SSA and Piano. By Kim Oler. Arranged by Carl Strommen. (2 part). Boosey and Haw...(+)
SSA and Piano. By Kim
Oler. Arranged by Carl
Strommen. (2 part).
Boosey and Hawkes Sacred
Choral. Size 7x10.5
inches. 8 pages.
Published by Boosey and
Hawkes.
Saxophone Tenor [Partition + CD] Alfred Publishing
By George Gershwin. Edited by Thom Proctor. Arranged by Carl Strommen. Education...(+)
By George Gershwin.
Edited by Thom Proctor.
Arranged by Carl
Strommen. Educational
instrumental collection
(ts/cd). Level: 3-4. 28
pages. Published by
Alfred Publishing.
By Carl Strommen. For Choir. (SATB). Choral Octavo. Secular, Christmas. Level: ...(+)
By Carl Strommen. For
Choir. (SATB). Choral
Octavo. Secular,
Christmas. Level:
Moderate (grade 3).
Choral Octavo. 8 pages.
Published by Alfred
Publishing.
Jazz Ensemble standard Jazz ensemble (Kendor Konvertible for 9-17 players) with ...(+)
Jazz Ensemble standard
Jazz ensemble (Kendor
Konvertible for 9-17
players) with opt. flute,
clarinet, F horn, tuba
and vibes - Grade 1
SKU: KN.63150
(based on the chord
changes to 'On A Slow
Boat To China' by Frank
Loesser). Composed by
Carl Strommen. Jazz
Quest. Bright Swing.
Kendor Music Inc #63150.
Published by Kendor Music
Inc (KN.63150).
UPC:
822795631500.
This
bright swing chart for
beginning groups is based
on the chord changes to
On A Slow Boat To China
by Frank Loesser. The
solo section is playable
by any instrument, with
solo sheets provided in
all keys along with
scales to assist students
in improvisation.
Jumpin' Jack Jive Ensemble Jazz [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.032-4839-00 Jazz Ensemble. Jazz Ensemble. Score and set o...(+)
Grade 2
SKU:
CL.032-4839-00
Jazz
Ensemble. Jazz Ensemble.
Score and set of parts.
Composed 2020. Duration 2
minutes, 48 seconds. C.L.
Barnhouse #032-4839-00.
Published by C.L.
Barnhouse
(CL.032-4839-00).
Veteran
composer Carl
Strommen’s
Jumpin’ Jack Jive
opens in a bright, brisk
four and soon switches to
a trademark two feel,
reminiscent of the great
big bands of yesteryear.
The solo section features
tenor and alto, and can
be opened up for a
variety of soloists of
the director’s
choosing. The charts
builds and builds to a
big finish! A great one
for festival and concert
use. Swing on with
Jumpin’ Jack
Jive!.
Communion Orchestre d'harmonie - Intermédiaire Alfred Publishing
By Carl Strommen. For Concert Band. Concert Band. Belwin Concert Band. Level: 3 ...(+)
By Carl Strommen. For
Concert Band. Concert
Band. Belwin Concert
Band. Level: 3 (Medium
Easy) (grade 3).
Conductor Score. 28
pages. Published by
Alfred Publishing.
Hey, Look Me Over Chorale Unison Unison/2-parties, Piano [Octavo] - Intermédiaire Alfred Publishing
By Cy Coleman, Lyric By Carolyn Leigh. Arranged by Carl Strommen. For Choir. (U...(+)
By Cy Coleman, Lyric By
Carolyn Leigh. Arranged
by Carl Strommen. For
Choir. (Unison/2-part
Treble). Choral Octavo.
Broadway. Level: Moderate
(grade 3). Choral Octavo.
12 pages. Published by
Alfred Publishing.
When I Fall in Love Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Victor Young, lyrics by Edward Heyman. Arranged by Carl Strommen. Orchestra. ...(+)
By Victor Young, lyrics
by Edward Heyman.
Arranged by Carl
Strommen. Orchestra. For
strings w/ vln3, pno acc.
Part(s); Score; String
Orchestra. Pop
Intermediate String
Orchestra. Light Concert;
Pop. Grade 3. 76 pages.
Published by Alfred Music
Publishing
(Featuring: Give My Regards to Broadway / Ain't Misbehavin' / My Funny Valentine...(+)
(Featuring: Give My
Regards to Broadway /
Ain't Misbehavin' / My
Funny Valentine / I've
Grown Accustomed to Her
Face / Thou Swell).
Arranged by Carl
Strommen. Orchestra. For
Full Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Broadway.
4 (grade 4). Score. 28
pages
SATB and Piano. By May H. Brahe. Arranged by Carl Strommen. (SATB). Boosey and ...(+)
SATB and Piano. By May H.
Brahe. Arranged by Carl
Strommen. (SATB). Boosey
and Hawkes Sacred Choral.
Size 7x10.5 inches. 8
pages. Published by
Boosey & Hawkes.
Concert Band - Grade 4 SKU: AP.BD9560C Composed by Carl Strommen. Concert...(+)
Concert Band - Grade 4
SKU: AP.BD9560C
Composed by Carl
Strommen. Concert Band.
Belwin Symphonic Band.
Score. 28 pages. Duration
4:33. Belwin Music
#00-BD9560C. Published by
Belwin Music
(AP.BD9560C).
UPC:
029156167733.
English.
Picture a
lake before sunrise. With
Dawn, the myriad
varieties of life in and
about the lake slowly
awaken and, in the heat
of the day, skip and
skate across the water as
if in a frantic ballet.
Thus Waterdance begins
and continues until it
experiences Evening. Here
is a beautifully crafted
composition that brings
us into the rhythms of
life, the patterns of
nature and an uplifting
portrayal in sound.
Stunning! (4:33).
42nd Street Chorale 3 parties 3 parties Mixtes [Octavo] Alfred Publishing
By Harry Warren, Al Dubin. Arranged by Carl Strommen. For Choir. (3-Part Mixed)...(+)
By Harry Warren, Al
Dubin. Arranged by Carl
Strommen. For Choir.
(3-Part Mixed). Choral
Octavo. Movie. Choral
Octavo. 12 pages.
Published by Alfred
Publishing.
Charlie Brown Xmas Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Belwin
Arranged by Carl Strommen. Concert Band; Performance Music Ensemble; Single Titl...(+)
Arranged by Carl
Strommen. Concert Band;
Performance Music
Ensemble; Single Titles.
Pop Symphonic Band.
Christmas; Light Concert;
TV; Winter. Part(s);
Score. 344 pages.
Duration 4:58. Belwin
Music #00-CB9835.
Published by Belwin Music
Composed
by R. Alan Carter. Full
score. 19 pages. Carl
Fischer Music #YPS244F.
Published by Carl Fischer
Music (CF.YPS244F).
ISBN 9781491159866.
UPC:
680160918454.
Brass
town Bald is the highest
point in the U. S. state
of Georgia standing at
4,784 ft. It is located
in the northeastern part
of the state and is part
of the southern
Appalachians. The
mountain received its
name from the Cherokee
word Itse'yi (New Green
Place) or (Place of Fresh
Green) referring to its
grassy, instead of
timbered summit. The term
Brasstown came from a
confusion of Itse'yi with
Untsaiyi (brass). The
mountain itself is known
to the native Cherokee
people as Mt. Enotah. The
term Bald is common
terminology describing
mountaintops that have
360-degree unobstructed
views. Brasstown Bald
Overture was written to
depict the beauty and
grandeur of the panoramic
views from the top of
this mountain. The
opening fanfare sets the
mood for the majesty of
the Appalachians. The
addition of the woodwinds
during the second time
through the fanfare
portrays the dancing
sunlight across the
mountain peaks. The
middle section is a
quaint folk tune to
represent the quiet
stillness of the night.
The fanfare return and a
new day breaks
forth. Brasstown Bald
is the highest point in
the U. S. state of
Georgia standing at 4,784
ft. It is located in
the northeastern part of
the state and is part of
the southern
Appalachians. The
mountain received its
name from the Cherokee
word Itse’yi
(“New Green
Placeâ€) or
(“Place of Fresh
Greenâ€) referring
to its grassy, instead of
timbered summit. The term
“Brasstownâ€
came from a confusion of
Itse’yi with
Untsaiyi
(“brassâ€).
The mountain itself is
known to the native
Cherokee people as Mt.
Enotah. The term
“Bald†is
common terminology
describing mountaintops
that have 360-degree
unobstructed
views.  Brasstown
Bald Overture was written
to depict the beauty and
grandeur of the panoramic
views from the top of
this mountain. The
opening fanfare sets the
mood for the majesty of
the Appalachians. The
addition of the woodwinds
during the second time
through the fanfare
portrays the dancing
sunlight across the
mountain peaks. The
middle section is a
quaint folk tune to
represent the quiet
stillness of the night.
The fanfare return and a
new day breaks forth.
Seven
Little Pieces.
Composed by William Grant
Still. Large Score. 36
pages. Duration 12
minutes. Carl Fischer
Music #SC89L. Published
by Carl Fischer Music
(CF.SC89L).
William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€The
“Black beltâ€
refers to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From
the Black Belt from 1926
is presumably a musical
representation of these
laborers. He described
its seven parts in the
following
ways:Â William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€The
“Black beltâ€
refers to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From
the Black Belt from 1926
is presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways:
Li’l Scamp If one
were to base his judgment
on the volume of sound,
he would think this
little fellow, who
delights in playing
childish pranks, a big
scamp. But the aptness of
the title is determined
by the brevity of the
piece rather than by the
volume of sound.
Honeysuckle A musical
suggestion of the
saccharine odor of the
honeysuckle. Dance This
title is
self-explanatory. Brown
GirlA tone picture of a
lovely girl. Mah Bones Is
Creakin’An old
man, afflicted with
rheumatism, complains
loudly. BlueThe lament of
a weary soul. Clap
Yo’
Han’sThe
participants in a game
for children form a
circle and clap their
hands at intervals.
Composed by
Traditional African
American Spiritual.
Arranged by Austin Hunt.
Performance Score. 12
pages. Duration 2
minutes, 50 seconds. Carl
Fischer Music #CM9741.
Published by Carl Fischer
Music (CF.CM9741).
ISBN 9781491161210.
UPC: 680160919802. Key:
Bb major. English.
African American
Spiritual.
In 1961,
a diverse group of
student activists
organized a movement
called Freedom Riders to
challenge racial
segregation in Southern
states. Their strategy
was to ride busses into
cities with segregation
laws and deliberately
break them. For instance,
white students would use
colored only restrooms,
while black students
would sit at white only
food counters. The hope
was that, when confronted
by police, the federal
government would be
forced to step in and
defend the students'
constitutional rights. On
many occasions, these
demonstrations were met
with violent behavior
from locals, including
beatings and a
firebombing. Ultimately,
these Freedom Riders
helped lead to the
abolishment of
segregation by bringing
national attention to the
injustices of
segregation. While
touring, the Freedom
Riders would collectively
perform songs with
messages about freedom
and justice. One
participant, African
-American preacher Rev.
Robert Wesby, reimagined
the lyrics of the hymn
Woke Up this Mornin' by
replacing the name Jesus
with freedom in each
refrain. This version of
the hymn went on to
become a powerful symbol
of the American civil
rights movement. In
1961, a diverse group of
student activists
organized a movement
called “Freedom
Riders†to
challenge racial
segregation in Southern
states. Their strategy
was to ride busses into
cities with segregation
laws and deliberately
break them. For instance,
white students would use
“colored
only†restrooms,
while black students
would sit at “white
only†food
counters. The hope was
that, when confronted by
police, the federal
government would be
forced to step in and
defend the students'
constitutional rights. On
many occasions, these
demonstrations were met
with violent behavior
from locals, including
beatings and a
firebombing. Ultimately,
these “Freedom
Riders†helped lead
to the abolishment of
segregation by bringing
national attention to the
injustices of
segregation.While
touring, the Freedom
Riders would collectively
perform songs with
messages about freedom
and justice. One
participant, African
-American preacher Rev.
Robert Wesby, reimagined
the lyrics of the hymn
“Woke Up this
Mornin’†by
replacing the name
“Jesus†with
“freedom†in
each refrain. This
version of the hymn went
on to become a powerful
symbol of the American
civil rights
movement.