Extracted from the Critical Edition. Composed by Claude Debussy (1862-1918). Edited by Edmond Lema�®tre. Editions Durand. Editions Durand #DD16356. Published by Editions Durand (HL.50565854).

Violin, Violoncello & Piano or CD Play Back / Play Along - Grade 1

SKU: MA.EMR-47425

Melodies pour Debutants / Melodien fur Anfanger. Composed by Bertrand Moren. Score and parts. Duration 19'27. Editions Marc Reift #EMR 47425. Published by Editions Marc Reift (MA.EMR-47425).

The Partridge / Merrily We Roll Along / Little Mozart / Le Bon Roi Dagobert / Jingle Bells / How To Slur / How To Play Staccato / J'ai du Bon Tabac / Serenade / Slurring Is Fun / Flea Jumps / Ode To Joy / Ah vous dirais-je Maman / Old Mac Donald ...

Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Score, Set of parts. Opus 1. Baerenreiter Verlag #BA10943_00. Published by Baerenreiter Verlag

For Piano Trio. Composed by Emily Howard. Piano Trio; Single Titles; Trio. Peters Contemporary Chamber Series. Classical; Contemporary. Score and Part(s). 16 pages. Edition Peters #98-EP73325. Published by Edition Peters

(Piano Trio). By Peteris Vasks (1946-). For Cello, Piano/Keyboard, Violin, Piano Trio (Score and Parts). Ensemble. Softcover. 50 pages. Schott Music #ED21375. Published by Schott Music

Piano Trio (Ensemble)

SKU: HL.51481525

Composed by Robert Schumann. Edited by Ernst Herttrich. Henle Music Folios. Classical. Softcover. 80 pages. G. Henle #HN1525. Published by G. Henle (HL.51481525).

UPC: 840126989762. 9.0x12.0x0.296 inches.

The Fantasy Pieces op. 88 are Schumann's first contribution to the genre of the piano trio and date from his very prolific “chamber music year” 1842. However, Schumann needed an unusually long time to give the work its final form: the Fantasy Pieces were released only in the autumn of 1850 after several revisions. The brevity and the modest technical demands of the four charming character pieces make them an ideal entry into the world of Schumann's chamber music also for non-professional musicians. The Fantasy Pieces, taken from the volume Schumann • Piano Trios HN 916, are now available from Henle for the first time also as a practical single edition.

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By Michael Publig. For piano trio. Jazz Chamber Music. Duration 11 minutes. Published by Doblinger Music Publishers

Chamber Music Violin, cello, Piano

SKU: PR.114418250

Composed by Stacy Garrop. Contemporary. Set of Score and Parts. With Standard notation. Composed 2013. 40+16+16 pages. Duration 23 minutes. Theodore Presser Company #114-41825. Published by Theodore Presser Company (PR.114418250).

UPC: 680160640959. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.

Chamber Music Violin, cello, Piano

SKU: PR.11441825S

Composed by Stacy Garrop. Contemporary. Score. With Standard notation. Composed 2013. 40 pages. Duration 23 minutes. Theodore Presser Company #114-41825S. Published by Theodore Presser Company (PR.11441825S).

UPC: 680160643745. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.