Arranged by Robert W. Smith. Traditional. For Concert Band. Concert Band. Belwin Symphonic Band. Folk Song. Level: 4 (Medium) (grade 4). Conductor Score and Parts. 273 pages. Published by Alfred Publishing.

Concert Band/Harmonie - Grade 2.5

SKU: BT.GOB-000956-140

Composed by Peter Martin. Arranged by Menno Haantjes. Score Only. Gobelin Music Publications #GOB 000956-140. Published by Gobelin Music Publications (BT.GOB-000956-140).

Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding.

I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is Cock O' the North a nickname of a famous Duke. (The 4th Duke of Gordon).
In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text.

Auntie Mary, had a canary,
Up the leg of her trousers
While she was sleeping Iwas peeping
Up the leg of her trousers.

II. The Bonnie Bank's O'Loch Lomond is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go.

You'll take the high road
And I'll take the low road
And I'll be in Scotland afore ye
But me and my true love will never meet again
On the Bonnie Bonnie Banks of Loch Lomond

III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as Marie's Wedding '.
Mid dance we go back to the church, where a lovely song in honor of the couple sounds.
Marie's Wedding has been recorded by Van Morrison (among many others).

Step we gaely, on we go, heel for heel and toe for toe
Arm and arm and on we go, all for Marie's wedding

Scottish Dances is gebaseerd op drie Schotse traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond en Marie's Wedding.

I. De naam Cock of the North wordt voor meerdere dingen of evenementen gebruikt. Van een beroemdelocomotief tot een, naar het schijnt, een heerlijke likeur, en van rally's tot snowboard wedstrijden. Bovendien was 'Cock O' the North' een bijnaam van een bekende hertog. (the 4th Duke of Gordon)
Het in deze compositiegebruikte Cock of the North (een Jig) is een traditioneel Schotse bagpipe tune (doedelzak liedje) wat regelmatig gespeeld wordt op taptoes door Pipebands. Niet zelden zingen de slagwerkers de tekst mee.

Auntie Mary, had acanary,
Up the leg of her trousers
While she was sleeping I was peeping
Up the leg of her trousers.

II. 'The Bonnie Bank's O'Loch Lomond', gaat over een triest verhaal dat zich afspeelde tijdens een opstand tegende Engelsen. In 1745 moest Bonnie Prince Charlie zich terugtrekken. Twee van zijn mannen werden gevangen genomen. Eén van hen werd veroordeeld en geexecuteerd, terwijl de ander vrijgelaten werd. De geest van de geexecuteerde soldaatzou via de 'low road' (onderwereld) eerder in Schotland aankomen dan zijn kameraad, die nog een lange ruige weg te gaan had.

You'll take the high road
And I'll take the low road
And I'll be in Scotland aforeye
But me and my true love will never meet again
On the Bonnie Bonnie Banks of Loch Lomond

III. Bij een Schotse bruiloft wordt na de officiele plechtigheden vaak gedanst. Dit noemt men een ceilidh. Hiervoor gebruiktmen traditionele Schotse muziek zoals bijv. 'Marie's Wedding'.
Halverwege de dans gaan we nog even terug naar de kerk, waar een lieflijk lied ter ere van het bruidspaar klinkt.
Marie's Wedding is o.a. door Van Morrison opgenomen.

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-1135498-015

Composed by Marc Jeanbourquin. De Haske Flexible Series. Original Light Music. Set (Score and Parts). Composed 2013. De Haske Publications #DHP 1135498-015. Published by De Haske Publications (BT.DHP-1135498-015).

9x12 inches. English-German-French-Dut ch.

Welcome to Ireland, the country where the traditional music is as varied as the landscape! Marc Jeanbourquinâ??s Irish Fantasy starts in a carefree and lively fashion from County Galway, then strolls through the moorlands of Kerry in a slower, lyrical movement with room for a solo, and comes to rest in Cork, with high-spirited and up-tempo folk tunes, and an accompaniment reminiscent of the bagpipes.

Ierland heeft - naast een veelvoud aan prachtige landschappen - een rijke muzikale traditie. In dit werk verwerkte de componist beide elementen en steekt van wal met een indruk van het opgewekte County Galway om dan door de venen van Kerry te wandelen, begeleid door een langzame optionele solo voor trombone en trompet. In Cork mag de doedelzak natuurlijk niet ontbreken en breekt een heus dansfeest los met de typische Ierse folkmuziek!

Willkommen in Irland, dem Land, in dem die traditionelle Musik so vielfältig ist wie seine Landschaften_x001C_! Marc Jeanbourquins Irische Fantasieâ?? beginnt in einem unbeschwerten, lebhaften Stil im County Galway, streift dann die Moorlandschaften von Kerry in einem langsameren, liedhaften Satz, der Raum fu?r ein Solo bietet, und endet in Cork, wo u?bermu?tige, schwungvolle irische Folk-Melodien mit an Dudelsack erinnernden Begleitungen angesagt sind.

Bienvenue en Irlande ! Le pays où la musique traditionnelle est aussi riche et variée que ses paysages. Avec le premier mouvement de Irish Fantasy, Marc Jeanbourquin propose de commencer la visite par le comté de Galway, dans un style léger et dansant. Le voyage se poursuit par le comté de Kerry avec ses landes et ses lagunes, illustré dans le deuxième mouvement par une berceuse lente et cantabile, qui laisse au chef dâ??orchestre la possibilité de mettre en avant un soliste de lâ??ensemble. Mais déj , le périple se termine par le comté de Cork. On retrouve ici des mélodies sautillantes et entraînantes. Bon voyage musical avec Irish Fantasy.

Lâ?? Irlanda vanta una ricca tradizione di musica e canti tradizionali. Con il primo movimento, Marc Jeanbourquin propone di iniziare la visita alla contea di Galway in uno spirito leggero e danzante. Il viaggio prosegue nella contea di Kerry, con le sue lande e lagune, descritte in musica nel secondo movimento da una ninna-nanna lenta e cantabile, che d spazio a un assolo. Il viaggio _x001E_nisce nella contea di Cork dove ritroviamo melodie vivaci e coinvolgenti.

Flex-It Series for Variable Instrumentation Concert Band. Arranged by Colin Cowles. (Score and Parts). Fentone Play Along Books. Published by Fentone Music.

Composed by Chris M. Bernotas. Concert Band. Concert Band; Part(s); Score. Sound Innovations for Band. Folk. Grade 1.5. 142 pages. Published by Alfred Music

(Featuring: Loch Lomond / The Blue Bells of Scotland / Annie Laurie). Arranged by James D. Ployhar. Concert Band. Concert Band. Belwin Beginning Band. Contemporary. Grade 1. Conductor Score and Parts. 142 pages. Duration 1:46:00. Published by Alfred Music Publishing

Arranged by Patrick Roszell. Concert Band. Concert Band. Belwin Beginning Band. Folk. Grade 1. Conductor Score and Parts. 134 pages

Arranged by Robert Sheldon. Arr. Robert Sheldon. For Concert Band. Concert Band. Young Symphonic. Conductor Score & Parts. Published by Alfred Publishing.

By Traditional. Arranged by Michael Story and Michael Story. Concert Band. For Concert Band. Concert Band. Belwin Young Band. Folk Song. 2 (Easy) (grade 2). Score. 16 pages

Arranged by Douglas E. Wagner. Concert Band. Concert Band. Belwin Concert Band. Contemporary; Folk. Grade 3. Conductor Score and Parts. 182 pages. Duration 3:49:00. Published by Alfred Music Publishing

By Traditional. Arranged by Michael Story and Michael Story. Concert Band. Concert Band. Belwin Young Band. Folk. Grade 2. Conductor Score and Parts. 126 pages. Published by Alfred Music Publishing

Strathspey and Reel. Arranged by Brian Beck. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Folk; Multicultural; Traditional; World. Score and Part(s). Duration 4:05. Alfred Music #00-49977. Published by Alfred Music

By John O'reilly. Music by John O'Reilly. For Concert Band. Concert Band. Growing Band Series. Multicultural. Level: 3 (Medium) (grade 3). Conductor Score and Parts. 2 pages. Published by Alfred Publishing.

Arranged by Douglas E. Wagner. Traditional. For Concert Band. Concert Band. Belwin Very Beginning Band. Level: .5 (Very Easy) (grade .5). Conductor Score and Parts. 136 pages. Published by Alfred Publishing.

Composed by Scottish Folk Song. Arranged by Michael Story and Mike Story. Concert Band; Performance Music Ensemble; Single Titles; SmartMusic. Belwin Beginning Band. Form: Fanfare. Folk. Part(s); Score. 162 pages. Belwin Music #00-BDM01045. Published by Belwin Music

Arranged by Douglas E. Wagner. Concert Band. Concert Band; Score. Belwin Very Beginning Band. Folk; Multicultural. Grade 1. 12 pages. Published by Alfred Music Publishing

(Based on Brian Boru's March ). Arranged by Scott Watson. Concert Band. Concert Band; Part(s); Score. Young Symphonic. Folk. Grade 3. 264 pages. Published by Alfred Music Publishing

Arranged by Douglas E. Wagner. Concert Band; Performance Music Ensemble; Single Titles; SmartMusic. Belwin Very Beginning Band. Folk; Multicultural. Part(s); Score. 132 pages. Belwin Music #00-35336. Published by Belwin Music (AP.35336).

By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin Symphonic Band. Level: Medium (grade IV). Conductor Score and Parts. 318 pages. Duration 6:59. Published by Alfred Publishing.

Composed by Benjamin Britten (1913-1976). 5 or More; Performance Music Ensemble; Solo Small Ensembles; Wind Band. Faber Edition: Faber Wind Band Series. 20th Century; Masterwork. Part(s); Score. Faber Music #12-0571564917. Published by Faber Music (AP.12-0571564917).