SKU: HL.1215599

Pioneer DJ. DJ Gear. Duration 153 seconds. Hal Leonard #DDJ-FLX10. Published by Hal Leonard (HL.1215599).

UPC: 841300102304. 6.75x31.0x18.75 inches.

The 4-channel DDJ-FLX10 for rekordbox and Serato DJ Pro includes a host of brand-new features that enables new creative possibilities, including functions DJs can use to easily perform mashups on the fly with no need to prepare tracks in advance. Thanks to the controller's new Track Separation technology, DJs can easily load tracks from their music library to the DDJ-FLX10 and manipulate different musical parts to create infinitely unique performances including live mashups. The controller focuses on 3 track elements that are crucial to DJing – vocals, drums, and inst (other instruments)Ÿ– so DJs can easily play around each one. DJs can reference important information and customize the loof of the controller, thanks to the expanded On Jog Display. Improving on the jogs from popular DDJ-1000, there are 4 On Jog Display modes to choose from, giving DJs the option to display different types of waveform information. The DDJ-FLX10 introduces Mix Point Link, a new rekordbox-compatible feature that enables the user to neatly and seamlessly link the playback of tracks in their set while freeing up their hands to help foster creativity.

Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-clar.S-sax. muha).2(kfg.muha) - 1.1(corn [ad lib.]).1.0 - timp.perc(3) - acc(windmachine I).hp(rainmaker.windmachi ne II).guit(rainmaker.windma chine III) - str: 1.1.2.1.1)

SKU: BR.EB-9394

A Composed Interpretation. Composed by Hans Zender. Voice; Softbound. Edition Breitkopf. World premiere: Frankfurt am Main, September 21, 1993. Song; Music post-1945. Piano/Vocal Score. Composed 1993. 120 pages. Duration 85'. Breitkopf and Haertel #EB 9394. Published by Breitkopf and Haertel (BR.EB-9394).

ISBN 9790004188682. 9 x 12 inches.

My lecture of the Winterreise does not demand a new expressive interpretation, but instead systematically exercises the freedom which all interpreters allow themselves intuitively, such as: instrumental dilation i. e. acceleration of the pace, transposition into other keys and elaboration of characteristic color timbres. In addition, there are further ways of reading; the music; jumping around in the text, repeating certain lines, interrupting the continuity, comparing different expressions of the same phrase ... All these new possibilities are subjected to my compositional discipline and form autonomous formal processes which are imposed on Schuberts original. The transformation of the piano tones into a multifaceted orchestra full of resonance is only one of many aspects.(Hans Zender)CDs:Hans Peter Blochwitz (Tenor), Ensemble Modern, Conductor: Hans Zender CD BMG 9026-68067-2 Christoph Pregardien (Tenor), Klangforum Wien, Conductor: Sylvain Cambreling CD Kairos 0012002KAIJulien Pregardien (Tenor), Deutsche Radio Philharmonie Kaiserslautern, Conductor: Robert Reimer2 CD's P.RHEI (2016)Bibliography:Adam-S chmidmeier, Eva-Maria von: Schubert interpretieren. Hans Zender: Schuberts Winterreise. Eine komponierte Interpretation im Unterricht, in: Musik und Unterricht Heft 96 (2009), pp. 50-56.Gruhn, Wilfried: Wider die asthetische Routine. Hans Zenders Version von Schuberts Winterreise, in: Neue Zeitschrift fur Musik 1/1997.Hebling, Harald: Kompositorische Schubertrezeption im 20. Jahrhundert, Magisterarbeit Universitat Wien 2003, especially pp. 148-157.Nonnenmann, Rainer: Vom Nutzen und Nachteil der Musikhistorie fur das Musikleben. Zur Kritik aktualisierender Interpretation am Beispiel von Hans Zenders Schuberts ,Winterreise, in: Musik und Asthetik 7, Heft 26 (April 2003), pp. 65-90.ders.: Schuberts ,Winterreise . Komponierte Interpretation von Hans Zender / Ballett von John Neumeier, in: Osterreichische Musikzeitung 60 (2005), Heft 3, p. 42f.ders.: Fremd bin ich eingezogen, fremd zieh ich wieder aus. Versuch zur Rettung der Vergangenheit Schuberts Winterreise. Eine komponierte Interpretation fur Tenor und kleines Orchester (1993) von Hans Zender, in ders.: Winterreisen. Komponierte Wege von und zu Franz Schuberts Liederzyklus aus zwei Jahrhunderten, 2 Bande (= Taschenbucher zur Musikwissenschaft, Band 150/151), Wilhelmshaven: Florian Noetzel 2006, pp. 143-205.Petersen, Birger: Neue Musik. Analysen, Berlin: Simon Verlag fur Bibliothekswissen 2013, pp. 11-24.Revers, Peter: ... Schnee, du weisst von meinem Sehnen. Aspekte der Schubert-Rezeption in Hans Zenders Winterreise (1993), in: Dialekt ohne Erde. Franz Schubert und das 20. Jahrhundert, hrsg. von Otto Kolleritsch, Wien-Graz 1998 (Studien zur Wertungsforschung, Band 34), pp. 98-120.Schafer-Lembeck, Hans-Ulrich: Gegenstrebige Fugungen. Hans Zenders Musik und seine komponierte Interpretation von Schuberts Winterreise, in: Neue Musik vermitteln. Analysen Interpretationen - Unterricht, hrsg. von Hans Bassler, Ortwin Nimczik und Peter W. Schatt, Mainz: Schott, 2004, pp. 295-307.Stahmer, Klaus Hinrich: Bearbeitung als Interpretation - Zur Schubertrezeption Gustav Mahlers, Hans Zenders und Friedhelm Dohls, in: Franz Schubert und Gustav Mahler in der Musik der Gegenwart, Mainz 1998.Zender, Hans: warum wieder die Winterreise? Hartmut Regitz im Gesprach mit dem Komponisten, in: ballet.tanz - international.aktuell, Heft 12 (2001), p. 18.

World premiere: Frankfurt am Main, September 21, 1993.

Children'S Pop Piano - Volume 1 by Hans Gunter Heumann. For piano. Pop / Jazz. Grade 1. Score. 22 pages. Published by Editions Henry

(piano course for busy adults). By Walter Noona. For piano. Piano Method. Level 3. Piano method. Published by Heritage Music Press

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500919

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Complete orchestral parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 12 minutes. Carus Verlag #CV 35.009/19. Published by Carus Verlag (CA.3500919).

ISBN M-007-25284-7. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

Orchestra - Grade 2

SKU: AP.46682S

Arranged by Sandra Dackow. Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Folk; World. Score. 16 pages. Alfred Music #00-46682S. Published by Alfred Music (AP.46682S).

UPC: 038081535180. English. Scottish/Irish/American Fiddle Tune.

Soldier's Joy arranged by Sandra Dackow is a familiar fiddle tune that will be a great way to open or close any concert. Teaching a variety of string techniques, this piece will feature all of your players on both the melody and the accompaniment. Correlated with Orchestra Expressions, Book 2, this arrangement will inspire your students to increase their tempo to create an exciting performance!

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

Composed by Franz Liszt (1811-1886). Arranged by Ralph Sauer. Romantic. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2870).

Trombone Quartet - advanced

SKU: CY.CC2949

Composed by Johann Sebastian Bach. Arranged by Albert Burgstahler. Baroque. Score and parts. 61 pages. Cherry Classics #2949. Published by Cherry Classics (CY.CC2949).

ISBN 9790530057681.

The English Suites are an early set of six suites written for harpsichord around 1718-1720. The name English has come from a claim that these works may have been composed for an English nobleman.
This very imaginative arrangement for Trombone Quartet by Mr. Burgstahler is appropriate for advanced performers and is in eight movements:
Prelude, Allemande, Courante, Sarabande, Sarabande embellished (added by the arranger), Gavotte I, Gavotte II and Gigue.
This arrangement can be played in its entirety or even just a few of the movements, still with much satisfaction for the performers.

By Various. Concert Band. For 1st Bb Baritone BC. Swiss import. Light Music; Pop. Level: Grade 2+-4. Part. Published by Editions Marc Reift. (EMR 1974-45)

37 Contemporary Classics from The Little Mermaid to Lilo and Stitch. Easy Piano (Easy arrangements for piano). Size 9x12 inches. 304 pages. Published by Hal Leonard.

(Choral Medley). Arranged by Mark A. Brymer. (2 Part Singer). Pop Choral Series. 72 pages. Published by Hal Leonard.

Orchestra Symphonic Orchestra - Grade 5

SKU: FJ.OR5001S

Score Only. Composed by Brian Balmages. Full Orchestra. FJH Symphony Orchestra. Score. Duration 7:15. The FJH Music Company Inc #98-OR5001S. Published by The FJH Music Company Inc (FJ.OR5001S).

English.

This feature-length work is the perfect way to integrate serious concert music with the rest of your winter program. A significant amount of original material is woven around the familiar carol We Three Kings. From the impressionistic sounds of the opening to the powerful and dramatic conclusion, this work covers the full gamut of textures and emotions. Amazing!

Composed by Harold Arlen. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams, introductory text and black and white photos. Standards and vocal standards. 304 pages. 9x12 inches. Published by Hal Leonard.

By Jill Jackson and Sy Miller. Arranged by Jay Althouse. For Choir. (TBB). Choral Octavo. Peace/Brotherhood; Pop. Level: Level 3 (grade L3). Choral Octavo. 8 pages. Published by Alfred Publishing.

SATTB voices, 2 flutes, 2 violins, viola, basso continuo

SKU: CA.2102305

Composed by Marc-Antoine Charpentier. Edited by Gunther Massenkeil, Inge Forst. German title: Magnificat H 78. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Choral Score. Composed circa 1690. H 78. 8 pages. Duration 15 minutes. Carus Verlag #CV 21.023/05. Published by Carus Verlag (CA.2102305).

ISBN 9790007132385. Key: G major. Language: Latin.

Preceding Johann Sebastian Bach, Charpentier is the most important master who turned to setting the Hymn to the Virgin Mary, the Magnificat. No less than ten works, in differing vocal and instrumental scoring and form comprise this genre. In the present Magnificat H 78 for five voices (in which alto and bass also have solo roles), two flutes, strings and basso continuo, each of the individual movements contains its own expressive profile in sound. The work was composed around 1690 for the Jesuits in Paris. Score available separately - see item CA.2102300.

For 2nd Trumpet. Jazz Ensemble Collection. Jazz. Book. 36 pages. Published by Alfred Publishing.

By Lessons And Activities By Tom Anderson. (Singer 30 Pak). Expressive Art (Choral). 690 pages. Published by Hal Leonard.

Piano Solo, Piano Duet

SKU: YM.GTP01097153

Composed by Various. Arranged by Jacob Koller and Tomoko Asaka. DEEMO. Anime, Game, J-Pop. Collection. Yamaha Music Media #GTP01097153. Published by Yamaha Music Media (YM.GTP01097153).

ISBN 9784636971538. 8.5 x 12 inches.

DEEMO is a score-based rhythm music game app that has been a long-time hit around the world, and this sheet music collection is the complete matching score for the piano CD album DEEMO Piano Collection that includes its popular songs. It precisely recreates the musical world of DEEMO with piano arrangements, and the arrangers/pianists are Tomoko Asaka and Jacob Koller, who are also known as YouTubers. The exquisite work is perfect for live performances. Piano players will surely love to play! Check out more DEEMO sheet music in the same series!

For Viola. By Various. Instrumental Folio. Christmas. Softcover. 96 pages. Published by Hal Leonard

Performed by Dave Matthews Band. Easy guitar tablature songbook (simplified guitar/vocal arrangements) for easy guitar and voice. Series: EZ Guitar. 48 pages. Published by Cherry Lane Music.

By Nic Marcy. For Drumset. Book; Method/Instruction; Percussion - Drum Set Method or Collection; Technique Musicianship. Jazz. Early Intermediate; Late Elementary. 72 pages. Published by Alfred Music

Piano - Entry level

SKU: YM.GTP01097643

Piano Pop+Vocal. Children's Songs. Score. Yamaha Music Media #GTP01097643. Published by Yamaha Music Media (YM.GTP01097643).

ISBN 9784636976434.

20 Children's Songs including Anime Songs from TV & Cinema, Disney & Studio Ghibli.

Guitar Solo

SKU: IS.G6763EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6763EM. Published by Metropolis Music Publishers (IS.G6763EM).

ISBN 9790365067633.

This sonata (WeissSW No. 25, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIX comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIX comes from Weissâ??s middle â??productiveâ?? period, around 1720. The Sonata has seven movements: Prelude, Allemande (andante), Passepied, Bourée, Sarabande, Menuet, and it ends with a Gigue. There is another copy of this Sonata, known as Suite XIX, in a London Manuscript (British Library Ms. Add. 30387). The London version does not include a Prelude, and the Sarabande is completely different. The other movements are similar to those in the Dresden Manuscript. The Sonata in this Edition is based on the Dresden Manuscript. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden and London manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. The Prelude in this particular Sonata cannot be regarded as integral. It has been added later, either by the compiler of the volumes or perhaps by Weiss himself. Originally, the Sonata is written in G minor, a key not often used by Weiss, but considered appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.