By Camilla De Rossi. Edited by Barbara Jackson. String orchestra. For 2 violins,...(+)
By Camilla De Rossi.
Edited by Barbara
Jackson. String
orchestra. For 2 violins,
viola, cello/bass and
basso continuo. Parts set
for sinfonias from
oratorios. Arias And
Sinfonias From Oratorios
By Women Composers Of The
18th Century, Volume 6.
Baroque. Level: Easy. Set
of Parts. Sheet music.
Published by ClarNan
Editions.
Wacht!
Euch zum Streit gefasset
macht. Composed by
Dietrich Buxtehude.
German title: Das Jungste
Gericht. Orator. Koopman.
Sacred vocal music,
Oratorios. Compact Disc.
BuxWV Anh. 3. Duration
137 minutes. Carus Verlag
#CV 36.019/99. Published
by Carus Verlag
(CA.3601999).
Language:
German.
There is a
lot to be said for the
argument that the
oratorio Wacht! Euch zum
Streit gefasset macht,
which has been handed
down anonymously, is
actually the only
surviving Abendmusik from
Dieterich Buxtehude and
that he composed this
work, also known as Das
Jungste Gericht, for St.
Mary's Church in Lubeck,
where it was probably
performed around 1683.
For the first time this
full-length work, with
its richly contrasting
style and dramatic
action, is made
accessible for
performance in its
original form. Ton
Koopman reconstructed the
parts which were missing
from the source. Score
available separately -
see item CA.3601900.
Composed by Samuel
Scheidt. German title:
Nun danket alle Gott.
Sacred, Motets;
Occasions: Praise and
thanks. Choral Score.
SSWV 30. 2 pages.
Duration 4 minutes. Carus
Verlag #CV 01.140/07.
Published by Carus Verlag
(CA.114007).
ISBN
9790007001001. Key: C
major. Language:
German.
Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Jesus
schlaft. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Viola. Composed 1724. BWV
81. 8 pages. Duration 19
minutes. Carus Verlag #CV
31.081/13. Published by
Carus Verlag
(CA.3108113).
ISBN
9790007045487. Key: E
minor. Language:
German/English.
Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score and part
available separately -
see item CA.3108100.
(Cantata for the 3rd day of Christmas). Composed by Johann Sebastian Bach (1685-...(+)
(Cantata for the 3rd day
of Christmas). Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SAB
vocal soli, SATB choir,
[cornet, 3 trombones], 2
violins, viola, basso
continuo. This edition:
Paperbound. E-Moll (E
minor). German title:
Sehet, welch eine Liebe.
Cantatas, Christmas.
Level 3. Vocal score.
Language: German/English.
Composed 1723. BWV 64. 36
pages. Duration 24
minutes. Published by
Carus Verlag
Composed
by Wilhelm Friedemann
Bach. Edited by Felix
Schroeder. German title:
Erzittert Und Fallet F9.
Sacred vocal music,
Cantatas, Easter and
Eastertide. Single Part,
Cello/Double Bass. BR-WFB
F 9. 12 pages. Duration
25 minutes. Carus Verlag
#CV 32.103/14. Published
by Carus Verlag
(CA.3210314).
ISBN
9790007051518. Language:
German/English.
Sco
re available separately -
see item CA.3210300.
Eingangschor aus der
Kantate zum 12. Sonntag
nach Trinitatis.
Composed by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Er hat alles wohl
gemacht. Sacred vocal
music, Cantatas, Trinity.
Full score. Composed
1744. TVWV 1:425/1. 8
pages. Duration 2
minutes. Carus Verlag #CV
39.019/00. Published by
Carus Verlag
(CA.3901900).
ISBN
9790007054823. Key: D
major. Language:
German/English.
Fro
m the cantata cycle
Musicalisches Lob Gottes
in der Gemeine des
Herrn.
Composed
by Leopold Mozart. This
edition: urtext. 1x
40.031/21 oboe 1, 1x
40.031/22 oboe 2, 1x
40.031/31 horn 1, 1x
40.031/32 horn 2, 1x
40.031/33 trombone 1, 1x
40.031/34 trombone 2, 1x
40.031/35 trombone 3.
Stuttgart Urtext Edition:
Mozart. German title:
Litaniae Lauretanae In Es
A. Sacred vocal music,
Hymns, Cantatas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Set of
Orchestra Parts. KV. 48
pages. Carus Verlag #CV
40.031/09. Published by
Carus Verlag
(CA.4003109).
Composed by Wilhelm Friedemann Bach (1710-1784). Edited by Gunter Graulich. Arra...(+)
Composed by Wilhelm
Friedemann Bach
(1710-1784). Edited by
Gunter Graulich. Arranged
by Paul Horn. For SATB
choir, 2 trumpets,
timpani, 2 violins,
viola, basso continuo.
This edition: Paperbound.
German title: Lobet Gott,
unsern Herrn Zebaoth E7.
German Psalms, Praise and
thanks. Full score.
Language: German/English.
F 24. Published by Carus
Verlag
Wedding cantata.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Dem Gerechten Muss
Das Licht Immer Wieder.
Sacred vocal music,
Cantatas, Wedding. Full
score. BWV 195. 96 pages.
Duration 16 minutes.
Carus Verlag #CV
31.195/00. Published by
Carus Verlag
(CA.3119500).
ISBN
9790007171674. Language:
German/English.
The
Hochzeitskantate (Wedding
Cantata) BWV 195 was
performed by Bach from
around 1730 at various
wedding celebrations in
different forms, and was
evidently also lent out
for performances further
afield. The only
surviving version of the
work dates from the last
years of Bach's life. The
opulently-scored first
part begins and ends with
grand choral movements,
and Bach scored both
parts for soloists and
for chorus. At the centre
of the cantata is an
exceptionally sensitive
bass aria, probably one
of Bach's most modern
vocal compositions of
all. A chorale movement
(Nun danket all and
bringet Ehr/ Now thank we
all and offer praise)
with obbligato horns
concludes the cantata as
the second part after the
consummation.
Cantata for the 15th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Was Gott Tut, Das
Ist Wohlgetan I. Sacred
vocal music, Cantatas.
Single Part, Viola.
Composed 1724. BWV 99. 4
pages. Duration 21
minutes. Carus Verlag #CV
31.099/13. Published by
Carus Verlag
(CA.3109913).
ISBN
9790007047146. Key: G
major. Language:
German/English. Text:
Rodigast, Samuel. Text:
Samuel
Rodigast.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Complete orchestral
parts. Sacred vocal
music, Requiem. Set of
Orchestra Parts. Duration
28 minutes. Carus Verlag
#CV 27.318/19. Published
by Carus Verlag
(CA.2731819).
ISBN
9790007164645. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
parts available
separately - see item
CA.2731800.
Composed by Henry DuMont.
Edited by Jean-Paul C.
Montagnier. Arranged by
Paul Horn. French Sacred
Music. Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Choral Score. 20
pages. Carus Verlag #CV
21.005/05. Published by
Carus Verlag
(CA.2100505).
ISBN
9790007109240. Language:
Latin.
Henry du
Mont was a musician at
the court of the French
King Louis XIV. The
present work was probably
performed in 1663 in the
presence of the king, who
also ensured that it was
printed in 1686. The
piece is a Grant Motet, a
motet for double-choir
that, next to the mass,
formed an important class
of French church music at
that time. Score
available separately -
see item CA.2100500.
Cantata
for the feast of
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Sie werden
aus Saba. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
Composed 1724. BWV 65. 12
pages. Duration 18
minutes. Carus Verlag #CV
31.065/05. Published by
Carus Verlag
(CA.3106505).
ISBN
9790007043865. Key: C
major. Language:
German/English.
Sco
re available separately -
see item CA.3106500.
Offertorium de
venerabili
sacramento. Composed
by Wolfgang Amadeus
Mozart. Edited by Klaus
Hofmann. Arranged by Paul
Horn. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Venite populi CV.
Sacred vocal music,
Corpus Christi,
Eucharist, Communion.
Choral Score. Composed
1776. KV 260 (248a).
Duration 6 minutes. Carus
Verlag #CV 40.041/05.
Published by Carus Verlag
(CA.4004105).
ISBN
9790007058296. Key: D
major. Language:
Latin.
Cantatas IV-VI.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Weihnachtsoratorium 4-6
N.N.E. Sacred vocal
music, Oratorios,
Christmas. Set of
Orchestra Parts. Composed
1734. BWV 248. Carus
Verlag #CV 31.248/78.
Published by Carus Verlag
(CA.3124878).
ISBN
9790007096908. Language:
German/English.
Wit
h the edition of the
Christmas Oratorio within
the framework of the
Stuttgart Bach Editions,
Carus presents a
scholarly edition for
practical performance.
The basis for this
publication are Bach's
autograph score and the
original parts. The
conducting score contains
an appendix with a
concise Critical Report
which provides
information about the
sources and their
readings; when necessary,
the latter are discussed
in more detail,
especially with regard to
how the editor arrived at
solutions for questions
of articulation which
differ from those found
in previous editions. The
representative,
clothbound volume is
supplemented by a study
score as well as a choral
score, a vocal score and
complete orchestral
material. In the
orchestral material short
excerpts containing the
conclusions of the secco
recitatives are rendered
with cue notes in
separate vocal systems
printed above the score
where the
instrumentalists pause,
thus enabling them make
their entrances in the
movements which follow
these recitatives. This
work is also available in
carus music, the choir
app! Score and parts
available separately -
see item CA.3124800.
Visitation.
Composed by Johann
Sebastian Bach. Edited by
Christoph Grosspietsch.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Meine Seel erhebt den
Herren. Sacred vocal
music, Cantatas, Advent,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Choral Score. BWV
10. 4 pages. Duration 23
minutes. Carus Verlag #CV
31.010/05. Published by
Carus Verlag
(CA.3101005).
ISBN
9790007129910. Language:
German/English.
Sco
re available separately -
see item CA.3101000.
Composed by Heinrich
Schutz. Edited by Uwe
Wolf. Arranged by Paul
Horn. This edition:
urtext. Stuttgart Urtext
Edition: Schutz. Complete
orchestral parts. Sacred
concertos, Sacred vocal
music, Easter and
Eastertide. Set of
Orchestra Parts. SWV 469.
Carus Verlag #CV
20.469/19. Published by
Carus Verlag
(CA.2046919).
ISBN
9790007143022. Text
language:
Latin.
The Easter
concerto Surrexit pastor
bonus, for large forces,
is based on a Latin
responsory for Easter.
The work is extant only
in handwritten form, and
nothing is known
regarding the date of
composition, although the
polychoral design, with
two ad libitum tutti
choirs (Capellchore)
could indicate a temporal
proximity to the Psalms
of David 1619. On the
other hand, the freer
treatment of the
instruments in particular
suggests the Symphoniae
sacrae and especially -
given the work's large
instrumentation - the
third part, dated 1650.
Score and parts available
separately - see item
CA.2046900.
Composed
by Leopold Mozart. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Litaniae Lauretanae In Es
A. Sacred vocal music,
Hymns, Cantatas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Single
Part, Viola 1. KV. 12
pages. Carus Verlag #CV
40.031/13. Published by
Carus Verlag
(CA.4003113).
Magnificat in D Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Carus Verlag
By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arranged by Pa...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
For SSATB vocal soli,
SSATB choir, 2 flutes, 2
oboes, 3 trumpets,
timpani, 2 violins,
viola, basso continuo.
This edition: Paperbound.
D-Dur (D major).
Stuttgart Urtext
editions. Score available
separately - see item
CA.3124300. Magnificats,
Christmas. Study score.
Language: Latin. BWV 243.
76 pages. Published by
Carus Verlag