Piano Solo. Composed by Anton Webern (1883-1945). Edited by Ullrich Scheideler. Henle Music Folios. Softcover. 20 pages. G. Henle #HN1344. Published by G. Henle (HL.51481344).

Composed by Anton Webern (1883-1945). Arranged by Matthew Shaftel. For piano. Contemporary. Published by Carl Fischer

Composed by Anton Webern (1883-1945). Opus 27. Collection. Composed 1936. 11 pages. Published by Universal Edition, Inc.

Piano

SKU: BT.EMBZ14760

EMB Contemporary Music. Contemporary Music. Score Only. Composed 2012. 12 pages. Editio Musica Budapest #EMBZ14760. Published by Editio Musica Budapest (BT.EMBZ14760).

This work, composed in 1971, was intended for professional performers. It was written with post-Webern, free twelve-tone technique its sound is characterized by frequent use of all twelve notes in the construction of the harmony, and by wide spacing of dissonant intervals or the crowding of them into dense blocks. These short character pieces contain a great variety of gestures and emotions, ranging from witty playfulness through violent Sturm und Drang behaviour that shatters every framework, to mournful lamentation and hope of hymnic redemption.

Das 1971 komponierte Werk entstand für professionelle Interpreten. Bei seiner Komposition wurde die post-Webernsche, freie Zwölftontechnik angewandt. Seine Klangwelt wird durch den Zusammenbau aller zwölf Töne zu einer Harmonie, durch die Positionierung der dissonanten Tonintervalle in weiten Lagen oder deren Komprimierung in große Blocks charakterisiert. Die kurzen Charakterstücke beinhalten viele Gesten und Emotionen, die von der witzigen Verspieltheit über das aggressive, jegliche Rahmen zersprengendes Sturm und Drang-Verhalten, bis hin zum Trauerlied und der hymnischen Erlösungshoffnung reichen.

Piano

SKU: SU.28140050

For Piano. Composed by Pablo E. Furman. Keyboard, Piano/Harpsichord. Score. Subito Music Corporation #28140050. Published by Subito Music Corporation (SU.28140050).

Three short pieces for piano based on the tone row from Anton Webern’s Kinderstück (1924). A fun way to introduce twelve tone music to performers and audiences of all ages.Piano Duration: 5’30 Composed: 2011 Published by: Pablo Furman Music (BMI).

By Peter Schickele. Piano. For Piano. Contemporary. Solo part. Standard notation. Composed NOVEMBER 07 1957. 8 pages. Duration 2 minutes. Published by Theodore Presser Company

Piano

SKU: HL.48025021

Piano Works 1926-1943. Composed by Erich Schmid. BH Piano. Classical. Softcover. 84 pages. Boosey & Hawkes #M202535455. Published by Boosey & Hawkes (HL.48025021).

The piano works by the Swiss composer Erich Schmid (1907-2000), written between 1926 and 1943, are close to the Viennese School of Arnold Schoenberg and Anton Webern, but bring their own special colour to this spectrum. Even where they are twelve-tonal, Schmid's piano pieces do not exhaust themselves in strict constructivism, but often have a playful, motoric side. With their manageable rangeand complexity, they provide a comparatively easy access to a style that was formative in the first half of the 20th century. Splitter (Volume 2), a collection of folk song arrangements and character pieces in a freely tonal style, is particularly easy to play. Schmid's first collection Kleine Musik (Volume 1) can also be mastered by amateurs.

Piano

SKU: HL.48025022

Piano Works 1926-1943. Composed by Erich Schmid. BH Piano. Classical. Softcover. 84 pages. Boosey & Hawkes #M202535462. Published by Boosey & Hawkes (HL.48025022).

The piano works by the Swiss composer Erich Schmid (1907-2000), written between 1926 and 1943, are close to the Viennese School of Arnold Schoenberg and Anton Webern, but bring their own special colour to this spectrum. Even where they are twelve-tonal, Schmid's piano pieces do not exhaust themselves in strict constructivism, but often have a playful, motoric side. With their manageable rangeand complexity, they provide a comparatively easy access to a style that was formative in the first half of the 20th century. Splitter (Volume 2), a collection of folk song arrangements and character pieces in a freely tonal style, is particularly easy to play. Schmid's first collection Kleine Musik (Volume 1) can also be mastered by amateurs.

Piano - difficult

SKU: HL.49008382

Composed by York Hö and ller. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1964. 24 pages. Duration 10'. Schott Music #ED 9317. Published by Schott Music (HL.49008382).

ISBN 9790001129961. UPC: 073999352115. 8.25x11.75x0.095 inches.

These pieces for piano were written during the composer's intensive investigation of the 12-tone technique of Schoenberg, Berg and Webern. Holler describes his short piano pieces as 'the first valid results of my involvement with the second Viennese School'. These five serial pieces are all based on the same 12-tone row, its inversion, retrograde form and retrograde inversion.

Piano

SKU: BT.MUSM570366484

Composed by Anthony Gilbert. Classical. Book Only. 3 pages. University of York Music Press #MUSM570366484. Published by University of York Music Press (BT.MUSM570366484).

English.

Even more than Schoenberg’s or Webern’s, Berg’s music made an enormous impact on me during the late 1950s and early 1960s when studying with Alexander Goehr. Work on this little piece was commenced on the 25th anniversary of Berg’s death, and to commemorate the first performance of his Piano Sonata in April 1911 it was first performed in April 1961, by the pianist and composer Madeleine Coates Russell at a our own ‘society for private performances’ in London. Its shape is simple - a stage-by-stage progression from slow and gentle to a dense climax at double speed, then a return to the spirit, if not the material, of the opening. Its public première, the first of any of mycompositions, was given by Susan Bradshaw at a Macnaghten Concert in November 1961. It was awarded Morley College’s Fricker Composition Prize. - Anthony Gilbert Recorded on Prima Facie PFCD007 'Piano Music' by Richard Casey/Ian Buckle. Duration: 2'30.

Piano

SKU: HL.50512030

Composed by Laszlo Dubrovay. Contemporary Music. EMB. Contemporary Hungarian Works. Score Only. 12 pages. Editio Musica Budapest #Z14760. Published by Editio Musica Budapest (HL.50512030).

ISBN 9790080147603. A/4 inches. Laszlo Dubrovay.

This work, composed in 1971, was intended for professional performers. It was written with post-Webern, free twelve-tone technique; its sound is characterized by frequent use of all twelve notes in the construction of the harmony, and by wide spacing of dissonant intervals or the crowding of them into dense blocks. These short character pieces contain a great variety of gestures and emotions, ranging from witty playfulness through violent -Sturm und Drang- behaviour that shatters every framework, to mournful lamentation and hope of hymnic redemption.

Piano

SKU: HL.150232

Composed by Zygmunt Krauze. PWM. Classical, Contemporary. Softcover. 4 pages. Polskie Wydawnictwo Muzyczne #11556010. Published by Polskie Wydawnictwo Muzyczne (HL.150232).

UPC: 840126931549. 9.25x12 inches.

Both inventions require careful interpretation of the dynamics and tempo. These two small pieces give a foretaste of the pointillist music of Anton Webern. Polyphonic construction is combined with diverse dynamics and articulation.

Piano solo - Level 4

SKU: FV.FUE-3160

Composed by Ruth Schonthal. Piano (Harpsichord), 2-hands. Instrumental Music. Full score. Composed 2000. Duration 13'. Furore Verlag #FUE 3160. Published by Furore Verlag (FV.FUE-3160).

ISBN 979-0-50012-816-8.

Ruth Schonthal's compositions, which reflect the concerns of today's world, display a unique blend of her deeply rooted European tradition, depth of feeling, and masterful blending of traditional and contemporary techniques.Ruth Schonthal never followed the prevalent contemporary aesthetic fashions. At a time when Anton Webern and John Cage were the American role models, she followed her own musical path, never denying her own classic-romantic heritage. The extraordinarily varied impressions she absorbed in the course of her life in different parts of the world provided the foundation of her musical style. Through exposure to diverse influences and teaching methods in Germany, Sweden, Mexico and the USA, Ruth Schonthal was able to extrapolate an unusually rich mixture of compositional techniques from these experiences. She used them to form a comprehensive stylistic synthesis.

By Brice Pauset / Anton Webern. For piano and instrumental ensemble. Classical: 20th Century (Contemporary). Score

Piano

SKU: LM.26316D

Composed by Charles Herve and Jacqueline Pouillard. De Bach a nos jours. Classical. CD. Editions Henry Lemoine #26316D. Published by Editions Henry Lemoine (LM.26316D).

ISBN 9790231701654.

BACH : Bourree en La mineur - Petit Prelude en Mi Majeur BWV 937 - Petit Prelude en Mi mineur BWV 938 - BARTOK : Danse paysanne - For Children Vol.1 n. 32 - BEETHOVEN : Sonate Op.49 n. 2 - Bagatelle Op.119 n. 1 - CHOPIN : Valse posthume en La mineur - CIMAROSA : Sonate en Si b - CLEMENTI : Sonatine Op.36 n. 6 (1e mvt) - DAQUIN : Le Coucou - DEBUSSY : Le Petit berger - GRANADOS : Danse de la rose - HAYDN : Presto (Sonate en Mi Majeur Hob. XVI 13) - JANACEK : Une Feuille s'envole - LUTOSLAWSKI : Etude a quatre voix - MARTINU : Danse de Colombine - Valse d'une marionnette sentimentale - MENDELSSOHN : Chanson du gondolier Op.30 n. 6 - Romance sans paroles Op.85 n. 2 - MOZART : Rondo de la Sonate KV 545 - PROKOFIEV : Tarentelle - RAMEAU : La Joyeuse - SCHONBERG : Opus 19 n. 2 - SCHUBERT : 3 Landler - SCHUMANN : Fantaisie-danse - Petite Romance - Premiere Scene d'enfant - SMETANA : Lied - VILLA-LOBOS : Allegro (2e Suite enfantine) - WEBERN : Kinderstuck.

Piano

SKU: NR.15724

Für Klavier, 1924. Composed by Anton Friedrich Wilhelm von Webern. Keyboard instruments. Score. Composed 1924. Noten Roehr #15724. Published by Noten Roehr (NR.15724).

Piano

SKU: BR.EB-9419

Composed by Helmut Lachenmann. Solo instruments; stapled. Edition Breitkopf. World premiere: Darmstadt (Darmstadter Ferienkurse), July 18, 1962. Music post-1945; New music (post-2000). Score. Composed 1961/62. 20 pages. Duration 12'. Breitkopf and Haertel #EB 9419. Published by Breitkopf and Haertel (BR.EB-9419).

ISBN 9790004188965. 10 x 12.5 inches.

Echo Andante , nach meiner Ruckkehr vom Studienaufenthalt bei Luigi Nono in Venedig komponiert, von mir selbst 1962 in Darmstadt uraufgefuhrt, bedeutet - trotz anderer fruherer Arbeiten, die ich nicht verleugnen mag (etwa die Schubert-Variationen ) - zusammen mit Souvenir und Funf Strophen wohl mein Opus 1, mit einer ahnlichen zugleich abschliessend ruckblickenden und aufbrechend vorwartsblickenden Rolle, die etwa Bergs Klaviersonate oder Weberns Passacaglia in deren Schaffen spielte. Ich war gepragt und fasziniert von der Reinheit und Konsequenz des damaligen nonfigurativen Vokalsatzes meines Lehrers Nono, bei welchem die Tone als gehaltene wahrend ihrer Dauer in fliessende Intervallbeziehungen zueinander treten, wobei diese uber flexible Dynamik und Klang- beziehungsweise Vokalfarben noch weiter innerlich artikuliert und hierarchisch abgestuft werden. Mein Vorhaben, von solcher Praxis bei der Entwicklung eines Klaviersatzes auszugehen (Nono hat damals wohlweislich nichts fur Klavier, uberhaupt kaum etwas fur Soloinstrumente geschrieben), war bewusst ein Versuch am widerspenstigen Objekt, wo doch der Klavierklang permanent unter den Handen zerrinnt. Den standig fliehenden Ton als Komponente von sich auf-, ab- und umbauenden Intervallstrukturen rechtzeitig zu nutzen und gerade dadurch den stereotypen Diminuendo-Charakter zugleich bewusst zu machen und wenn schon nicht zu uberwinden, so doch immer wieder zu uberlisten unter Einbeziehung von Pedal- und Flageolett-Techniken (mittels stumm gedruckter Tasten), aber auch durch Einbeziehung von tonalen Konsonanzen als horbar gemachten Obertonspektren, fuhrte zu Ergebnissen, in denen der Ausgangswiderspruch sich selbst thematisierte und die Form des Stuckes regelte. Andererseits fuhrte solche Auseinandersetzung mit dem Vorbild Nono zugleich von dessen Idiom weg zu einem Klangdenken, in dem Struktur nicht Mittel zu expressiven Zwecken, sondern Expressivitat als vorweg Gegebenes, den Mitteln bereits Anhaftendes, zum Ausgangspunkt fur strukturelle Abenteuer wurde. (Helmut Lachenmann, 1962) CDs: Marino Formenti (piano) CD Col legno WWE 20222 Steffen Schleiermacher (piano) CD MDG 613 1005-2 Roland Keller (piano) CD col legno 429 356-2 Helmut Lachenmann (piano) CD NEOS 11630

World premiere: Darmstadt (Darmstadter Ferienkurse), July 18, 1962.

Piano

SKU: BR.EB-6473

7 Pieces. Composed by Jurg Baur. Solo instruments; Softcover. Edition Breitkopf.

World premiere: Dusseldorf, January 19, 1965

Music post-1945. Score. Composed 1964/65. 20 pages. Duration 14'. Breitkopf and Haertel #EB 6473. Published by Breitkopf and Haertel (BR.EB-6473).

ISBN 9790004167335. 9 x 12 inches.

Das siebenteilige Klavierwerk Heptameron ist streng dodekaphonisch konzipiert, - sieben charakteristische Studien, Szenen, Epigramme. In jedem Stuck wird ein kompositorischer Gedanke mit einem spieltechnischen Problem (Sekundketten, Triller, Tremolo, Repetition) konfrontiert. Spiegelstrukturen dominieren in einzelnen Abschnitten (Nr. 3, 5 und 6), oder bestimmen den gesamten Satzverlauf (Nr. 1). Im Finale deutet sich eine Losung an: aus einem signalhaften Klangmotiv zu Beginn entwickeln sich Bruchstucke eines marionettenhaften Menuetts. Heptameron ist der Versuch, die Tonsprache Schonbergs und Weberns in eigenstandiger Weise zur Synthese zu fuhren. CDs: Oliver Drechsel CD Telos 024 Wolfgang Leibnitz (Piano) CD Gallo 1027

World premiere: Dusseldorf, January 19, 1965.