(Modern Ideas for All Styles). For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. The Improv Series. Jazz. 96 pages. Published by Alfred Music Publishing

Technical Exercises for the Guitar to Be Done Each Day Before Practicing. By Dale Turner. Willis. Softcover with CD. 32 pages. Published by Willis Music.

(Extraites Des Operas De Rossini Et Deux Valses Favorites). By Francois de Fossa (1775-1849). Edited by Jan De Kloe. For Guitar. FULL SCORE - STUDY. Op.8. 6 pages. Published by Editions Orphee

Special Deluxe Edition with DVD and 2 CDs. Music Sales America. French Edition, Spanish Edition, Blues, Jazz, Instruction. Music Sales #DV10043N. Published by Music Sales

Guitar (all) - Beginning-Intermediate

SKU: MB.99607

Composed by Joe Negri. Edited by Tim Bedner. Saddle-stitched, Style, Improvising, Lines and Phrases. Jazz. Book. 40 pages. Mel Bay Publications, Inc #99607. Published by Mel Bay Publications, Inc (MB.99607).

ISBN 9780786660810. UPC: 796279076784. 8.75 x 11.75 inches. By Joe Negri; Compiled and edited by Tim Bedner.

The goal of this book is to provide a concept for guitarists that will help them go quickly to the core of the harmonies that must be dealt with in order to improvise over chord changes. Joe Negri shows how you can assimilate harmonies and quickly determine a common denominator that you instantly visualize on the fingerboard. From this `cell harmony you will be able to build or create single-note melodic lines. Joe Negri has taken the fundamentals of music theory and made them applicable and relevant to the improvising guitarist. One of this books secrets is the use of basic triadic shapes as an organizational tool to demystify improvisation. This keep it simple approach allows improvisers to hear and unveil melodic lines that are right under their fingers within simple triadic shapes. These studies are packed with the basic information the student needs in order to use the chord tones as melodic focal points. Written in notation and tablature.

By William Leavitt. Guitar Method. Size 9x12 inches. 168 pages. Published by Berklee Press Publications.

55 Classical Masterpieces from 5 Centuries. Edited by Martin Hegel. This edition: Paperback/Soft Cover. Sheet music. Guitar. For a long time, arrangements were rather looked down on by music specialists, but today attitudes have relaxed considerably. The classical concert repertoire is extensive and includes many wonderful pieces; many guitarists are naturally keen to get to kn. Classical. Softcover. 104 pages. Schott Music #ED 23047. Published by Schott Music

DVD. Performed by John Denver. By Pete Huttlinger. Homespun Tapes (Instructional). Fingerstyle. DVD . Size 5.25x7.5 inches. Published by Homespun Video.

(The Easiest Electric Guitar Method Ever!). Composed by Ron Manus and L. C. Harnsberger. For Guitar. Book; Guitar Method or Supplement; Method/Instruction; Other. Kid's Guitar Course. Children; Rock. Beginner. 48 pages. Published by Alfred Music

Voice and guitar

SKU: HL.49015258

Das Liederbuch der jungen Szene. Edited by Bertold Marohl. This edition: Plastic cover. Paperback. Edition Schott. Classical. Melody Line (with Chords). 274 pages. Schott Music #ED 7120. Published by Schott Music (HL.49015258).

ISBN 9783795720629. 4.75x7.25x0.59 inches. German.

Der neue Zupfgeigenhansl erscheint als Folgeband des seit der Jugendbewegung allgemein bekannten Zupfgeigenhansl und enthalt 121 Lieder, die auf die Anliegen der jungen Generation des ausgehenden 20. Jahrhunderts eingehen: Fahrt uber Lander und Meere - internationale Folklore und Spirituals - kritische alte und neue Lieder zu unseren Zeitproblemen - das Thema Liebe - Balladeskes und Heiteres. Das Buch bietet Melodien, vollstandige Texte, Akkorde fur Gitarrebegleitung, Bilder und Infos zu den Textern, Komponisten und Interpreten.

Book/Online Audio Guitar

SKU: HL.1447614

Composed by Various. Arranged by David V. Montoya. Guitar. Classical. Softcover Audio Online. 128 pages. Duration 165 seconds. Published by Centerstream Publications (HL.1447614).

ISBN 9781574244212. UPC: 196288207351. 8.5x11.0x0.341 inches.

Get ready to develop your performance skills and musicianship, and take your playing to the next level with Solos and Duets for Classical Guitar! This book has a little something for every guitarist, but mainly, it is an opportunity for creative musicians to take their guitar skills to the next level. If you are new to classical guitar, you will find manageable, memorable classics as well as new arrangements of modern masters. If you are an experienced guitarist, you will find many works to challenge your technical performance and reading abilities. If you need additional help of tablature and/or audio recordings, these are available to you for every piece. On these pages, you will find music by master educators and musicians, including J.S. Bach, Béla Bartok, Domenico Cimarosa, Hamza El Din, George Heussenstamm, William Allaudin Mathieu, Nelson Montalvo, W.A. Mozart, Alessandro Scarlatti, and Robert Schumann. Many of the included selections are transcriptions from works for toher new instruments and some are original guitar works that now appear in print for the very first time! You will find many beautiful solos and duets, and even some guitar quartet exercises to lead you into ensemble playing.

Bass Guitar

SKU: AP.79-30018

Volume 1. Triad Modules. Composed by Todd Johnson. Artist/Personality; Bass Guitar Method or Supplement; Method/Instruction. Alfred's Artist Series. DVD. Alfred Music #79-30018. Published by Alfred Music (AP.79-30018).

ISBN 9780739051597. UPC: 038081325835. English.

Todd takes the mystery out of learning to play walking bass lines by breaking it down into small bite-sized chunks that anyone can digest. Featuring standard notation and TAB for all exercises on topics such as strong beat/weak beat theory, ear training, major and minor triads, chromatic approaches, and more, this is an opportunity to learn from a true artist and master of the electric bass!

About Alfred's Artist Series

Alf red's Artist Series DVDs bring you great instruction from the most legendary musician's of all time. Now you can experience these great artists as they share their unique approach to music. Every title is packed with solid information and an assortment of special features - from rare video footage to interactive tours of the artist's instrument and bonus lessons. Alfred's Artist Series is your best source for musical inspiration

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

The Easiest Electric Guitar Method Ever!. Composed by Ron Manus and L. C. Harnsberger. Book; DVD; Digital Download; Guitar Method or Supplement; Method/Instruction; Software. Kid's Guitar Course. Children; Rock. 48 pages. Published by Alfred Music (AP.44487).

The Easiest Electric Guitar Method Ever!. Composed by Ron Manus; L. C. Harnsberger. Guitar Method or Supplement; Method/Instruction. Kid's Guitar Course. Children; Rock. Book; Digital Download; DVD; Software. 48 pages. Alfred Music #00-44489. Published by Alfred Music (AP.44489).

By Various. Easy Guitar (Simplified arrangements for guitar). Softcover. 210 pages. Published by Hal Leonard.

Guitar

SKU: GI.G-3373G

Songs for the Christian Journey. Composed by Jan Michael Joncas. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 32 pages. GIA Publications #3373G. Published by GIA Publications (GI.G-3373G).

Scripture: Psalm 51, 72, 98, 104:1, 24, 29-33, 121, 122, 139, 146, Matthew 11:28-30.

Includes one each of the following octavos: All the Ends of the Earth (Psalm 98) - Come to Me - Be Merciful, O Lord (Psalm 51) - I Will Praise the Lord (Psalm 146) - Take and Eat - Send Forth Your Spirit - Let Us Go Rejoicing - Guiding Me - A Nuptial Blessing - I Heard the Voice of Jesus Say - Every Nation on Earth - You Have Searched Me.

(The Easiest Guitar Method Ever!). Composed by Ron Manus and L. C. Harnsberger. For Guitar. Book; Guitar Method or Supplement; Method/Instruction; Other. Kid's Guitar Course. Children. Beginner. 48 pages. Published by Alfred Music