(Parts). Composed by Antonin Dvorak (1841-1904). Edited by Peter Jost. For Strin...(+)
(Parts). Composed by
Antonin Dvorak
(1841-1904). Edited by
Peter Jost. For String
Quartet (Parts). Henle
Music Folios. Softcover.
G. Henle #HN1232.
Published by G. Henle
(Study Score). Composed by Antonin Dvorak (1841-1904). Edited by Peter Jost. For...(+)
(Study Score). Composed
by Antonin Dvorak
(1841-1904). Edited by
Peter Jost. For String
Quartet (Study Score).
Henle Study Scores.
Softcover. G. Henle
#HN7232. Published by G.
Henle
Ligne De Mélodie, Paroles et Accords [Fake Book] - Intermédiaire Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics, chord
names and guitar chord
chart. Gospel and
worship. Series: Hal
Leonard Fake Books. 295
pages. 9x12 inches.
Published by Hal Leonard.
Performed by The Beatles. E-Z Play Today (Easy big-note right-hand-only arrangem...(+)
Performed by The Beatles.
E-Z Play Today (Easy
big-note right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 208 pages.
Published by Hal Leonard.
(E-Z Play Today Volume 56). By The Four Seasons and Frankie Valli. For Organ...(+)
(E-Z Play Today Volume
56). By
The Four Seasons and
Frankie
Valli. For Organ,
Piano/Keyboard,
Electronic
Keyboard. E-Z Play Today.
Softcover. 56 pages.
Published
by Hal Leonard
Viola SKU: BT.9781408114582 Composed by Peter Davey. Abracadabra. Exam Ma...(+)
Viola
SKU:
BT.9781408114582
Composed by Peter Davey.
Abracadabra. Exam
Material. Book with CD.
64 pages. Collins Music
Publishing
#9781408114582. Published
by Collins Music
Publishing
(BT.9781408114582).
ISBN 9781408114582.
English.
Now in
a third edition,
Abracadabra
Viola has a
fresh, contemporary new
look and is the perfect
book for pupil and
teachers.
This
title offers an identical
selection of repertoire
to the other booksin the
Abracadabra Strings
series, so they can be
used in any combination
for group or whole class
lessons and mixed
ensemble performances.
Used alone, they remain
ideal for individual
tuition.
With
tunes you know andwant to
play, carefully graded in
20 learning steps, this
new edition of the
popular tutor also
includes duets, trios and
teacher's parts. Clear
fingering and bowing
diagrams and concise
theory explanations help
to teachthefundamentals
of the instrument, and
each new technical aspect
is reinforced by several
pieces using that
particular
technique.
Abracadabra
Viola now also
includes two CDs of
performance and
backingtracks, featuring
selected orchestral
backings.
Chamber Music
Mezzo-soprano, Piano,
baritone voice soprano
voice, tenor voice
SKU: PR.411411980
Sung Monologues for
Solo Voices and Piano
Inspired by Classic
Literature. Composed
by Nkeiru Okoye. Theodore
Presser Company
#411-41198. Published by
Theodore Presser Company
(PR.411411980).
(23 Traditional and Popular Jamaican Songs). By Michael Burnett; Peter Hunt. For...(+)
(23 Traditional and
Popular Jamaican Songs).
By Michael Burnett; Peter
Hunt. For Mixed voices,
unison to 6 parts. Song
Book. Voiceworks.
Voiceworks. 152 pages.
Published by Oxford
University Press
Jazz Piano SKU: SP.TS154 Composed by Jonathon Robbins. Arranged by Tony S...(+)
Jazz Piano
SKU:
SP.TS154
Composed by
Jonathon Robbins.
Arranged by Tony
Santorella/Jonathon
Robbins. Collection;
Jazz. Book and CD.
Santorella Publications
#TS154. Published by
Santorella Publications
(SP.TS154).
ISBN
9781585602544. UPC:
649571001541.
The
Classics to Jazz
collection published by
Santorella Publications
features some of the most
popular masterworks from
four of the greatest
musical geniuses in
history. Each piece is
first presented in its
original form and then on
the following page, it is
arranged with a Jazz
feel. The Classics to
Jazz series is a great
educational tool for the
advancing pianist making
the transition from
Classical studies to the
exciting world of Jazz
Piano. These curiously
irresistible melodies
arranged and edited by
Jonathon Robbins will
grab you as soon as you
begin to play. Fun and
exciting, these pieces
will become the most
played tunes in your
library. The Complete
Highlights features the
works of Carl Czerny,
Charles Hanon, Johann
Sebastian Bach and
Wolfgang Amadeus Mozart.
This late intermediate to
advanced text is a must
have - must study
assortment of challenging
crossover pieces for
those who would like to
get some fun back into
their practice sessions.
The Classics to Jazz *
Complete Highlight
Edition published by
Santorella Publications
includes a performance
CD. Each classic exercise
and jazz piece is played
up to tempo by Craig
Stevens on an acoustic
grand piano. This Craig
Stevens performance is
truly remarkable! All we
can say is Wow and so
too, will you! These four
fabulous sections
include: Johann Sebastian
Bach: Bouree in E Minor -
Minuet in G - March in D
- Corrente - Minuet in G
Minor - Little Prelude *
(derived from the
masterworks of J. S.
Bach). Carl Czerny:
Exercise No. 1 - 15 - 20
- 22 - 25 - 34 - 37 - 42
- 59 - 63 - 70 * (derived
from Czerny's 160
Eight-measure Exercises).
Charles L. Hanon:
Exercise No. 1 - 2 - 4 -
5 - 6 - 8 * (derived from
Hanon's Sixty Exercises
for the Virtuoso
Pianist). Wolfgang
Amadeus Mozart: Andante -
Larghetto - Minuet in G -
Minuet in D - Minuet in F
- Minuet in C * (derived
from the masterworks of
W. A. Mozart).
Woodwinds (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required)) SK...(+)
Woodwinds (2(picc).2(cor
ang).2.2 - 2.1.0.0 - hp-
str (6 db are required))
SKU: BR.OB-5540-30
Suite d'Orchestre -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
An homage to Francois
Couperin, but most
notably to the French
music of the late 18th
century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Ravel's
multi-layered homage in
Breitkopf UrtextIn his
homage Le Tombeau de
Couperin, Ravel is less
specifically interested
in Couperin than in
French music of the late
18th century. In his
preface, editor
Jean-Francois Monnard
explains how Ravel paid a
moving and intensely
personal tribute to the
events of World War I
with his multi-layered
work. The orchestral
version goes back to the
original, eponymous piano
suite (1914-17). Then, in
1919, the composer
selected four pieces from
this source, orchestrated
them with all of his
grace and artistry; the
result provides a
charming contrast to the
pseudo-Baroque musical
idiom, and places the
pieces in a new and
effective sequence. The
work quickly gained great
popularity immediately
after the concertant
world premiere, when the
three dance movements of
the orchestral suite were
included in a ballet
production.The
underpinnings of
Monnard's edition are
provided by the most
important sources. The
preface features a great
deal of information on
the interpretation and
performance history of
the work. This is the
fifth major Ravel work
now available in print
from Breitkopf
Urtext.
An homage
to Francois Couperin, but
most notably to the
French music of the late
18th century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Violoncello (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required)) ...(+)
Violoncello
(2(picc).2(cor ang).2.2 -
2.1.0.0 - hp- str (6 db
are required))
SKU:
BR.OB-5540-23
Suite d'Orchestre -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
An homage to Francois
Couperin, but most
notably to the French
music of the late 18th
century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Ravel's
multi-layered homage in
Breitkopf UrtextIn his
homage Le Tombeau de
Couperin, Ravel is less
specifically interested
in Couperin than in
French music of the late
18th century. In his
preface, editor
Jean-Francois Monnard
explains how Ravel paid a
moving and intensely
personal tribute to the
events of World War I
with his multi-layered
work. The orchestral
version goes back to the
original, eponymous piano
suite (1914-17). Then, in
1919, the composer
selected four pieces from
this source, orchestrated
them with all of his
grace and artistry; the
result provides a
charming contrast to the
pseudo-Baroque musical
idiom, and places the
pieces in a new and
effective sequence. The
work quickly gained great
popularity immediately
after the concertant
world premiere, when the
three dance movements of
the orchestral suite were
included in a ballet
production.The
underpinnings of
Monnard's edition are
provided by the most
important sources. The
preface features a great
deal of information on
the interpretation and
performance history of
the work. This is the
fifth major Ravel work
now available in print
from Breitkopf
Urtext.
An homage
to Francois Couperin, but
most notably to the
French music of the late
18th century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Double bass (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required)) ...(+)
Double bass
(2(picc).2(cor ang).2.2 -
2.1.0.0 - hp- str (6 db
are required))
SKU:
BR.OB-5540-27
Suite d'Orchestre -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
An homage to Francois
Couperin, but most
notably to the French
music of the late 18th
century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Ravel's
multi-layered homage in
Breitkopf UrtextIn his
homage Le Tombeau de
Couperin, Ravel is less
specifically interested
in Couperin than in
French music of the late
18th century. In his
preface, editor
Jean-Francois Monnard
explains how Ravel paid a
moving and intensely
personal tribute to the
events of World War I
with his multi-layered
work. The orchestral
version goes back to the
original, eponymous piano
suite (1914-17). Then, in
1919, the composer
selected four pieces from
this source, orchestrated
them with all of his
grace and artistry; the
result provides a
charming contrast to the
pseudo-Baroque musical
idiom, and places the
pieces in a new and
effective sequence. The
work quickly gained great
popularity immediately
after the concertant
world premiere, when the
three dance movements of
the orchestral suite were
included in a ballet
production.The
underpinnings of
Monnard's edition are
provided by the most
important sources. The
preface features a great
deal of information on
the interpretation and
performance history of
the work. This is the
fifth major Ravel work
now available in print
from Breitkopf
Urtext.
An homage
to Francois Couperin, but
most notably to the
French music of the late
18th century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Viola (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required)) SKU: B...(+)
Viola (2(picc).2(cor
ang).2.2 - 2.1.0.0 - hp-
str (6 db are required))
SKU: BR.OB-5540-19
Suite d'Orchestre -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
An homage to Francois
Couperin, but most
notably to the French
music of the late 18th
century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Ravel's
multi-layered homage in
Breitkopf UrtextIn his
homage Le Tombeau de
Couperin, Ravel is less
specifically interested
in Couperin than in
French music of the late
18th century. In his
preface, editor
Jean-Francois Monnard
explains how Ravel paid a
moving and intensely
personal tribute to the
events of World War I
with his multi-layered
work. The orchestral
version goes back to the
original, eponymous piano
suite (1914-17). Then, in
1919, the composer
selected four pieces from
this source, orchestrated
them with all of his
grace and artistry; the
result provides a
charming contrast to the
pseudo-Baroque musical
idiom, and places the
pieces in a new and
effective sequence. The
work quickly gained great
popularity immediately
after the concertant
world premiere, when the
three dance movements of
the orchestral suite were
included in a ballet
production.The
underpinnings of
Monnard's edition are
provided by the most
important sources. The
preface features a great
deal of information on
the interpretation and
performance history of
the work. This is the
fifth major Ravel work
now available in print
from Breitkopf
Urtext.
An homage
to Francois Couperin, but
most notably to the
French music of the late
18th century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Violin 1 (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required)) SKU...(+)
Violin 1 (2(picc).2(cor
ang).2.2 - 2.1.0.0 - hp-
str (6 db are required))
SKU: BR.OB-5540-15
Suite d'Orchestre -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
An homage to Francois
Couperin, but most
notably to the French
music of the late 18th
century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Ravel's
multi-layered homage in
Breitkopf UrtextIn his
homage Le Tombeau de
Couperin, Ravel is less
specifically interested
in Couperin than in
French music of the late
18th century. In his
preface, editor
Jean-Francois Monnard
explains how Ravel paid a
moving and intensely
personal tribute to the
events of World War I
with his multi-layered
work. The orchestral
version goes back to the
original, eponymous piano
suite (1914-17). Then, in
1919, the composer
selected four pieces from
this source, orchestrated
them with all of his
grace and artistry; the
result provides a
charming contrast to the
pseudo-Baroque musical
idiom, and places the
pieces in a new and
effective sequence. The
work quickly gained great
popularity immediately
after the concertant
world premiere, when the
three dance movements of
the orchestral suite were
included in a ballet
production.The
underpinnings of
Monnard's edition are
provided by the most
important sources. The
preface features a great
deal of information on
the interpretation and
performance history of
the work. This is the
fifth major Ravel work
now available in print
from Breitkopf
Urtext.
An homage
to Francois Couperin, but
most notably to the
French music of the late
18th century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Orchestra (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required)) SK...(+)
Orchestra (2(picc).2(cor
ang).2.2 - 2.1.0.0 - hp-
str (6 db are required))
SKU: BR.PB-5569-07
Suite d'Orchestre -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). An
homage to Francois
Couperin, but most
notably to the French
music of the late 18th
century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way. Have a look into PB
5540. Suite; Ballet;
Early modern. Study
Score. 72 pages. Duration
17'. Breitkopf and
Haertel #PB 5569-07.
Published by Breitkopf
and Haertel
(BR.PB-5569-07).
ISBN
9790004213797. 6.5 x 9
inches.
Ravel's
multi-layered homage in
Breitkopf UrtextIn his
homage Le Tombeau de
Couperin, Ravel is less
specifically interested
in Couperin than in
French music of the late
18th century. In his
preface, editor
Jean-Francois Monnard
explains how Ravel paid a
moving and intensely
personal tribute to the
events of World War I
with his multi-layered
work. The orchestral
version goes back to the
original, eponymous piano
suite (1914-17). Then, in
1919, the composer
selected four pieces from
this source, orchestrated
them with all of his
grace and artistry; the
result provides a
charming contrast to the
pseudo-Baroque musical
idiom, and places the
pieces in a new and
effective sequence. The
work quickly gained great
popularity immediately
after the concertant
world premiere, when the
three dance movements of
the orchestral suite were
included in a ballet
production.The
underpinnings of
Monnard's edition are
provided by the most
important sources. The
preface features a great
deal of information on
the interpretation and
performance history of
the work. This is the
fifth major Ravel work
now available in print
from Breitkopf
Urtext.
An homage
to Francois Couperin, but
most notably to the
French music of the late
18th century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Violin 2 (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required)) SKU...(+)
Violin 2 (2(picc).2(cor
ang).2.2 - 2.1.0.0 - hp-
str (6 db are required))
SKU: BR.OB-5540-16
Suite d'Orchestre -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
An homage to Francois
Couperin, but most
notably to the French
music of the late 18th
century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Ravel's
multi-layered homage in
Breitkopf UrtextIn his
homage Le Tombeau de
Couperin, Ravel is less
specifically interested
in Couperin than in
French music of the late
18th century. In his
preface, editor
Jean-Francois Monnard
explains how Ravel paid a
moving and intensely
personal tribute to the
events of World War I
with his multi-layered
work. The orchestral
version goes back to the
original, eponymous piano
suite (1914-17). Then, in
1919, the composer
selected four pieces from
this source, orchestrated
them with all of his
grace and artistry; the
result provides a
charming contrast to the
pseudo-Baroque musical
idiom, and places the
pieces in a new and
effective sequence. The
work quickly gained great
popularity immediately
after the concertant
world premiere, when the
three dance movements of
the orchestral suite were
included in a ballet
production.The
underpinnings of
Monnard's edition are
provided by the most
important sources. The
preface features a great
deal of information on
the interpretation and
performance history of
the work. This is the
fifth major Ravel work
now available in print
from Breitkopf
Urtext.
An homage
to Francois Couperin, but
most notably to the
French music of the late
18th century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
Jumbo Easy Guitar Songbook Guitare notes et tablatures Guitare classique [Partition] - Facile Hal Leonard
Performed by Various. Easy Guitar (Simplified arrangements for guitar). With not...(+)
Performed by Various.
Easy Guitar (Simplified
arrangements for guitar).
With notes and tablature.
Size 9x12 inches. 400
pages. Published by Hal
Leonard.
Jazz Ensemble 2 Alto
saxophones, 2 Tenor
saxophones, 3 trumpet, 2
trombonne, piano, guitar,
double bass, Dr
SKU:
PE.EP68488A
Composed
by Jelly Roll Morton.
Jazz Ensembles. Edition
Peters. Part(s). 60
pages. Edition Peters
#98-EP68488A. Published
by Edition Peters
(PE.EP68488A).
ISBN
9790300758909.
English.
At the
end of 1938, Jelly Roll
Morton (1890-1941)
returned to New York from
his years in Washington,
D.C. Recent publicity had
made a comeback seem
possible, and he hoped to
recapture the prominent
place in the jazz world
that he had held in the
1920s. Still well known,
though mainly as a New
Orleans music pioneer, he
understood that in order
to be taken seriously as
a contemporary artist, he
needed to form a big band
like those of his
competition, such as Duke
Ellington, Count Basie,
Benny Goodman, and Tommy
and Jimmy Dorsey. In the
1920s Morton's recordings
and tours featured a
ten-piece band following
the first-generation
big-band format. But in
the late 1930s, larger
groups were popular, so
Morton assembled a
conventional '30s band
consisting of four
saxophones, six brass,
and four rhythm. The band
was to open at the Golden
Gate Ballroom in Harlem
on April 17th, 1939, but
on opening night Morton
collapsed before going
onstage. During his
recuperation from the
asthma and heart problems
that dogged him, the band
broke up, never to
reassemble. Only six
items written for that
band's instrumentation
are known to exist:
Morton's arrangements of
his own compositions --
Finger Breaker, GanJam,
Good Old New York, Mister
Joe, and Stop and Go --
and an arrangement,
Mamies' Blues, by another
artist. -- James Dapogny
(Editor)
As an
editor, Dapogny shows his
customary sound musical
scholarship and deep
knowledge of Morton's
style....The publishers
are to be congratulated
for bringing this
fascinating work into the
public domain, which
throws a totally new
light on 'Mister Jelly
Lord.' Who knows what he
would have achieved had
he lived beyond his
alleged 51 years?
--Martin Litton, for JUST
JAZZ (Feb 2011)
Jazz Ensemble 2 Alto
saxophones, 2 Tenor
saxophones, 3 trumpet, 2
trombonne, piano, guitar,
double bass, Dr
SKU:
PE.EP68488
Composed
by Jelly Roll Morton.
Jazz Ensembles. Edition
Peters. Score. 36 pages.
Edition Peters
#98-EP68488. Published by
Edition Peters
(PE.EP68488).
ISBN
9790300758893.
English.
At the
end of 1938, Jelly Roll
Morton (1890-1941)
returned to New York from
his years in Washington,
D.C. Recent publicity had
made a comeback seem
possible, and he hoped to
recapture the prominent
place in the jazz world
that he had held in the
1920s. Still well known,
though mainly as a New
Orleans music pioneer, he
understood that in order
to be taken seriously as
a contemporary artist, he
needed to form a big band
like those of his
competition, such as Duke
Ellington, Count Basie,
Benny Goodman, and Tommy
and Jimmy Dorsey. In the
1920s Morton's recordings
and tours featured a
ten-piece band following
the first-generation
big-band format. But in
the late 1930s, larger
groups were popular, so
Morton assembled a
conventional '30s band
consisting of four
saxophones, six brass,
and four rhythm. The band
was to open at the Golden
Gate Ballroom in Harlem
on April 17th, 1939, but
on opening night Morton
collapsed before going
onstage. During his
recuperation from the
asthma and heart problems
that dogged him, the band
broke up, never to
reassemble. Only six
items written for that
band's instrumentation
are known to exist:
Morton's arrangements of
his own compositions --
Finger Breaker, GanJam,
Good Old New York, Mister
Joe, and Stop and Go --
and an arrangement,
Mamies' Blues, by another
artist. -- James Dapogny
(Editor)
As an
editor, Dapogny shows his
customary sound musical
scholarship and deep
knowledge of Morton's
style....The publishers
are to be congratulated
for bringing this
fascinating work into the
public domain, which
throws a totally new
light on 'Mister Jelly
Lord.' Who knows what he
would have achieved had
he lived beyond his
alleged 51 years?--Martin
Litton, for JUST JAZZ
(Feb 2011)