Composed by
Delia Estrada. Method,
studies. Score. Editions
Henry Lemoine #26331.
Published by Editions
Henry Lemoine (LM.26331).
ISBN
9790230963312.
ESTR
ADA D. : Sur les six
cordes - Etude - CARULLI
F. : Exercice - CARCASSI
M. : Valse - ESTRADA D. :
Bailando - Lullaby -
Danse du fleuve - Etude
d'apres Antonio
Cano-Curriela - Lafalado
- Prelude - Comme un
blues - AYALA H. : Aire
de Vidala - ESTRADA D. :
Etude a deux voix - Tempo
di Carnavalito - BELTRAN
T. : Evi - AYALA H. : El
Coyuyo - ESTRADA D. :
Etude - Lent, comme une
Vidala - Marche - Etude -
CARCASSI M. : Valse -
CARULLI F. : Valse n. 1 -
ESTRADA D. : Chanson
enfantine - Chanson pour
dire a Elsa... - Berceuse
pour ma petite fille -
Chanson - Etude en forme
de Choral - CARULLI F. :
Poco Allegretto - ESTRADA
D. : Aube - CARULLI F. :
Andante - ESTRADA D. :
Olenka - BELTRAN T. :
T'es ballade ! - CARCASSI
M. : Valse - RODRIGUEZ A.
: Guajira - AGUADO D. :
Lecon n. 66 - ESTRADA D.
: Bossa Metisse - AYALA
H. : Cholita - ESTRADA D.
: Cancion - A la Claire
Fontaine (arr. D.
Estrada) - BELTRAN T. :
La Bossa de Margot -
ESTRADA D. : Air de
Bolero - AGUADO D. :
Lecon - CARCASSI M. :
Allegro - Valse -
Allegretto non troppo -
BELTRAN T. : Couleur
Pastel - RODRIGUEZ A. :
Cancion - SOR F. : Etude
n. 8.
Chamber Music Guitar SKU: PR.ECH2725 Composed by Various. Edited by Pedro Góme...(+)
Chamber Music Guitar
SKU: PR.ECH2725
Composed by Various.
Edited by Pedro
Gómez-Lorente. Arranged
by José Tomás.
Collection. Chanterelle
#ECH2725. Published by
Chanterelle
For guitar. Format: guitar solo book. With standard notation (no tablature) and ...(+)
For guitar. Format:
guitar solo book. With
standard notation (no
tablature) and
fingerings. Renaissance,
baroque, classical period
and 20th century. 126
pages. 9x12 inches.
Published by Music Sales.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Traditional, Wire bound,
Celtic. Folk. Book and
online audio. 216 pages.
Mel Bay Publications, Inc
#WBM58M. Published by Mel
Bay Publications, Inc
(MB.WBM58M).
ISBN
9781736363058. 8.75x11.75
inches.
A
comprehensive collection
of 172 guitar solos for
the flatpick or plectrum
guitarist. All solos are
written in standard
notation with
accompanying online
recordings by the author.
The solos include
beautiful American,
British and Celtic airs
and ballads, Celtic dance
tunes, lute and early
music, popular classical
repertoire and
contemporary etudes.
Includes access to online
audio.
by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Le...(+)
by Mel Bay. For all
guitars. Modern Guitar
Method. All styles, solos
& duets. Level: Multiple
Levels. Book. Method.
Size 8.75x11.75. 320
pages. Published by Mel
Bay Pub., Inc.
Martin, Martine Guitare Guitare classique - Facile Lemoine, Henry
Pieces faciles pour jeunes guitaristes. Composed by Adrien Politi. Instrumen...(+)
Pieces faciles pour
jeunes
guitaristes. Composed by
Adrien Politi.
Instrumental
Music. Score. Editions
Henry
Lemoine #29644. Published
by
Editions Henry Lemoine
For Guitar. Classical (orchestral). Includes a high-quality printed music score ...(+)
For Guitar. Classical
(orchestral). Includes a
high-quality printed
music score and a compact
disc containing a
complete performance with
soloist; then a second
version with the
orchestral accompaniment,
minus the soloist.
Published by Music Minus
One.
By Michel Legrand (1932-). Arranged by Jean-Marie Raymond. For guitar solo. Coll...(+)
By Michel Legrand
(1932-). Arranged by
Jean-Marie Raymond. For
guitar solo. Collection
Chanson. Level 3. Score.
4 pages. Published by Les
Productions d'OZ
Composed by Manuel Ponce (1882-1948). Edited by Stefano Grondona. This editi...(+)
Composed by Manuel Ponce
(1882-1948). Edited by
Stefano
Grondona. This edition:
Saddle-wire stitching.
Sheet
music with CD. Critical
Edition. 36 pages. MDS
(Music
Distribution Services)
#GHE
702-50. Published by MDS
(Music Distribution
Services)
By Mel Bay. For Guitar (All). method. Modern Guitar Method. All Styles. Level: I...(+)
By Mel Bay. For Guitar
(All). method. Modern
Guitar Method. All
Styles. Level:
Intermediate. Book/CD
Set. Size 8.75x11.75. 48
pages. Published by Mel
Bay Publications, Inc.
