You Are My Sunshine Quatuor à cordes: 2 violons, alto, violoncelle - Facile De Haske Publications
String Quartet - early intermediate SKU: BT.DHP-1196191-070 Composed by J...(+)
String Quartet - early
intermediate
SKU:
BT.DHP-1196191-070
Composed by Jimmie Davis,
Charles Mitchell.
Arranged by Nico Dezaire.
De Haske Pops for String
Quartet. Set (Score &
Parts). Composed 2019. De
Haske Publications #DHP
1196191-070. Published by
De Haske Publications
(BT.DHP-1196191-070).
ISBN 9789043157988.
English-German-French-Dut
ch.
With its
simple, memorable melody
and folk-song style,
You Are My
Sunshine is
undoubtedly one of
America’s most
successful old-time music
love songs. Its success
in the 1940s massively
boosted the popularity of
the song’s singer
and guitarist, Jimmie
Davis and Charles
Mitchell, so much so that
it helped to springboard
Davis’ political
career, culminating in
his successful election
as Governor of Louisiana
in 1944. Dezaire’s
skilful arrangement
retains the
quintessential country
sound of the original
with this new string
quartet
orchestration.
You Are My Sunshine
is een liefdesliedje in
de Amerikaanse
old-time-muziektraditie
met een eenvoudige,
volksliedachtige en
bijzonder aanstekelijke
melodie. Zanger Jimmie
Davis en gitarist Charles
Mitchell werden er in de
jaren 1940 enorm populair
mee. Het succes gaf Davis
zelfs een beslissende
boost in zijn politieke
carrière, die hij
bekroonde met zijn
verkiezing tot gouverneur
van de Amerikaanse staat
Louisiana. Nico Dezaire
heeft met dit arrangement
de kenmerkende
countrysound van het
origineel op vakkundige
wijze bewerkt voor
strijkkwartet.
You Are My Sunshine
ist ein Lovesong in der
Tradition der
US-amerikanischen
Old-Time Music, dessen
einfache, volksliedartige
Melodie sich sofort
einprägt. Sänger
Jimmie Davis und
Gitarrist Charles
Mitchell erlangten mit
diesem Titel in den
1940er-Jahren eine enorme
Popularität. Bei Davis
beflügelte dieser
Erfolg sogar
maßgeblich seine
politische Karriere, die
er mit seiner Wahl zum
Gouverneur des
US-Bundesstaats Louisiana
krönen konnte. Nico
Dezaire setzt in seiner
Bearbeitung den typischen
Country-Sound des
Originals gekonnt auf
eine
Streichquartett-Besetzung
um.
Arranged by Deborah Greenblatt. String Quartet. For 2 violins, viola, and cello....(+)
Arranged by Deborah
Greenblatt. String
Quartet. For 2 violins,
viola, and cello. Set of
parts. Standard Notation.
33 (violin 1), 31 (violin
2), 31 (viola), 31
(cello) pages
Full Score SKU: HL.367873 Full Score. Composed by Donald Crockett....(+)
Full Score
SKU:
HL.367873
Full
Score. Composed by
Donald Crockett. LKM
Music. Softcover. Lauren
Keiser Music Publishing
#X054076. Published by
Lauren Keiser Music
Publishing (HL.367873).
ISBN 9781705140291.
UPC: 840126966657.
9.0x12.0x0.655
inches.
Commissione
d by Caramoor Music
Festival in New York and
premiered July 14, 2017
by the Argus Quartet,
this work is in no small
part a response to this
quartet's sense of
adventure and expressive
emotional range. Inspired
by two
end-of-civilization
novels the composer was
reading prior to
composing the work, the
quartet unfolds in a
single movement, loosely
based on plot lines in
both novels. One of the
novels includes a
Traveling Symphony, an
assortment of musicians
and actors who travel the
countryside for decades
playing symphonies, jazz
and orchestral
arrangements of popular
music alongside
performances of
Shakespeare plays,
reminiscent of medieval
troupes traveling the
countryside in
plague-ridden times. The
work is written so that
the quartet embodies the
Traveling Symphony, not
only playing music but
also singing and 'stage
whispering' fragments of
King Lear and other text
across the collection of
nine scenes.
Score and Parts SKU: HL.367874 Score and Parts. Composed by Donald...(+)
Score and Parts
SKU:
HL.367874
Score
and Parts. Composed
by Donald Crockett. LKM
Music. Softcover. Lauren
Keiser Music Publishing
#X504092. Published by
Lauren Keiser Music
Publishing (HL.367874).
ISBN 9781705140307.
UPC: 840126966664.
9.0x12.0x0.523
inches.
Commissione
d by Caramoor Music
Festival in New York and
premiered July 14, 2017
by the Argus Quartet,
this work is in no small
part a response to this
quartet's sense of
adventure and expressive
emotional range. Inspired
by two
end-of-civilization
novels the composer was
reading prior to
composing the work, the
quartet unfolds in a
single movement, loosely
based on plot lines in
both novels. One of the
novels includes a
Traveling Symphony, an
assortment of musicians
and actors who travel the
countryside for decades
playing symphonies, jazz
and orchestral
arrangements of popular
music alongside
performances of
Shakespeare plays,
reminiscent of medieval
troupes traveling the
countryside in
plague-ridden times. The
work is written so that
the quartet embodies the
Traveling Symphony, not
only playing music but
also singing and 'stage
whispering' fragments of
King Lear and other text
across the collection of
nine scenes.
Vistas. Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation. 42 +
112 pages. Duration 25
minutes. Theodore Presser
Company #114-40698.
Published by Theodore
Presser Company
(PR.114406980).
UPC:
680160010806.
Shula
mit Ran’s second
string quartet, subtitled
“Vistas,â€
occupies a large canvas
that is cast in a
traditional fourmovement
mold, where the outer
movements present,
explore, and later return
to the work’s
principal musical
materials, surrounding a
slow movement and
scherzo-type third
movement with a trio. In
addition to tempo-based
titles, the individual
movements have subtitles
that are evocative of
each movement’s
character, as follows: I.
Concentric: from the
inside out II. Stasis
III. Flashes IV.
Vistas. My second
string quartet,
“Vistasâ€, is
a work cast in a
traditional four-movement
formal mold, with the
outer movements,
presenting and later
returning to the
work’s principal
musical materials,
surrounding a slow
movement and a
scherzo-type third
movement.While the four
movements’
“properâ€
names -- Maestoso con
forza, Lento, Scherzo
impetuoso, and
Introduzione; Maestoso e
grande – give some
indication of the general
character of the
individual movements, I
have also subtitled, less
formally, each movement
as follows:Â 1)
Concentric:Â from the
inside out 2)Â
Stasis 3) FlashesÂ
4) Vista. The images
evoked by these titles
tell one, I think, a bit
more about the inner
workings of the
quartet.In the first
movement, a prominently
presented opening pitch
(E) reveals itself, as
the movement unfolds, to
be a center of gravity
from which ever-growing
cycles of activity
gradually evolve.Â
While various important
themes come into being as
the movement progresses,
their impact on the
listener has, I believe,
a great deal to do with
their juxtaposition and
relationship to the
initial central point of
gravity.Stasis is, as the
name implies, a movement
where activity seems, at
times, almost
suspended. Being
also, as Webster’s
Dictionary reminds us,
“a state of static
balance and equilibrium
among opposing tendencies
or forces,†it
develops various
materials, including ones
from the first movement,
without bringing them to
points of
resolution.Flashes is
short and very fast,
evoking in my mind the
quick shimmer of
fireflies, a
“sudden burst of
lightâ€, but also a
“brief
timeâ€. Perhaps,
even, a
“smile�Final
ly, the last movement,
Vista, is not only
“a view or
outlookâ€, but also
“a comprehensive
mental view of a series
of remembered or
anticipated
events.â€Â After
a brief recall of the
opening of the second
movement, this movement
brings back all the
important themes of the
first movement in their
original order. But
just as going back can
never really mean going
back in time, the
movement is much more
than recapitulatory.Â
By cutting through
previously transitory
passages and presenting
the main ideas in a
fashion more direct yet
more evolved, it also
sheds new light on
earlier events, offering
a retrospective, synoptic
view of the first
movement as it brings to
culmination the work as a
whole. “Vistasâ
€ was commissioned by
C. Geraldine Freund for
the Taneyev String
Quartet of what was then
Leningrad. It was the
first commission given in
this country to a Soviet
chamber ensemble since
the 1985 cultural
exchange accord between
the Soviet Union and the
United States.
