| Nuptial Scene Carl Fischer
Chamber Music Bass Clarinet, Celesta, Cello, Flute, Mezzo-soprano voice, Oboe, P...(+)
Chamber Music Bass
Clarinet, Celesta, Cello,
Flute, Mezzo-soprano
voice, Oboe, Percussion,
Viola, Violin SKU:
CF.FE189S Composed by
Samuel Adler. Large
Score. With Standard
notation. 41 pages.
Duration 10 minutes. Carl
Fischer Music #FE189S.
Published by Carl Fischer
Music (CF.FE189S).
ISBN 9780825877520.
UPC: 798408077525. 9.5 x
13 inches. Nuptial
Scene was commissioned by
the Jerusalem Symphony
Orchestra in cooperation
with the city of
Jerusalem for the
celebration of the fourth
Testimonium, a festival
to preserve Jewish
heritage. The work was
written in September,
1975, and premiered in
Jerusalem in February,
1976, with the Jerusalem
Symphony, Juan Pablo
Izquierdo conducting, and
Adi Etzion as soloist. It
is dedicated to Recha
Freier, the originator
and prime mover of the
festival. Nuptial Scene
is based on a simple
medieval poem of
prenuptial instruction.
Part of it is in Catalan
and part in Hebrew. The
poem originated in
Catalonia, where a highly
developed Jewish
community existed until
the expulsion of 1492. A
mother is instructing her
daughter in the ways and
strategies of marriage
and rejoicing with a new
song for a new bride.
When I initially planned
the setting for this
lovely poem, I realized
that the age of the
daughter would be about
twelve, for girls in that
historical period were
married at puberty. This
set in motion a scheme
for the composition,
since my oldest daughter
was thirteen at that
time, and I used her
psyche to give me
direction. When a girl of
twelve or thirteen thinks
of a wedding, she is
completely captivated by
its frills -- the dress,
the party, the dancing.
In her imagination, the
reality of a husband or
any kind of domestic
responsibility would be
nonexistent. Therefore,
during the mother's
ardent pleas,
instructions,
admonitions, and even
innuendos, the daughter's
mind wanders and dreams
of dancing. Musically,
the rather straight,
somber rhythm and melody
of the song are
interrupted by an
independent, faster dance
speed of the bongos and
by scattered fragments of
an actual medieval
Spanish-Jewish dance. At
the point where the
mother speaks of sensuous
marital problems, she
herself becomes excited,
and in a nostalgic,
dreamlike spirit -- with
the use of improvised
melodic lines for which
only the gestural
outlines are given -- she
goes into a kind of
rapturous trance. The
daughter, however, seems
unmoved, and she falls
asleep. The mother calms
down, puts her head on
the daughter's shoulder,
and quietly muses, then
also closes her eyes.
--Samuel Adler
 . Nuptial Scene
was commissioned by the
Jerusalem Symphony
Orchestra in cooperation
with the city of
Jerusalem for the
celebration of the fourth
“Testimoniumâ€
, a festival to preserve
Jewish heritage. The
work was written in
September, 1975, and
premiered in Jerusalem in
February, 1976, with the
Jerusalem Symphony, Juan
Pablo Izquierdo
conducting, and Adi
Etzion as
soloist.  It is
dedicated to Recha
Freier, the originator
and prime mover of the
festival.Nuptial Scene is
based on a simple
medieval poem of
prenuptial
instruction. Part of
it is in Catalan and part
in Hebrew. The poem
originated in Catalonia,
where a highly developed
Jewish community existed
until the expulsion of
1492. A mother is
instructing her daughter
in the ways and
strategies of marriage
and rejoicing with a
“new songâ€
for a “new
brideâ€.When I
initially planned the
setting for this lovely
poem, I realized that the
age of the daughter would
be about twelve, for
girls in that historical
period were married at
puberty. This set in
motion a scheme for the
composition, since my
oldest daughter was
thirteen at that time,
and I used her psyche to
give me direction.Â
When a girl of twelve or
thirteen thinks of a
wedding, she is
completely captivated by
its frills — the
dress, the party, the
dancing. In her
imagination, the reality
of a husband or any kind
of domestic
responsibility would be
nonexistent.Â
Therefore, during the
mother’s ardent
pleas, instructions,
admonitions, and even
innuendos, the
daughter’s mind
wanders and dreams of
dancing. Musically,
the rather straight,
somber rhythm and melody
of the song are
interrupted by an
independent, faster dance
speed of the bongos and
by scattered fragments of
an actual medieval
Spanish-Jewish dance.Â
At the point where the
mother speaks of sensuous
marital problems, she
herself becomes excited,
and in a nostalgic,
dreamlike spirit —
with the use of
improvised melodic lines
for which only the
gestural outlines are
given — she goes
into a kind of rapturous
trance. The daughter,
however, seems unmoved,
and she falls asleep.Â
The mother calms down,
puts her head on the
daughter’s
shoulder, and quietly
muses, then also closes
her eyes.—Samuel
Adler . $58.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Belle Époque Flûte traversière et Piano [Partition + CD] - Avancé Mitropa Music
Flute and Piano - advanced SKU: BT.1771-11-400-M French Romantic Piece...(+)
Flute and Piano -
advanced SKU:
BT.1771-11-400-M
French Romantic Pieces
for Flute and Piano.
Composed by Various.
Arranged by Franco
Cesarini. Book with CD.
Composed 2011. 48 pages.
Mitropa Music
#1771-11-400 M. Published
by Mitropa Music
(BT.1771-11-400-M).
ISBN 9789043134583.
9x12 inches.
International. This
collection contains works
from the so-called
“Belle
Époqueâ€, the
time period right around
the turn of the 20th
century which have been
arranged for flute and
piano by Franco Cesarini.
It includes pieces by
Dukas and Massenet, two
early works by Ravel that
are on the cusp of the
impressionistic period
and compositions by Bizet
and Saint-Saëns which
represent the
late-romantic period. The
book comes with a CD
which contains a demo of
each piece, followed by
the piano accompaniment
which you can play along
with.
Er is geen
ander tijdperk waarin
emoties zo sterk naar
voren kwamen als de
19e-eeuwse romantische
periode. In die tijd
vervolmaakte de
instrumentenbouwer
Theobald Böhm de
dwarsfluit, die de vorm
kreeg waar we nu aan
gewend zijn. Defluit was
bij de componisten uit de
romantiek een bijzonder
geliefd instrument. Dit
album bevat werken die
grotendeels zijn ontstaan
tijdens de zogeheten
belle époque -de
periode van rond de
eeuwwisseling (van 1900).
In het boekvind je
stukken van Dukas en
Massenet, evenals twee
vroege werken van Ravel,
in impressionistische
stijl gecomponeerd,
terwijl de composities
van Bizet en
Saint-Saëns de
laat-romantische periode
vertegenwoordigen.Op de
meegeleverdecd staat van
elk stuk een demoversie,
gevolgd door een
play-alongversie met
alleen de
pianobegeleiding.
Diese Ausgabe, die einige
romantische Sätze aus
der so genannten Belle
Epoque“ in
Bearbeitungen für
Flöte und Klavier
vorstellt, will allen
fortgeschrittenen
Flötisten die
Möglichkeit geben,
mehr Musik der Romantik
aus der Perspektive eines
Solisten kennenzulernen.
Neben Dukas und Massenet
ist auch Ravel sowie
spätromantische Musik
von Bizet und
Saint-Saëns enthalten.
Auf der beiliegenden CD
ist sowohl eine
vollständige Aufnahme
jedes Stückes als
auch die Begleitung, zu
der die Solostimme
gespielt werden kann, zu
hören.
Ce
recueil rassemble des
oeuvres datant
essentiellement de la
Belle Époque
(1900-1920), divinement
arrangées par Franco
Cesarini pour Fl te
Traversière et Piano.
Sur le CD inclus, vous
trouverez deux versions
par pièce : une
version intégrale et
une version où ne
subsiste que
l‘accompagnement
(version papier jointe au
recueil).
Questo
volume che contiene opere
scirtte in gran parte
durante la cosiddetta
“Belle
Époqueâ€,
include brani di Dukas e
Massenet e due tra le
prime opere di Ravel
collocabili alla fine del
periodo
dell'impressionismo. Le
due composizioni di Bizet
e Saint-Saens
appartengono invece al
periodo del tardo
romanticismo. Il CD
incluso propone
l'incisione completa di
ogni brano, seguita da
una traccia con il solo
accompagnamento del
piano. $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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