Composed by Arcangelo Corelli (1653-1713). Arranged by Paul Erion. For Brass Quintet. Baroque. Advanced. Score and parts. Published by Cherry Classics

SAB choir, keyboard accompaniment, guitar - Early intermediate

SKU: GI.G-7020

Composed by Pablo Sosa. Arranged by Homero R. Perera. Oramos cantando series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #7020. Published by GIA Publications (GI.G-7020).

UPC: 785147702009. English, Spanish. Translation: Mary Louise Bringle. Text by Juan Damián.

The milonga is a song-dance developed around 1870 by the cultures co-existing in Buenos Aires at the time. This piece, with a Mary Louise Bringle translation, explores the mystery of God: “I think I know, but barely grasp it . . .” and calls for greater faith. The music is slow, rhythmic, richly harmonic, and mesmerizing.

Slow, rhythmic, richly harmonic, and mesmerizing.

For E-Flat Baritone Saxophone. Jazz Ensemble Collection. First Year Charts Collection for Jazz Ensemble. Jazz. Book. 24 pages. Published by Alfred Publishing.

By Stephen Sondheim. Arranged by Mac Huff. (SAB). Broadway Choral. Size 6.7x10.5 inches. 72 pages. Published by Hal Leonard.

By Linda Forrest. For unison/2-part choir. (2-part). General music. Published by Heritage Music Press. (30/1001)

Budget Books. By Various. Easy Piano Songbook (Easy arrangements for piano and voice). Softcover. 304 pages. Published by Hal Leonard.

Composed by Rick Hirsch. Jazz Ensemble. Jazz Ensemble; Part(s); Score. Young Jazz Ensemble. Jazz. Grade 2. 102 pages. Published by Alfred Music

For Guitar. This edition: Lyric/Chords. Artist/Personality; Book; Guitar Personality. 192 pages. Published by Alfred Music Publishing

Discovery Level 2. Composed by Hugo Blanco. Arranged by Cristi Cary Miller. Discovery Choral. Christmas, Concert, Holiday, Spanish. Octavo. Published by Hal Leonard

By Mark Weston. For 2-part voices and piano. Sing Out Series. Concert, Multicultural, Novelty. Octavo

For Ukulele. Essential Elements Ukulele. Softcover Audio Online. Published by Hal Leonard

Composed by Jean Philippe Vanbeselaere. For concert band. Original Music. Grade 4. Full set. Duration 8 minutes, 58 seconds. Published by Editions Robert Martin

Arranged by Chris Sharp. Concert Band. FJH Concert Band. Full set (score and parts). Score only also available: S. Christmas. Level: Grade 3. Score and set of parts. Composed 2008. Published by The FJH Music Company Inc.

By Wolfgang Amadeus Mozart. Arranged by Ernst. Trumpet Solo. Level: Grade 3. Published by Kendor Music Inc.

Grade 4

SKU: CL.CTS-8056-00

For Flexible Ensemble. Composed by Claude T. Smith. Arranged by Earp. Concert Band. Score and set of parts. Composed 2023. Claude T. Smith Publications #CTS-8056-00. Published by Claude T. Smith Publications (CL.CTS-8056-00).

Finale from A Rhapsody on Christmas Carols centers around a lively rendition of the widely known Christmas carol, Angels We Have Heard on High. This arrangement is a perfect opener, closer, or encore piece for a winter concert. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.

Grade 4

SKU: CL.LDP-7049-01

Composed by B. Kirby. Concert Band. Extra full score. Composed 2013. Daehn Publications #LDP-7049-01. Published by Daehn Publications (CL.LDP-7049-01).

A Scottish showpiece for every section of your band! A catchy little trumpet melody is tossed all around the band, accompanied by bustling woodwinds, the sounds of bagpipes, and wild drumming! This happy parade is momentarily interrupted by a bittersweet tune, featuring several band soloists. But the rudimental drums bring everyone back for a big Highland Finale! Hoots Mon!

By Various. For Guitar. Guitar Collection. Softcover. Guitar tablature. 104 pages. Published by Hal Leonard

For Guitar. Jazz/RandB. Includes a printed music score on high-quality ivory paper; and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus you, the soloist. Published by Music Minus One.

Viola (4(2picc).3(cor ang).3(B-clar).3.sarrusop hone - 4.3.3.1 - timp.perc- 2hp - cel - str)

SKU: BR.OB-5530-19

Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). The Rapsodie espagnole qualifies above all as a masterpiece of Ravel's instrumental magic - a fireworks of orchestration!Have a look into PB 5530. Early modern. Part. 12 pages. Duration 15'. Breitkopf and Haertel #OB 5530-19. Published by Breitkopf and Haertel (BR.OB-5530-19).

ISBN 9790004340844. 10 x 12.5 inches.

After Bolero and La Valse, a third, often-played work by Ravel is now entering Breitkopf's orchestral program, obviously in a Breitkopf Urtext edition that was supervised by the Ravel expert Jean-Francois Monnard. As a compositional destination around 1900, Spain was in the air, as is also confirmed by Debussy's Iberia. Monnard's incisive preface brilliantly draws links between the two composers who, along with Igor Stravinsky, were working in Paris during those years. The Rapsodie espagnole qualifies above all as a masterpiece of Ravel's instrumental magic. This fireworks of orchestration demands a reliable and purchasable performance material that can grace the library of every professional orchestra.

The Rapsodie espagnole qualifies above all as a masterpiece of Ravel's instrumental magic - a fireworks of orchestration!

For Piano Acc. Instrumental Series. Rolling Stone Magazine's 500 Greatest Songs of All Time. Level: Level 2-3. Book and CD. 48 pages. Published by Alfred Publishing.

Jazz Ensemble - Grade 1

SKU: AP.50942

Composed by Rod Temperton. Arranged by Mike Story. Jazz Ensemble; MakeMusic Cloud; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Halloween; Jazz; Pop; Radio. Score and Part(s). Duration 2:45. Alfred Music #00-50942. Published by Alfred Music (AP.50942).

ISBN 9781470669713. UPC: 038081591605. English.

Yes, the Michael Jackson rock hit arranged for your young jazz band. Played around 114 BPM with modest ranges, nice voicings, and a written-out easy to play bass solo (cued for trombone or bari sax). This is an easy to play yet fun crowd pleaser for sure. (2:45).

Orchestra - Grade 2

SKU: AP.45874

Composed by Doug Spata. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Light Concert; Ragtime. Score and Part(s). 62 pages. Duration 1:40. Highland/Etling #00-45874. Published by Highland/Etling (AP.45874).

UPC: 038081523774. English.

Here's a fun, jazzy, all-pizzicato selection for early beginners to play at one of their first concerts! Built around a strong, steady beat, this original by Doug Spata uses only the D and A strings, and half, quarter, and eighth notes with very limited independence to keep everyone together. Each section gets a melody, making it the perfect way to show off those beginning skills. (1:40).

Coro SMsA, Perc

SKU: CA.336510

Arranged by Eduardo Lakschevitz. Separate edition with choral collection. Secular choral music. Full score. 6 pages. Carus Verlag #CV 03.365/10. Published by Carus Verlag (CA.336510).

ISBN 9790007243982. Language: Portuguese.

This is a Brazilian popular melody compiled by Mário de Andrade (1893-1945) in his collection Ensaio sobre a música brasileira (1928). He was an ethnomusicologist who traveled around his country collecting data in order to preserve the ancestral memory of indigenous tribes, slaves from Africa and Portuguese settlers. He was one of the most important musicologists of the 20th century in Brazil, as well as a poet and writer who contributed alongside to Heitor Villalobos (1887-1959) to establishing Brazilian Nationalism. This song Cana-fi ta is a work song from Pernambuco which has the 'coco' rhythm and describes life at a sugar plantation. The choral version of Eduardo Lakschevitz, uses the main melody in a set of variations, alternating from the high to the low register of the choir. The percussion accompaniment of the instrumental group enhances the body percussion which the choir is asked to perform.

Soli SATB, SATB Choir, 2 Fl, 2 Ob/Obda, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119509

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. 1x 31.195/21 flute 1, 1x 31.195/22 flute 2, 1x 31.195/23 oboe 1, 1x 31.195/24 oboe 2, 3x 31.195/31 3 trumpets, 2x 31.195/32 horns 1 and 2, 1x 31.195/41 timpani. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Set of Orchestra Parts. BWV 195. Duration 16 minutes. Carus Verlag #CV 31.195/09. Published by Carus Verlag (CA.3119509).

ISBN 9790007210373. Language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and parts available separately - see item CA.3119500.

Score and Parts. By Soren Hyldgaard. Amstel Concert Bands. Published by Amstel Music.

Orchestra

SKU: BA.BA05822-01

Composed by Christoph Willibald Von Gluck. Edited by Irene Brandenburg. Arranged by Carlo Bernardi and Gasparo Angiolini. This edition: complete edition, urtext edition. Linen. Complete edition, Score. Baerenreiter Verlag #BA05822-01. Published by Baerenreiter Verlag (BA.BA05822-01).

ISBN 9790006567454. 33 x 26 cm inches. Preface: Brown, Bruce Alan.

To conclude Series II (Dance Dramas) from the Gluck Complete Edition (GGA), this volume of Christoph Willibald Gluck's earliest contributions to the genre comprises six ballet scores from 1759 (La Promenade, Les Jardiniers, Les Turcs, Les Savoiards, Les Amours de Flore et Zphire, and Le Suisse) as well as the ballet music for Les Vendanges, which dates from 1761. These works belong to the compositions – also called Krumau ballets because of their musical transmission – which Gluck created in Vienna between 1759 and 1765 for the court theatres in Laxenburg and Schönbrunn as well as the Kärntnertortheater, and which are to be attributed to him as a ballet composer around the middle of the 18th century in Viennese theatre life based on the considerations presented in the general preface.

Together with volumes II/3 to II/5, ballet music by Gluck is available whose sources come from the former Schwarzenberg court archive in Ceský Krumlov, Czech Republic, and which until the Velvet Revolution of 1989, lay behind the Iron Curtain remaining largely inaccessible and unexplored by Western scholars. These volumes reflect two fundamental developments in Gluck research: on the one hand, they provide a significantly expanded, historically more accurate idea of what it meant to compose for the ballet in the 18th century; on the other hand, they bring to light an immense treasure trove of sources formerly of Viennese provenance.

In addition to the detailed introduction by this volume’s editor on the ballet choreographies of Gasparo Angiolini and Carlo Bernardi, on the formation of the ballet troupes of the Viennese theatres in Gluck's early years there, on ballet types and genres, as well as a detailed account of the individual titles, the volume includes a general preface to volumes II/3 through II/5 by Bruce Alan Brown, which discusses Gluck's ballet music in Vienna in general as well as the development of research into this genre. Extensive illustrations (partly from the so-called Durazzo Collection) with reference to the choreographies enrich the discussions. The ballet works, which have survived in only one source each, appear in print for the first time in this volume of the Gluck Complete Edition.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Arranged by Jay Althouse. Choir Secular. 2-Part Choir. Choral Octavo. Pop Choral. Form: Medley. 28 pages

By Larry Shackley. Arranged by Mark Hayes. For alto saxophone, tenor saxophone, 3 trumpets, 3 trombones, rhythm and percussion. Sacred Anthem: Advent, Christmas. Score & Parts. Published by Monarch Music