Orchestra (Study Score) SKU: HL.51489051 (La Poule) Orchestra Study Sc...(+)
Orchestra (Study Score)
SKU: HL.51489051
(La Poule) Orchestra
Study Score. Composed
by Franz Joseph Haydn.
Edited by Hiroshi Nakano.
Study Score. Paperbound.
Henle Study Scores.
Classical. Softcover. 50
pages. G. Henle #HN9051.
Published by G. Henle
(HL.51489051).
ISBN
9790201890517. UPC:
888680950583.
6.5x9.5x0.202 inches.
Preface: Ullrich
Schneidler.
Composed
by Joseph Bologne.
Arranged by Robert
Debbaut. Full score. 8
pages. Duration 2
minutes. Carl Fischer
Music #YAS222F. Published
by Carl Fischer Music
(CF.YAS222F).
ISBN
9781491163047. UPC:
680160921799. Key: G
major.
As a
composer, Joseph Bologne
was quite prolific,
composing six operas,
fourteen violin
concertos, four
symphonies concertantes,
and numerous chamber
works and songs. His Six
String Quartets, Op. 1,
Nos. 1-6 date from
1770-1771 and are
dedicated to Anne Louis
Alexandre de Montmorency
(1724-1812), 7th Prince
of Robeck and Grand Duke
of Spain. All of his
quartets feature a
prominent first violin
part and the Opus 1
quartets all display a
similarity to the Italian
opera overtures from
earlier in the century in
A-B-A form with the
‘A’ sections
being robust allegros and
all ‘B’
sections marked
rondo.This lively Rondeau
from Bologne's Six String
Quartets, Op. 1Â is a
classic seven-part rondo
with an ABACAB’A
formula. The
‘A’ sections
are set in G Major,
‘B’ in D
Major, and
‘C’ in G
Minor. As was typical of
the Classical style, the
primary melody is heard
mainly in first violin,
while other sections
provide supporting
harmonic and rhythmic
roles. The essence of the
string quartet scoring is
retained by having the
bass double the cello
part. This makes more of
this significant
composer’s music
accessible to school
ensembles, resulting in a
charming concert
selection appropriate for
concert or festival.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Composed by
Joseph Bologne. Arranged
by Robert Debbaut. Set of
Score and Parts. Duration
2 minutes. Carl Fischer
Music #YAS222. Published
by Carl Fischer Music
(CF.YAS222).
ISBN
9781491162705. UPC:
680160921454. Key: G
major.
As a
composer, Joseph Bologne
was quite prolific,
composing six operas,
fourteen violin
concertos, four
symphonies concertantes,
and numerous chamber
works and songs. His Six
String Quartets, Op. 1,
Nos. 1-6 date from
1770-1771 and are
dedicated to Anne Louis
Alexandre de Montmorency
(1724-1812), 7th Prince
of Robeck and Grand Duke
of Spain. All of his
quartets feature a
prominent first violin
part and the Opus 1
quartets all display a
similarity to the Italian
opera overtures from
earlier in the century in
A-B-A form with the
‘A’ sections
being robust allegros and
all ‘B’
sections marked
rondo.This lively Rondeau
from Bologne's Six String
Quartets, Op. 1Â is a
classic seven-part rondo
with an ABACAB’A
formula. The
‘A’ sections
are set in G Major,
‘B’ in D
Major, and
‘C’ in G
Minor. As was typical of
the Classical style, the
primary melody is heard
mainly in first violin,
while other sections
provide supporting
harmonic and rhythmic
roles. The essence of the
string quartet scoring is
retained by having the
bass double the cello
part. This makes more of
this significant
composer’s music
accessible to school
ensembles, resulting in a
charming concert
selection appropriate for
concert or festival.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
I Will Arise Chorale SATB SATB, Piano [Octavo] - Intermédiaire Hinshaw Music Inc.
By Susan Naylor Callaway. For SATB choir (Accompaniment: Piano). Main Key: G Maj...(+)
By Susan Naylor Callaway.
For SATB choir
(Accompaniment: Piano).
Main Key: G Major.
Sacred, Gospel. Medium
Adult. Octavo. 8 pages.
Duration 2 minutes.
Published by Hinshaw
Music Inc.
Concert Etude [Conducteur et Parties séparées] Triplo Press
Composed by Alexander Fiodorovich Goedicke (1877-1957). Arranged by David Hickma...(+)
Composed by Alexander
Fiodorovich Goedicke
(1877-1957). Arranged by
David Hickman. Trumpet
Ensemble. For 12
trumpets. Small Ensemble.
Key: G minor. Popular.
Grade 5. Score and parts.
Standard notation.
Composed 1948. 35 pages.
Duration 3 minutes, 10
seconds. Published by
Triplo Press
Composed by
Grant Michel. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+4+2+4+4+2+20+4
pages. Duration 3
minutes, 38 seconds. Carl
Fischer Music #YPS210.
Published by Carl Fischer
Music (CF.YPS210).
ISBN 9781491152294.
UPC: 680160909797. Key: G
minor.
Proteus s
ets out to depict musical
transformation with
shifting elements of
style, color, and
texture, emulating its
shape-shifting, mythical
ancient Greek namesake.
Grant Michel encourages
young bands to explore
their musical range, from
the mysterious to the
intimidating, in this
fresh contemporary
piece.
March. Composed by
Joseph Compello. Carl
Fischer Beginning
Performance Series. Set
of Score and Parts. With
Standard notation.
8+2+8+2+5+2+2+8+3+6+2+3+3
+1+2+2+16 pages. Carl
Fischer Music #BPS55.
Published by Carl Fischer
Music (CF.BPS55).
ISBN
9780825869884. UPC:
798408069889. 9 x 12
inches. Key: G
minor.
A very easy
original march from
popular composer Joseph
Compello. A perfect
opportunity to teach the
march style to the
youngest of band
students.
Band Alto Saxophone I, Baritone Saxophone in Eb, Bass Clarinet in Bb, Bass Tro, ...(+)
Band Alto Saxophone I,
Baritone Saxophone in Eb,
Bass Clarinet in Bb, Bass
Tro, Bassoon I, Clarinet
I, Flute I, Horn I, II,
II in Eb, III, III in Bb,
IV in F, Oboe I, Piccolo,
Tenor Saxophone in Bb,
Trombone I, Trumpet I
SKU: CF.WBS1F
Composed by Kim Portnoy.
SWS. Wind Band Select.
Full score. With Standard
notation. 48 pages. Carl
Fischer Music #WBS1F.
Published by Carl Fischer
Music (CF.WBS1F).
ISBN
9780825871214. UPC:
798408071219. 9 X 14
inches. Key: G
minor.
The newest
addition to our Wind Band
Select series, Sasha
Takes a Train,
commissioned by the USAF
Band of Mid-America, was
inspired by a memorable
overnight train ride in
Eastern Europe taken by
the composer's family.
The music is intended to
evoke the motion and
sounds of the train and
the noisy, scary,
surprising and joyous
character of the journey.
Sasha refers to the
composer's then 13 month
old son Alexander who
managed to sleep through
much of his first train
adventure.
Composed by Russian Folk
Song. Arranged by Carl
Strommen. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+2+2+12+2 pages.
Duration 2 minutes, 14
seconds. Carl Fischer
Music #YPS199. Published
by Carl Fischer Music
(CF.YPS199).
ISBN
9781491152195. UPC:
680160909698. Key: G
minor.
Tum
Balalaika is
attributed to a number of
Eastern European
countries, but is best
known as a Russian Jewish
folk/love/“riddleâ
€ song. Loosely
translated,
“tum†means
“noise,†and
the Balalaika is a
Russian stringed
instrument with a
characteristic
triangular, hollow,
wooden body and three
strings, closely related
to the domra and
mandolin. Carl Strommen's
wonderful setting will
help any group sound
their best. Tum
Balalaika is attributed
to a number of Eastern
European countries, but
is best known as a
Russian Jewish
folk/love/“riddleâ
€ song. Loosely
translated,
“Tum†means
“noise,†and
the Balalaika is a
Russian stringed
instrument with the
characteristic triangular
wooden hollow body and
three strings, closely
related to the Domra and
Mandolin. Tum Balalaika
should be played brightly
and in a broad flowing
manner. As always,
attention should be paid
to dynamics and
articulations.
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet, Crash
Cymbals, Euphonium,
Euphonium T.C., Floor
Tom, Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Timpani, Triangle,
Trombone and more. -
Grade 1
SKU:
CF.BPS73
Composed by
Peter Terry. Beginning
Performance Series. Set
of Score and Parts. With
Standard notation.
8+2+8+2+5+2+2+8+3+6+2+3+2
+1+2+4+16 pages. Duration
2 minutes, 21 seconds.
Carl Fischer Music
#BPS73. Published by Carl
Fischer Music (CF.BPS73).
ISBN 9780825892240.
UPC: 798408092245. 9 x 12
inches. Key: G
minor.
Trolls are
magical beings in
Scandinavian folk tales
that are known for being
slow and not particularly
bright. This piece shows
both sides of the story:
trolls as the
destructive, brutal thugs
of the magical world, and
the somewhat silly and
dim-witted creatures
found in books and
movies. This is Peter
Terry's first piece in
the Carl Fischer
catalogue.
Composed by Kevin Mixon.
Arranged by Kevin Mixon.
Beginning Performance
Series. Set of Score and
Parts. With Standard
notation.
8+2+8+2+5+2+2+8+3+6+2+3+1
+1+6+8+16 pages. Duration
2 minutes, 28 seconds.
Carl Fischer Music
#BPS74. Published by Carl
Fischer Music (CF.BPS74).
ISBN 9780825892264.
UPC: 798408092269. 9 x 12
inches. Key: G
minor.
A
hard-driving composition
for beginning bands from
popular composer Kevin
Mixon. Kevin pulls from
his vast experience
teaching beginners to
provide us with a piece
that really grooves and
will be infectious for
the students and
audiences alike.
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Pian...(+)
Orchestra Violin I,
Violin II, Violin III
(Viola T.C.), Viola,
Cello, Bass, Piano -
Grade 3
SKU:
CF.CAS95
Composed by
Jan Sweelinck. Arranged
by Bud Caputo. Carl
Fischer Concert String
Orchestra Series. Set of
Score and Parts. With
Standard notation.
16+4+16+10+10+10+4+12
pages. Duration 3
minutes, 38 seconds. Carl
Fischer Music #CAS95.
Published by Carl Fischer
Music (CF.CAS95).
ISBN
9781491142141. UPC:
680160630202. Key: G
major.
Hodie
Christus Natus Est, by
Jan Pieters Sweelinck
(1562-1621), is an
extremely popular
Renaissance a cappella
choral work that has been
transcribed for string
orchestra. Although the
work is usually
associated with the
Christmas season, it is a
timeless piece that can
be programmed at anytime
during the school
year. Hodie Christus
Natus Est by Jan
Pieterszoon Sweelinck
(1562-1621) is an
extremely popular
Renaissance a cappella
choral work that has been
transcribed for string
orchestra. Although the
work is usually
associated with the
Christmas season, it is a
timeless piece that can
be programmed at any time
during the school year.
The string parts mirror
the voice parts, but are
in the more comfortable
key of G major, rather
than the original
B≤ major. String
teachers may want to
consult with their choral
counterparts to determine
if combining their groups
might provide a unique
experience for all of
their students.All the
string parts remain in
first position. The work
contains the less common
alternating meters of
ëand ò, and will
provide students with
insight into the unique
rhythmic style of the
Renaissance period. A
piano part is included
for rehearsal
purposes.Performance
suggestions: By listening
to a recording of the
original vocal
performance and focusing
on the lyrics, students
will understand where to
use a connected legato
bowing style for running
eighth-note passages and
for the longer note
durations, as expressed
in the lyric
“Ho-di-e,
Ho-di-e†that
alternates with a light
detached style
“No-e, No
–e, No-e.†A
most recent YouTube link
is suggested here:
www.youtube.com/watch?v=B
2rAkZE5UU0.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Waterloo Station Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
Orchestra String Orchestra - Grade 4 SKU: CF.CAS44 Composed by Alan Lee S...(+)
Orchestra String
Orchestra - Grade 4
SKU: CF.CAS44
Composed by Alan Lee
Silva. FS-SWS. Carl
Fischer Concert String
Orchestra Series. Score
and Parts. With Standard
notation.
24+24+4+10+10+5+10+16
pages. Carl Fischer Music
#CAS44. Published by Carl
Fischer Music (CF.CAS44).
ISBN 9780825867118.
UPC: 798408067113. 8.5 X
11 inches. Key: G
minor.
This is a
tour-de-force for the
advancing string
orchestra. Beautiful,
dramatic, and flowing,
Waterloo Station is very
fresh and contemporary.
Students will love it for
the lush harmonic
textures and rhythmic
drive that this composer
is so noted
for. Composed as a
characterization of the
fast-paced atmosphere of
London’s Waterloo
Train Station, this
fast-slow-fast piece
combines technical
excitement with heartfelt
simplicity.The fast
section in G minor
consists of two main
parts: the intense,
emotional A section at m.
21 and the legato,
sweeping B section at m.
59. The syncopated tutti
figures in the high
strings coupled with the
fiery cello and bass
lines propel the fast
sections. The phrase in
mm. 1–8 recurs
throughout. Making four-
to eight-measure
exercises of this section
below tempo in the
violins and viola,
focusing on rhythmic
clarity, will help to
lock in the syncopation.
Similarly, the cello and
bass should rehearse this
slowly as well as mm.
9–16 to gain
fluidity and insure a
solid foundation.The
cellos carry the tune at
m. 71, and the ensemble
builds from mm.
79–86 to the
transition at m. 87. An
abrupt change to half
tempo here slows the
momentum and transitions
to a quiet, melancholy
tone in m. 91. The middle
section (ABA) begins in G
minor with a somber
quality, highlighted by
the Violin I solo. It
gradually builds to a
beautiful, uplifting
setting as it moves to G
major in m. 100.
Returning back to the
hushed G minor tonality,
it then speeds up again
and transitions back to
Tempo I for a brief
recapitulation of the
fast section. Measure 117
marks the return to
vigorous playing,
beginning softly and
building to a thrilling
ride to the end.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Composed by Various.
Arranged by Deborah Baker
Monday. Cas. Set of Score
and Parts. Duration 3
minutes, 31 seconds. Carl
Fischer Music #CAS158.
Published by Carl Fischer
Music (CF.CAS158).
ISBN 9781491165034.
UPC: 680160923946. Key: G
major.
Happy
Holidays! is a crowd
pleasing extravaganza to
celebrate the spirit of
the season. Featuring
lots of familiar festive
tunes and key changes,
the music propels to a
glorious finale for a
fabulous holiday concert.
Melodies are shared
equally in all sections
so students will be
excited and engaged,
including Deck the Hall,
Jingle Bells, Jolly Old
St. Nicholas, Good King
Wenceslas, Dreidel,
Trepak, 12 Days of
Christmas, O Tannenbaum,
Up on the Housetop, and
We Wish You a Merry
Christmas. Cheery and
cheeky with many harmonic
surprises, this festive
treat is sure to be a
delight at your winter
concert!
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Composed by Various.
Arranged by Deborah Baker
Monday. Cas. Full score.
Duration 3 minutes, 31
seconds. Carl Fischer
Music #CAS158F. Published
by Carl Fischer Music
(CF.CAS158F).
ISBN
9781491165430. UPC:
680160924349. Key: G
major.
Happy
Holidays! is a crowd
pleasing extravaganza to
celebrate the spirit of
the season. Featuring
lots of familiar festive
tunes and key changes,
the music propels to a
glorious finale for a
fabulous holiday concert.
Melodies are shared
equally in all sections
so students will be
excited and engaged,
including Deck the Hall,
Jingle Bells, Jolly Old
St. Nicholas, Good King
Wenceslas, Dreidel,
Trepak, 12 Days of
Christmas, O Tannenbaum,
Up on the Housetop, and
We Wish You a Merry
Christmas. Cheery and
cheeky with many harmonic
surprises, this festive
treat is sure to be a
delight at your winter
concert!
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Composed by
Nigel Goldberg. String
music. Clifton Edition
#C544. Published by
Clifton Edition
(ST.C544).
ISBN
9790570815449.
Student Violin part with
either teacher (as violin
duets) or with piano
accompaniment (Vln &
Pno).
This bumper
volume incorporates the
three separate former
publications from Spartan
Press, the series called
'Concertinos in the Olden
Style'
(SP1121–3). Piano
accompaniments by Heidi
Rolfe.
Nigel
Goldberg
writes:
I can
still remember the thrill
I felt as a child of 8
when my violin teacher
introduced me to my first
concertino. Learning,
playing and eventually
mastering the famous
Küchler Concertino in D
major made me feel
privileged and grown-up,
as if I were joining a
very special
club.
Tha
t was a long time ago,
yet for me concertinos
still hold a distinctive
place in the teaching
repertoire. Having now
taught the violin for the
last thirty years and
seen how happily my
pupils respond to
learning duets - that
distinctive sense of
enjoyment at playing with
an adult, the improvement
of intonation and tone
production, the
liveliness of the lesson
- I have composed three
new concertinos, inspired
by the duet
form.
Tak
ing three great keys for
the violin – G, D and A
minor, I have endeavoured
to combine emotionally
engaging and technically
educational music in the
'Olden Style'. Uniquely,
I have written a second
violin part for the
teacher to play alongside
their pupil's part and
there is also a piano
accompaniment for use
alternatively in concert
settings.
I very much hope that
these concertinos prove
as popular and as helpful
as the series of duets in
my previously published
books, Sounds of a
Rainbow and, that they
ignite that sense of
wonderment and purpose I
experienced while playing
the Kuchler, all those
years
ago.
2nd Movement.
Composed by Johann
Sebastian Bach. Arranged
by Todd Parrish. Cas. Set
of Score and Parts.
Duration 3 minutes, 40
seconds. Carl Fischer
Music #CAS156. Published
by Carl Fischer Music
(CF.CAS156).
ISBN
9781491165010. UPC:
680160923922. Key: G
major.
This
energetic second movement
from Bach's famed
Brandenburg Concerto No.
3 has been skillfully
arranged to be more
accessible to the
developing string
ensemble. Remaining in
the key of G major, this
piece has been re-scored
from the original
compound meter of 12/8 to
simple 3/4 time, allowing
both conductor and
players to more easily
manage the pulse. All
instruments get moving
parts with vigorous
melodies and
countermelodies, while
the original solos have
been integrated into the
sections. An excellent
introduction to a classic
piece of Baroque
repertoire.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
2nd Movement.
Composed by Johann
Sebastian Bach. Arranged
by Todd Parrish. Cas.
Full score. Duration 3
minutes, 40 seconds. Carl
Fischer Music #CAS156F.
Published by Carl Fischer
Music (CF.CAS156F).
ISBN 9781491165416.
UPC: 680160924325. Key: G
major.
This
energetic second movement
from Bach's famed
Brandenburg Concerto No.
3 has been skillfully
arranged to be more
accessible to the
developing string
ensemble. Remaining in
the key of G major, this
piece has been re-scored
from the original
compound meter of 12/8 to
simple 3/4 time, allowing
both conductor and
players to more easily
manage the pulse. All
instruments get moving
parts with vigorous
melodies and
countermelodies, while
the original solos have
been integrated into the
sections. An excellent
introduction to a classic
piece of Baroque
repertoire.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Concert March.
Composed by Hayato
Hirose. Brilliant
Marches. Score Only.
Composed 2013. 20 pages.
De Haske Publications
#DHP 1135406-140.
Published by De Haske
Publications
(BT.DHP-1135406-140).
9x12 inches.
English-German-French-Dut
ch.
In Greek
mythology Hermes was the
messenger of the gods,
and the god of merchants.
The piece starts with a
powerful four-measure
introduction, followed by
the solemn 1st theme and
the heroic 2nd theme.
After the gentle trio
section, the music
increases in tension with
several key changes, and
a dynamic grand finale
concludes the piece. This
is a spirited concert
march with positive
musical energy throughout
the piece.
Hermes
is de Griekse god van de
handel en de boodschapper
van de goden. Dit
gelijknamige werk van
Hirose begint met een
krachtige inleiding in
vierkwartsmaat. Na dit
begin volgen een plechtig
eerste thema en een hero
sch tweede thema. Even is
daareen zacht triodeel.
Maar niet voor
lang… Verschillende
wisselingen in de
toonsoort laten de
spanning alsmaar
toenemen, totdat een
grote finale het stuk
besluit. Een levendige
concertmars vol positieve
energie!
Hermes
, benannt nach dem
griechischen Gott der
Kaufleute und
Götterboten Hermes,
setzt mit einer
kraftvollen viertaktigen
Einleitung ein, der ein
feierliches erstes Thema
und ein heroisches
zweites Thema folgen.
Nach einem sanften
Trio-Teil nimmt die Musik
mittels mehrerer
Tonartwechsel an Spannung
zu, bevor ein großes
Finale das Stück
beendet. Ein lebhafter
Konzertmarsch, der
durchweg positive Energie
ausstrahlt!
Hermes,
dal nome della divinit
della mitologia greca che
svolgeva il ruolo di
messaggero degli dei,
apre con una potente
introduzione di quattro
misure, seguita da un
primo tema solenne e da
un secondo in stile
eroico. Dopo un delicato
trio, la tensione aumenta
attraverso numerosi cambi
di tonalit , prima del
dinamico finale. Una
vivace marcia da concerto
che emana energie
positive!
Concert March.
Composed by Hayato
Hirose. Brilliant
Marches. Set (Score &
Parts). Composed 2013. De
Haske Publications #DHP
1135406-010. Published by
De Haske Publications
(BT.DHP-1135406-010).
9x12 inches.
English-German-French-Dut
ch.
In Greek
mythology Hermes was the
messenger of the gods,
and the god of merchants.
The piece starts with a
powerful four-measure
introduction, followed by
the solemn 1st theme and
the heroic 2nd theme.
After the gentle trio
section, the music
increases in tension with
several key changes, and
a dynamic grand finale
concludes the piece. This
is a spirited concert
march with positive
musical energy throughout
the piece.
Hermes
is de Griekse god van de
handel en de boodschapper
van de goden. Dit
gelijknamige werk van
Hirose begint met een
krachtige inleiding in
vierkwartsmaat. Na dit
begin volgen een plechtig
eerste thema en een hero
sch tweede thema. Even is
daareen zacht triodeel.
Maar niet voor
lang… Verschillende
wisselingen in de
toonsoort laten de
spanning alsmaar
toenemen, totdat een
grote finale het stuk
besluit. Een levendige
concertmars vol positieve
energie!
Hermes
, benannt nach dem
griechischen Gott der
Kaufleute und
Götterboten Hermes,
setzt mit einer
kraftvollen viertaktigen
Einleitung ein, der ein
feierliches erstes Thema
und ein heroisches
zweites Thema folgen.
Nach einem sanften
Trio-Teil nimmt die Musik
mittels mehrerer
Tonartwechsel an Spannung
zu, bevor ein großes
Finale das Stück
beendet. Ein lebhafter
Konzertmarsch, der
durchweg positive Energie
ausstrahlt!
Hermes,
dal nome della divinit
della mitologia greca che
svolgeva il ruolo di
messaggero degli dei,
apre con una potente
introduzione di quattro
misure, seguita da un
primo tema solenne e da
un secondo in stile
eroico. Dopo un delicato
trio, la tensione aumenta
attraverso numerosi cambi
di tonalit , prima del
dinamico finale. Una
vivace marcia da concerto
che emana energie
positive!
Band Concert Band - Grade 2 SKU: CF.YPS200 Composed by Matthew R. Putnam....(+)
Band Concert Band - Grade
2
SKU: CF.YPS200
Composed by Matthew R.
Putnam. Young Band (YPS).
Set of Score and Parts.
With Standard notation.
8+2+4+2+2+5+2+2+4+4+6+3+3
+2+1+3+16+4+4+2+2 pages.
Duration 2:15. Carl
Fischer Music #YPS200.
Published by Carl Fischer
Music (CF.YPS200).
ISBN 9781491152201.
UPC: 680160909704. Key: D
minor.
Composed by Liam
Ramsey-White. Set of
Score and Parts. Duration
4 minutes, 48 seconds.
Carl Fischer Music
#CAS155. Published by
Carl Fischer Music
(CF.CAS155).
ISBN
9781491162873. UPC:
680160921621. Key: G
major.
Resplendence
is an exclamation of joy
and serves as the fanfare
for a glorious return.
Written as Covid-19
restrictions lessened and
orchestras once again
took to the stage, this
uplifting work celebrates
a return to normalcy. A
joyous theme in G major
briefly moves into E-flat
major, developing the
motif through modal
shifts and expanding
accompaniments.
Variations in the
relative minor build to a
spectacular climax,
driving the accelerating
melody to a triumphant
conclusion. Colorful with
ever changing textures
and lyrical melodies, the
work embodies the
emotions of people
rediscovering the joy of
being together, and of
playing music
together.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians