String Quartet - Grade 4 SKU: HL.14001159 Composed by Bent Sorensen. Musi...(+)
String Quartet - Grade 4
SKU: HL.14001159
Composed by Bent
Sorensen. Music Sales
America. Classical.
Studyscore. Composed
2005. 28 pages. Edition
Wilhelm Hansen #WH30120B.
Published by Edition
Wilhelm Hansen
(HL.14001159).
ISBN
9788759805527. UPC:
888680792657.
8.25x11.75x0.106
inches.
Study score
to Bent Sorensen's Adieu
for String Quartet. The
slow choral-like music
which initiates Adieu was
the result of an image or
almost a dream that I
had. Without being able
to explain why, I
imagined a procession of
people, maybe medieval
monks, wearing large gray
mantles with
Ku-Klux-Klan-like white
cowls on their heads,
something like a funeral
procession. The title
Adieu is partly a comment
on this funeral
procession, but also used
because the piece is
split up by three
slow-ascending glissandi,
a kind of farewell
glissandi which removes
the intervening music.
The first absorbing
glissando is soft and
removes both the slow
funeral choral and the
agitating figures in the
first half of the piece.
The second glissando is
given only to the cello
and crawls out from the
elegiac melodies in the
middle part. The third
and final glissando is
intense and agitating,
and prepares the way for
the end of the piece.
This end primarily deals
with the relationship
fast - slow. This
relationship is turned
topsy turvy: the music
gets faster and faster
until it is so fast that
it suddenly becomes slow,
so slow in fact that it
is very quickly able to
become extremely fast
again. Bent Sorensen.
String Quartet SKU: HL.14030978 Parts. Composed by Wilhelm Hansen....(+)
String Quartet
SKU:
HL.14030978
Parts. Composed by
Wilhelm Hansen. Music
Sales America. Classical.
Set of Parts. Edition
Wilhelm Hansen #KP00248.
Published by Edition
Wilhelm Hansen
(HL.14030978).
ISBN
9788759877142. UPC:
888680792640.
9.75x14.5x0.141
inches.
Score
available: KP30120 The
composer writes: The slow
choral-like music which
initiates Adieu was the
result of an image or
almost a dream that I
had. Without being able
to explain why, I
imagined a procession of
people, maybe medieval
munks, wearing large gray
mantles with
Ku-Klux-Klan-like white
cowls on their heads,
something like a funeral
procession. The title
Adieu is partly a comment
on this funeral
procession, but also used
because the piece is
split up by three
slow-ascending glissandi,
a kind of farewell
glissandi which removes
the intervening music.
The first absorbing
glissando is soft and
removes both the slow
funeral choral and the
agitating figures in the
first half of the piece.
The second glissando is
given only to the cello
and crawls out from the
elegiac melodies in the
middle part. The third
and final glissando is
intense and agitating,
and prepares the way for
the end of the piece.
This end primarily deals
with the relationship
fast - slow. This
relationship is turned
topsy turvy: the music
gets faster and faster
until it is so fast that
it suddenly becomes slow,
so slow in fact that it
is very quickly able to
become extremely fast
again.
String Quartet SKU: HL.14030979 Score. Composed by Bent Sorensen. ...(+)
String Quartet
SKU:
HL.14030979
Score. Composed by
Bent Sorensen. Music
Sales America. 20th
Century. Edition Wilhelm
Hansen #KP30120.
Published by Edition
Wilhelm Hansen
(HL.14030979).
Parts
available: KP00248 The
composer writes: The slow
choral-like music which
initiates Adieu was the
result of an image or
almost a dream that I
had. Without being able
to explain why, I
imagined a procession of
people, maybe medieval
munks, wearing large gray
mantles with
Ku-Klux-Klan-like white
cowls on their heads,
something like a funeral
procession. The title
Adieu is partly a comment
on this funeral
procession, but also used
because the piece is
split up by three
slow-ascending glissandi,
a kind of farewell
glissandi which removes
the intervening music.
The first absorbing
glissando is soft and
removes both the slow
funeral choral and the
agitating figures in the
first half of the piece.
The second glissando is
given only to the cello
and crawls out from the
elegiac melodies in the
middle part. The third
and final glissando is
intense and agitating,
and prepares the way for
the end of the piece.
This end primarily deals
with the relationship
fast - slow. This
relationship is turned
topsy turvy: the music
gets faster and faster
until it is so fast that
it suddenly becomes slow,
so slow in fact that it
is very quickly able to
become extremely fast
again.