Performed by The Dave Matthews Band, Tim Reynolds. For guitar and voice. Format:...(+)
Performed by The Dave
Matthews Band, Tim
Reynolds. For guitar and
voice. Format: guitar
tablature songbook. With
standard guitar notation,
guitar tablature, vocal
melody, lyrics, chord
names, guitar chord
diagrams and guitar
notation legend. Pop rock
and pop rock. Series:
Play It Like It Is. 128
pages. 9x12 inches.
Published by Cherry Lane
Music.
SATB a cappella Choral (SATB) SKU: HL.50601107 Composed by Matthew Harris...(+)
SATB a cappella Choral
(SATB)
SKU:
HL.50601107
Composed
by Matthew Harris. Choral
Collection. Concert.
Softcover. 60 pages.
Published by G. Schirmer
(HL.50601107).
ISBN
9781540006875. UPC:
888680713805.
6.75x10.5x0.131
inches.
This is the
latest â?? and 7th â??
in an a cappella series
going back three decades
in which the texts are
taken from Shakespeare's
plays. â??Come Unto
These Yellow Sandsâ?
is a gentle invitation to
the listener, at least
until the animals take
over. â??Thou Canst Not
Hit It,â? in this
interpretation, is a song
about trying to hit the
high and low notes.
Surrounded by comedy and
tragedy, â??Honour,
Riches,
Marriage-Blessingâ? is
the idyllic center of the
set. â??O Sweet
Oliver,â? with its
dueling boy and girl
choirs, leads into
â??Willow, Willow,â?
where the poem's word
repetitions inspire the
driving rhythm.
By Akers, Doris. Arranged by Joel Raney. (SATB). Gathering, Holy Spirit, Pentec...(+)
By Akers, Doris. Arranged
by Joel Raney. (SATB).
Gathering, Holy Spirit,
Pentecost and Sacred.
Print Music Single
(SATB). 8 pages.
Published by Hope
Publishing Company.
Composed by Matthew Mcconnell. Sacred, General, Masterworks and Transcriptions...(+)
Composed by Matthew
Mcconnell. Sacred,
General, Masterworks and
Transcriptions. Lorenz
Publishing Company
#70/2049L. Published by
Lorenz Publishing Company
(LO.70-2049L).
Arranged by Valerie W
Stephenson. General
Worship, Sacred. Handbell
score. 4 pages. Hope
Publishing Company #2252.
Published by Hope
Publishing Company
(HP.2252).
UPC:
763628122522. Matthew
19:14, Ephesians 5:2,
Jeremiah 31:3, Galations
2:20, Matthew 18:2-4,
Mark 10:13-16, Luke
18:15-17, 2 Corinthians
4:5-12.
Beloved
childhood hymn A sweet
and well-known song,
Jesus Loves Me is now
arranged for 3-5 octave
handbells with running
eighth-notes and building
block chords. A sweet and
well-known song, Jesus
Loves Me is now arranged
for 3-5 octave handbells
with running eighth-notes
and building block
chords.
Arranged by Janet Linker and Jane McFadden. For Handbells (3-5 octaves) with opt...(+)
Arranged by Janet Linker
and Jane McFadden. For
Handbells (3-5 octaves)
with optional flute and
handchimes (3 octaves).
General, Sacred. Grade
3-. Handbell score. 8
pages. Published by Hope
Publishing Company
Composed by Various. Edited by David Wordsworth. For Choral (SATB). Choral. Soft...(+)
Composed by Various.
Edited by David
Wordsworth. For Choral
(SATB). Choral.
Softcover. 192 pages.
Novello and Co Ltd.
#NOV164681. Published by
Novello and Co Ltd.
Stories of Jesus Medley Chorale SATB SATB, Piano [Octavo] - Intermédiaire Jackman Music Corporation
By F.A. Challinor / Leah Ashton Lloyd / Joseph Ballantyne. Arranged by David Len...(+)
By F.A. Challinor / Leah
Ashton Lloyd / Joseph
Ballantyne. Arranged by
David Len Allen. Text:
W.H. Parker/Jemima
Luke/James R. Murray. For
SATB Choir. Level: Medium
/ Medium-Difficult
(accompaniment). Duration
3:00. Published by
Jackman Music
Corporation.
Piano, Voix et Guitare [Partition] - Intermédiaire Cherry Lane
Performed by John Denver. For voice, piano and guitar chords. Format: piano/voca...(+)
Performed by John Denver.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, guitar chord
diagrams and introductory
text. Folk and soft rock.
256 pages. 9x12 inches.
Published by Cherry Lane
Music.
Choral TTBB choir, piano SKU: CF.CM9635 Composed by Victor Johnson. Fold....(+)
Choral TTBB choir, piano
SKU: CF.CM9635
Composed by Victor
Johnson. Fold.
Performance Score. 12
pages. Duration 3
minutes, 19 seconds. Carl
Fischer Music #CM9635.
Published by Carl Fischer
Music (CF.CM9635).
ISBN 9781491157077.
UPC: 680160915637. 6.875
x 10.5 inches. Key: E
major. English, English.
Abram Joseph Ryan
(1838-1886).
Victor
Johnson captures the
mystery and nuance of the
bittersweet poem, Wake Me
a Song, by American poet,
Abram Joseph Ryan.
Nuance, text, and
Johnson's rich harmonies
paired with intertwining
textures make this a
noteworthy addition to
any program. Also
available for SATB Voices
(CM9561). About the
Author Abram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states. Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky. About the Song
Wake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment. To master
a performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections. One strategy
that could be used to
ensure proper phrasing is
the idea of Painting the
Phrase. The singer should
make a motion as if they
have a paintbrush in
their hand and paint the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept. About the
AuthorAbram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states.Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky.About the
SongWake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment.To master a
performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections.One strategy
that could be used to
ensure proper phrasing is
the idea of
“Painting the
Phrase.†The singer
should make a motion as
if they have a paintbrush
in their hand and
“paint†the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept.