Clarinet and Piano SKU: ST.H486 Composed by Edmund Jolliffe. Wind & brass...(+)
Clarinet and Piano
SKU: ST.H486
Composed by Edmund
Jolliffe. Wind & brass
music. Standard: Easy.
Score and part. Stainer &
Bell Ltd. #H486.
Published by Stainer &
Bell Ltd. (ST.H486).
The composer has written
extensively for film and
television, and his gift
for musical
characterisation
illuminates every bar of
My Family and Other
Animals. Here is a
delightful human
menagerie, a family
circle with its typical
variety of awkward and
amiable relatives,
beautifully portrayed in
music of beguiling
simplicity by Edmund
Jolliffe. Technically,
for beginners and
early-grade players,
there is an important
lesson that musical
expression is in essence
the expression of
personality, often from
the most basic musical
resources. Brother is a
cool repeated phrase - a
bit detached. Mum is a
gentle lullaby, and
Grandmother a soothing,
dependable tune.
Grandfather turns sweet
too, but not before a
spiky introduction. From
his breezy melody Dad
seems on his way
elsewhere. Perhaps off to
wash the car!
Royal March of the Lion Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
(From The Carnival of the Animals). By Camille Saint-Saëns. Arranged b...(+)
(From The Carnival of
the Animals). By
Camille Saint-Saëns.
Arranged by Michael Story
and Michael Story.
Concert Band. Concert
Band; Masterworks;
Part(s); Score. Belwin
Beginning Band. Form:
March; Transcription.
Masterwork Arrangement;
Romantic. Grade 1. 132
pages. Published by
Alfred Music Publishing
(From The Carnival of the Animals). By Camille Saint-SaÌÇns. Arranged b...(+)
(From The Carnival of
the Animals). By
Camille Saint-SaÌÇns.
Arranged by Michael Story
and Michael Story.
Concert Band. Concert
Band; Masterworks; Score.
Belwin Beginning Band.
Form: March;
Transcription. Masterwork
Arrangement; Romantic.
Grade 1. 16 pages.
Published by Belwin
Publishing
The Swan Piano seul - Intermédiaire Hal Leonard Australia
Piano - intermediate SKU: BT.WA-7002-401 Composed by Camille Saint-Saens....(+)
Piano - intermediate
SKU:
BT.WA-7002-401
Composed by Camille
Saint-Saens. Arranged by
Thomas A. Johnson. The
Walsh Collection.
Educational Tool. Book
Only. 6 pages. The Walsh
Collection #WA 7002-401.
Published by The Walsh
Collection
(BT.WA-7002-401).
English.
This
beautiful, serene piece
comes from
Saint-Saëns’
“Carnival of the
Animals†and is an
ideal performance piece
for piano duet.
Piano - Grade 2 SKU: BT.MUSWMR101816 By John Thompson. John Thompson's Ea...(+)
Piano - Grade 2
SKU:
BT.MUSWMR101816
By
John Thompson. John
Thompson's Easiest Piano
Course. Method. Book
Only. Composed 2017.
Willis Music
#MUSWMR101816. Published
by Willis Music
(BT.MUSWMR101816).
ISBN 9781785585289.
English.
First
published in 1954, John
Thompson?s Easiest Piano
Course is one of the
most-loved and
best-selling piano
methods in the world.
John Thompson?s timeless
approach to teaching has
been trusted by
generations ofteachers to
start millions of
students on their musical
journey.
This book
includes 16 repertoire
pieces to complement the
Easiest Piano Course,
helping to reinforce
basic technique, develop
musicality and increase
theenjoyment of
learning.
These
simplified arrangements
are also ideal
sight-reading practice
for more advanced pupils.
With a great selection of
children?s songs
including Baa Baa
Black Sheep, Happy
Birthday ToYou,Three
Blind Mice and many
more, there?s something
in First Children?s Songs
for every beginner
pianist to enjoy!
Elephant Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS127 Composed by Peter Sciaino. Fol...(+)
Band concert band - Grade
1
SKU: CF.BPS127
Composed by Peter
Sciaino. Folio. Bps. Set
of Score and Parts.
8+2+8+2+5+2+2+8+3+6+2+3+1
+1+2+2+12 pages. Duration
2 minutes, 39 seconds.
Carl Fischer Music
#BPS127. Published by
Carl Fischer Music
(CF.BPS127).
ISBN
9781491156209. UPC:
680160914746. 9 x 12
inches.
Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gate and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gait and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
NotesElephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however,
it’s their
trumpeting that makes
them stand out as the
instrumentalists of the
animal kingdom! In this
selection, an
elephant’s slow
gait and general demeanor
are represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young
percussionists. At m.
33 the trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or
“lunch-bag
mutes,†over their
bells (in their bells for
horn players). For the
trumpet players, the
mutes can be enhanced
with an additional
balled-up piece of paper
placed at the bottom of
the bag prior to slipping
it over the bell. Horns
should ball up the bag
itself and experiment
with placement to create
the most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age.Note to the
ConductorThis piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece.Younger students
will likely need a
reasonable amount of
practice in successfully
using the
“lunch-bag
mutes.†Allowing
additional rehearsal time
for this is
recommended.
Early to Mid-Elementary Level Piano/Keyboard - Elementary SKU: HL.1046622 ...(+)
Early to Mid-Elementary
Level Piano/Keyboard -
Elementary
SKU:
HL.1046622
10
Amusing Piano Solos to
Sing and Play Early to
Mid-Elementary Level.
Composed by Randall
Hartsell. Willis.
Recital, Solos.
Softcover. 24 pages.
Published by Willis Music
(HL.1046622).
ISBN
9781705172919. UPC:
196288091806.
9.0x12.0x0.1
inches.
Kids of all
ages love animals, humor,
and secrets! These 10
charming and inventive
songs are perfect for
injecting fun and singing
into a piano lesson.
Titles: One Smart Octopus
â?¢ Porcupine Pal â?¢
Dolphin Love â?¢
Caterpillar Crawl â?¢
Cool as a Puffin â?¢
Pigs with Pearls â?¢
Squirrel Problems â?¢
The Difference Between My
Cat and a Lion â?¢
Crows Have All Their
Marbles, and as a bonus:
Shark!
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.49047030 21 Origina...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.49047030
21 Original Pieces and
Arrangements for Violin
and Piano. Composed
by Various. Edited by
Wolfgang Birtel. String.
Classical, Romantic.
Softcover. 120 pages.
Schott Music #ED23524.
Published by Schott Music
(HL.49047030).
UPC:
196288108689.
Again
and again composers have
been inspired by the
animal world and have
represented the nature of
the most diverse animals
in music - be it
locomotion, such as the
flight of a butterfly or
the wriggling of a trout,
or the imagery of an
animal character. For
this thematic volume with
a classic-romantic focus,
Wolfgang Birtel made
arrangements for violin
and piano and brought
together original
works.
Choral SSA Choir and Piano SKU: CF.CM9627 Leatherwing Bat. Compose...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9627
Leatherwing Bat.
Composed by English Folk
Song. Arranged by Vicki
Tucker Courtney. Fold.
Performance Score. 12
pages. Duration 1 minute,
59 seconds. Carl Fischer
Music #CM9627. Published
by Carl Fischer Music
(CF.CM9627).
ISBN
9781491156995. UPC:
680160915552. 6.875 x
10.5 inches. Key: Eb
minor. English, English.
English Folk
Song.
A fantastic
piece to teach vowels,
diction, rhythms, and
pitch precision, this
English folk song, titled
Leatherwing Bat, is fun
to sing and impressive to
perform. The nonsense
syllables represent birds
and bats chatting to one
another in a rhythmic,
witty fashion that your
students will love to
sing. Also available for
Three-Part Mixed Voices
(CM9595), Two-Part Treble
Voices (BL1102), and SATB
Voices
(BL1153). Leatherwing
Bat is the original name
of this traditional folk
song. Folklore has always
thought of the animals
with human
characteristics,
including the power of
speech. Even Mark Twain
once commented that there
was no question about the
ability of animals to
talk to each other. The
question was whether or
not very many people
could understand them.
This folk song is about
the bat and birds
chatting to each other
about love. Phonetic
pronunciation suggestion:
Hahee-dih-dahoo,
dee-dih-dul-uhm-dehee
Heh-lee-lee,
lih-lahee-lih-loh. Lea
therwing Bat is the
original name of this
traditional folk song.
Folklore has always
thought of the animals
with human
characteristics,
including the power of
speech. Even Mark Twain
once commented that there
was no question about the
ability of animals to
talk to each other. The
question was whether or
not very many people
could understand
them.This folk song is
about the bat and birds
chatting to each other
about love.Phonetic
pronunciation
suggestion:Hahee-dih-daho
o,
dee-dih-dul-uhm-deheeHeh-
lee-lee,
lih-lahee-lih-loh.
For the Double Bass, Vol. 3 - Piano Accompaniment. By Ambroise Thomas; Armas Jar...(+)
For the Double Bass, Vol.
3 - Piano Accompaniment.
By Ambroise Thomas; Armas
Jarnefelt; Camille
Saint-Saens; Edouard
Nanny; Francois-Joseph
Gossec; Franz Keyper;
George Vance; Giorgio
Antoniotti; Giovanni
Battista Pergolesi;
Ignace Jan Paderewski; J.
Gabriel-Marie; Lorenziti;
Ludwig Van Beethoven.
Edited by Anthony Bianco.
Arranged by George Vance.
For Piano. Solo part with
piano reduction. 126
pages. Published by Carl
Fischer.
Choral 3-part mixed choir, piano accompaniment SKU: CF.CM9595 Leatherw...(+)
Choral 3-part mixed
choir, piano
accompaniment
SKU:
CF.CM9595
Leatherwing Bat.
Composed by English Folk
Song. Arranged by Vicki
Tucker Courtney. Fold.
OCTAVO. 12 pages.
Duration 1 minute, 59
seconds. Carl Fischer
Music #CM9595. Published
by Carl Fischer Music
(CF.CM9595).
ISBN
9781491154175. UPC:
680160912674. 6.875 x
10.5 inches. Key: Eb
minor. English. English
Folk
Song.
Leatherwi
ng Bat is the
original name of this
traditional folk song.
Folklore has always
thought of the animals
with human
characteristics,
including the power of
speech. Even Mark Twain
once commented that there
was no question about the
ability of animals to
talk to each other. The
question was whether or
not very many people
could understand them.
This folk song is about
the bat and birds
chatting to each other
about love. Phonetic
pronunciation suggestion:
Hahee-dih-dahoo,
dee-dih-dul-uhm-dehee
Hehee-lee-lee,
lih-lahee-lih-loh. Lea
therwing Bat is the
original name of this
traditional folk song.
Folklore has always
thought of the animals
with human
characteristics,
including the power of
speech. Even Mark Twain
once commented that there
was no question about the
ability of animals to
talk to each other. The
question was whether or
not very many people
could understand them.
This folk song is about
the bat and birds
chatting to each other
about love. Phonetic
pronunciation suggestion:
Hahee-dih-dahoo,
dee-dih-dul-uhm-dehee
Hehee-lee-lee,
lih-lahee-lih-loh. Lea
therwing Bat is the
original name of this
traditional folk song.
Folklore has always
thought of the animals
with human
characteristics,
including the power of
speech. Even Mark Twain
once commented that there
was no question about the
ability of animals to
talk to each other. The
question was whether or
not very many people
could understand
them.This folk song is
about the bat and birds
chatting to each other
about love.Phonetic
pronunciation
suggestion:Hahee-dih-daho
o,
dee-dih-dul-uhm-deheeHehe
e-lee-lee,
lih-lahee-lih-loh.
Composed by Various. Arranged by Peter Lavender. Music Sales America. Baroque an...(+)
Composed by Various.
Arranged by Peter
Lavender. Music Sales
America. Baroque and
Classical Period. Fake
book (softcover). With
melody line (no
accompaniment included)
and chord names. 128
pages. Music Sales
#AM92350. Published by
Music Sales
SKU: SU.00220093 Composed by Claude Debussy. Strings, Contrabass. The Orc...(+)
SKU: SU.00220093
Composed by Claude
Debussy. Strings,
Contrabass. The Orchestra
Musician's CD-ROM
Libraryâ„¢. CD (PDF
Scores). CD Sheet Music
#00220093. Published by
CD Sheet Music
(SU.00220093).
The complete
Double Bass parts
[CD-ROM] for the 61
orchestral works included
in The Orchestra
Musician's CD-ROM
Libraryâ„¢, Volume 2:
Debussy, Mahler and more.
If these parts were
purchased separately,
this collection could
cost several hundred
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Contents:
BIZET Carmen Suites 1-2,
L'Arlesienne Suites 1-2,
Symphony No. l; BRUCH
Violin Concerto No.1, Kol
Nidrei, Scottish Fantasy;
BRUCKNER Symphonies 1-9,
Te Deum; BUSONI Turandot
Suite; DEBUSSY Images
1-3, Jeux, La Mer,
Nocturnes, Petite Suite,
Prelude to the Afternoon
of a Faun, Printemps,
Sacred and Profane
Dances, Clarinet
Rhapsody; FAURÉ
Pavane, Pelleas and
Melisande, Requiem; GRIEG
Piano Concerto in A
Minor, Peer Gynt Suites
1-2, Symphonic Dances,
Holberg Suite; MAHLER
Symphonies 1-9,
Kindertotenlieder, Das
klagende Lied, Das Lied
von der Erde, Lieder;
REGER Variations and Fuge
on a Theme by Mozart;
SAINT-SAËNS Carnival
of the Animals, Danse
Macabre, Symphony No. 3,
Cello Concerto No. 1,
Piano Concerto No. 2,
Christmas Oratorio,
Introduction and Rondo
Capriccioso Visit for
more
information
Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
Elephant Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS127F Composed by Peter Sciaino. Sw...(+)
Band concert band - Grade
1
SKU: CF.BPS127F
Composed by Peter
Sciaino. Sws. Bps. Full
score. 12 pages. Duration
2 minutes, 39 seconds.
Carl Fischer Music
#BPS127F. Published by
Carl Fischer Music
(CF.BPS127F).
ISBN
9781491156216. UPC:
680160914753. 9 x 12
inches.
Program
Notes Elephant is,
of course, inspired by
the incredible mammals of
the same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gate and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however,
it’s their
trumpeting that makes
them stand out as the
instrumentalists of the
animal kingdom! In this
selection, an
elephant’s slow
gate and general demeanor
are represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young
percussionists. At m.
33 the trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or
“lunch-bag
mutes,†over their
bells (in their bells for
horn players). For the
trumpet players, the
mutes can be enhanced
with an additional
balled-up piece of paper
placed at the bottom of
the bag prior to slipping
it over the bell. Horns
should ball up the bag
itself and experiment
with placement to create
the most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age.Note to the
ConductorThis piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece.Younger students
will likely need a
reasonable amount of
practice in successfully
using the
“lunch-bag
mutes.†Allowing
additional rehearsal time
for this is
recommended.