Viola SKU: HL.48187487 Composed by Darius Milhaud. Heugel. Classical. Sof...(+)
Viola
SKU:
HL.48187487
Composed
by Darius Milhaud.
Heugel. Classical.
Softcover. 20 pages.
Heugel & Cie #HE31122.
Published by Heugel & Cie
(HL.48187487).
UPC:
888680844882.
9.0x12.0x0.086
inches.
“Fren
ch composer and teacher,
Darius Milhaud
(1892-1974) was a
prolific composer of the
20th century as a member
of 'Les Six'. His
compositions remain
highly regarded, Sonata
No. 2 for Viola and Piano
being no exception.
Milhaud's compositions
are influenced by jazz
and polytonality, as
exemplified in Sonata No.
2. Composed in 1944,
Sonata No. 2 for Viola
and Piano is an
alternative, exciting
sonata made up of three
movements; 1) Rural, 2)
Dramatic, and 3) Rough.
Milhaud makes use of
variation in
articulation, complex
rhythms, chromaticism,
accidentals, harmonics,
altering tempos,
variation in dynamics and
a wide tessitura, amongst
other aspects. Milhaud's
Sonata No. 2 for Viola
and Piano is essential to
all advanced violists
seeking modern and
exciting
repertoire.â€.
Chamber Music Cello,
Flute, Viola 1, Viola 2,
Violin
SKU:
CF.MXE219
Composed by
Wolfgang Amadeus Mozart.
Arranged by Robert
Stallman. Sws.
56+16+16+16+16+12 pages.
Carl Fischer Music
#MXE219. Published by
Carl Fischer Music
(CF.MXE219).
ISBN
9781491157794. UPC:
680160916399. 9 x 12
inches.
Viola and Piano SKU: BT.ALHE31122 Composed by Darius Milhaud. Classical. ...(+)
Viola and Piano
SKU:
BT.ALHE31122
Composed
by Darius Milhaud.
Classical. Book Only. 20
pages. Heugel & Cie
#ALHE31122. Published by
Heugel & Cie
(BT.ALHE31122).
English.
French
composer and teacher,
Darius Milhaud
(1892-1974) was a
prolific composer of the
20th century as a member
of 'Les Six'. His
compositions remain
highly regarded, Sonata
No. 2 for Viola and Piano
being no exception.
Milhaud'scompositions are
influenced by jazz and
polytonality, as
exemplified in Sonata No.
2. Composed in 1944,
Sonata No. 2 for Viola
and Piano is an
alternative, exciting
sonata made up of three
movements - 1) Rural, 2)
Dramatic, and 3)Rough.
Milhaud makes use of
variation in
articulation, complex
rhythms, chromaticism,
accidentals, harmonics,
altering tempos,
variation in dynamics and
a wide tessitura, amongst
other aspects. Milhaud's
Sonata No. 2 for Viola
andPiano is essential to
all advanced violists
seeking modern and
exciting repertoire.
(New Brahms Complete Edition: Series II, Vol. 9 Clothbound Score). By Johannes B...(+)
(New Brahms Complete
Edition: Series II, Vol.
9 Clothbound Score). By
Johannes Brahms
(1833-1897). Edited by
Egon Voss and Johannes
Behr. Henle Complete
Edition. Hardcover. 210
pages. G. Henle #HN6013.
Published by G. Henle
Composed by York Bowen (1884-1961). Masterworks; Solo; Solo Small Ensembles; Str...(+)
Composed by York Bowen
(1884-1961). Masterworks;
Solo; Solo Small
Ensembles; String - Viola
and Piano. Kalmus
Edition. 20th Century;
Masterwork. Book. 52
pages. Kalmus Classic
Edition #00-K04301.
Published by Kalmus
Classic Edition
(Viola and Piano). Composed by Gabriel Faure (1845-1924). Arranged by Wolfgang B...(+)
(Viola and Piano).
Composed by Gabriel Faure
(1845-1924). Arranged by
Wolfgang Birtel. For
Viola, Piano
Accompaniment. String.
Softcover. 10 pages.
Schott Music #ED09962.
Published by Schott Music
Chamber Music flute, piano SKU: CF.WF228 Philippe Gaubert. Compose...(+)
Chamber Music flute,
piano
SKU:
CF.WF228
Philippe
Gaubert. Composed by
Philippe Gaubert. Edited
by Amy Porter. Arranged
by Amy Porter. Set of
Score and Parts. With
Standard notation.
104+1+32 pages. Carl
Fischer Music #WF228.
Published by Carl Fischer
Music (CF.WF228).
Piano seul [Partition + CD] - Débutant Kjos Music Company
By Lisa Bastien. Edited by Lori Bastien, Jane Bastien. (Bastien Piano For Adults...(+)
By Lisa Bastien. Edited
by Lori Bastien, Jane
Bastien. (Bastien Piano
For Adults). Bastien
Piano. Method. Level:
Book A,1. Music Book.
Size 232. Published by
Neil A. Kjos Music
Company.
Piano seul [Partition] - Débutant Kjos Music Company
By Lisa Bastien. Edited by Lori Bastien, Jane Bastien. (Bastien Piano for Adults...(+)
By Lisa Bastien. Edited
by Lori Bastien, Jane
Bastien. (Bastien Piano
for Adults). Bastien
Piano. Method. Level:
Book A,1. Music Book.
Size 232. Published by
Neil A. Kjos Music
Company.
Cello and Piano or 3 Cellos, Level 3 Schott Student Edition Repertoire. C...(+)
Cello and Piano or 3
Cellos, Level 3 Schott
Student Edition
Repertoire. Composed
by Bernhard Romberg.
Edited by Beverley Ellis.
Arranged by Friedrich
Janssen. This edition:
Saddle stitching. Sheet
music. Schott Student
Edition. Repertoire.
Softcover. Op. 38/1. 32
pages. Schott Music
#SE1007. Published by
Schott Music
(HL.49045501).
For Viola. Classical (with piano accompaniment). Includes a high-quality printed...(+)
For Viola. Classical
(with piano
accompaniment). Includes
a high-quality printed
music score and a compact
disc containing a
complete performance with
soloist; then a second
version with the
accompaniment, minus you,
the soloist. Published by
Music Minus One
Clarinet and piano SKU: P2.30096 Composed by York Bowen. Arranged by Andr...(+)
Clarinet and piano
SKU: P2.30096
Composed by York Bowen.
Arranged by Andrew
DeBoer. Solo music.
Published by Potenza
Music (P2.30096).
Among York
Bowen's many works, there
is a significant body of
viola works. Many of
these viola works were
written for the English
violist Lionel Tertis,
whose mission was to
promote viola through the
commissioning of viola
works from a variety of
composers. Bowen composed
this Sonata No. 1 in C
Minor for viola and piano
in 1905. The piece was
first performed by Tertis
on viola and Bowen on
piano. While touring in
Germany with Tertis,
Bowen received glowing
reviews of both his
playing and his viola
works. This sonata was
presumably among these
works.
Sonatas for Piano and Clarinet (or Viola) op. 120, Nos. 1 and 2 (Viola part only...(+)
Sonatas for Piano and
Clarinet (or Viola) op.
120, Nos. 1 and 2 (Viola
part only) (Additional
Viola Part for Clarinet
and Piano Version). By
Johannes Brahms
(1833-1897). Edited by
Hans-Martin Theopold and
Monica Steegmann. For
Viola. Viola. Henle Music
Folios. Pages: Va Part
=16. Solo part only. 16
pages. G. Henle #HN315.
Published by G. Henle
Viola, piano - Level 6 SKU: GE.GPL-294 For viola and piano. Compos...(+)
Viola, piano - Level 6
SKU: GE.GPL-294
For viola and
piano. Composed by
Sean Hickey. Edited by
Kenneth Martinson. This
edition: Urtext. Staple
Center Bound with 1
insert. Classical. Piano
Score and 1 part.
Composed 2016. Gems Music
Publications #GPL 294.
Published by Gems Music
Publications
(GE.GPL-294).
Viola, piano - Level 5 SKU: GE.GPL-265 For viola and piano. Compos...(+)
Viola, piano - Level 5
SKU: GE.GPL-265
For viola and
piano. Composed by
Charles-Valentin Alkan.
Edited by Kenneth
Martinson. Arranged by
Casimir Ney. This
edition: Urtext. Staple
Center Bound with 1
insert. Classical. Piano
score and 1 part.
Composed 1857. Op. 47.
Gems Music Publications
#GPL 265. Published by
Gems Music Publications
(GE.GPL-265).
ISBN
9790300900650. 8.5 x 11
inches. Key: E major.
English.
Viola, piano - Level 6 SKU: GE.GPL-221 Composed by Michael Kurek. Edited ...(+)
Viola, piano - Level 6
SKU: GE.GPL-221
Composed by Michael
Kurek. Edited by Kenneth
Martinson. This edition:
Urtext. Staple Center
Bound with 1 insert.
Classical. Piano Score
and 1 part. Composed
2001-02. 66 pages.
Duration 23 min. Gems
Music Publications #GPL
221. Published by Gems
Music Publications
(GE.GPL-221).
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann.
The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Version for Viola Revised Edition). By Johannes Brahms (1833-1897). Edited by E...(+)
(Version for Viola
Revised Edition). By
Johannes Brahms
(1833-1897). Edited by
Egon Voss and Johannes
Behr. For Viola (VIOLA
WITH PIANO
ACCOMPANIMENT). Henle
Music Folios. Softcover.
G. Henle #HN988.
Published by G. Henle
Composed by Johannes Brahms (1833-1897). Edited by Hans-Christian Mueller. Arran...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Hans-Christian
Mueller. Arranged by
Hans-Christian Mueller.
With Standard notation.
Wiener Urtext/Vienna
Urtext #UT50015.
Published by Wiener
Urtext/Vienna Urtext
(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Variou...(+)
(Mix and Match Trios for
Strings, Woodwinds,
Saxophones and Keyboard).
By Various. Arranged by
Daniel Kelley. String
Trio, Wind Trio, Mixed
Trio, Clarinet Trio,
Saxophone Trio, Piano
Trio, Piano Quartet. For
Viola in alto clef.
Trios. Intermediate Music
for Three. Classical.
Intermediate. Partbook -
Part 2. Published by Last
Resort Music Publishing