102 Selections from Symphonies, Ballets, Operas, and Piano Literature for Piano ...(+)
102 Selections from
Symphonies, Ballets,
Operas, and Piano
Literature for Piano
Solo. By Various. World's
Greatest Classical Music.
Size 9x12 inches. 256
pages. Published by Hal
Leonard.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Chor-Bibliothek (Choral
Library). Mass;
Classical. Choral score.
Composed 1780. 44 pages.
Duration 20'. Breitkopf
and Haertel #ChB 5289-02.
Published by Breitkopf
and Haertel
(BR.CHB-5289-02).
ISBN
9790004412046. 7.5 x 10.5
inches.
According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Choir; Softbound.
Partitur-Bibliothek
(Score Library). Mass;
Classical. Full score.
Composed 1780. 68 pages.
Duration 20'. Breitkopf
and Haertel #PB 5329.
Published by Breitkopf
and Haertel (BR.PB-5329).
ISBN 9790004210420. 10
x 12.5
inches.
According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998.
Organ SKU: HL.49017743 7 Sonatas for 2 or 3 Manuals and Pedals Masters...(+)
Organ
SKU:
HL.49017743
7
Sonatas for 2 or 3
Manuals and Pedals
Masters of the North
German Organ School,
Volume 18. Composed
by Theopil Andreas
Volckmar. Edited by Klaus
Beckmann. This edition:
Saddle stitching. Sheet
music. Organ Collection.
Classical. Softcover. 60
pages. Schott Music
#ED20332. Published by
Schott Music
(HL.49017743).
ISBN
9790001150767. UPC:
884088452865.
12.0x8.75x0.192
inches.
(for Organ). By Herbert Howells (1892-1983). Edited by Graham Matthews and Robin...(+)
(for Organ). By Herbert
Howells (1892-1983).
Edited by Graham Matthews
and Robin Wells. For
Organ. Music Sales
America. 20th Century. 30
pages. Novello and Co
Ltd. #NOV010229.
Published by Novello and
Co Ltd.
Organ SKU: BR.OB-32108-11 With Insertion Movements for Performances ov...(+)
Organ
SKU:
BR.OB-32108-11
With Insertion
Movements for
Performances over
Christmas - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 24
pages. Duration 30'.
Breitkopf and Haertel #OB
32108-11. Published by
Breitkopf and Haertel
(BR.OB-32108-11).
ISBN
9790004343050. 10 x 12.5
inches.
Kuhnau's
Magnificat in C major is
- apart from his Biblical
Sonatas - considered to
be his most ambitious and
best known work. However,
as recent research has
revealed, there are
indeed many other
large-scale works among
his oeuvre which are
largely presumed lost
today, apart from those
that were published as
first editions. Until
now, only insufficient or
erroneous editions of the
Magnificat have been
available, a piano
reduction has not been
available at all. Beyond
that, editor David Erler
has succeeded in tracking
down new evidence on the
authorship of four Laudes
(insertion movements for
performances over
Christmas) and to carry
out their altogether new
placement in the main
work. He was able to
prove that Bach's
Magnificat directly
succeeded Kuhnaus's work
and that the use of such
Laudes was common in
Leipzig's parish churches
and beyond.
Organ - intermediate SKU: HL.49003538 Organ. Composed by Felix Ale...(+)
Organ - intermediate
SKU: HL.49003538
Organ. Composed by
Felix Alexandre Guilmant.
Edited by Arthur
Eaglefield Hull. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Op. 56/3. 18
pages. Schott Music #ED
1863. Published by Schott
Music (HL.49003538).
ISBN 9790001034876.
UPC: 073999336337.
9.0x12.0x0.088
inches.
Die acht
Sonaten von Guilmant
orientieren sich am
klassischen Standard.
Ursprunglich fur die
Cavaille-Coll-Orgel
gedacht, lassen sie sich
jedoch ebenso gut auf
ausserfranzosischen
Orgeln ausfuhren. Zur
Zeit Ihrer Entstehung
waren Sie ein Novum fur
die Orgel und ihre
Literatur, die beide im
19. Jahrhundert an
Bedeutung verloren
hatten. Guilmants
Kompositionen, reich an
Melodik, Harmonik und
vollendeter Satztechnik,
spiegeln
Klangmoglichkeiten und
Farbenreichtum der ihm
zur Verfugung stehenden
Orgeln wider. Sein
Einfallsreichtum und
seine flussige
Kompositionstechnik
beeinflussten die
Entwicklung der Orgelfuge
in ahnlicher Weise, wie
Mendelssohn dieses fur
die Klavierfuge bewirkt
hatte. Im Zeitraum des
Vierteljahrhunderts, in
dem Guilmant seine
Orgelsonaten schuf,
vollzogen sich im Bereich
der instrumentalen
Spieltechnik bedeutende
Veranderungen. An Spieler
und Instrument wurden nun
grossere Anforderungen
gestellt.
By Barrie Cabena (1933-). For organ solo. Classical and 20th Century. Performanc...(+)
By Barrie Cabena (1933-).
For organ solo. Classical
and 20th Century.
Performance part.
Standard notation.
Composed 1968. Op. 36. 22
pages. Published by E.C.
Schirmer Publishing
Saxophone Series, 2013
Edition. Composed by
The Royal Conservatory.
Saxophone Series, 2013
Edition. Book/CD. 80/40
pages. The Frederick
Harris Music Company
#WS6. Published by The
Frederick Harris Music
Company (FH.WS6).
ISBN
978-1-55440-555-8.
Unparalleled in scope,
this groundbreaking
series for E_Alto and
B_Tenor offers a single
collection of Repertoire
and supporting materials
written or arranged
specifically for
saxophone. With
Repertoire spanning from
the Baroque to
contemporary eras,
Recordings, Etudes,
Technique, and Orchestral
Excerpts, this
comprehensive series
serves as a balanced and
organized pedagogical
resource from the
beginner to advanced
levels of study. Nine
progressive volumes of
Repertoire expose
students to original
works and arrangements of
diverse styles from W.A.
Mozart to Violet Archer,
with selected works by
notable jazz artist Paul
Desmon (Take Five), and
living composer Phil
Woods. Each level
provides opportunities to
explore Baroque,
Classical, Romantic, and
contemporary works, with
original, unaccompanied
selections from Levels 5
through 8 that use
extended techniques such
as multiphonics, key
clicks, and bisbigliando.
Earlier works pre-dating
the origin of the
saxophone have been
carefully arranged with
consideration of the
unique quality of the
instrument. Exposure to
these works help to
develop musicianship and
an understanding of
tonality, creating
well-rounded and
versatile performers.
Selections written for
both E_Alto and B_Tenor
include piano
accompaniments that
function with both
instruments. Eb
Saxophone:
Mainly
Transcriptions: Sonata
op. 3, no. 5 - Giovanni
Benedetto Platti, arr.
Christine Donkin -
First Movement:
Pastorale - Third
Movement: Alla
breve Variations on a
Gavotte by Corelli -
Werner Wolf Glaser and
Sigurd Rascher Sonata
op. 3, no. 7 -
Jean-Baptiste Loeillet,
arr. Kathleen Wood -
[Complete] Mainly
Original Repertoire for
Saxophone: Neo-Funk -
Michael Garson The
Good Girl - Phil
Woods Ballad - Paul
Ben-Haim
Bb
Saxophone:
Mainly
Transcriptions: Sonata
in C minor, TWV 41:c3 -
Georg Philipp Telemann,
arr. Jason Noble -
First Movement -
Second Movement -
Third Movement Sonata
A minor, op. 1, no. 3 -
Benedetto Marcello -
[Complete] Mainly
Original Repertoire for
Saxophone: Poem -
Walter S.
Hartley Allegro
Appassionata, op. 43 -
Camille
Saint-Saens
Eb
Saxophone or Bb
Saxophone:
Unaccom
panied
Repertoire Dynamic
Control - Edward
Diemente Lyricism and
Agility - Edward
Diemente Multiple
Action - Edward
Diemente Prelude, op.
122, no. 2 - Gottlieb
Heinrich Koehler, arr.
Robert J. Ford Ballad
in Color - Ronald L.
Caravan.
Violin and Piano - Grade 4 SKU: HL.14030246 Composed by Christian Sinding...(+)
Violin and Piano - Grade
4
SKU: HL.14030246
Composed by Christian
Sinding. Music Sales
America. Classical. Book
[Softcover]. Composed
2002. 60 pages. Edition
Wilhelm Hansen #WH11062.
Published by Edition
Wilhelm Hansen
(HL.14030246).
Sonata in C major for
two Violins, two
Trumpets, Organ,
Violoncello and Bass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Minos E. Dounias. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Part, anthology.
K. 263. 1 pages. Duration
17 minutes. Baerenreiter
Verlag #BA04735_82.
Published by Baerenreiter
Verlag (BA.BA04735-82).
ISBN 9790006454662.
32.5 x 25.5 cm inches.
Key: C major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Organ SKU: SU.80101364 For Organ. Composed by Michael Canales. Key...(+)
Organ
SKU:
SU.80101364
For
Organ. Composed by
Michael Canales.
Keyboard, Organ. Score.
Zimbel Press #80101364.
Published by Zimbel Press
(SU.80101364).
The composer
writes: This three
movement sonata da chiesa
for organ strives to
combine elements of
traditionalism,
expressionism, and
Spanish nationalism in
order to provide
organists with a warm
blooded, romantic
expression of God's
glory. It is meant to be
suitable for both concert
organists and church
music programs.
Instrumentation: Organ.
Composed: 2014 Published
by: Zimbel Press.
By Johann Sebastian Bach. Edited by Griepenkerl, Roitzsch. For Organ. Passacagli...(+)
By Johann Sebastian Bach.
Edited by Griepenkerl,
Roitzsch. For Organ.
Passacaglia and Fugue(c);
Pastorale(F); 6 Trio
Sonatas(E|,c,d,e,C,G)(Urt
ext). Published by C.F.
Peters.