Par CAGE JOHN. In A Landscape includes the printed score, a written masterclass from pianist and John Cage specialist Adam Tendler, in which he considers how to approach this mesmerizing classic of modern American piano music, a biography of the composer and a short history of the music ? all illustrated in full colour. more than the score? is a series of classic piano music, covering much of the essential repertoire from Bach through Mozart, Schubert, Mendelssohn, Chopin and Debussy,right up to John Cage.Each volume focuses on one piece, with written masterclasses and background information encouraging an exploration of the music ? beyond the printed score. All titles in the Edition Peters more than the score?series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor, Roy Howat, Daniel Grimwood, Clare Hammond and Adam Tendler./ Répertoire / Piano

for Piano. Par SCHWAEN KURT. Drei Präludien zu Grafiken von Herbert Sandberg (KSV 271) by Kurt Schwaen is an 8-minute work for solo piano. The three Preludes were inspired by Herbert Sandberg\'s graphic cycle Der Weg (\'The Way\'), which deals with fascism. Kurt Schwaen was an extremely prolific composer whose style could be classified between Bartók, Stravinsky and Hindemith. The Three Preludes for Piano are also oriented towards this neo-classical attitude and, despite the use of new compositional techniques, always remain catchy and easy to receive. The premiere took place on 5 May 1965 in the Kupferstichkabinett of the Berlin State Museums on the occasion of the exhibition opening of Herbert Sandberg\'s graphic cycle Der Weg. The performer was Wilhelm Gonnermann. This edition (EP 5418) is the piano edition of this work. / Date parution : 2022-09-07/ Répertoire / Piano

Par WUORINEN CHARLES. Charles Wuorinen\'s Second Piano Trio was found on his desk at the time of his passing in March 2020. A single, nine-minute movement, it is characterized by a complex, lively rhythmic interplay between the three instruments, in particular a wittily repeated figure of sixteenth-note quintuplets. Upon reviewing Wuorinen\'s third and final draft for this piece posthumously, three of Wuorinen\'s close musical confidant his student, composer Anthony Cornicello, who edited and engraved the work; his partner and manager, Howard Stokar; and his frequent collaborator, cellist Fred Sherry have decided unanimously that while Wuorinen would certainly have added small details to the score, what he has left behind is a complete and substantial piece. It is published for sale as a full piano score with violin and cello parts. This is the last known work completed by Charles Wuorinen. / Date parution : 2022-09-07/ Répertoire / Violon, Violoncelle et Piano

Par SATIE ERIK. 3 Gymnopédies by Erik Satie, arranged by Roger Nichols for Violin and Piano, Flute and Piano or Clarinet and Piano. / Nichols / Répertoire / Violon et Piano

Par RAVEL MAURICE. New Urtext Edition of the music of Maurice Ravel by Roger Nichols. In preparing this Urtext edition of Ravel's piano music, Roger Nichols consulted no fewer than 14 sources - including sound recordings by Ravel himself and other pianists with whom the composer worked. As a result he is uniquely qualified to evaluate the complexity of the sources and, with this edition, has provided today's pianists with the tools to make their own well-informed performance choices about this infinitely-rewarding repertoire. ; … a definitive edition that will be invaluable for all serious pianists and Ravel enthusiasts - TheMusical Times / Urtext / Répertoire / Piano

Par RAVEL MAURICE. A moving fugal suite by French composer, Maurice Ravel which he begun even before World War I. This Piano version was completed in 1918 and in honour of the fallen soldiers, he called it Le Tombeau de Couperin literally ‘ Couperin's Tomb' after François Couperin, a 17th-century composer whom Ravel chose to represent the French nation. / Urtext / Répertoire / Piano

Fr. Those intéressé à la musique française ont souvent eu raison d'être reconnaissants à Roger Nichols - ses écrits sur Debussy, Ravel, Messiaen et Poulenc sont indispensables à l'amant de la musique. Nichols tourne maintenant ses attentions à la mélodie, où il est sa mission d'encourager les chanteurs à explorer au-delà les chemins de l'Union de la chanson française. Dans ces deux anthologies, il n'ignore pas les chefs de oeuvres de compositeurs de la stature de Fauré et Duparc, mais eux définit aux côtés de musique - presque impossible de trouver ailleurs imprimée - par des personnalités comme Reber, Viardot, Massé et Paladilhe sous-estimé. Même les plus célèbres chansons sont souvent pas facilement trouver dans les éditions pratiques, qui rend cette sélection un point de départ idéal pour l'exploration plus large. Dans chacun de ces volumes les chansons apparaissent dans l'ordre chronologique de la naissance du compositeur, leurs, mais Nichols arrive d'une certaine manière un line-up de la musique qui semble délicieusement arbitraire en même temps aussi soigneusement conçu pour enrichir la compréhension de tout le monde... / Voix Et Piano

Ger.. Par SCHOENBERG ARNOLD. Medium Voice - Piano / Contemporain / Répertoire / Chant et Piano

Par RAVEL MAURICE. Composed in 1924 for Violin and Luthéal, (A keyboard instrument which never gained much popularity), Tzigane demonstrated Ravel's ability to go beyond his natural Impressionist style, and write a piece which would be much better categorized as Late Romantic. First performed with the Luthéal substituted for a Piano in 1925, today the piece is accepted as either being performed with the Piano and Violin or Orchestra and Violin, Ravel himself having arranged the piece for Orchestra. / Urtext / Répertoire / Violon et Piano

'Un beau jour' de Madama Butterfly. Comprend trois versions: haute voix (tonalité originale Gb), moyenne voix (E) et à voix basse (D). Introduction, notes de performance et le guide phonétique par Gordon Stewart. Traductions d'introduction et les paroles en français, allemand et italien.Un de la soprano arias plus jouée, la vision de papillon de sa rencontre avec Pinkerton a besoin d'être imaginatif et comme par magie communiqué, en particulier le sentiment de la distance et son approche progressive. Une partie de la série 'Opera Arias Audition', conçu pour répondre aux besoins des jeunes chanteurs et propose des airs d'audition populaires dans plusieurs touches en une seule publication. / Voix Et Piano