Oratorio in two
parts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series I,
Volume 3. Complete
edition, Score. HWV 47.
Duration 1 hour, 50
minutes. Baerenreiter
Verlag #BA04096_00.
Published by Baerenreiter
Verlag (BA.BA04096).
ISBN 9790006550098. 33
x 26 cm inches. Text
Language: Italian.
Preface: Terence Best.
Text: Carlo Sigismondo
Capece.
The Italian
oratorio La Resurrezione
(The Resurrection) was
written during
Handel’s time in
Rome. It was performed on
Easter Sunday 1708 with
great splendour and
extravagance by a large
orchestra conducted by
Arcangelo Corelli in the
Palazzo Bonelli, the
Roman palazzo of
Handel’s patron
the Marchese Francesco
Maria Ruspoli. In its
dramatic structure and
characterisation of the
protagonists, the work
displays a striking
affinity with Italian
opera. Lucifer’s
raging sixty fourth notes
call to mind the demon
characters in Venetian
opera and
Maddalena’s arias
are so full of expressive
power and virtuosity that
Handel later incorporated
one of them into his
opera Agrippina. The
unusual musical richness
of this work and the
virtuosic and masterly
shaping of the arias make
it a welcome addition to
any concert programme.
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MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
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binding
(Joseph Haydn Complete Edition, Series XII, Vol. 2 Paperbound). Composed by Fran...(+)
(Joseph Haydn Complete
Edition, Series XII, Vol.
2 Paperbound). Composed
by Franz Joseph Haydn
(1732-1809). Edited by
Armin Raab and Georg
Feder. Henle Complete
Edition. Critical Report.
120 pages. G. Henle
#HN5303. Published by G.
Henle
String quartet (2V,Va,Vc) SKU: BA.TP00930 Composed by Ludwig van Beethove...(+)
String quartet (2V,Va,Vc)
SKU: BA.TP00930
Composed by Ludwig van
Beethoven. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Study score. Opus
130. Baerenreiter Verlag
#TP00930_00. Published by
Baerenreiter Verlag
(BA.TP00930).
ISBN
9790006203093. 22.5 x
16.5 cm inches. Key:
B-flat major. Preface:
Donat, Misha.
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/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
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Organ SKU: CA.2401400 Edited by Helmut Volkl. This edition: Linen cover. ...(+)
Organ
SKU:
CA.2401400
Edited by
Helmut Volkl. This
edition: Linen cover.
German title: Orgeln In
Wurttemberg. Bildband.
Musicological books.
Book. 368 pages. Carus
Verlag #CV 24.014/00.
Published by Carus Verlag
(CA.2401400).
Composed
by Wolfgang Amadeus
Mozart. Edited by Albert
Dunning. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Score. KV 287 (271b, 271
H). Baerenreiter Verlag
#BA08809_00. Published by
Baerenreiter Verlag
(BA.BA08809).
ISBN
9790006568970. 31 x 24.3
cm inches. Key: B-flat
major. Preface: Gudula
Schutz.
Mozart
composed his two
â??Lodron Serenadesâ?
for open-air performances
on the name day of
Countess Antonia Lodron
in June 1776 and 1777.
Their bright â??al
frescoâ? character is
immediately recognisable.
Alfred Einstein
considered these two
divertimentos to be
â??among the purest,
gayest, most satisfying,
and most perfect that
ever assumed musical
formâ?.
For
both works Mozart chose
an ensemble of two horns,
two violins, viola and
bass instruments.
However, the second
Lodron Serenade, the
Divertimento in B-flat
major K. 287, stands out
from this sextet format
by assigning a remarkably
virtuosic solo role to
the first violin, from
the richly diverse
opening movement to the
finale with its almost
ironic recitative and an
exhilarating passage on
the folk song
â??Dâ??Bäurin hat
dâ??Katz verlornâ?.
Mozart himself played
first violin in the 1777
performance. Later he
wrote, â??They all
opened their eyes! I
played as though I were
the finest fiddler in all
Europeâ?.
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LLY SOUND - A
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sources - A
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sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
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By John P. Newhill. The most comprehensive English language reference work on th...(+)
By John P. Newhill. The
most comprehensive
English language
reference work on the
basset horn. Copyright
2003. Updated in 2009,
shortly before the
author's death.. Book.
Reference Book. Published
by Rosewood Publications
Passion
oratorio in nine
meditations. Composed
by Georg Philipp
Telemann. Edited by Ute
Poetzsch. This edition:
Edition of selected
works, Urtext edition.
Linen. Telemann Musical
Works. Volume 33. Edition
of selected works, Score.
TWV 5. Duration 1 hour,
39 minutes, 59 seconds.
Baerenreiter Verlag
#BA05856_00. Published by
Baerenreiter Verlag
(BA.BA05856).
ISBN
9790006497959. 32.9 x
25.8 cm inches. Text:
Georg Ph
Telemann.
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MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
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Piano (Piano solo) - L6 SKU: HL.51481203 Piano. Composed by Ludwig...(+)
Piano (Piano solo) - L6
SKU: HL.51481203
Piano. Composed by
Ludwig van Beethoven.
Edited by Murray Perahia
and Norbert Gertsch.
Arranged by Murray
Perahia. Sheet Music.
Paperbound. Henle Music
Folios. Revised edition
of HN 183. Classical.
Softcover. 26 pages. G.
Henle #HN1203. Published
by G. Henle
(HL.51481203).
ISBN
9790201812038. UPC:
888680749965.
9.25x12.25x0.121 inches.
Fing. Murray
Perahia.
Beethoven'
s three piano sonatas op.
2 were the first works in
this genre to which he
gave an opus number, thus
signalling to the musical
world the special
importance that he
assigned to them. He
wrote them during his
first years in Vienna
and, along with his op. 1
piano trios, they helped
to establish his
reputation as one of the
most significant
composers of his time.
These three sonatas - all
of them small
masterpieces - are
arranged in ascending
order of difficulty and
virtuosity. The
four-movement Sonata in f
minor is often called the
“Little
Appassionataâ€
because it shares with
the famous Sonata op. 57
not just its key, but
also its impassioned mood
- especially in the last
movement. Murray
Perahia's fingerings have
been tried and tested
over several decades of
performing these works,
and offer a new approach
to these milestones of
the piano repertoire.
Replaces HN183.
About Henle
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preface in 3
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the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
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largest Urtext
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longest Urtext
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exclusively for Urtext
editions)
Psalm 2. Composed
by Heinrich Schutz.
Edited by Wilhelm Ehmann.
This edition: urtext
edition. Paperback. Aus
Psalmen Davids. Choral
score. SWV 23. 6 pages.
Baerenreiter Verlag
#BA01716_94. Published by
Baerenreiter Verlag
(BA.BA01716-94).
ISBN
9790006413287. 27 x 19 cm
inches.
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Barenreiter
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/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
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Benvenuto
Cellini, premiered in
1838, is inspired by the
life of the legendary
Florentine goldsmith and
Renaissance figure. The
premiere was a disatster
yet even by Berliozâ??s
high standards it
contains music of
exceptional inventiveness
and beauty.
The
work is challenging not
least due to the three
versions which
exist:
I The
original version (Paris
1) as Berlioz composed
it II The version
premiered in Paris (Paris
2) after rehearsal and
copied into an archival
full score III The
Weimar version based on
the revival in 1852
following changes
suggested by
Liszt
Our edition
offers a solution to the
problem of publishing
operas which have been
heavily revised by their
composers, so that any of
its many versions may be
adopted on stage
today.
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MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
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format - Excellent
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Superior paper and
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Composed
by Franz Schubert. Edited
by Rossana Dalmonte. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus post.
141, D 324. Baerenreiter
Verlag #BA05621_00.
Published by Baerenreiter
Verlag (BA.BA05621).
ISBN 9790006472871. 31
x 24.3 cm inches. Key:
B-flat major. Preface:
Rossana
Dalmonte.
Urtext
der Neuen
Schubert-Ausgabe.
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MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
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need them - A
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Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von...(+)
Piano (P+KRB)
SKU:
HL.49042462
No.
1-4. Composed by Carl
Maria von Weber. Edited
by Markus Bandur. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. Op.
24+39+49+70. 372 pages.
Schott Music #WGA1071.
Published by Schott Music
(HL.49042462).
ISBN
9783795794637. German -
English.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Zéphire RCT 61 Soli, choeur mixte et accompagnement Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA08872-01 Acte de ballet...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA08872-01
Acte
de ballet. Composed
by Jean-Philippe Rameau.
Edited by Nathalie
Berton-Blivet. This
edition: complete
edition, urtext edition.
Linen. Complete edition,
Score. Baerenreiter
Verlag #BA08872-01.
Published by Baerenreiter
Verlag (BA.BA08872-01).
ISBN 9790006575886.
33.5 x 26 cm inches. Text
Language: French.
Preface: Sylvie Bouissou.
Louis de
Cahusac.
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MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
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Italienisches Madrigal
Nr. 11. Composed by
Heinrich Schutz. Edited
by Hans Joachim Moser.
This edition: urtext
edition. Stapled. Choral
score. SWV 11.
Baerenreiter Verlag
#BA02860_00. Published by
Baerenreiter Verlag
(BA.BA02860).
ISBN
9790006426522. Text
Language: Italian,
German. Translation: Hans
Joachim
Moser.
Print on
demand (POD).
About
Barenreiter
Urtext
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Urtext
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MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
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Superior paper and
binding
Revised Edition with Fingering by 26 Pianists. Composed by Franz Joseph Ha...(+)
Revised Edition with
Fingering by 26 Pianists.
Composed by Franz Joseph
Haydn (1732-1809). Edited
by
Georg Feder. Henle Music
Folios. Classical.
Softcover.
G. Henle #HN1336.
Published
by G. Henle
Violin 1 (Violin 1) SKU: HL.51480733 Violin I. Composed by Franz J...(+)
Violin 1 (Violin 1)
SKU: HL.51480733
Violin I. Composed
by Franz Joseph Haydn.
Edited by Horst Walter.
Sheet Music. Paperbound.
Henle Music Folios.
Pages: Vl I Part = 7.
Classical. Individual
instrument part. 8 pages.
G. Henle #HN733.
Published by G. Henle
(HL.51480733).
ISBN
9790201807331. UPC:
884088178475.
9.25x12.25x0.027
inches.
This volume
completes Henle's urtext
series of Joseph Haydn's
three piano concertos.
Written in or around
1765, the delightful
first concerto is ideally
suited for playing at
home, for the relatively
undemanding part for
piano (or harpsichord) is
accompanied merely by a
string quartet. This
edition draws on the
musical text in our
complete edition of
Haydn's works,
guaranteeing an urtext of
the finest quality.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Motet. Composed by Johann Sebastian Bach (1685-1750). Edited by Konrad Ameln. Th...(+)
Motet. Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Konrad Ameln. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Sacred. Single
part. BWV 228. 3 pages.
Baerenreiter Verlag
#BA05133-79. Published by
Baerenreiter Verlag
Messen der Drucke
Venedig 1570 und
München 1574.
Composed by Orlande De
Lassus. Edited by
Siegfried Hermelink. This
edition: complete
edition, urtext edition.
Linen. Orlando di Lasso,
Complete Works (Samtliche
Werke - Neue Reihe),
Volume 3. Complete
edition, Singing Score,
anthology. No. 1-9.
Baerenreiter Verlag
#BA03403_00. Published by
Baerenreiter Verlag
(BA.BA03403).
ISBN
9790006433995. 27.5 x
19.5 cm
inches.
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Barenreiter
Urtext
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expect from a Barenreiter
Urtext
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/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
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Motet. Composed by
Heinrich Schutz. Edited
by Werner Breig. This
edition: urtext edition.
Stapled. No. 9 from
Geistliche Chor-Music.
Choral score. SWV 377. 12
pages. Baerenreiter
Verlag #BA07969_00.
Published by Baerenreiter
Verlag (BA.BA07969).
ISBN 9790006559398. 27
x 19 cm inches. Language:
German.
Published
in 1648, Heinrich
Schütz’s
“Geistliche
Chor-Music†is
still regarded as one of
his seminal works. A
two-volume performance
edition based on Werner
Breig’s revised
new text was published in
2012 and 2013 (BA 5901/BA
5902).
Now
selected motets are being
issued in separate
volumes. They offer a
modern notation and
layout, retain the
original keys and include
an integrated figured
bass realisation. In
keeping with contemporary
performance practice, the
‘choral’
parts can be performed by
instruments as well as
voices. Instrumental
parts with underlaid
words may be purchased
separately for
performances with
instruments (see
performance material for
BA 5901 and BA
5902).
About
Barenreiter
Urtext
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Urtext
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MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Gabriel Faure (1845-1924). Edited by Helga Schauerte-Maubouet. Thi...(+)
Composed by Gabriel Faure
(1845-1924). Edited by
Helga
Schauerte-Maubouet. This
edition: complete
edition,
urtext edition. Cloth
bound.
Gabriel Faure. OEuvres
completes I/4. Complete
Edition, Score,
anthology.
Baerenreiter Verlag
#BA09478-
01. Published by
Baerenreiter
Verlag
Psalm 2. Composed
by Heinrich Schutz.
Edited by Wilhelm Ehmann.
This edition: urtext
edition. Paperback. Aus
Psalmen Davids. Choral
score. SWV 23. 6 pages.
Baerenreiter Verlag
#BA01716_93. Published by
Baerenreiter Verlag
(BA.BA01716-93).
ISBN
9790006413270. 27 x 19 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Mixed choir-SATB, basso
continuo (organ),
instruments ad libitum
(Mixed choir (SATB),
Basso continuo (Organ),
Instrument ad libitum) -
Level 3
SKU:
BA.BA06243
Composed
by Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Stapled.
Barenreiter Urtext. Aus
der Matthäus-Passion.
Choral score, anthology.
BWV 244. 11 pages.
Baerenreiter Verlag
#BA06243_00. Published by
Baerenreiter Verlag
(BA.BA06243).
ISBN
9790006477401. 27 x 19 cm
inches.
10
ausgewahlte Chorale fur
Chor und Bc(Org), nach
dem Urtext der Neuen
Bach-Ausgabe, Instrumente
(2 Fl, 2 Ob, Str) ad
lib.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Violoncello SKU: BA.BA05278 Composed by Johann Sebastian Bach. Edited by ...(+)
Violoncello
SKU:
BA.BA05278
Composed
by Johann Sebastian Bach.
Edited by Andrew Talle.
This edition: Facsimile,
Urtext edition.
Paperback. Barenreiter
Urtext. Urtext from the
New Bach Edition -
Revised (NBArev).
Performance score,
anthology, Facsimile. BWV
1007-1012. Baerenreiter
Verlag #BA05278_00.
Published by Baerenreiter
Verlag (BA.BA05278).
ISBN 9790006569625.
32.5 x 25.5 cm inches.
Preface: Talle,
Andrew.
When we
think of the cello, we
automatically think of
Bach’s immortal
cello suites. They are
the very core of cello
literature, their
timeless beauty
accompanying cellists
from their student years
throughout the height of
their professional
careers.
Consideri
ng the works’
significance, the great
number of editions in
existence is not
surprising. However, the
composer’s
autograph has not been
preserved and is
considered lost. This
circumstance creates an
exceptional challenge
many editors faced over
the years. The four
autograph sources still
in existence and the
first print from 1824
show numerous small
deviations, especially in
terms of articulation
markings and
phrasing.
In this
two-volume edition of
Bach’s cello
suites, Andrew Talle now
presents an entirely new
view of the relationships
between existing sources.
The first volume contains
the edited musical text,
which comes as close to
the composer’s
original intention as the
surviving source material
allows: “This
edition does not
constitute a perfect
reconstruction of the
lost autograph; that is
something no editor could
claim to accomplish.
Instead, I have attempted
to supply musicians and
researchers with a
reliable version of the
surviving musical text of
the six cello suites, and
to convey a sense of the
many possibilities Bach
encouraged his musicians
to explore.â€The
second volume presents,
for the first time,
synoptically arranged
facsimiles of the
handwritten sources as
well as the first print
(with Suite No. V also
including Bach’s
own arrangement for
lute), allowing readers
to compare any specific
section in all sources at
one glance. This allows
for a straightforward and
immediate consideration
of all sources, making
editorial decisions
transparent and
self-evident.
Andr
ew Talle’s edition
is supplemented by a
comprehensive discussion
of the instrument for
which the suites were
created, as well as
information regarding
musical interpretation
during Bach’s
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Camille
Saint-Saens. Edited by
Christina M. Stahl. This
edition: urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11305. Published by
Baerenreiter Verlag
(BA.BA11305).
ISBN
9790006567027. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Stahl,
Christina M.
Psalm
137 Super flumina
Babylonis also known as
By the rivers of Babylon
was an inspiration for
many composers including
Camille Saint-Saëns.
He repeatedly occupied
himself with his psalm
motet for solo soprano,
mixed choir, saxophone
quartet, string orchestra
and organ, originally
composed in 1854. Two of
the four versions â??
the first version in
Latin and a much later
version in English for
alto solo, SATB choir and
piano â?? are now
available for the first
time in Urtext performing
editions taking a
meticulous account of all
the
sources.
Saint-Sa
«ns lived up to his
reputation as an
innovative composer by
exploring the use of the
saxophone family in
sacred music just a few
years after the invention
of these instruments. The
successful combination of
voice and saxophone
creates a special sound
experience.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SKU: HL.51488043 Henle Music Folios. G. Henle #HN8043. Published by G. He...(+)
SKU: HL.51488043
Henle Music Folios. G.
Henle #HN8043. Published
by G. Henle
(HL.51488043).
UPC:
196288082378. 5.0x7.0x3.0
inches.
“Time
for a break†white
printing on Henle blue,
190 x 135 x 70 mm. Bread,
snacks, fruit and even
sandwiches are kept fresh
and appetizing in the
spacious Henle Lunchbox.
The clip closure is
designed in such a way
that the lunchbox cannot
accidentally open during
transport. The rounded
shape feels smooth to the
touch and ensures that it
does not get caught going
in and out of your bag or
backpack. This product is
based on cellulose: 100%
pure material, 100%
recyclable, extremely
long-lasting, food- and
dishwasher-safe, and
without any harmful
substances, Koziol
quality.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Motet. Composed by
Heinrich Schutz. Edited
by Werner Breig. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. No. 19 from
Geistliche Chor-Music.
Choral score. SWV 387. 27
pages. Baerenreiter
Verlag #BA25009_00.
Published by Baerenreiter
Verlag (BA.BA25009).
ISBN 9790006568031.
29.7 x 21 cm inches.
Language:
German.
Separate
edition from BA 5902,
â??Geistliche
Chor-Musicâ?? SWV
369-380, The six and
seven-part motets, nos.
13-29:
In 1648
Heinrich Schütz
published a collection of
29 motets with five to
seven parts titled
â??Geistliche
Chor-Musicâ? (Sacred
Choir Music). Here, the
term â??Chorâ?
(choir) refers not only
to a (large) vocal
ensemble but, more
generally, to a group of
musicians, vocal or
instrumental. As
explained by Schütz in
the foreword he published
with the collection, all
parts of the motets can
be performed vocally
and/or
instrumentally.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
