Composed by Georg Philipp Telemann (1681-1767). Edited by Friedrich Noack. For string orchestra. This edition: Urtext edition. Stapled. Score. TWV 55:G 1. Duration 10 minutes. Published by Baerenreiter Verlag

Theme and variations g minor : for string orchestra. Composed by Aleksandr Konstantinovich Glazunov. Orchestral music. Score and set of 16 parts. Published by Noten Roehr (NR.94547).

Composed by Ludwig van Beethoven (1770-1827). Arranged by Ben Clinesmith. Early Achievement Series. A charming string orchestra arrangement of the last movement of Beethoven's Trio in G Major. Classical. Score and Parts. Wingert-Jones Publications #3036091. Published by Wingert-Jones Publications

For Violin, Violoncello and Orchestra. By Johannes Brahms. STUDY EDITION. Pages: XI and 192. Urtext edition (Paper-bound). Published by G. Henle.

(Christmas Concerto) Composed by Arcangelo Corelli (1653-1713), edited by Waldemar Woehl. Opus 6, #8. For violin concertato I, II, cello solo, violin di ripieno I, II, viola, contra bass and keyboard. Urtext. Format: full score (parts not included). With introductory text. Baroque. G Minor. 19 pages. 9x12 inches. Published by C.F. Peters.

Inspired by Minuet in G Major. Masterworks; Part(s); Score; SmartMusic; String Orchestra. Belwin Intermediate String Orchestra. Baroque; Masterwork Arrangement. 72 pages. Published by Belwin Music (AP.40496).

Serenade in G Major. By Wolfgang Amadeus Mozart. Arranged by Dieter Rexroth. (Study Score). Schott. Size 5.25x7.5 inches. 32 pages. Published by Eulenburg.

By Antonio Vivaldi (1678-1741). Arranged by Steven Frackenpohl. Score and Parts. Music for String Orchestra. Grade 3-4. Published by Hal Leonard

By Georg Philipp Telemann (1681-1767). Arranged by Robert D. McCashin. For orchestra. FJH String Orchestra. Full set (score and parts). Score only also available: ST6084S. Grade 3.5. Score and set of parts. Composed 2005

By Antonio Vivaldi. Arranged by Steven Frackenpohl. (Score and Parts). Music for String Orchestra. Published by Hal Leonard.

By Matt Turner. For string orchestra (violin I, violin II, violin III (viola T.C.), viola, cello, bass, drums, piano). Score and parts. Duration 3 minutes, 06 seconds. Published by Carl Fischer

Orchestra String Orchestra - Grade 4

SKU: CF.CAS44

Composed by Alan Lee Silva. FS-SWS. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 24+24+4+10+10+5+10+16 pages. Carl Fischer Music #CAS44. Published by Carl Fischer Music (CF.CAS44).

ISBN 9780825867118. UPC: 798408067113. 8.5 X 11 inches. Key: G minor.

This is a tour-de-force for the advancing string orchestra. Beautiful, dramatic, and flowing, Waterloo Station is very fresh and contemporary. Students will love it for the lush harmonic textures and rhythmic drive that this composer is so noted for.
Composed as a characterization of the fast-paced atmosphere of London’s Waterloo Train Station, this fast-slow-fast piece combines technical excitement with heartfelt simplicity.The fast section in G minor consists of two main parts: the intense, emotional A section at m. 21 and the legato, sweeping B section at m. 59. The syncopated tutti figures in the high strings coupled with the fiery cello and bass lines propel the fast sections. The phrase in mm. 1–8 recurs throughout. Making four- to eight-measure exercises of this section below tempo in the violins and viola, focusing on rhythmic clarity, will help to lock in the syncopation. Similarly, the cello and bass should rehearse this slowly as well as mm. 9–16 to gain fluidity and insure a solid foundation.The cellos carry the tune at m. 71, and the ensemble builds from mm. 79–86 to the transition at m. 87. An abrupt change to half tempo here slows the momentum and transitions to a quiet, melancholy tone in m. 91. The middle section (ABA) begins in G minor with a somber quality, highlighted by the Violin I solo. It gradually builds to a beautiful, uplifting setting as it moves to G major in m. 100. Returning back to the hushed G minor tonality, it then speeds up again and transitions back to Tempo I for a brief recapitulation of the fast section. Measure 117 marks the return to vigorous playing, beginning softly and building to a thrilling ride to the end.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

By Bob Phillips. For Violin. String Orchestra Collection. Book. 40 pages. Published by Alfred Publishing.

Orchestra String Orchestra - Grade 1.5-2

SKU: CF.FAS21

Composed by Larry Clark. Edited by Amy Rosen. SWS - FS. Carl Fischer First Plus String Orchestra Series. Classical. Score and Parts. With Standard notation. 8+8+2+5+5+5+2+8 pages. Carl Fischer Music #FAS21. Published by Carl Fischer Music (CF.FAS21).

ISBN 9780825853067. UPC: 798408053062. 8.5 X 11 inches. Key: B minor.

Characte r was composed to introduce young string players to contemporary harmonic techniques while still being within the technical limitations of the developing student. Quartal and quintal harmonies open the composition with a fanfare gesture that ties the piece together. This is followed by an ostinato in the first violins that contains a tricky figuration between G and A that will work the pinky finger on the D-string. Players who are not capable of maneuvering their pinky at this brisk tempo should play the lower part. The main theme is given to the inner voice for a change! After the main theme there is a development section that combines fragments of the fanfare material with fragments of the main theme. A grand pause and then a stronger statement of the main theme then follow this with the first violins up an octave. The piece is then completed with a short coda containing fragments of the ostinato and fanfare material. It feels natural for the tempo to speed up slightly at this point in the piece. As with all of my pieces at this level, the tempo is merely a suggestion and should be adjusted slower or faster to fit the needs of your students and the performance situation. It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program. -Larry Clark New York, NY 2003.
Character was composed to introduce young string players to contemporary harmonic techniques while still being within the technical limitations of the developing student. Quartal and quintal harmonies open the composition with a fanfare gesture that ties the piece together. This is followed by an ostinato in the first violins that contains a tricky figuration between G and A that will work the pinky finger on the D-string. Players who are not capable of maneuvering their pinky at this brisk tempo should play the lower part. The main theme is given to the inner voice for a change! After the main theme there is a development section that combines fragments of the fanfare material with fragments of the main theme. A grand pause and then a stronger statement of the main theme then follow this with the first violins up an octave. The piece is then completed with a short coda containing fragments of the ostinato and fanfare material. It feels natural for the tempo to speed up slightly at this point in the piece. As with all of my pieces at this level, the tempo is merely a suggestion and should be adjusted slower or faster to fit the needs of your students and the performance situation. It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program. -Larry Clark New York, NY 2003.
Character was composed to introduce young string players to contemporary harmonic techniques while still being within the technical limitations of the developing student. Quartal and quintal harmonies open the composition with a fanfare gesture that ties the piece together. This is followed by an ostinato in the first violins that contains a tricky figuration between G and A that will work the pinky finger on the D-string. Players who are not capable of maneuvering their pinky at this brisk tempo should play the lower part. The main theme is given to the inner voice for a change! After the main theme there is a development section that combines fragments of the fanfare material with fragments of the main theme. A grand pause and then a stronger statement of the main theme then follow this with the first violins up an octave. The piece is then completed with a short coda containing fragments of the ostinato and fanfare material. It feels natural for the tempo to speed up slightly at this point in the piece.As with all of my pieces at this level, the tempo is merely a suggestion and should be adjusted slower or faster to fit the needs of your students and the performance situation.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.-Larry ClarkNew York, NY 2003.

(Full Score and Parts). By Alan Lee Silva. String orchestra. For String Orchestra. Carl Fischer Concert String Orchestra Series. Classical. Medium Easy/Medium. Score and Parts. Standard notation. 16 pages. Published by Carl Fischer . Score and Parts. classical.

By John G. Mortimer. For strings orchestra (suvre pour cordes / pas de solo). Swiss import. Score and parts. Published by Editions Marc Reift. (EMR 4572)

By John G. Mortimer. For strings orchestra (suvre pour cordes / pas de solo). Swiss import. Score and parts. Published by Editions Marc Reift. (EMR 4567)

By John G. Mortimer. For strings orchestra (suvre pour cordes / pas de solo). Swiss import. Score and parts. Published by Editions Marc Reift. (EMR 4570)

Orchestra string orchestra - Grade 3

SKU: KJ.SO313F

Composed by Michael Senturia. Score. Neil A. Kjos Music Company #SO313F. Published by Neil A. Kjos Music Company (KJ.SO313F).

UPC: 8402703096.

Mozart' s simple, charming melody sung by Don Giovanni in Act I of the opera Don Giovanni invites amplification by variation! Variations feature different string techniques including legato, spiccato, and detache. G Major with a taste of G minor thrown in. A delightful work.

For String Orchestra. Composed by Ulysses Kay. Score. 16 pages. Carl Fischer Music #BE26. Published by Carl Fischer Music

(Full Score). By Frank Bridge (1879-1941). For Orchestra (Score). Orchestra. 30 pages. G. Schirmer #JC90700. Published by G. Schirmer

By Carol J. Johnson. Orchestra. String Orchestra. Belwin Beginning String Orchestra. Grade 2.5. Conductor Score and Parts. 72 pages. Published by Belwin Publishing

Orchestra string orchestra - Grade 3.5

SKU: KJ.SO348F

Composed by William Hofeldt. Score only. Neil A. Kjos Music Company #SO348F. Published by Neil A. Kjos Music Company (KJ.SO348F).

UPC: 084027043653.

This gorgeous and gentle ballad is written for and dedicated to Ms. Dorothy Straub, whose lifelong career in music education has touched students and educators worldwide for many years. Includes an optional (and highly recommended) harp part. G Minor & G Major.

Duration: 4:40.

Orchestra strings - Grade 3

SKU: KJ.SO313C

Composed by Michael Senturia. Arranged by Michael Senturia. Music book. Neil A. Kjos Music Company #SO313C. Published by Neil A. Kjos Music Company (KJ.SO313C).

UPC: 8402703095.

Mozart' s simple, charming melody sung by Don Giovanni in Act I of the opera Don Giovanni invites amplification by variation! Variations feature different string techniques including legato, spiccato, and detache. G Major with a taste of G minor thrown in. A delightful work.

By Mark Williams. Music by Mark Williams. For String Orchestra. String Orchestra. Strictly Strings Series. Conductor Score and Parts. 1 pages. Published by Alfred Publishing.

Orchestra string orchestra - Grade 2.5

SKU: XC.ISO2206

Composed by Erica Donahoe. Contest. Intermezzo. Contest. Score and set of parts. Excelcia Music Publishing #ISO2206. Published by Excelcia Music Publishing (XC.ISO2206).

12 x 9 inches.

Written in G minor and using primarily the pentatonic scale, students will love the dark and brooding sound of this piece. Cello and bass players are featured throughout with exciting bass lines that define the piece. The entire orchestra will have lots of opportunity to work on articulations and string crossings, in addition to the more complex finger patterns required by G minor.

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS27

Composed by Alan Lee Silva. Carl Fischer Young String Orchestra Series. Classical. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #YAS27. Published by Carl Fischer Music (CF.YAS27).

ISBN 9780825858345. UPC: 798408058340. 8.5 X 11 inches. Key: G major.

From the Rocky Mountains to the Pacific Ocean, Path to the Pacific reflects the open, airy and picturesque qualities of the American West. These textures are painted through the use of light syncopation, key modulations and triplets that will certainly ch.
From the opening driving cello melody to the final ensemble flourish, Path to the Pacific is an exciting and rewarding piece for young players to play.The accents in the cello during the lively introduction at m. 1 are integral to the feel of the melodic line and provide an engaging technical challenge. The AAB form begins as the piece decrescendos to the quiet ‘A’ section at m. 9, featuring violin 1 with a singing, lyrical melody.The robust, joyous ‘B’ section is played with intensity, but still legato. The return to the ‘A’ material at m. 37 features the Cello. The 2nd statement of the ‘B’ material at m. 45 is highlighted by a refreshing tonal shift to the key of E then back to the key of ‘G’ before the crescendo to the fermata in m. 58.The active cello theme from the introduction returns in the A Tempo section at m. 59 at a piano dynamic. This begins the build to the maestoso section at m. 71. Measures 63-70 are the most aggressive bars of the composition. Strive for rhythmic precision when approaching the quintal harmony in m. 63-64, the accented figures in m. 65-67, and the triplet figures in m. 68-69. A rich, resonant tone from the full ensemble will make the maestoso section in m. 71 move powerfully to the final bar.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels