Piano Solo - Medium

SKU: BU.EBR-A047

Composed by Felicien David. This edition: French Edition. Classique. Anacrouse. Partition Biographie Notes sur l'oeuvre. Score. Editions Bourges #EBR-A047. Published by Editions Bourges (BU.EBR-A047).

ISBN 9790560151205. 8.58 x 12.48 inches.

La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.

Proposer tout à la fois des « incontournables  Â» du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces Å“uvres.

Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.



En 1836, le compositeur Félicien David édite les « Mélodies orientales ». Elles comptent au total vingt et une pièces dont dix-huit ont été rééditées en 1845 sous le titre « Brises d'Orient » et trois autres sous le titre « Les Minarets ».
A leur sortie, ces mélodies n'obtiennent pas un grand succès. Deux raisons peuvent l'expliquer. D'une part, un incendie détruit une partie des stocks de partitions imprimées. D'autre part, le public, qui avait aimé les « Orientales  » du poète Victor Hugo et les « Pestiférés de Jaffa » du peintre Eugène Delacroix, ne semblait pas être attiré par l'orientalisme musical.
Les brises d'Orient possèdent la puissance des charmes orientaux plutôt doux. Le compositeur traduit à merveille l'atmosphère orientale en marquant les rythmes par des basses étonnantes.
Plus que des formes traditionnelles, ce qu'il faut retenir de ces pièces est le fait qu'elles racontent de belles histoires avec toujours une dynamique très réussie de passages lents et de passages vifs et rapides.
L'écriture de Félicien David ne manque pas de couleurs. Cependant il n'essaie pas d'appliquer l'exotisme du Moyen-Orient. Les mélodies chantent naturellement à travers ses pièces.
En écoutant « à une Smyrniote » comme dans les autres pièces se révèle un orientalisme assez peu oriental pour nous aujourd'hui. A l'origine, l'orientalisme est un mouvement artistique, ce qui signifie qu'il ne peut être fidèlement lié à la reproduction de la réalité.
Dans cette pièce, la mélodie est liée sans nul doute à la basse harmonique très mise en valeur par des accentuations rythmiques qui constituent une assise solide. Des reprises de passages musicaux dans l'enchaînement de l'œuvre révèlent des atmosphères complètement différentes, suggérant au pianiste un nouveau fil conducteur dans l'interprétation.

A Historical Guide to the Basics. By Christensen, Jesper Boje. For Piano. Collection (hard bound). Published by Baerenreiter-Ausgaben (German import).

By Faber/Mclean. For Piano. Blues. Book with CD. Published by The FJH Music Company, Inc.

Let's Play Jazz and More * Book 2 composed by Jay Latulippe and Sonny Doss. For easy piano. This edition: Paperback. Instructional. Jazz Method. Book and CD. Text Language: English. 48 pages. Published by Santorella Publications

Piano (Piano)

SKU: HL.48186472

Composed by Isabelle Aboulker. Leduc. Softcover. 32 pages. Alphonse Leduc #AL30732. Published by Alphonse Leduc (HL.48186472).

Following on the success of her two operatic works for children and teens ? Douce et Barbe Bleue, Les Fables Enchantees, Little Thummie and Cendrillon (based on Perrault), as well as the adaptation of Maupassant?s short story The Dumpling (2014) ? Isabelle Aboulker once again hits the bull?s eye with Myla and the Boat-Tree, a commission from the Villecroze Music Academy. In 2015, this musical tale for narrator, children?s choir and instrumental accompaniment, was awarded the ?Music for Young Performers Prize? by the French Music Publishers Association. Both in the French version and Marci Meth?s excellent English translation, it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing. With her trademark finesse and sensitivity, the composer tells the story of a little girl dealing with the death of a person she?d cherished above all: her grandfather. Written for choir in unison, this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart. The work was written in three versions:? for narrator, children?s choir and piano (AL 30 732)? for narrator, children?s choir and trio (clarinet in B b, cello and piano: AL 30 733)? for narrator, children?s choir and instrumental ensemble (flute, oboe, clarinet in B b, bassoon, horn, trumpet in C, trombone, percussion, 2 violins, alto, cello, bass: AL 30 734) Choral score: AL 30 743 .

By Jon George. For Piano. Piano Collection. Level: Elementary. Book. 16 pages. Published by Alfred Publishing.

By Carl Strommen. piano. Published by Carl Fischer. (ATJ323) An exciting new series by educator, composer and performer, Carl Strommen, And All That Jazz consists of three sequentially arranged books designed to teach students of all ages the basic elements of Jazz piano playing. From backbeat and swing/syncopated eighth notes to " blue" notes and Latin rhythms, this set of books, coupled with the professionally recorded CDs, that have three performance tracks for each exercise or piece (one with combo - Piano, Bass, Drums, one with solo piano and one to play along with the bass and drum parts only), will open the door to a very influential musical style. Book 1 is carefully written for beginners with the pieces in five-finger positions. Book 2 has expanded technical requirements and introduces the element of improvisation. Book 3 is designed for more experienced players, with longer selections and a wider variety of harmonic and rhythmic sophistication coming into play. It includes 2 CD tracks per piece (complete combo and play=along track with Bass and Drums, but no piano). And All That Jazz is surely destined to be regarded as one of the best learning tools ever devised for piano students who want to master the subtle art of Jazz playing.

An Innovative Method Enhanced with Audio and MIDI Files for Practice and Performance. By Kenon D. Renfrow, E. L. Lancaster. For Piano. Piano - Alfred's Group Piano for Adults. Alfred's Group Piano for Adults. Book and CD-ROM. 360 pages. Published by Alfred Publishing.

Piano

SKU: CJ.A121900903

Secular. Instrumental parts. 28 pages. Published by Editions a Coeur Joie (CJ.A121900903).

For 2 treble voices choir and instrumental accompaniment
Lyrics and music : Eric NOYER

10 movements :
- Banlieue
- Kumbaya
- Melodie
- J'ai reve
- La samba du velo
- S'ecouter
- Doux, doux !
- Un vieil album
- Slow
- Final.

2 possible performances :
1. Choir, piano, bass and batterie
Choir part, 32 pages
Full score, 60 pages
Bass part, 20 pages
Piano part, 28 pages
Batterie part, 20 pages
2. Choir and big band
For choir (different from the other one), flute and piccolo, oboe and english horn, saxophone alto and baryton, horn, 3 trumpets, 2 trombones, tuba, piano, synthetizer, jazz guitar, bass, drums + vibraph. + xylo, batterie, tape (ad lib.)
Choir part, 44 pages
Miniscore (choir and piano), 70 pages
Full score and instruments for hire.

Transcription from Partita No. 1 in D Minor BWV1004 Piano Solo. Composed by Martin Stadtfeld. Piano Solo. Classical. Softcover. 24 pages. Schott Music #ED23299. Published by Schott Music

By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier. For Piano. Book; Method/Instruction; Piano - Alfred's Premier Piano Course; Technique Musicianship. Premier Piano Course. Children. 40 pages. Published by Alfred Music Publishing

(Music Reading Activities That Make Learning Even Easier!). By Christine H. Barden, Gayle Kowalchyk, and E. L. Lancaster. For Keyboard; Piano. Book; Keyboard/Piano; Method/Instruction. Kid's Piano Course. Children. Beginner. 48 pages. Published by Alfred Music Publishing

By Traditional Carol. Edited by Jean Ashworth Bartle. Arranged by Howard Cable. Accompaniment: Piano. Jean Ashworth Bartle. Christmas and Sacred. Medium Adult. Duration 4 min, 3 sec

English horn, 2 bass clarinet, 2 bassoons, 3 trumpets, 3 trombones, percussion (small drum, large drum, cymbals), piano

SKU: CA.4058500

Pour instruments a vent, percussions et piano. Composed by Jean Langlais. This edition: Paperbound. German title: Trois Dances. Full score. Op. 46. 52 pages. Duration 14 minutes. Carus Verlag #CV 40.585/00. Published by Carus Verlag (CA.4058500).

ISBN 9790007106003. Language: all languages.

(A Totally Different, Fun Way to Learn). By Robert Bennett Brown (1917-). For Keyboard; Piano. Book; CD; Keyboard/Piano; Method/Instruction. The New Basics. Rock. Beginner. 48 pages. Published by Alfred Music Publishing

Piano

SKU: BT.PWM5784

Composed by Anna Maria Klechniowska. Tuition. Book Only. Composed 2021. 50 pages. Polskie Wydawnictwo Muzyczne #PWM5784. Published by Polskie Wydawnictwo Muzyczne (BT.PWM5784).

ISBN 9788322411636. Polish.

The aim of the present Course is to facilitate learning the piano through a simplification of essentials and to acquaint the pupil with fundamental knowledge in the domain of theory of music. Because learning about musical clefs is in general a little too difficult for a child, the author teaches reading of bass and treble notes simultaneously without clefs and acquaints the pupil with them only when the pupil is convinced of the necessity for their introduction. In this way the author makes it possible for the pupil to play at the same time in treble and bass from the first exercises. These early stages thus seem not so difficult and cause neither displeasure to the pupil nor loss of time, the latter being inevitable when the learner plays first only in the treble clef before going on to the bass. From the first lessons the pupil is also accustomed to playing on black keys and the finger technique of both hands is developed simultaneously. The exercises are arranged in such a way that the pupil does not need to use additional exercises for solving other problems.

Piano

SKU: AY.PN3058PM

Composed by Gloria Rodriguez. Keyboards - Piano. Sheet music. Duration 4'. Periferia Publishing #PN3058PM. Published by Periferia Publishing (AY.PN3058PM).

ISBN 9790543573789.

Acco rding to the distinguished musicologist Juan Bautista Varela, the Galician Treboada is a musical term out of the songbook, as its sense is merely musical. From a lexicographical point of view it means thunderstorm, storm, squall, etc. It is almost an onomatopoeic sense, due to the great noise that the bass drums, fundamental elements of the Treboada, make. The Treboada is played always on the eves of celebrations or feasts and it is played by three or five bass drums, one or two Galician bagpipes and a drum.
The dispersion area of the Treboada is much reduced, according to the poet and essayist Eliseo Alonso Rodriguez, it comprises the parishes of Forcadela and Estas, both of them belong to the town of Tomino. Xose Hernique Rodriguez Portela, from Tomino, says that they also play it on the feast of the Virgin of St. Mary of Tomino eve (Virgen del Alivio de Santa Maria de Tomino). I owe him the idea of this piece, because Xose Henrique described to me how the bass drums sound in the distance, early in the morning, like great roars along with blank bullets that are shot every time a particular house donates money for the feast and they gradually approach the house until it trembles. He sang the melody I wrote and he confessed he had heard it not long ago in the rehearsal of a popular folk group where there was only a percussionist and a Galician bagpipe player, as with the drums it is difficult to appreciate the bagpipe. I also mix the Treboada with an Alborada, because in Galicia almost all the churches have loudspeakers that play this melody at around nine o'clock in the morning, the same time that the Treboada of Tomino starts playing. Gloria Rodriguez Gil.

Piano solo, flute, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, strings (solo: pno - 1.2.0.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15110-07

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Norbert Gertsch. Softbound. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle VerlagEB 10766 is printed in score form; two copies are needed for performance.Our edition EB 8578 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C m. Solo concerto; Classical. Study Score. 72 pages. Duration 30'. Breitkopf and Haertel #PB 15110-07. Published by Breitkopf and Haertel (BR.PB-15110-07).

ISBN 9790004212677. 6.5 x 9 inches.

The editorial quality of the new edition is guaranteed not only by Schiff's sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Norbert Gertsch to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozart's handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozart's own manuscripts, early copies in parts and prints also contain important information regarding the musical text.Die Editionen werden den Intentionen des Komponisten so weit wie moglich gerecht. Gemass Mozarts Anweisungen in den Autographen ist beispielsweise im unteren Klaviersolosystem sowohl der Partituren als auch der Klavierauszuge durchgangig die Bassstimme des Orchesters wiedergegeben. (Andreas Friesenhagen, FonoForum)L'interet particulier de cette nouvelle edition reside dans les notations complementaires des parties de violon ayant pour source la premiere execution de l'oeuvre par Joseph Joachim et Robert Hausmann avec, tres probablement, l'autorisation du compositeur, ces notes de jeu refletant les pratiques de l'epoque. (Crescendo).

The books in 'Jazzin'' contain 12 songs for jazz ensemble. The books come with a CD. The songs are recorded in short versions, where the melody (plus harmony part and/or fill-ins) are presented by song and/or an instrument, this is followed by a solo, and at last, the melody is presented in a new combination by instruments and/or vocals. All songs come in a stereo mix with melodies and solos, and also in a 'minus one' version with just rhythm, that can be used for practising. In the minus one version, the drums are in stereo, the bass is in the left channel, and the chord instruments (piano and/or guitar) in the right channel. This makes it possible to practice melodies and solos with a complete backing, chord instruments with just bass and drums, and bass with just chord instruments and drums