From the Television Series DC's Legends of Tomorrow. Composed by Blake Neely. This edition: Piano Solo. Piano Solo - Popular Sheet; Sheet; SmartMusic; Solo. Original Sheet Music Edition. TV. 4 pages. Published by Alfred Music

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 3

SKU: CF.CPS245

Composed by Benjamin Yeo. Folio. Cps. Set of Score and Parts. 8+2+8+8+2+4+4+4+4+2+4+4+4 +4+6+6+4+4+8+2+2+1+4+1+2+ 24 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CPS245. Published by Carl Fischer Music (CF.CPS245).

ISBN 9781491158128. UPC: 680160916726. 9 x 12 inches.

ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this anew ideaa needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo.
ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this 'new idea' needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo.
ABOUT THE MUSICFuture of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang.Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work.EDUCATIONAL NOTESKey: Eb MajorSECTIONBARSEVENT / SCORING / SUGGESTIONSIntroduction1- 4Opens in Eb major with dotted rhythm motif.1st Strain5-20Take note of melodic phrasing above the (light) oom-pah ostinato;melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this ‘new idea’ needs to be heard clearly for contrast with the previous statement.2nd Strain21-36C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29.Trio37-56Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps.Break Strain57-62Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain.Final Strain63-82Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79.NOTE TO THE CONDUCTORThis march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece.This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets.I wish you the best in the performance of this work.- Benjamin Yeo.

By Roberta Flack. By Carole King and Gerry Goffin. Arranged by Mark A. Brymer. For Choral (SSA). Pop Choral Series. 12 pages. Published by Hal Leonard

Soprano/Alto High Voice; Vocal

SKU: HL.383303

Soprano/Alto Edition. By Various. Vocal Collection. Pop, Pop/Rock, Rock. Softcover. Published by Hal Leonard (HL.383303).

ISBN 9781705154137. UPC: 196288021421. 9.0x12.0x0.666 inches.

Do you need a perfect contemporary song for a vocal audition or performance? The Singer's Anthology of Pop/Rock Ballads gives you over 30 pop/rock classics to choose from––all transposed into appropriate keys and based on the original recorded hits. These songs fall into the new wave of standards that you are hearing more often at cabaret, concerts, and special occasions. These songs are most often identified with singer-songwriters, so this collection features the work of Billy Joel, Carole King, Adele, and others. These arrangements were custom made for this collection as authentic performing editions, friendly to both the singer and accompanist. Keys were carefully chosen, either preserving the original recorded key or transposing as near the original as possible to increase accessibility. This volume is presented in separate editions for Soprano/Alto and Tenor/Baritone, with some songs shared between the two, and others specific to the voice type. The Soprano/Alto edition features 31 songs, including: All by Myself • At Last • Don't Know Why • Hallelujah • Hello • I Can't Make You Love Me • I Will Always Love You • Killing Me Softly with His Song • Landslide • Million Reasons • (You Make Me Feel Like) A Natural Woman • New York State of Mind • She Used to Be Mine • Someone like You • A Thousand Years • Time After Time • When We Were Young • Will You Love Me Tomorrow (Will You Still Love Me Tomorrow) • and more.

By Roberta Flack. By Carole King and Gerry Goffin. Arranged by Mark A. Brymer. For Choral (SATB). Pop Choral Series. 12 pages. Published by Hal Leonard

By Roberta Flack. By Carole King and Gerry Goffin. Arranged by Mark A. Brymer. For Choral (SAB). Pop Choral Series. 12 pages. Published by Hal Leonard

Composed by Carole King and Gerry Goffin. Arranged by Lloyd Conley. For String Orchestra (Score and Parts). Easy Pop Specials For Strings. Grade 2. Published by Hal Leonard

Beautiful: The Carole King Musical (Choral Selections). Arranged by Roger Emerson. For Choral (SATB). Broadway Choral. 52 pages. Published by Hal Leonard (HL.139266). Nominated for seven Tony awards and winning two, this musical tells the story of one of pop music's legends, Carole King and her remarkable early career. In four flexible sections, this 12-minute medley is chock full of classic hits including: Beautiful, I Feel the Earth Move, It's Too Late, Love Potion Number 9, On Broadway, Poison Ivy, So Far Away, Splish Splash, Stupid Cupid, There Goes My Baby, Will You Love Me Tomorrow, Yakety Yak.

Featuring themes from The Flash, DC's Legends of Tomorrow, Arrow, and Supergirl. Composed by Blake Neely. Arranged by Douglas E. Wagner. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Christmas; Pop; TV. Score and Parts. 144 pages. Alfred Music #00- 47442. Published by Alfred Music

By Gerry Goffin, Carole King. Arranged by Alan Billingsley. (Showtrax Cd). Pop Choral Series. CD only. Published by Hal Leonard.

By Roberta Flack. By Carole King and Gerry Goffin. Arranged by Mark A. Brymer. For Choral (ShowTrax CD). Pop Choral Series. CD only. Published by Hal Leonard

By Carole King, Gerry Goffin. Arranged by Alan Billingsley. (SSA). Pop Choral Series. Size 6.75x10.5 inches. 16 pages. Published by Hal Leonard.

(From Annie). By Strouse, Charnin. Arranged by Michael Sweeney. Young Jazz (Jazz Ensemble). Published by Hal Leonard.

Composed by Marty Parks. Singable Solutions. Sacred Anthem. Octavo. Lorenz Publishing Company #10/4876L. Published by Lorenz Publishing Company (LO.10-4876L).

By Jay Althouse. (2 part). Youth Sing Out (Choral). Size 6.7x10.5 inches. 8 pages. Published by Hal Leonard.

By Cristi Cary Miller. (3 Part Mixed). Discovery Choral. 12 pages. Published by Hal Leonard.

By Philip Stopford. (SATB A Cappella). Creating Artistry. Size 6.75x10.5 inches. 12 pages. Published by Hal Leonard.

Grade 1

SKU: CL.024-4753-00

Composed by Wada. Young Concert Band. Rising Band Series for Developing Bands! Score and set of parts. Composed 2020. Duration 3 minutes, 5 seconds. C.L. Barnhouse #024-4753-00. Published by C.L. Barnhouse (CL.024-4753-00).

The Hope of Tomorrow is a beautiful melodic work for developing bands. The flowing melody is designed to help develop skills in lyrical phrasing and playing in conjunct motion with fourths and fifth in legato style. This lovely selection is an excellent programming choice! Simply gorgeous!

By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin Symphonic Band. Level: 3.5 (Medium Easy to Medium) (grade 3.5). Conductor Score and Parts. 388 pages. Duration 6:15. Published by Alfred Publishing.

Composed by Traditional English Carol. Arranged by John Leavitt. For Choral, String Bass, Percussion 1, Percussion 2 (SSA). Sacred Christmas Choral. 12 pages. Published by Hal Leonard

Mr. Blue Papa Loved Mama The Dance If Tomorrow Never Comes The River Unanswered Prayers In Lonesome Dove Nobody Gets Off In This Town Rodeo Cowboy Bill Friends In Low Places Much Too Young The Thunder Rolls Two Of A Kind, Workin' On A Full House Shameless The Best of Garth Brooks. (Authentic Guitar TAB). By Garth Brooks. For guitar and voice. This edition: Authentic Guitar TAB. Artist/Personality; Authentic Guitar TAB; Guitar Personality; Guitar TAB. Country Pop and Contemporary Country. Difficulty: medium. Guitar tablature songbook. Guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams, guitar tab glossary and strum patterns. 116 pages. Published by Alfred Music Publishing

By Jerry Herman. Arranged by Ed Lojeski. (SSA). Broadway Choral. 12 pages. Published by Hal Leonard.

Level 3 - Late Elementary Showcase Solos Pop Sheet. Arranged by Mona Rejino. Educational Piano Library. Size 9x12 inches. 4 pages. Published by Hal Leonard.

SSA choir, piano

SKU: LO.15-4046H

Composed by David Gantz. Arranged by Masa Fukuda. Concert, General. Heritage Music Press #15/4046H. Published by Heritage Music Press (LO.15-4046H).

ISBN 9780787779474.

Writ ing team David Gantz and Masa Fukuda bring us Leaders of Tomorrow, an encouraging song about the future impact our students will have on the world and the importance of strong character and ethic. Featuring a solo that can be sung in Spanish or English, this is a dazzling selection is a beautiful moment for end-of-year performances.

Composed by Pete Churchill. For SATB choir and piano. Voice Junction Series. Secular. Octavo. Duration 3 minutes. Published by Oxford University Press

SAB choir and piano

SKU: LO.15-4047H

Composed by David Gantz. Arranged by Masa Fukuda. Concert, General. Heritage Music Press #15/4047H. Published by Heritage Music Press (LO.15-4047H).

ISBN 9780787779481.

Writ ing team David Gantz and Masa Fukuda bring us Leaders of Tomorrow, an encouraging song about the future impact our students will have on the world and the importance of strong character and ethic. Featuring a solo that can be sung in Spanish or English, this is a dazzling selection is a beautiful moment for end-of-year performances.