P.J. Morgan est un pianiste de session Evangile haut de la page. Il a travaillé sur des projets avec l'artiste divers. Son style pianistique lisse et ses connaissances aideront à prendre votre jouant au prochain niveau. Sur ce DVD, P.J. Morgan passe 3 heures mise bas une solide base de gospel contemporain piano. Couvrant tous les aspects du service jouant notamment des accords, s'exécute, Arpèges, plus en donnant votre la : ficelles du métier '. P.J. auront vous jouer dans votre service prochaine de nouvelles choses. Pleine heure 3 DVD. / + disque bonus CD-ROM avec des partitions, fichiers midi et une heure supplémentaire de leçons vidéos. / Piano / 180 pages / niveau : Débutant/Intermédiaire / Dvd/Cd Set - Format: 7,5 X 5,25

Done with great taste, in a perfectly simple and straightforward manner, Liszt's piano transcriptions of Bach's organ music became the classic models for all future works in this genre. Includes 6 Organ Preludes and Fugues (BWV 543-548) and the world-famous Fantasia and Fugue in G minor (BWV 542).

12 Short Piano Solos. Par MIER MARTHA. Composers first began writing character pieces in the Romantic period as a personal, inward-looking form of musical expression, on a smaller scale than sonatas of the Classical period. These new character pieces emulate this important art form and are carefully graded for students at the late elementary to early intermediate level. Some are bold in character, while others are lyrical and introspective. These moods are suggested by each title. Titles: The Balance Beam - The Challenge - Gentle Ocean Waves - Gospel Sing - A Moment in Time - My Heart Sings - The Organ Grinder - Reflection - Sea Treasures - The Secret - Song of the Matador - Wind Chimes. Composers first began writing character pieces in the Romantic period as a personal, inward-looking form of musical expression, on a smaller scale than sonatas of the Classical period. These new character pieces emulate this important art form and are carefully graded for students at the late elementary to early intermediate level. Some are bold in character, while others are lyrical and introspective. These moods are suggested by each title. Titles: The Balance Beam * The Challenge * Gentle Ocean Waves * Gospel Sing * A Moment in Time * My Heart Sings * The Organ Grinder * Reflection * Sea Treasures * The Secret * Song of the Matador * Wind Chimes/ Recueil / Piano

Organisées par intervalles, chacune des 6 pièces n'en utilise qu'une sorte (secondes, tierces, quintes, sextuples octaves) ou deux proches (quartes et quintes, sixtes - à la main gauche - et septièmes - à la main droite). / Piano

One of the least known of the great Russian pianists of the late 19th and early 20th Centuries, Alexander Siloti (1863-1945) was one of the most influential and progressive. As a concert promoter, he introduced the music of dozens of composers to the Russian public in the famous Siloti Concerts of 1903-1917, including Albeniz, Debussy, de Falla, Delius, Elgar, Enesco, Mahler and Schoenberg. A student of Liszt (and one of the teachers of Rachmaninoff), Siloti is a central figure in the development of the great age of the piano virtuoso. As with many of his colleagues, transcribing and arranging existing music for the piano was a major part of Siloti's activity, and since he madeno recordings, his published transcriptions are one of the few existing keys we have to his musical taste and philosophy. In an extended biographical essay, Dr. Charles Barber explores this issue and writes cogently about the style and influence of this remarkable man. The Alexander Siloti Collection is dominated by Siloti's remarkable transcriptions and arrangements of the music of J.S. Bach, notable particularly for their pianistic character and faithfulness to the unique genetic code of Bach's design. Some of the Bach works included are: Prelude in B Minor, BWV855a, Gigue from Suite in Bb Major, Chaconne in D Minor, the Organ Preludes in E Minor and G Minor and the celebrated Toccata and Fugue in D Minor, BWV 565. Music by Gluck, Mozart and Chopin is also contained in this generous compilation of pianistic wizardry. This addition to The Master's Collection is likely to be one of the most talked about piano folios of the year. (288 pages, smythe sewn binding).Prelude in B MinorAdagioAirChaconne in D MinorGigueAndanteFantasia in C MinorOrgan Prelude in E MinorParaphraseOrgan Prelude in G MinorPreludePrelude from Cantata No. 29Prelude from Cantata No. 35SicilianoToccata and Fugue in D MinorMelodyVariationsVariations in F MajorEtude No. 25 in F MinorScherzo in B-flat MinorAu bord d'une sourceAu lac de WallenstadtConsolation No. 3 in D-flat MajorConcert Etude in D-flat MajorSposalizioIl PenserosoSursum CordaLe cygneHumoresqueTheme original et variationsA Song of IndiaFour Russian Folk SongsFour Russian Folk SongsFour Russian Folk SongsTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesNo. 3. On the Beautiful Blue DanubeTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesEtude in C-sharp MinorPoemeRomanzePrelude in G-sharp Minor / Piano / Carl Fischer

Par VAUGHAN WILLIAMS RALPH. In the 50th anniversary year of the death of Ralph Vaughan Williams, this highly attractive arrangement for piano of one of his most popular works will surely find its way into the repertoire of many pianists. Treasured by organists, but no less admired in its orchestral arrangement often heard on Classic FM, this delightful prelude on the Welsh hymn tune known as Rhosymedre is a perfect union of the style of Bach and RVW. No less aptly known by the name of ‘Lovely’, the tune appears in the manner of a choral prelude, which Bryan Kelly has skilfully re-crafted for piano solo. Of intermediate difficulty, and well within the range of players of Grade 5 standard orabove, this new version of the piece also complements the arrangement for piano duet by Reginald Hadfield, already available in Stainer & Bell’s Easy Festival Duet series./ Répertoire / Piano

Cet ouvrage est une compilation des notions avancées qui sont nécessaires aux pianistes arrangeurs-compositeurs et guitariste modernes. Il leur apprend à utiliser le son et à être originaux dans le monde Jazz-Rock actuel. Un excellent ouvrage... sans fioritures... un bon test pour pianistes, organistes, vibraphonistes, arrangeurs-compositeurs. Il facilite la formation de l'oreille des élèves des cours d'harmonie moderne. Peu de paroles, beaucoup d'actions... Il est vivement conseillé. / Piano (Ou Clavier) / Partition

Par SZATHMARY ZSIGMOND. The powerful intensity of colour and expressiveness of the mosaic images in the apse and altar area of the late antique church of San Vitale (from the 6th century) in Ravenna made a lasting impression on Zsigmond Szathmáry. The fascination of how imposing images emerge from tiny, luminous mosaic cubes and vividly tell the biblical stories inspired the composer to write his piano piece: 'In my composition, I tried to follow this path: to organise the smallest coloured and angular glass cubes ? that is, the smallest coloured and angular musical miniature events ? in such a way that they constantly grow and finally culminate in a tangible musical statement.' Despite this seemingly archaic procedure, the composer wants his piece to be understood as a continuation of the virtuoso piano music tradition of the 19th and 20th centuries. The 'Mosaikbilder ? (Mosaic Pictures) are dedicated to the great Hungarian pianist Zsoltán Kocsis, for whom they were written in 2012 / Date parution : 2023-07-31/ Recueil / Piano

This volume, by Barbara Malipiero, provides two studies edited by Riccardo Malipiero in 1948 on Bach and Debussy.These are both significant works, as they take us back to the 'real' music and lives of these two composers, misunderstood so far.Riccardo Malipiero (Milan, 24th July 1914 - 27th November 2003) was a versatile man: a composer and intellectual with an interest in all areas of culture, not just music, he was a journalist and essayist, and one of the first promoters of dodecaphonic music. He produced a large body of works for chamber and symphonic orchestra. He played a leading role in theatre and vocal music. He was one of the most active organisers of cultural events in the immediate post-war period, including the First International Congress of Dodecaphonic Music, held in Milan in 1949.Italian text. / Piano