Violin, piano (solo: vl - str - bc)

SKU: BR.EB-8694

Urtext. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by S. Kuijken and S. Petrenz. Solo instruments; stapled. Edition Breitkopf. Bach's E major concerto still presents interpretative questions that have yet to be answered. Solo concerto; Baroque. Piano reduction. 56 pages. Duration 17'. Breitkopf and Haertel #EB 8694. Published by Breitkopf and Haertel (BR.EB-8694).

ISBN 9790004181829. 9 x 12 inches.

With Sigiswald Kuijken, the Baroque-violin expert, another celebrated performer puts his valuable experience at the disposal of Breitkopf & Hartel and its new editions. Bach's E major concerto still presents interpretative questions that have yet to be answered. The slurring of the solo part is sometimes quite incredible in the main source. And it is even doubtful that it stems from Bach himself. All the more important are the experienced soloist's suggestions for a stylistically accurate interpretation. In his edition for violin and keyboard instrument, Klaus Hofmann goes so far as to supply three violin parts (the first from the new score, the second with markings and notes by SigiswaldKuijken and the third as a facsimile of the main source). The performer is thus thoroughly informed and able to make his own competent decisions. Siegfried Petrenz has realized the continuo part sparingly and idiomatically.

SKU: GI.G-10833

Composed by Daniel Gregerman. Music Education. 150 pages. GIA Publications #10833. Published by GIA Publications (GI.G-10833).

ISBN 9781574635614.

From philosophy, auditions, and lesson planning to improvisation and literature selection, this diverse group of nationally recognized educators at all levels discuss these topics and more. Each director practically walks you through a rehearsal! Whether you are a seasoned vocal jazz director or someone looking to get started, the authors’ concepts on running an outstanding vocal jazz program has something for everyone. There are different vocal timbres that we expect to hear in different styles, and I believe that there are ways to produce a variety of sounds in a healthy way with sound technique. —Andrew Dahan     Niles North High School, Skokie, IL When starting a vocal jazz ensemble, I keep the literature on the easy side so concepts of style, tone, vibrato, balance, and blend can be focused on without pounding out notes. —Roger Emerson     Professional Composer and Arranger As with any language, one of the fastest ways to learn about different styles, genres, and other idiosyncrasies is to immerse ourselves in the language. —Daniel Gregerman     Glenbrook South High School, Glenview, IL I think of the audition process as a necessary means to help me ‘cast’ the ensemble. —Greg Jasperse     Western Michigan University My overall philosophy is that teaching jazz is extremely important. The creation of this music is unique to America, and it is imperative that we keep our youth informed. —Connaitre Miller     Howard University We don’t really ever ‘finish’ a piece or arrangement, do we? We work on the repertoire and the music arrives to an artistic place. —Kate Reid     University of Miami, Frost School of Music Jazz is a genre that has to be primarily learned from listening. Exposing students to a wide variety of jazz and contemporary styles is one of the most important things we need to do. —John Stafford II     Kansas City Kansas Community College My jazz singers are the best music readers in the department, and I never do any sight singing with the jazz choirs. That is all done in the traditional choirs. —Janice Vlachos     Fairview High School, Boulder, CO It takes a good amount of work to achieve a unified sound, however, within working on the minute details and repetition, it is those moments of victory during the rehearsals that make it all worth it. —Gaw Vang Williams     Sacramento State College Vocal jazz encourages personal expression through which improvisation has become a hallmark trait of the genre. —Natalie Wilson     Grass Valley Elementary School, Camas, WA.

Guitar Educational. Technique, Instruction. Softcover Audio Online. With guitar tablature. 64 pages. Published by Hal Leonard

Teen Strings Shows You How. String Letter Publishing. Softcover. 154 pages. Published by String Letter Publishing.

SKU: AP.49845

Practical Strategies for Social-Emotional Learning. Composed by Krista Hart. This edition: Book. Choral Resources; Classroom Resources; Classroom/Pre-School; General Music and Classroom Publications; NAMM Best Tools for Schools; Other Classroom; Other Resources; Reproducible; Resources. Book. 64 pages. Alfred Music #00-49845. Published by Alfred Music (AP.49845).

ISBN 9781470651930. UPC: 038081571591. English.

Trying to incorporate consistent social-emotional learning practices into your music classes and ensembles? This informative entry-point resource views SEL through a musical lens, helping to identify and connect the most important competencies and skills with common musical scenarios and concepts. The varied activities in this book encourage students to build self-awareness, become better teammates, navigate social situations, reduce performance anxiety, and so much more. Use the ideas and reproducible worksheets precisely as written, or as the inspiration to customize and develop your very own. Recommended for grades 5 and up.

Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 0.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.PB-5577

Urtext. Composed by Jan Dismas Zelenka. Edited by Reinhold Kubik. Choir; Softcover. Partitur-Bibliothek (Score Library). Mass; Baroque. Full score. 208 pages. Duration 70'. Breitkopf and Haertel #PB 5577. Published by Breitkopf and Haertel (BR.PB-5577).

ISBN 9790004213872. 10 x 12.5 inches.

The performance material is derived from the scholarly-critical editions of the Das Erbe deutscher Musik series, on which the informative Preface and Critical Report were based. The new piano-vocal score has been edited by the reputable expert Matthias Grunert.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

24 In-Depth Lessons, 12 Full Songs to Play Book/2-CD Pack. By Various. String Letter Publishing. Softcover with CD. 104 pages. Published by String Letter Publishing.

By Earl Clemmens, James D. Ployhar. Edited by Thom Proctor. Instrumental method/supplement (Oboe). 36 pages. Published by Belwin.

By Brian L. Bowman, James D. Ployhar. Edited by Thom Proctor. Instrumental method/supplement (Trombone). 36 pages. Published by Belwin.

By Richard R. Hahn, James D. Ployhar. Edited by Thom Proctor. Instrumental method/supplement (Flute). 36 pages. Published by Belwin.

Eulenburg Audio Score Series. By Edward Elgar. This edition: EAS121. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 112 pages. Published by Eulenburg.

Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1918) and Robert Orledge. Arranged by Robert Orledge. String. Softcover. 34 pages. Schott Music #VLB214. Published by Schott Music

Piano

SKU: HL.14044812

CARISCH - MUSIC SALES. Tuition. General Merchandise. Play Music France #MF2403. Published by Play Music France (HL.14044812).

French.

This informative book will help you to discover, learn and play arpeggios on the Piano. Found in many styles of music (blues, rock, jazz, classical...), in improvisation and accompaniment and for both the left and right hand, arpeggios are technically and harmonically essential for the pianist. Every very student should master them. This book presents the main arpeggios, major, minor, major 7th, minor 7th and 7th. For each of these, you will learn how they are composed, along with fingerings taught through three technical exercises and seven musical examples (accompaniment or solo). The included CD allows you to practice with backing tracks. For each musical example, you canaccess five different recordings on the CD (MP3), so you can learn and play at your own tempo, level and capacity. In total this set includes more than 5 hours of music.

By David Jones. Concert Band. Brolga Music Young Band Series. Grade 2. Score and set of parts. Duration 4:00

Study Score. Composed by Robert Schumann. Henle Study Scores. Study score (paperbound). 270 pages. G. Henle #HN9922. Published by G. Henle (HL.51489922).

Double bass (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5578-27

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 24 pages. Duration 60'. Breitkopf and Haertel #OB 5578-27. Published by Breitkopf and Haertel (BR.OB-5578-27).

ISBN 9790004343524. 10 x 12.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Viola (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5578-19

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 28 pages. Duration 60'. Breitkopf and Haertel #OB 5578-19. Published by Breitkopf and Haertel (BR.OB-5578-19).

ISBN 9790004343500. 10 x 12.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Piano solo (Study Score)

SKU: HL.51489928

Study Score. Composed by Robert Schumann. Edited by Ernst Herttrich. Study Score. Paperbound. Henle Study Scores. Classical. Study score (paperbound). 312 pages. G. Henle #HN9928. Published by G. Henle (HL.51489928).

ISBN 9790201899282. UPC: 884088519018. 6.75x9.5x0.769 inches. Eds. Wolf-Dieter Seiffert, Wiltrud Haug-Freienstein, Ernst Herttrich & Robert Munster.

On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are appearing as one editorial project. Spanning almost ten years of painstaking work, all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined each edition and also dedicated himself to those works that were previously missing from our catalogue. Arranged clearly according to opus numbers, it includes not only all of Schumann's piano works, revised to reflect the latest scholarly findings, but also informative accompanying texts, alternative versions and much more besides. Contents: Faschingsschwank aus Wien op. 26; 3 Romanzen op. 28; Scherzo, Gigue, Romanze und Fughette op. 32; Album für die Jugend op. 68 ; Vier Fugen op. 72; Vier Märsche op. 76; Waldszenen op. 82.

Chorus (with soloists) and piano (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.EB-8052

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Arranged by Matthias (KA) Grunert. Choir; Softbound. Edition Breitkopf. The Missa Omnium Sanctorum is the last of the three transmitted Missae ultimae. The piano vocal score is based on the score published by Wolfgang Horn in volume 101 of the series Das Erbe deutscher Musik, now available as PB 5589. Mass; Baroque. Piano/Vocal Score. 100 pages. Duration 60'. Breitkopf and Haertel #EB 8052. Published by Breitkopf and Haertel (BR.EB-8052).

ISBN 9790004185148. 7.5 x 10.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung) Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt)

The Missa Omnium Sanctorum is the last of the three transmitted Missae ultimae. The piano vocal score is based on the score published by Wolfgang Horn in volume 101 of the series Das Erbe deutscher Musik, now available as PB 5589..

Violin 2 (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5578-16

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 32 pages. Duration 60'. Breitkopf and Haertel #OB 5578-16. Published by Breitkopf and Haertel (BR.OB-5578-16).

ISBN 9790004343494. 10 x 12.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Continuo (figured) (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5578-12

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 40 pages. Duration 60'. Breitkopf and Haertel #OB 5578-12. Published by Breitkopf and Haertel (BR.OB-5578-12).

ISBN 9790004343470. 10 x 12.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Violin 1 (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5578-15

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 32 pages. Duration 60'. Breitkopf and Haertel #OB 5578-15. Published by Breitkopf and Haertel (BR.OB-5578-15).

ISBN 9790004343487. 10 x 12.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

By Holley Gene Leffer. Creative Concepts Publishing. Size 9x12 inches. 80 pages. Published by Creative Concepts.

Composed by Murray McLachlan. Piano Musicianship; Technique Musicianship. Piano Professional Series. Book. Faber Music #12-0571539351. Published by Faber Music

Violoncello (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5578-23

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 28 pages. Duration 60'. Breitkopf and Haertel #OB 5578-23. Published by Breitkopf and Haertel (BR.OB-5578-23).

ISBN 9790004343517. 10 x 12.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.PB-5578

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Choir; Softcover. Partitur-Bibliothek (Score Library). Mass; Baroque. Full score. 188 pages. Duration 60'. Breitkopf and Haertel #PB 5578. Published by Breitkopf and Haertel (BR.PB-5578).

ISBN 9790004213889. 10 x 12.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).