortal fear. Inthe second
part, the woodwind
formation plays at times
almost in chamber music
fashion and is then
suddenly painfully
shrill. The third part
luxuriates and rages in
its rich, full
orchestration. The manner
in which Reimann displays
his mastery in textural
shading, the invention of
sounds welling up and
fading away, the rhythmic
and melodic capacity of
suffering and the music's
inner violence are all
utterly
compelling.'(Wolfgang
Schreiber, Opernwelt,
November 2017).
Composed by Doris Gazda.
FS-SWS. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20 pages. Carl Fischer
Music #CAS3. Published by
Carl Fischer Music
(CF.CAS3).
ISBN
9780825844881. UPC:
798408044886. 8.5 X 11
inches. Key: D
major.
A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish
to work on the studies
that accompany the
piece. A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playingA Willow-Wood
Copse, you may wish
to work on the studies
that accompany the
piece. A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish to
work on the studies that
accompany the piece. A
copse is a thicket of
trees and bushes that may
be found in a meadow or
in open land. In England,
a copse will often be
found on a moor. A copse
needs a source of water
that is usually a stream,
small river or pond. A
copse has abundant plant
and animal life because
it provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds.If you were walking
through the copse in the
midst of willow trees,
bluebells and march
marigolds, you would see
beautiful butterflies,
dragonflies and moths.
You might see a frog or
toad jumping on the banks
of the pond and you would
hear the call of numerous
birds. Ornithologists
often spend many hours
watching and counting
birds in and around a
copse. Migrating birds
such as geese and herons
may also be spotted at
certain times of the
year. If you sit very
quietly, you might catch
sight of a red fox, a
rabbit or squirrel.A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse.To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish to
work on the studies that
accompany the piece.
Mixed choir SKU: FG.55011-857-7 Composed by ŽibuoklÄ— MartinaitytÄ...(+)
Mixed choir
SKU:
FG.55011-857-7
Composed by
Žibuoklė
MartinaitytÄ—.
Classical, contemporary.
Book. Fennica Gehrman
#55011-857-7. Published
by Fennica Gehrman
(FG.55011-857-7).
Žibuoklė
MartinaitytÄ— tells
about the background of
Aletheia (2022) for mixed
choir (SSSSAAAATTTTBBBB):
Aletheia is variously
translated from Greek as
unconcealedness,
revealing or
unclosedness. It is
uncovering of the Truth -
the one we are afraid to
face, the truth that can
only be expressed
directly through the
pre-verbal communication.
How do you find words for
the horrors of the war,
for all unimaginable
global atrocities? How do
you even allow yourself
to feel it out? Solely
through art, through
music that offer a safe
space and a formalized
framework for processing
these accumulated complex
emotions and sharing them
with others in a moment.
This piece has no verbal
text and it is based on
various combinations of
vowels and consonants,
thus connecting us on a
deeper level through the
immediate emotional
experience.
The
war in Ukraine in spring
of 2022 had an impact on
all of us and shattered
my deeply rooted
Lithuanian identity. When
the freedom is threatened
and innocent people are
dying, it is hard to make
sense out of the reality.
Yet there is poetry even
in the worst nightmares.
I was imagining that the
only instrument people
have even in situations
of destruction, in the
midst of the war, is
their VOICE. It brought
back memories of my youth
when Singing revolution
was taking place in the
Baltic countries. Human
voice was the only weapon
that people used to
express their
determination for freedom
and independence. Voice
is our first and the very
last instrument we have
in our lifetime. Thinking
in these terms brings
almost a sacred dimension
to the voice as an
expression of the life
itself - from the very
first baby's scream until
the last breath and
whisper.
Duration
c. 15'
The works
of New York -based
Lithuanian composer
Žibuoklė
MartinaitytÄ— (b.
1973) have been lauded as
breathtaking and
profoundly moving. Her
stimulating music
bristles with energy and
tension and revolves
often around the subject
of beauty, which she
calls both a guiding
principle and an
aesthetic measure for
sonic quality.
(Movements I and II Arranged for Violin and Piano). By Igor Fyodorovich Stravins...(+)
(Movements I and II
Arranged for Violin and
Piano). By Igor
Fyodorovich Stravinsky.
Arranged by David
Dutkanicz. For violin
piano. 8 2 pages.
Duration 7 minutes.
Published by Carl Fischer
Chamber Music Piano, alto Saxophone SKU: CF.W2657 100th Anniversary(+)
Chamber Music Piano, alto
Saxophone
SKU:
CF.W2657
100th
Anniversary. Composed
by Igor Stravinsky.
Arranged by David
Dutkanicz. SWS. Set of
Score and Parts. With
Standard notation. 20+8
pages. Duration 7
minutes. Carl Fischer
Music #W2657. Published
by Carl Fischer Music
(CF.W2657).
ISBN
9780825891120. UPC:
798408091125. 9 x 12
inches.
Composed
by Radie Britain. This
edition: Large Score.
Contemporary. Large
Score. With Standard
notation. Composed 1946.
Duration 13 minutes.
Theodore Presser Company
#476-00137L. Published by
Theodore Presser Company
(PR.47600137L).
UPC:
680160637157. 11x17
inches.
This piece,
dedicated to the memory
of a heroic feat, does
not desire to be classed
as a Symphonic Poem in
the generally accepted
sense of this term. It
does not attempt to
picture, or to strictly
follow, the various
mechanical and realistic
phases of this heroic
adventure although, on
the other hand, it does
not entirely avoid
allusion to such
realistic phenomena as
are characteristic of and
inseperable from the
nature of this adventure
and the technical means
of its realization. The
composer's main object,
however, was to try to
express in sound the
emotional phases of an
adventure that might be
called a prototype of
modern romance; to touch
upon its human aspect and
its ethical meaning, not
only in the relation to
the individual, but to
humanity in general. To
the individual, the
venturing Hero, refer the
opening phrases; the
sinister aspect of a bold
inspiration at its first
manifestation. To his
human environments, his
character and conquering
spirit, refer certain
lyrical as well as
martial and ehical
themes. According to the
nature of the venture,
the clash of motoric
forces and that of an
indomitable spirit with
the threatening elements
presented themselves for
musical consideration as
well as the plausible
uncertainty of the
outcome, the increasing
conficence and the final
victory, and triumphant
victory itself. And as
emotion in its purest and
most intense form reverts
to the primitive, the
composer thought it not
amiss to make fragmentary
use of the anthems of two
nations, thus symbolizing
the appeal from soil to
soil; an appeal that
found its joyous echo in
all humanity. And in the
midst of the turbulent
rejoicing stands the lone
figure of the Hero whose
daring had materialized
the dream of aeons.
Composed
by Radie Britain. This
edition: Study Score.
Contemporary. Full score.
With Standard notation.
Composed 1946. Duration
13 minutes. Theodore
Presser Company
#476-00137. Published by
Theodore Presser Company
(PR.476001370).
UPC:
680160637140. 9x12
inches.
This piece,
dedicated to the memory
of a heroic feat, does
not desire to be classed
as a Symphonic Poem in
the generally accepted
sense of this term. It
does not attempt to
picture, or to strictly
follow, the various
mechanical and realistic
phases of this heroic
adventure although, on
the other hand, it does
not entirely avoid
allusion to such
realistic phenomena as
are characteristic of and
inseparable from the
nature of this adventure
and the technical means
of its realization. The
composer's main object,
however, was to try to
express in sound the
emotional phases of an
adventure that might be
called a prototype of
modern romance; to touch
upon its human aspect and
its ethical meaning, not
only in the relation to
the individual, but to
humanity in general. To
the individual, the
venturing Hero, refer the
opening phrases; the
sinister aspect of a bold
inspiration at its first
manifestation. To his
human environments, his
character and conquering
spirit, refer certain
lyrical as well as
martial and ethical
themes. According to the
nature of the venture,
the clash of motoric
forces and that of an
indomitable spirit with
the threatening elements
presented themselves for
musical consideration as
well as the plausible
uncertainty of the
outcome, the increasing
confidence and the final
victory, and triumphant
victory itself. And as
emotion in its purest and
most intense form reverts
to the primitive, the
composer thought it not
amiss to make fragmentary
use of the anthems of two
nations, thus symbolizing
the appeal from soil to
soil; an appeal that
found its joyous echo in
all humanity. And in the
midst of the turbulent
rejoicing stands the lone
figure of the Hero whose
daring had materialized
the dream of aeons.
SKU: GI.G-1087 Jason Max Ferdinand, Conductor. Composed by Jason M...(+)
SKU: GI.G-1087
Jason Max Ferdinand,
Conductor. Composed
by Jason Max Ferdinand.
GIA Choralworks. Music
Education. Listening CD.
GIA Publications #1087.
Published by GIA
Publications (GI.G-1087).
UPC:
785147008729.
This
incredible group, on
their self-titled first
recording, melds the
finest choral technique
with true depth of
emotion, creating a
not-to-be-missed
listening experience.
Recorded just days before
COVID-19 abruptly altered
the semester at Oakwood
University and released
in the midst of the
pandemic, coupled with
heightened racial
tensions across the U.S.
and beyond, The Aeolians
seeks to bring hope to so
many who are in need.
Conductor Jason Max
Ferdinand writes,
“You, our audience
should be provoked,
challenged, and leave
with optimism—the
type of optimism that
Mahatma Gandhi and Martin
Luther King possessed.
We, the Aeolians, are no
longer satisfied with
solely displaying musical
prowess. Coupling hope
with mastery could be the
combination that produces
uncompromising societal
transformation. We have
programmed this music,
hoping to appeal to the
mind, but not leaving the
heart untouched.â€
CONTENTS: Forever Music
(Hayes) • Smile
(arr. Dent) •
Promised Land (Burton)
• Pilgrim’s
Hymn (Dawson) •
Examine Me (Dent) •
My Soul Hath Found Refuge
(Simpson-Currenton)
• The Chariot
Jubilee (Dett/ed.
Ferdinand) • Gospel
Train (arr. Burton)
• We Remember Them
(LaBarr) • We Shall
Overcome (arr. Gibson)
• Shout for Joy
(Hailstork) • When
I Lay Me Down to Sleep
(Mulholland).
Mezzo-Soprano and Piano SKU: HL.14027822 Composed by Bent Sorensen. Music...(+)
Mezzo-Soprano and Piano
SKU: HL.14027822
Composed by Bent
Sorensen. Music Sales
America. Classical. Book
[Softcover]. 21 pages.
Music Sales #KP01105.
Published by Music Sales
(HL.14027822).
ISBN
9788759877579.
English.
Roses Are
Falling - 5 songs for
Mezzo-Soprano and Piano
by Bent Sorensen (1998)
with lyrics by Selima
Hill. Programme note:
Roses are Falling had its
origin in a small opera
sketch I created with the
English poet Selima Hill
in just under a week
during an opera workshop
in the south of England
in the autumn of 1998.
After the workshop I was
asked to make a song
cycle out of the
material. The opera
sketch begins with a
woman and a man sitting
alone in a room. They
have drawn aside from the
rest of a large party and
they have just decided to
finish their love affair.
The other guests at the
party come into the room,
and amidst the crowd the
man leaves the room. The
women is leftthere alone
among all these
inconsequential people:
alone, singing her own
thoughts and torment. The
first three songs were
all taken from this part.
In the fourth song, which
was written late, the
text is taken from one of
Selima Hill's poetry
collections. The fifth
and last song comes
partly from the beginning
of the opera, where the
man and the women sit
alone (she knows what is
coming), partly from the
end of the story, where
despite the gab in time
and space they touch each
other with their dreams.
His voice is heard as a
whisper that merges with
hers: He takes me in his
arms like the moon that
turns and take the
evening from the sun.
Roses are Falling was
premiered in 2000 in
London by Lore Lixenberg
and Domenic Saunders.
Composed by Romeyn.
Concert Band. Concert
Band Series. Audio
recording available
separately (items
CL.WFR373 & CL.WFR387).
Extra full score.
Composed 2011. Duration 5
minutes, 21 seconds. Opus
III Wind Orchestra
Publications
#012-4047-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4047-01).
The mysterious
lost civilization of
Atlantis has captured the
imagination for
generations, and this
powerful programmatic
work from the pen of Rob
Romeyn brings that
mystical world to life in
music. Beautiful
melodies, stark musical
contrasts and bold drama
all describe this
stunning programmatic
piece depicting the
island nation that
existed over 11,000 years
ago in the midst of the
Atlantic Ocean. The music
begins calmly, depicting
a beautiful sunrise over
the city. It develops as
the fateful day ensues,
reaching a stunning
climax as Atlantis, its
people and its humanity
were swallowed by the
sea. A variety of tonal
colors, textures, and
contrasting styles will
make this wonderful piece
a mainstay for concert
and festival use. Solid
scoring and cued solos
will make this work for
many performance
situations. This is truly
an outstanding
contemporary work. Don't
miss this one!!