SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in F, trombone, tuba, timpani

SKU: GI.G-9044INST

Concertato on MARION. Composed by Arthur Henry Messiter. Arranged by Carlton R. Young. Tune Name: Marion. Sacred. Full score and parts. 6 pages. GIA Publications #9044INST. Published by GIA Publications (GI.G-9044INST).

UPC: 785147904496. English. Text Source: Edward H. Plumptre, 1821–1891, alt., words adapt. Ruth C. Duck. Text by Edward Hayes Plumptre.

The organ accompaniment is printed in the full score.

Orchestra

SKU: BR.SON-625

Scenes historiques op.25, op.66. Composed by Jean Sibelius. Edited by Kari Kilpelainen. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 228 pages. Breitkopf and Haertel #SON 625. Published by Breitkopf and Haertel (BR.SON-625).

ISBN 9790004803271. 10 x 12.5 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Piano Quintet

SKU: BR.SON-637

Composed by Jean Sibelius. Edited by Anna Pulkkis. Chamber music. Complete Works. Late-romantic; Early modern. Complete Works. Breitkopf and Haertel #SON 637. Published by Breitkopf and Haertel (BR.SON-637).

ISBN 9790004803929. 9 x 12 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Flute; Recorder; Violin; Orchestra; Early Music

SKU: UT.GCE-20

Composed by Francesco Geminiani. Edited by Rudolf Rasch. Francesco Geminiani Opera Omnia. Classical. Score. Ut Orpheus #GCE 20. Published by Ut Orpheus (UT.GCE-20).

ISBN 9790215328259. 9 x 12 inches.

Given that appendices have since been included in other volumes, it now seems appropriate to compile an appendix for Volume 1A in the form of a separate publication, Volume 1C of the series. Even with a whole volume available, however, it is impossible to include all known arrangements. Such a publication would be of disproportionate size: it would require about 600 pages, due largely to the two complete or near-complete sets of concerto arrangements. The present volume thus includes only selections from these sets of concerto arrangements and also only a selection from Edward Finch’s complete set of arrangements in the form of transverse-flute sonatas. The smaller sets of arrangements—eithe r as solo sonatas or as trio sonatas—are included in their entirety.
The available arrangements fall into three distinct categories: solo sonatas, trio sonatas, and concertos. There are fourteen arrangements by Edward Finch for transverse flute with figured bass; they are found in the so-called Armstrong-Finch manuscript and comprise a full set of twelve plus two duplicate versions. Four of these arrangements are included in the present volume. Three more arrangements for transverse flute or recorder with figured bass are found in anthologies of sonatas for these instruments published in the 1720s; they are all of them edited here. Geminiani’s Sonatas VII-XII were transformed into trio sonatas by Francesco Barsanti and published in this format in 1727. These arrangements are included here in complete form as well. A near-complete set of concerto arrangements—Sonat a XI is missing—was composed by Charles Avison and a complete set by Gerhard Christoph Raupach, both sets composed probably in the 1730s. From each of these two sets, two examples were selected for inclusion in the present volume. They are supplemented by single concerto arrangements by William Hayes (after Sonata IV) and Johan Helmich Roman (after Sonata VI), composed at all probability in the 1730s as well. None of these concerto arrangements was published in the eighteenth century.

(for Organ). By Edward Elgar (1857-1934). Arranged by W.H. Harris. For Organ. Music Sales America. Romantic. 4 pages. Novello and Co Ltd. #NOV560001. Published by Novello and Co Ltd.

By Franz Joseph Haydn (1732-1809). Edited by Edward H. Tarr, H.C. Robbins Landon. For Trumpet, Orchestra. Haydn-Mozart Presse. Standard notation. Composed 1796. Hob. VIIe:1

By Johann Nepomuk Hummel. Arranged by Edward H. Tarr. Published by Universal Edition.

By Georg Philipp Telemann (1681-1767). Arranged by Edward H. Tarr. For trumpet and organ. Baroque. 3-4. Published by Editions BIM

By Edward Elgar. For strings. Breitkopf Orchestral Library. Published by Breitkopf and Haertel (German import).

(27 Christmas Favorites - Includes A Play-Along CD in Today's Musical Styles (Clarinet Book)). By Felix Mendelssohn Bartholdy John Francis Wade. Arranged by Sandy Feldstein. For Clarinet. Score and audio CD. Standard notation. 32 pages. Published by Carl Fischer

Viola. Edited by Sandy Feldstein. For Viola. Play-Along Christmas 27 Christmas Favorites. Score and Audio CD. 32 pages. Published by Carl Fischer.

By Johann Nepomuk Hummel (1778-1837). Arranged by Edward H. Tarr. For Trumpet, Orchestra. Accademia Musicale. Standard notation. Published by Universal Edition

SSA Choir

SKU: HL.14033530

Composed by Edward H. Thorne. Music Sales America. Classical. Choral Score. Music Sales #NOV280080. Published by Music Sales (HL.14033530).

By Alessandro Melani. Arranged by Edward H. Tarr. For trumpet, soprano voice and basso continuo. Baroque. 4. Published by Editions BIM

By English Melody. Arranged by Peter Niedmann. For Voices: 2 mixed voices, descant. Organ. Choral Sacred. Level: 6. Published by GIA Publications.

By Mark Kellner. (SATB). Call To Worship, General Worship, Joy, Thanksgiving and Sacred. Print Music Single (SATB). 8 pages. Published by Hope Publishing Company.

By Edward Elgar. For orchestra. This edition: organ. Breitkopf Orchestral Library. 2 pages. Published by Breitkopf and Haertel (German import).

Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-1908), arranged by H.S. Krouse. Single piece for solo piano. A Minor. 5 pages. Published by Marks.