By Johann Sebastian Bach. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 1100 pages. Published by Subito Music.

This edition: urtext. Stapled. Vocal score, anthology. 62 pages. Published by Baerenreiter Verlag

Composed by Peter Ilyich Tchaikovsky. For solo piano. Format: piano solo book. Romantic period. Series: The World's Great Classical Music. 216 pages. 9x12 inches. Published by Hal Leonard.

Flute Solo with Piano. Composed by Charles Marie Widor (1844-1937). Arranged by James Galway. Southern Music. Softcover. 28 pages. Lauren Keiser Music Publishing #SU803. Published by Lauren Keiser Music Publishing

Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5

SKU: BA.BA10303-01

Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01).

ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann.

The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.

I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.

You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...

No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.

On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:

Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.

As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.

It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.

When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.

In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

French conductor and composer, Albert Beaucamp (1921-1967) first studied organ with his father, and then with Marcel Dupre. His compositional catalogue is relatively small, however, Fantasy for Flute and Piano remains prominent in the advanced flautist's repertoire. Beaucamp is best remembered for founding the Rouen Conservatory and organising and conducting many concerts. Published in 1954, Fantasy reflects typical French romantic-modern characteristics, including flourishing semiquaver passages, chromaticism and much dynamic contrast. For all advanced flautists seeking alternative repertoire, Beaucamp's Fantasy is a delightful addition to the repertoire

Orchestra 2 Bassoons, 2 Oboes, 3 Clarinets, 3 Flutes, 3 Trombones, 3 Trumpets, 4 Horns, Bass Drum, Contra-bassoon, Cymbal, English Horn, Percussion: Snare Drum, Strings, Timpani, Tuba

SKU: PR.466411770

Composed by Harl Mcdonald. This edition: Study Score. Contemporary. Full score. With Standard notation. 84 pages. Duration 15 minutes. Theodore Presser Company #466-41177. Published by Theodore Presser Company (PR.466411770).

UPC: 680160640850. 9 x 12 inches.

Mississippi I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. Saga of the Mississippi Harl McDonald Born near Boulder, Colorado, July 27, 1899 Now living in Philadelphia The original suggestion for a symphonic work on the subject of the Mississippi came indirectly from the late Booth Tarkington who saw in it color and movement and atmosphere translatable into the terms of music. In the course of time, by the mysterious processes of composers' chemistry, it took shape as a tone-poem of two sections, one representing the rise of the great stream from its primeval geologic sources, the other the human history of the river. Mr. McDonald devised the following verbal outline of the general scheme of his diptych: I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. The first of the two movements, beginning molto andante, is vaguel modal to hint at antiquity. It is built upon the conventional two themes, with an episode, poco piu mosso, misterioso, for prehistoric murk and muck. There are various changes of pace and mood. The second, Allegro ma vigorosamente, prefigures an Indian ceremony. A theme presented by flute, clarinet and bassoon is a Canadian Indian fishing call collected by the late J.B. Beck. A later passage of quasi-Gregorian chant identifies the French and Spanish priests who made the great river their highway. The fishing-call is altered in rhythm and harmony to represent Negro field hands and roustabous. A turbulent close brings all these elemts together in the muddy swirling currents of the Mississippi. The work was begun in the summer of 1945, and was revised and completed in the summer of 1947. Harl McDonald, who is the manager of The Philadelphia Orchestra, has concerned himself with music as an art, as a science and as a business in course of his career. He was born on a cattle ranch in the Rockies, but since his was a musical family, his up-bringing combined piano lessons with ranch life. Years of study and professional experience followed in Los Angeles and in Germany. In 1927 he was appointed lecuter in composition at the University of Pennsylvania and he has since then made is home in Philadelphia. In 1933 under a grant of the Rockefeller FOundation he collaborated with physicists in research dealing with the measurement of instrumental and vocal tone, new scale divisions and the resultant harmonies. In that same year he was named head of the University's music faculty and conductor of its choral organizations. In 1939, having been a member of the Board of Directors for five years, he was appointed manager of The Philadelphia Orchestra. He continus to write, but otherwise his entire attention is now devoted to managerial duties. Chief items in the catalogue of his compositions are four symphonies, three orchestra suites, a half-dozen tone-poems, three concertos and considerable quantity of choral music.

(Sacred Trilogy). By Hector Berlioz (1803-1869). Edited by David Lloyc-Jones. Arranged by Eike Wernhard. For soprano voice solo, 2 tenor voice solos, baritone voice solo, 3 bass voice solos, double SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 cornets, 3 trombones, timpani, harp, organ, harmonium, strings. This edition: Paperback, Urtext edition. Level 3. Piano reduction. Language: French/English. Opus 25, Hol. 130. Duration 1 hours 35 minutes. Published by Baerenreiter Verlag

By Peter Ilyich Tchaikovsky. (Piano). Ashley Mark "His Greatest" Series (Piano solo arrangements). Book only. 192 pages. Published by Ashley Publications Inc.

(Schirmer's Library of Musical Classics Volume 2116). Composed by Peter Ilyich Tchaikovsky (1840-1893). For Piano. Piano Collection. Softcover. 170 pages. G. Schirmer #LB2116. Published by G. Schirmer

Offertorium in C. By Franz Schubert. Edited by Bodendorff, Werner. For S (T), Clarinet (Violin), 2 Flutes, 2 Horns, 2 Violins, Cello/Contrabass, Organ. D 136. Full score available separately - see item CA.7004500. Stuttgart Urtext editions. Piano/Vocal score. Language: Latin. Composed 1815. 12 pages. Duration 6 min. Published by Carus Verlag (German import).

SATB chorus and piano (opt. Flute, Viola, Violin, Cello & French Horn)

SKU: HP.C6259C

Composed by Traditional Spiritual. Arranged by Joel Raney. Piano with optional instruments and organ (available separately). Spiritual, Sacred. Choral Performance/Accompaniment CDs. Hope Publishing Company #C6259C. Published by Hope Publishing Company (HP.C6259C).

UPC: 763628962593.

Tradi tional Spiritual Ideal during the season of Lent with a message that co-mingles the themes of following Jesus and walking with him on life's journey, this elegant arrangement incorporates the traditional spiritual tune SOJOURNER and the gospel hymn Footsteps of Jesus. Originally appearing in Joel Raney's Tenebrae service, WHO IS JESUS? (code # 8941), it includes optional instrumental parts or organ.

SATB chorus and piano (opt. Flute, Viola, Violin, Cello & French Horn)

SKU: HP.C6259G

Composed by Traditional Spiritual. Arranged by Joel Raney. Piano with optional instruments and organ (available separately). Spiritual, Sacred. Choral Parts. 4 pages. Hope Publishing Company #C6259G. Published by Hope Publishing Company (HP.C6259G).

UPC: 763628262594.

Tradi tional Spiritual Ideal during the season of Lent with a message that co-mingles the themes of following Jesus and walking with him on life's journey, this elegant arrangement incorporates the traditional spiritual tune SOJOURNER and the gospel hymn Footsteps of Jesus. Originally appearing in Joel Raney's Tenebrae service, WHO IS JESUS? (code # 8941), it includes optional instrumental parts or organ.

SATB chorus and piano (opt. Flute, Viola, Violin, Cello & French Horn)

SKU: HP.C6259P

Composed by Traditional Spiritual. Arranged by Joel Raney. Piano with optional instruments and organ (available separately). Spiritual, Sacred. Choral Parts. 16 pages. Hope Publishing Company #C6259P. Published by Hope Publishing Company (HP.C6259P).

UPC: 763628362591.

Tradi tional Spiritual Ideal during the season of Lent with a message that co-mingles the themes of following Jesus and walking with him on life's journey, this elegant arrangement incorporates the traditional spiritual tune SOJOURNER and the gospel hymn Footsteps of Jesus. Originally appearing in Joel Raney's Tenebrae service, WHO IS JESUS? (code # 8941), it includes optional instrumental parts or organ.

Composed by French Processional, 15th Century. Arranged by Trevor Manor. Hinshaw Sacred. Octavo. Hal Leonard #HMC2447A. Published by Hal Leonard (HL.8764860).

Flute

SKU: HL.48183263

Composed by Jehan Alain. Leduc. Classical. Softcover. 14 pages. Alphonse Leduc #AL25300. Published by Alphonse Leduc (HL.48183263).

UPC: 888680872465. 9.0x12.0x0.071 inches.

“Thre e Movements is a piece for Flute and Organ by Jehan Alain. Initially composed for Flute and Piano, it was adapted by Marie-Claire Alain. Lasting 5 minutes 45 seconds, this work would be perfect for upper-intermediate players. The Flute has a key of 4 sharps and the Organ scores include some Pedals This piece is divided into three parts: 1. Andante, 2. Allegro con grazia and 3. Allegro Vivace. Jehan Alain is a French organist who became famous with his Suite for Organ. A Student of Marcel Dupré and Roger Ducasse among others, he kept composing all his life. One of his most famous international pieces is 'Litanies'.”.

(Trilogie sacree). By Hector Berlioz (1803-1869). Edited by Prevost, Paul. For Soli STBarB, SATB Choir, 2 Flutes, 2 English Horn, 2 Clarinets, 2 Bassoons, 2 Horns, 4 Trumpets 3 Trombones, Timpani, Harp, 2 Violins, Viola, Cello, Contrabass, Organ. This edition: paperbound. Full score available separately - see item CA.7003800. Oratorios; French Sacred Music; Use during church year: Christmas. Level 3. Piano/Vocal score. Language: German/French. 25. 120 pages. Duration 95 min

For Any 2 or 3 Melody Instruments and Bass Instrument. By Johann Pachelbel. Arranged by Daniel Dorff. Mixed chamber ensemble. For Flute, Oboe, Clarinet, Saxophone, Bassoon, Horn, Trumpet, Tenor, Tuba, Violin, Viola, Cello, Double Bass, Marimba, Keyboard. Score and parts. Composed 2003. 4 pages. Duration 3:30. Published by Theodore Presser Company.

Flute

SKU: HL.48185476

Composed by Henri Bert. Leduc. Classical. Softcover. 10 pages. Alphonse Leduc #AL29059. Published by Alphonse Leduc (HL.48185476).

UPC: 888680837587. 9.0x12.0x0.069 inches.

Small modal suite is a piece written for Flute and Piano accompaniment by Henri Bert. Perfect for upper-beginner flautists, this nice work in five parts can be executed in its totality in 6?10 minutes. Each part can also be played separately. It includes: 1. Sonnerie 2. Legende 3. Tambourin 4. Cantilene 5. Saltarelle Henri Bert (1926-2007) was a French musician who received Harmony anc Conductor Prizes. He also studied the Organ and Choral songs..

Trilogie sacree - Geistliche Trilogie (Holoman 130). Klavierauzszug nach dem Urtext der New Berlioz Edition (franzosisch/deutsch) - Sacred Trilogy (Holoman 130). Vocal Score, based on the Urtext of the New Berlioz Edition (French/German). By Hector Berlioz. Edited by Lloyc-Jones, David. Arranged by Wernhard, Eike. For Soprano solo, 2 Tenor solo, Baritone solo, 3Bass solo, Mixed Choir-SSAATTBB, Flute 1, Flute 2/ Piccolo, Oboe 1, Oboe 2/ English horn, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, 2 Cornet, 3 Trombone, Kettledrum, Harp, Organ/ Harmonium, Strings. Piano Reduction/Vocal Score (paperbound). op. 25. Published by Baerenreiter-Ausgaben (German import).

Flute

SKU: SP.TS022

Composed by Jonathon Robbins and Tony Santorella. Collection; Classical. Book and CD. Santorella Publications #TS022. Published by Santorella Publications (SP.TS022).

ISBN 9781585600489. UPC: 649571100223.

Unlik e many collections which feature obscure titles, Exceptional Classics for Flute, arranged by Tony Santorella and Jonathon Robbins features a broad assortment of well-known classics originally written for piano. This best selling title contains works from a variety of major composers, which by its nature, provides examples of music written from several different eras. This eliminates the need for multiple teaching materials and is a great resource for teaching young horn players early, easy, original classics. Exceptional Classics for Flute published by Santorella Publications is a required text for many state audition lists and is suggested by music educators associated with the highly regarded NYSSMA organization. The accompanying CD is an acoustic piano accompaniment and extremely helpful towards learning these important masterpiece themes. Little Cradle Song, Schumann - Russian Folk Song, Beethoven - Tell Me, Fair Ladies from The Marriage of Figaro, Mozart - The Organ Grinder, Tchaikovsky - Allegro, Mozart - Minuet, Bach - Minuet, Haydn - Russian Song, Tchaikovsky - Serenade, Mozart - Gavotte, Bach - German Dances, Haydn - Andante from The Surprise Symphony No. 94, Haydn - Waltz, Beethoven - German Dance, Schubert - Ecossaise, Beethoven - Canon In D, Pachelbel - Ode to Joy from Symphony No. 9, Beethoven - Two Minuets, Bach - Jesu, Joy of Man's Desiring, Bach - Andante, Mozart - Aria, Bach - Serenade from Eine Kleine Nachtmusik, Mozart - Norse Song, Schumann - Old French Song, Tchaikovsky - Turkish March from The Ruins of Athens, Beethoven - The Wild Horseman, Schumann - Two Minuets from The Notebook of Anna Magdalena Bach, Bach.

Solomotette zum Dreifaltigkeitsfest oder zu Weihnachten. By Wolfgang Amadeus Mozart. Edited by Hochstein, Wolfgang. For Solo Soprano, 2 Oboes (2 Flutes), 2 Horns, 2 Violins, Viola, Cello/Bassoon/Contrabass, Organ. KV 165 (158a). Full score available separately - see item CA.4076700. Stuttgart Urtext editions; Occasions: Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during church year: Trinity, Christmas. Piano/Vocal score. Language: Latin. Composed 1773. 20 pages. Duration 17 min. Published by Carus

SATB chorus and piano (opt. Flute, Viola, Violin, Cello & French Horn)

SKU: HP.C6280C

Composed by Joel Raney. Piano with Instrumental parts and Organ (available separately). Holy Week, Maundy Thursday. Choral Performance/Accompaniment CDs. Hope Publishing Company #C6280C. Published by Hope Publishing Company (HP.C6280C).

UPC: 763628962807.

Origi nal anthem.