Three Folk Miniatures by Andre Jutras. Concert band. Heritage of the March Serie...(+)
Three Folk Miniatures by
Andre Jutras. Concert
band. Heritage of the
March Series. Audio
recording available
separately (item
CL.WFR138). Grade 3.
Score and set of parts.
Composed 1986. Duration 5
minutes, 20 seconds.
Published by C.L.
Barnhouse
Composed by John Ireland.
Band Music. Score and
parts. Duration 10:30.
Published by G & M Brand
Music Publishers
(CN.R10004).
A
slow introduction gives
way to the chirpy theme
which is developed,
inverted, and accents
displaced across the bar
line to give a 3/2 feel
against the written
meter. Restlessness leads
to a tranquillo presented
by the flute and
clarinet, weaving a
flowing counterpoint
around the melody until
the original slow
introduction returns. A
triumphant recapitulation
of the main theme brings
this wonderful piece to
an end.
Originally
composed for Brass Band
in 1934 Comedy Overture
is, despite its name, a
serious piece of writing.
The term Overture does
not imply that there is
anything else to follow;
it is used in the 19th
century sense of Concert
Overture (like
Mendelssohn's Fingal's
Cave - in other words, a
miniature Tone Poem). The
1930's was a period of
Ireland's mature writing
- yielding the Piano
Concerto (1930), the
Legend for piano and
orchestra (1933), and the
choral work These Things
Shall Be (1936-1937). We
are fortunate therefore
to have both Comedy
Overture and A Downland
Suite (1932) written for
band medium at this time.
As with Maritime Overture
(written in 1944 for
military band) Ireland
approaches his material
symphonically. The
opening three notes state
immediately the two
seminal intervals of a
semitone and a third.
These are brooding and
dark in Bb minor. It is
these intervals which
make up much of the
thematic content of
Comedy, sometimes
appearing in inverted
form, and sometimes in
major forms as well. The
concept that some musical
intervals are consonant ,
some dissonant, and some
perfect is perhaps useful
in understanding the
nature of the tension and
resolution of this work.
The third is inherently
unstable, and by bar 4,
the interval is expanded
to a fourth - with an
ascending sem-quaver
triplet - and then
expanded to a fifth. The
instability of the third
pushes it towards a
perfect resolution in the
fourth or the fifth. The
slow introduction is
built entirely around
these intervals in Bb
minor and leads through
an oboe cadenza, to an
Allegro moderato
brillante in Bb major.
Once again, the semi-tone
(inverted) and a third
(major) comprise the
main, chirpy,
theme-inspired by a
London bus-conductor's
cry of Piccadilly. (Much
of the material in Comedy
was re-conceived by
Ireland for orchestra and
published two years later
under the title A London
Overture.) The expansion
of the interval of a
third through a fourth,
fifth, sixth, and seventh
now takes place quickly
before our very ears at
the outset of this
quicker section.
Immediately the theme is
developed, inverted, and
accents displaced across
the bar line to give a
3/2 feel against the
written meter. But this
restlessness leads to a
tranquillo built around
an arpeggio figure and
presented by flute and
clarinet. Ireland weaves
his flowing counterpoint
around this melody until
the original slow
introduction returns
leading to a stretto
effect as the rising bass
motifs become more
urgent, requesting a
resolution of the tension
of that original semitone
and minor third. Yet
resolution is withheld at
this point as the music
becomes almost becalmed
in a further, unrelated
tranquillo section marked
pianissimo. It is almost
as if another side of
Ireland's nature is
briefly allowed to shine
through the stern
counterpoint and
disciplined structure.
This leads to virtually a
full recapitulation of
the chirpy brilliante,
with small additional
touches of counterpoint,
followed by the first
tranquillo section-this
time in the tonic of Bb
major. But the
instability of the third
re-asserts itself, this
time demanding a
resolution. And a
triumphant resolution it
receives, for it finally
becomes fully fledged and
reiterates the octave in
a closing vivace. The
opening tension has at
last resolved itself into
the most perfect interval
of all.
Salsa and Chips Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Alan Stein. By Alan Stein. For Concert Band. Concert Band. Alfred Debut Serie...(+)
By Alan Stein. By Alan
Stein. For Concert Band.
Concert Band. Alfred
Debut Series. Level:
Grade 1.5. Conductor
Score & Parts. Duration
2:33:00. Published by
Alfred Publishing.
By Peter Ilyich Tchaikovsky. Arranged by Mike Hannickel. (Score). Curnow Concer...(+)
By Peter Ilyich
Tchaikovsky. Arranged by
Mike Hannickel. (Score).
Curnow Concert Band Full
Set. Size 9x12 inches. 40
pages. Published by
Curnow Music
Publications.
Composed by
George Lloyd. Band Music.
Score only. Duration
10:00. Published by G & M
Brand Music Publishers
(CN.S11042).
This symphonic
sketch for concert band
is packed full different
motives thrown around the
ensemble hinting at the
programmatic leitmotifs
of Wagner. Every section
of the ensemble gets a
workout in this
delightful 10-minute
work.
A Symphonic
Sketch for Concert Band.
The resurgence of
interest in George
Lloyd's music must give
us faith that such talent
will ultimately prevail
against sometimes unhappy
circumstances. Lloyd was
Cornish and showed
precocious gifts at an
early age - he had
completed his first
symphony by the age of
nineteen. During the
1930s he completed two
operas, one of which -
The Serf - was produced
at Covent Garden in 1938.
He was set for a
glittering career as a
composer. The Second
World War intervened and
he was invalidad out of
the Navy in a
shell-shocked state, and
having written very
little serious music
since 1937 went to
Switzerland to
recuperate, looked after
by his wife, Nancy.
Painfully, he began
writing again -
symphonies Nos. 4 and 5 -
and then returned to
England. He needed to
earn a living and he set
up a mushroom farm in
Dorset. But slowly he
began to compose again
and drafted more
symphonies in short
score. By this time he
was virtually unknown -
despite being considered
the equal of Walton,
Britten, and other young
stars of English music
some 30 years earlier.
Lloyd decided to embark
on a series of recordings
of his symphonies, and
slowly popular acclaim
enabled him to regain his
position. The Forest of
Arden was written in 1987
as a result of a
commission by the
Solihull Youth Wind Band.
Although Lloyd's music
feels instinctively
written one should not be
misled - it is carefully
crafted, but the craft
and structure are always
subordinated to create a
flow with a strongly
melodic content. Instead
of two or three themes,
The Forest of Arden
contains an abundance of
ideas which can be
described in two groups.
The first group contains
the opening rhythmic
motif, quickly developed
into a short rising
quaver passage in the
woodwinds, and later then
a chromatic ostinato bass
- only 8 bars at this
stage but later expanded.
The second group is broad
and expansive, initially
based on intervals of
rising fifths introduced
by euphonium, tubas, and
baritone saxophone,
immediately echoed by
horns. Low brass and
winds expand the theme
into rising sixths and
octaves. There is a hint
of development, bit this
is arrested as the music
moves to a piu tranquillo
section introduced by the
alto saxophone which
further develops the
rising sixth theme. There
follows a true
development of the
opening material,
starting with the
ostinato bass and
gradually passing through
different tonal centers
until the rising fifths
of the second theme group
are heralded - fortissimo
and poco piu largamente
shortly before the end.
The structure is almost
Wagnerian (albeit on a
much smaller scale), with
themes being used as
leitmotifs, but this is
music which, even within
the space of ten minutes
is conceived on a grand
design.
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2013.
Anglo Music Press
#AMP358140. Published by
Anglo Music Press
(HL.44012271).
UPC:
888680057664.
English-German-French-Dut
ch.
Looking Up,
Moving On was
commissioned by the Tokyo
Kosei Wind Orchestra and
was part of a tour
programme they gave in
May 2012, a tour which
included many areas that
had been devastated by
the 2011 earthquake and
tsunami.The theme of the
piece is the powerful
ability of mankind to
overcome such disasters
and look forward to a
positive future; it opens
in an appropriately
optimistic mood,
featuring bright
orchestral colours and
extensive syncopation. A
chorale-like fanfare is
soon introduced on horns
and euphonium, answered
by chirpy woodwinds. The
mood subsides until an
alto saxophone introduces
a brief quotation from
the composer's The Sun
Will RiseAgain, which
was written to raise
funds for victims of the
2011 disaster. The mood
soon changes and the
horns introduce a noble
theme under woodwind
flourishes. This leads to
the main Vivo
section of the piece
which is characterised
again by strong
syncopations as part of a
florid theme in the low
woodwinds. This melody
undergoes varied
development by all
sections of the band
until the horn fanfare
returns triumphally on
the brass. This is
extended and leads to a
faster coda which brings
together previous
material in counterpoint
to close the work in
optimistic mood.
Looking Up,
Moving On is
gecomponeerd in opdracht
van het Tokyo Kosei Wind
Orchestra. Het werk
maakte deel uit van een
programma uit mei 2012,
dat werd uitgevoerd
tijdens een tournee
waarbij veel regio's
werden bezocht die waren
verwoest door de
aardbeving en tsunami van
2011.Het thema van het
werk is het buitengewone
vermogen van de mens om
dergelijke rampen te
boven te komen en vooruit
te kijken naar een
positieve toekomst. De
opening is dan ook
optimistisch van
karakter, met heldere
orkestrale kleuren en een
rijkelijke syncopering.
Al snel wordt er een
koraalachtige fanfare
geintroduceerd door de
hoorns en het euphonium,
waarop een levendig
antwoord volgt in
dehoutblazerssectie. De
sfeer wordt dan steeds
kalmer totdat een
altsaxofoon een kort
citaat laat horen uit een
eerder werk van de
componist, The Sun
Will Rise Again, dat
werd geschreven om geld
in te zamelen voor de
slachtoffers van de ramp
uit 2011. De stemming
slaat vlug weer om: de
hoorns introduceren een
nobel thema, dat
weerklinkt onder
versieringen in het hout.
Dit leidt naar het Vivo,
het hoofdgedeelte, dat
eveneens wordt gekenmerkt
door sterke
syncoperingen, als
onderdeel van een
sierlijk thema in het
lage hout. De melodie
ondergaat een gevarieerde
ontwikkeling binnen alle
secties van het orkest,
totdat de hoornfanfare op
triomfantelijke wijze
terugkeert in het koper.
De fanfare wordt
vervolgens verder
uitgewerkt en voert ons
mee naar een snellere
coda, die voorafgaand
materiaal in contrapunt
samenbrengt en de
compositie in
optimistische stemming
afsluit.
Looking Up,
Moving Down wurde vom
Tokyo Kosei Wind
Orchestra in Auftrag
gegeben und war Teil des
Konzertprogramms einer
Tour im Mai 2012, welche
viele Gebiete einschloss,
die vom Erdbeben und
Tsunami im Jahr 2011
zerstort worden waren.
Thema dieses Stuckes ist
die gewaltige Fahigkeit
der Menschheit, uber
solche Katastrophen
hinwegzukommen und voll
Optimismus in die Zukunft
zu blicken; es beginnt
dementsprechend in einer
positiven Stimmung mit
strahlenden
Orchesterfarben und einer
ausgepragten
Synkopierung. Schon bald
wird eine choralartige
Fanfare auf den Hornern
und im Euphonium
vorgestellt, die von
munteren Holzblasern
beantwortet wird. Die
Stimmung flaut ab, bis
einAltsaxophon ein kurzes
Zitat aus The Sun Will
Rise Again anspielt,
das der Komponist zur
Spendenbeschaffung fur
die Opfer des Unglucks
2011 geschrieben hatte.
Kurz darauf folgt ein
Stimmungswechsel und die
Horner prasentieren ein
stattliches Thema,
begleitet von Fanfaren in
den Holzblasern. Dies
fuhrt zum mit Vivo
uberschriebenen Hauptteil
des Stuckes, der wiederum
von starken
Synkopierungen gepragt
ist, die Teil eines
bluhenden Themas in den
tiefen Holzblasern sind.
Diese Melodie durchlauft
eine vielgestaltige
Entwicklung durch alle
Instrumentengruppen des
Blasorchesters, bis das
Blech mit der Hornfanfare
triumphal zuruckkehrt.
Dies wird erweitert und
fuhrt zu einer
schnelleren Coda, in dem
verschiedenes zuvor
gehortes Material
kontrapunktisch
zusammenkommt, um das
Werk in einer
optimistischen Stimmung
zu beenden.
Looking Up,
Moving On est une
commande du Tokyo Kosei
Wind Orchestra. Cette
piece faisait partie du
programme de la tournee
effectuee par l'orchestre
en mai 2012, qui s'est
produit dans de
nombreuses regions
devastees par le
tremblement de terre et
le tsunami de 2011.La
composition a pour theme
l'immense capacite
humaine a surmonter de
telles catastrophes et
envisager l'avenir de
facon positive. Elle
debute justement dans un
climat optimiste
comportant de vives
couleurs orchestrales et
des passages syncopes.
Les cors et les euphonium
introduisent bientot une
fanfare en forme de
choral a laquelle
repondent des bois
petillants. L'ambiance
s'apaise jusqu'a ce
qu'unsaxophone alto
introduise un court
extrait de The Sun
Will Rise Again, du
meme compositeur, une
piece ecrite pour
collecter des fonds en
faveur des victimes du
desastre de 2011. Le
climat change hativement
lorsque les cors
introduisent un theme
noble par-dessus des
fioritures executees par
les bois. Vient ensuite
la principale section
vivo de la piece, qui se
caracterise, encore une
fois, par des syncopes
tres marquees dans le
cadre d'un theme fleuri
assure dans le registre
grave des bois. Cette
melodie fait l'objet de
divers developpements par
tous les pupitres de
l'orchestre jusqu'au
retour triomphant de la
fanfare soutenue par les
cuivres. Celle-ci se
prolonge pour mener a une
coda plus rapide qui
rassemble les elements
precedents en contrepoint
pour clore la piece dans
un climat optimiste.
El Cabara Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
El Cabara by David Shaffer. Concert band. Young Concert Band. Command Series. Au...(+)
El Cabara by David
Shaffer. Concert band.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR363). Grade 2.5.
Score and set of parts.
Composed 2009. Duration 2
minutes, 8 seconds.
Published by C.L.
Barnhouse
Skulduggery Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Gene Milford. Score and part(s). 20 146 pages. Duration 2 minutes,...(+)
Composed by Gene Milford.
Score and part(s). 20
146 pages. Duration 2
minutes, 38 seconds. Carl
Fischer #YPS0164.
Published by Carl Fischer
(CF.YPS164).
Truckin'! Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
By Harberg. Concert band. Young Band. Command Series. Audio recording available ...(+)
By Harberg. Concert band.
Young Band. Command
Series. Audio recording
available separately
(item CL.WFR369). Grade
2.5. Score and parts.
Composed 2010. Duration 2
minutes, 20 seconds.
Published by C.L.
Barnhouse
Black Bottom Stomp Big band [Conducteur et Parties séparées] Handelsware
Big band (Clarinet (Solo), Soprano Sax 1, Soprano Sax 2, Tenor Sax, Baritone Sax...(+)
Big band (Clarinet
(Solo), Soprano Sax 1,
Soprano Sax 2, Tenor Sax,
Baritone Sax, Trumpet 1
(Solo), Trumpet 2-3,
Trombone 1-3, Piano
(Solo), Banjo (optional),
Bass, Drums) - advanced
to difficult
SKU:
M7.SMP-171
Swing. Composed by
Jelly Roll Morton.
Arranged by Jackson
Stock. Sheet music.
Swing. Score and parts.
Handelsware #SMP 171.
Published by Handelsware
(M7.SMP-171).
English.
This
chart is destined to
become a best-seller
because of its unique and
exciting format ... an
orchestration of Jelly
Roll Morton's original
recording of one of his
most famous compositions.
The arranger has
successfully captured the
spirit of the '20's with
the modern big band.
Scored for 5 woodwinds
(incl. clarinet and 2
soprano saxes) 6 brass
and 4 rhythm, this is one
piece that your band and
audiences will ask for
again and again.
5-3-3-4.
Big Bad and Blue Orchestre d'harmonie [Conducteur] - Facile Excelcia Music Publishing
Concert Band Concert Band - Grade 2.5 SKU: XC.ICB2203FS Composed by Micha...(+)
Concert Band Concert Band
- Grade 2.5
SKU:
XC.ICB2203FS
Composed
by Michael J. Miller.
Festival. Intermezzo
Grade 2-2.5. Festival.
Score. Excelcia Music
Publishing #ICB2203FS.
Published by Excelcia
Music Publishing
(XC.ICB2203FS).
12 x 9
inches.
Engaging
your students is very
important, and what
better way to do that
than to explore the Blues
style. Composer Michael
J. Miller has given young
bands an effectively
written bluesy piece that
students will want to
play again and again. If
you're adventurous, there
is even a cool optional
solo section to let
students jam!
Stand by Me Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1115114-015 Arra...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1115114-015
Arranged by Roland
Kernen. Flexible 5
Series. Concert Piece.
Set (Score and Parts).
Composed 2011. De Haske
Publications #DHP
1115114-015. Published by
De Haske Publications
(BT.DHP-1115114-015).
9x12 inches.
English-German-French-Dut
ch.
Stand By
Me, perhaps Ben E.
Kingâ??s greatest hit
ever, was first released
in 1961 as the b-side of
a single, but as it soon
went to number one on the
RandB charts and to
number one of the pop
charts, the single was
released again with
Stand By Me as the
a-side. In 1986 it was
rereleased again, on the
release of the movie by
the same name, and it is
also well-known through
countless cover versions
by famous singers. Now,
Stand By Me is
available for a flexible
five part
instrumentation.
St
and By Me, Ben E.
Kings vielleicht
grö�ter Hit,
erschien erstmals im Jahr
1961 auf Schallplatte.
Zunächst nur als
B-Seite einer Single
verkauft, wendete sich
das Blatt schnell, als
Stand By Me binnen
kurzem auf Platz 1 der
RandB-Charts und Platz 4
der Popcharts schoss.
Nicht zuletzt durch den
gleichnamigen Film von
1986 und unzählige
Coverversionen ist das
Lied heute bei Jung und
Alt bekannt und beliebt.
Dieser Titel ist in der
Reihe Flexible Band 5
Seriesâ?? erschienen und
somit fu?nfstimmig
variabel
besetzbar.
Stand By
Me, del 1961, è
probabilmente il più
grande successo di Ben E.
King. Il brano è
basato su un gospel del
1955, riadattato a ritmi
più moderni. Stand
By Me ha raggiunto la
top ten dei singoli
più venduti negli
Stati Uniti per due
volte, nel 1961 e nel
1986, in occasione
dellâ??uscita del film.
Un evergreen ora
disponibile nella serie
â??Flexible Band 5
Seriesâ? per
strumentazione variabile
a cinque voci.
By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, S...(+)
By George Frideric Handel
; Donald Burrows
(Editor). For Soprano,
Tenor, Bass, SATB Choir,
Piano Accompaniment.
Baroque. Sheet Music. 168
pages. Published by
Novello and Co Ltd.
El Cabara Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-3835-01 Composed by Shaffer. Young Concert Band. Comm...(+)
Grade 2
SKU:
CL.011-3835-01
Composed by Shaffer.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR363). Extra full
score. Composed 2009.
Duration 2 minutes, 8
seconds. C.L. Barnhouse
#011-3835-01. Published
by C.L. Barnhouse
(CL.011-3835-01).
Written in the
Spanish folk song style
of the Corrida, this
exciting composition will
paint vivid images of the
traditional Spanish
bullfights. Although the
technical demands are
limited, the intense
musical energy will
captivate your students
and entertain your
audiences. Appropriate
for festival and concert
performances, El Cabara
will be the piece that
your students ask to play
again and again.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
See You Again Orchestre d'harmonie [Conducteur] - Facile Boosey and Hawkes
Score Only Concert Band (Score) - Grade 2 SKU: HL.4005417 By Charlie Puth...(+)
Score Only Concert Band
(Score) - Grade 2
SKU:
HL.4005417
By Charlie
Puth and Wiz Khalifa.
Arranged by Johnnie
Vinson. Discovery Plus
Concert Band. Movies.
Softcover. Published by
Boosey & Hawkes
(HL.4005417).
UPC:
888680724122.
9.0x12.0x0.02
inches.
Featured in
the hit movie Furious 7
and recorded by Wiz
Khalifa featuring Charlie
Puth, this rock ballad
has a memorable melody
and nice rhythmic feel.
Here is a very effective
setting for young band by
Johnnie Vinson.
By David Shaffer. For young concert band. Rising Band Series. Grade 1.5. Score a...(+)
By David Shaffer. For
young concert band.
Rising Band Series. Grade
1.5. Score and set of
parts. Duration 1 minute,
48 seconds. Published by
C.L. Barnhouse
Buenaventura Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Steve Hodges. By Steve Hodges. For Concert Band. Concert Band. Alfred Concer...(+)
By Steve Hodges. By
Steve Hodges. For Concert
Band. Concert Band.
Alfred Concert Band.
Level: Grade 3.5.
Conductor Score & Parts.
Duration 3:30:00.
Published by Alfred
Publishing.
Battle Creek March Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Mark Williams. Music by Mark Williams. For Concert Band. Concert Band. Accent...(+)
By Mark Williams. Music
by Mark Williams. For
Concert Band. Concert
Band. Accent on
Achievement. Level: Level
1 (grade 1). Conductor
Score & Parts. 1 pages.
Published by Alfred
Publishing.
Give Us This Day Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Short Symphony for Wind Ensemble - Full Score and Parts. By David Maslanka. Conc...(+)
Short Symphony for Wind
Ensemble - Full Score and
Parts. By David Maslanka.
Concert band/stage band.
Score and parts. 80
pages. Published by Carl
Fischer.
Passacaglia and Fuge Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Baton Music
(BWV 582). By Johann Sebastian Bach / Ottorino Respighi. Arranged by Douglas McL...(+)
(BWV 582). By Johann
Sebastian Bach / Ottorino
Respighi. Arranged by
Douglas McLain. For
concert band. Grade 5.
Full score. Duration
14:00. Published by Baton
Music
Again and Again Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Benny Carter. Jazz Ensemble. Jazz Ensemble. Essential Ellington: Jazz at Linc...(+)
By Benny Carter. Jazz
Ensemble. Jazz Ensemble.
Essential Ellington: Jazz
at Lincoln Center
Library. Swing. Grade 5.
Conductor Score and
Parts. 62 pages
Cruisin' Bluesin' Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Carol Brittin Chambers. Score and part(s). 12 116 pages. Duration ...(+)
Composed by Carol Brittin
Chambers. Score and
part(s). 12 116 pages.
Duration 2 minutes, 3
seconds. Carl Fischer
#BPS0100. Published by
Carl Fischer (CF.BPS100).
Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44012841 Composed by Jan ...(+)
Concert Band/Harmonie
(Score) - Grade 5
SKU:
HL.44012841
Composed
by Jan Hadermann. De
Haske Concert Band.
Concert Piece. Softcover.
Composed 2004. De Haske
Publications #1043740140.
Published by De Haske
Publications
(HL.44012841).
UPC:
888680643607.
English-German-French-Dut
ch.
Guernica, a
peaceful town in the
Basque region of Spain,
was reduced to ruins on
the 26th of April 1937 by
Nazi bombers. It was a
totally unexpected attack
that happened while the
crowded open-air market
was in progress. Over
1600 innocent citizens
were killed.This was one
of the most senseless and
abhorrent war crimes in
history. In this new work
by Jan Hadermann the
music of the Basque
region can clearly be
heard, with street
musicians adding lustre
to the open-air market
with dance music. Spring
is in the air when
suddenly from behind the
mountaintops, the death
squad appears and all
hell breaks loose. The
work ends with an intense
plea to never let
anything like this
happenagain. A moving and
contemplative new work
for concert band.
Guernica, een
vredig stadje in het
Spaanse Baskenland, werd
op 26 april 1937 door
nazi bommenwerpers
volledig in puin gelegd.
Die aanval vond totaal
onverwacht plaats terwijl
de drukbezochte
openluchtmarkt volop aan
de gang was. Meerdan 1600
onschuldige burgers
werden gedood. Dit is een
van de meest zinloze en
weerzinwekkende
oorlogsmisdaden uit de
geschiedenis. In het stuk
Guernica van Jan Haderman
horen we hoe de Baskische
muziek klinkt:
straatmuzikantenluisteren
de openluchtmarkt op met
dansmuziek. Het is lente.
Dan duikt plotseling
vanachter de bergtoppen
het doodseskader op en
barst de hel los. Het
werk eindigt met een
intense smeekbede zoiets
nooit meer te laten
gebeuren. Eenontroerend
nieuw werk voor
harmonieorkest.
Gu
ernica, eine friedliche,
strategisch eher
bedeutungslose Stadt im
Baskenland in Spanien,
ist durch einen
furchtbaren Blitzangriff
von Nazibombern im Jahr
1937 zum Symbol fur die
Sinnlosigkeit und
Grausamkeit von
Kriegsverbrechen und
Terror geworden. Im Stuck
Guernica ist die
frohliche Musik der
Basken herauszuhoren,
bevor die Holle des
Angriffs losbricht. Das
Werk endet mit der
eindringlichen Bitte, so
etwas nie wieder
geschehen zu lassen. Ein
eindrucksvolles Werk mit
einer nach wie vor
aktuellen
Botschaft.
Le 26
avril 1937, la paisible
ville de Guernica dans le
Pays basque espagnol est
aneantie par les
bombardiers de l'aviation
nazie. Plus de mille six
cents civils sont tues.
La ville brule pendant
trois jours.
Guernica de Jan
Hadermann se developpe
aux sons de la musique
basque. La place du
marche est pleine de
monde. L'atmosphere est
douce, le printemps
s'eveille sur un air de
danse joue par des
musiciens de rue quand
surgit par dessus les
montagnes, l'escadron de
la mort. L'enfer commence
a Guernica. L'œuvre
se conclut dans une
intense expression de
supplication pour qu'une
telle folie ne se
reproduise plus.
Ripcord, score and parts Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Composed by George Sweet. For string orchestra (violin I, violin II, violin ...(+)
Composed by George Sweet.
For
string orchestra (violin
I,
violin II, violin III
(viola
T.C.), viola, cello,
bass,
piano). Score and parts.
Duration 2 minutes, 37
seconds. Published by
Carl
Fischer
(Or L'Amour A Trois) Composed by Gian Carlo Menotti (1911-). Vocal score for sop...(+)
(Or L'Amour A Trois)
Composed by Gian Carlo
Menotti (1911-). Vocal
score for soprano voice,
baritone voice and piano.
With vocal melody, lyrics
and piano reduction. Text
language French/English..
49 pages. Published by G.
Schirmer, Inc.