| Stay with us, for it draws on toward evening (Bleib bei uns, denn es will Abend werden) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, oboe d'caccia
(viola), 2 violins,
viola, cello piccolo,
basso continuo - Grade 3
SKU: CA.3100609
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. 1x
31.006/21 oboe 1, 1x
31.006/22 oboe 2, 1x
31.006/23 oboe da caccia.
German title: Bleib bei
uns, denn es will Abend
werden 3. Sacred vocal
music, Cantatas, Easter
and Eastertide, Morning,
midday, evening. Set of
Orchestra Parts. Composed
1725. BWV 6. 14 pages.
Duration 26 minutes.
Carus Verlag #CV
31.006/09. Published by
Carus Verlag
(CA.3100609). ISBN
9790007041724. Key: C
minor / g minor.
Language:
German/English. Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and parts available
separately - see item
CA.3100600. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombon...(+)
SATB vocal soli, SATB
choir, 2 basset horns, 2
bassoons, 2 contrabass, 3
trombones, timpani, 2
violins, viola, basso
continuo SKU:
CA.5162609
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Paul Horn,
Franz Xaver Sussmayr.
This edition: urtext. 1x
51.626/21 basset horn 1,
1x 51.626/22 basset horn
2, 1x 51.626/23 bassoon
1, 1x 51.626/24 bassoon
2, 1x 51.626/31 clarino
1, 1x 51.626/32 clarino
2, 1x 51.626/33 trombone
1, 1x 51.626/34 trombone
2, 1x 51.626/35 trombone
3, 1x 51.626/41 timpani.
Stuttgart Urtext Edition:
Mozart. REQUIEM (ARR.
SUssMAYR). Innovative
practice aids, Sacred
vocal music, Requiem,
Mourning, death. Set of
Orchestra Parts. Composed
1791. KV 626. 88 pages.
Carus Verlag #CV
51.626/09. Published by
Carus Verlag
(CA.5162609). ISBN
9790007225216. Key: D
minor. Language:
Latin. The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score and
parts available
separately - see item
CA.5162600. $56.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombon...(+)
SATB vocal soli, SATB
choir, 2 basset horns, 2
bassoons, 2 contrabass, 3
trombones, timpani, 2
violins, viola, basso
continuo SKU:
CA.5162605
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Paul Horn,
Franz Xaver Sussmayr.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. REQUIEM (ARR.
SUssMAYR). Innovative
practice aids, Sacred
vocal music, Requiem,
Mourning, death. Choral
Score. Composed 1791. KV
626. 32 pages. Carus
Verlag #CV 51.626/05.
Published by Carus Verlag
(CA.5162605). ISBN
9790007113100. Key: D
minor. Language:
Latin. The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score
available separately -
see item CA.5162600. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stay with us, for it draws on toward evening (Bleib bei uns, denn es will Abend werden) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, oboe d'caccia
(viola), 2 violins,
viola, cello piccolo,
basso continuo - Grade 3
SKU: CA.3100613
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Viola Solo + Viola.
Composed 1725. BWV 6. 8
pages. Duration 26
minutes. Carus Verlag #CV
31.006/13. Published by
Carus Verlag
(CA.3100613). ISBN
9790007041755. Key: C
minor / g minor.
Language:
German/English. Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stay with us, for it draws on toward evening (Bleib bei uns, denn es will Abend werden) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, oboe d'caccia
(viola), 2 violins,
viola, cello piccolo,
basso continuo - Grade 3
SKU: CA.3100614
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Cello Solo +.
Composed 1725. BWV 6. 12
pages. Duration 26
minutes. Carus Verlag #CV
31.006/14. Published by
Carus Verlag
(CA.3100614). ISBN
9790007041762. Key: C
minor / g minor.
Language:
German/English. Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stay with us, for it draws on toward evening (Bleib bei uns, denn es will Abend werden) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, oboe d'caccia
(viola), 2 violins,
viola, cello piccolo,
basso continuo - Grade 3
SKU: CA.3100611
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Violin 1. Composed
1725. BWV 6. 8 pages.
Duration 26 minutes.
Carus Verlag #CV
31.006/11. Published by
Carus Verlag
(CA.3100611). ISBN
9790007041731. Key: C
minor / g minor.
Language:
German/English. Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stay with us, for it draws on toward evening (Bleib bei uns, denn es will Abend werden) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, oboe d'caccia
(viola), 2 violins,
viola, cello piccolo,
basso continuo - Grade 3
SKU: CA.3100612
Easter Monday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Bleib bei uns,
denn. Sacred vocal music,
Cantatas, Easter and
Eastertide, Morning,
midday, evening. Single
Part, Violin 2. Composed
1725. BWV 6. 4 pages.
Duration 26 minutes.
Carus Verlag #CV
31.006/12. Published by
Carus Verlag
(CA.3100612). ISBN
9790007041748. Key: C
minor / g minor.
Language:
German/English. Bac
h composed the cantata
Stay with us, for it
draws on toward evening
BWV 6 for Easter Monday
1725. In fact, it is
certain that a chorale
cantata had been planned
for that feast day, but
for some unknown reason,
the annual cycle of
chorale cantatas broke
off just before Easter
1725. For BWV 6, Bach
fell back on a text by an
author whose texts he had
already set numerous
times in his first
Leipzig annual cycle of
cantatas (which are
conspicuous by their ever
constant structure and
use of two chorale
settings). From the
gospel for Easter Monday,
the story of the Emmaus
disciples, only the
disappearing daylight and
the fear of being left
alone are made the
subject of discussion. A
truly magnificent choral
movement opens the
cantata. The first
chorale for soprano and
violoncello piccolo,
which Bach later included
in his Schubler-Chorale,
is also well-known
outside of the cantata.
Score and part available
separately - see item
CA.3100600. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Sussmayr) - Carus Choir Coach Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombon...(+)
SATB vocal soli, SATB
choir, 2 basset horns, 2
bassoons, 2 contrabass, 3
trombones, timpani, 2
violins, viola, basso
continuo SKU:
CA.5162646
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Franz Xaver Sussmayr.
Carus Choir Coach.
REQUIEM (SUssMAYR).CCC.
Requiem. Compact Disc.
Composed 1791. KV 626.
Carus Verlag #CV
51.626/46. Published by
Carus Verlag
(CA.5162646). Key: D
minor. Text language:
Latin. The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score
available separately -
see item CA.5162600. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Sussmayr) - Carus Choir Coach Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombon...(+)
SATB vocal soli, SATB
choir, 2 basset horns, 2
bassoons, 2 contrabass, 3
trombones, timpani, 2
violins, viola, basso
continuo SKU:
CA.5162647
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Franz Xaver Sussmayr.
Carus Choir Coach.
REQUIEM (SUssMAYR).CCC.
Requiem. Compact Disc.
Composed 1791. KV 626.
Carus Verlag #CV
51.626/47. Published by
Carus Verlag
(CA.5162647). Key: D
minor. Text language:
Latin. The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score
available separately -
see item CA.5162600. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Sussmayr) - Carus Choir Coach Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombon...(+)
SATB vocal soli, SATB
choir, 2 basset horns, 2
bassoons, 2 contrabass, 3
trombones, timpani, 2
violins, viola, basso
continuo SKU:
CA.5162645
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Franz Xaver Sussmayr.
Carus Choir Coach.
REQUIEM (SUssMAYR).CCC.
Requiem. Compact Disc.
Composed 1791. KV 626.
Carus Verlag #CV
51.626/45. Published by
Carus Verlag
(CA.5162645). ISBN
9790007171858. Key: D
minor. Text language:
Latin. The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score
available separately -
see item CA.5162600. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Sussmayr) - Carus Choir Coach Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombon...(+)
SATB vocal soli, SATB
choir, 2 basset horns, 2
bassoons, 2 contrabass, 3
trombones, timpani, 2
violins, viola, basso
continuo SKU:
CA.5162648
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Franz Xaver Sussmayr.
Carus Choir Coach.
REQUIEM (SUssMAYR).CCC.
Requiem. Compact Disc.
Composed 1791. KV 626.
Carus Verlag #CV
51.626/48. Published by
Carus Verlag
(CA.5162648). Key: D
minor. Text language:
Latin. The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score
available separately -
see item CA.5162600. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My joy is all in thee (Ich freue mich in dir) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore,
ctto, 2 violins, viola,
basso continuo SKU:
CA.3113309 Cantata
for the 3rd day of
Christmas. Composed
by Johann Sebastian Bach.
Edited by Tobias Rimek.
Arranged by Paul Horn.
This edition: urtext. 1x
31.133/21 oboe d'amore 1,
1x 31.133/22 oboe d'amore
2, 1x 31.133/31 cornett.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Christmas. Set of
Orchestra Parts. Composed
1724. BWV 133. Duration
20 minutes. Carus Verlag
#CV 31.133/09. Published
by Carus Verlag
(CA.3113309). ISBN
9790007207977. Language:
German. The cantata
Ich freue mich in dir was
first performed during
Bach's second year as
Thomaskantor, on the 3rd
day of Christmas, and
belongs to the so-called
annual cycle of chorale
cantatas. Here the focus
of the composition is the
hymn of the same name by
Philipp Ziegler, in which
the first and final
strophes were adopted,
word for word, in the
first and sixth movements
of the cantata. The
soprano, which carries
the chorale, is supported
by the conrnett (Zink),
which already at this
time had become a
seldom-used instrument.
The joyful, lively choral
movement with
instrumental interludes
directly follows the
first aria, and begins
with a marked, ascending
motive at the word
Getrost! (safely). The
oboes d'amore which
accompany the alto lend
the movement a special
color. In the second aria
(for soprano), Bach again
shows himself to be the
master of text
interpretation. The words
Wie lieblich klingt es in
den Ohren are emphasized
in an exchange between
open strings and
sixteenth note figures.
Score and parts available
separately - see item
CA.3113300. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My joy is all in thee (Ich freue mich in dir) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore,
ctto, 2 violins, viola,
basso continuo SKU:
CA.3113319 Cantata
for the 3rd day of
Christmas. Composed
by Johann Sebastian Bach.
Edited by Tobias Rimek.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Christmas.
Set of Orchestra Parts.
Composed 1724. BWV 133.
152 pages. Duration 20
minutes. Carus Verlag #CV
31.133/19. Published by
Carus Verlag
(CA.3113319). ISBN
9790007141127. Language:
German. The cantata
Ich freue mich in dir was
first performed during
Bach's second year as
Thomaskantor, on the 3rd
day of Christmas, and
belongs to the so-called
annual cycle of chorale
cantatas. Here the focus
of the composition is the
hymn of the same name by
Philipp Ziegler, in which
the first and final
strophes were adopted,
word for word, in the
first and sixth movements
of the cantata. The
soprano, which carries
the chorale, is supported
by the conrnett (Zink),
which already at this
time had become a
seldom-used instrument.
The joyful, lively choral
movement with
instrumental interludes
directly follows the
first aria, and begins
with a marked, ascending
motive at the word
Getrost! (safely). The
oboes d'amore which
accompany the alto lend
the movement a special
color. In the second aria
(for soprano), Bach again
shows himself to be the
master of text
interpretation. The words
Wie lieblich klingt es in
den Ohren are emphasized
in an exchange between
open strings and
sixteenth note figures.
Score and parts available
separately - see item
CA.3113300. $94.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My joy is all in thee (Ich freue mich in dir) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, cornetto, 2 violins, viola, basso ...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore,
cornetto, 2 violins,
viola, basso continuo
SKU: CA.3113300
Cantata for the 3rd
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Tobias Rimek. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Christmas. Full score.
Composed 1724. BWV 133.
36 pages. Duration 20
minutes. Carus Verlag #CV
31.133/00. Published by
Carus Verlag
(CA.3113300). ISBN
9790007097486. Language:
German. The cantata
Ich freue mich in dir was
first performed during
Bach's second year as
Thomaskantor, on the 3rd
day of Christmas, and
belongs to the so-called
annual cycle of chorale
cantatas. Here the focus
of the composition is the
hymn of the same name by
Philipp Ziegler, in which
the first and final
strophes were adopted,
word for word, in the
first and sixth movements
of the cantata. The
soprano, which carries
the chorale, is supported
by the conrnett (Zink),
which already at this
time had become a
seldom-used instrument.
The joyful, lively choral
movement with
instrumental interludes
directly follows the
first aria, and begins
with a marked, ascending
motive at the word
Getrost! (safely). The
oboes d'amore which
accompany the alto lend
the movement a special
color. In the second aria
(for soprano), Bach again
shows himself to be the
master of text
interpretation. The words
Wie lieblich klingt es in
den Ohren are emphasized
in an exchange between
open strings and
sixteenth note
figures. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My joy is all in thee (Ich freue mich in dir) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore,
ctto, 2 violins, viola,
basso continuo SKU:
CA.3113349 Cantata
for the 3rd day of
Christmas. Composed
by Johann Sebastian Bach.
Edited by Tobias Rimek.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Christmas.
Single Part, Organ.
Composed 1724. BWV 133.
16 pages. Duration 20
minutes. Carus Verlag #CV
31.133/49. Published by
Carus Verlag
(CA.3113349). ISBN
9790007207984. Language:
German. The cantata
Ich freue mich in dir was
first performed during
Bach's second year as
Thomaskantor, on the 3rd
day of Christmas, and
belongs to the so-called
annual cycle of chorale
cantatas. Here the focus
of the composition is the
hymn of the same name by
Philipp Ziegler, in which
the first and final
strophes were adopted,
word for word, in the
first and sixth movements
of the cantata. The
soprano, which carries
the chorale, is supported
by the conrnett (Zink),
which already at this
time had become a
seldom-used instrument.
The joyful, lively choral
movement with
instrumental interludes
directly follows the
first aria, and begins
with a marked, ascending
motive at the word
Getrost! (safely). The
oboes d'amore which
accompany the alto lend
the movement a special
color. In the second aria
(for soprano), Bach again
shows himself to be the
master of text
interpretation. The words
Wie lieblich klingt es in
den Ohren are emphasized
in an exchange between
open strings and
sixteenth note figures.
Score and part available
separately - see item
CA.3113300. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Prepare ye the highway of the Lord (Bereitet die Wege, bereitet die Bahn) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso conti...(+)
SATB vocal soli, SATB
choir, oboe, bassoon, 2
violins, viola, cello,
basso continuo SKU:
CA.3113219 Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege,
bereitet die Bahn. Sacred
vocal music, Cantatas,
Advent. Set of Orchestra
Parts. Composed 1715. BWV
132. Duration 22 minutes.
Carus Verlag #CV
31.132/19. Published by
Carus Verlag
(CA.3113219). ISBN
9790007136741. Language:
German/English. Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. Score and parts
available separately -
see item CA.3113200. $101.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Prepare ye the highway of the Lord (Bereitet die Wege, bereitet die Bahn) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso conti...(+)
SATB vocal soli, SATB
choir, oboe, bassoon, 2
violins, viola, cello,
basso continuo SKU:
CA.3113205 Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege,
bereitet die Bahn. Sacred
vocal music, Cantatas,
Advent. Choral Score.
Composed 1715. BWV 132. 2
pages. Duration 22
minutes. Carus Verlag #CV
31.132/05. Published by
Carus Verlag
(CA.3113205). ISBN
9790007103163. Language:
German/English. Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. Score available
separately - see item
CA.3113200. $2.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Prepare ye the highway of the Lord (Bereitet die Wege, bereitet die Bahn) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso conti...(+)
SATB vocal soli, SATB
choir, oboe, bassoon, 2
violins, viola, cello,
basso continuo SKU:
CA.3113213 Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege. Sacred
vocal music, Cantatas,
Advent. Single Part,
Viola. Composed 1715. BWV
132. 4 pages. Duration 22
minutes. Carus Verlag #CV
31.132/13. Published by
Carus Verlag
(CA.3113213). ISBN
9790007207946. Language:
German/English. Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. Score and part
available separately -
see item CA.3113200. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Prepare ye the highway of the Lord (Bereitet die Wege, bereitet die Bahn) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso conti...(+)
SATB vocal soli, SATB
choir, oboe, bassoon, 2
violins, viola, cello,
basso continuo SKU:
CA.3113214 Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege. Sacred
vocal music, Cantatas,
Advent. Single Part,
Cello/Double Bass.
Composed 1715. BWV 132. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.132/14. Published by
Carus Verlag
(CA.3113214). ISBN
9790007207953. Language:
German/English. Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. Score and part
available separately -
see item CA.3113200. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Prepare ye the highway of the Lord (Bereitet die Wege, bereitet die Bahn) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso conti...(+)
SATB vocal soli, SATB
choir, oboe, bassoon, 2
violins, viola, cello,
basso continuo SKU:
CA.3113200 Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege,
bereitet die Bahn. Sacred
vocal music, Cantatas,
Advent. Full score.
Composed 1715. BWV 132.
28 pages. Duration 22
minutes. Carus Verlag #CV
31.132/00. Published by
Carus Verlag
(CA.3113200). ISBN
9790007090999. Language:
German/English. Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Prepare ye the highway of the Lord (Bereitet die Wege, bereitet die Bahn) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso conti...(+)
SATB vocal soli, SATB
choir, oboe, bassoon, 2
violins, viola, cello,
basso continuo SKU:
CA.3113211 Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege. Sacred
vocal music, Cantatas,
Advent. Single Part,
Violin 1. Composed 1715.
BWV 132. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.132/11. Published by
Carus Verlag
(CA.3113211). ISBN
9790007207922. Language:
German/English. Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. Score and part
available separately -
see item CA.3113200. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Prepare ye the highway of the Lord (Bereitet die Wege, bereitet die Bahn) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso conti...(+)
SATB vocal soli, SATB
choir, oboe, bassoon, 2
violins, viola, cello,
basso continuo SKU:
CA.3113212 Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege. Sacred
vocal music, Cantatas,
Advent. Single Part,
Violin 2. Composed 1715.
BWV 132. 4 pages.
Duration 22 minutes.
Carus Verlag #CV
31.132/12. Published by
Carus Verlag
(CA.3113212). ISBN
9790007207939. Language:
German/English. Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. Score and part
available separately -
see item CA.3113200. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Alexander's Feast Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns...(+)
Orchestra SATB vocal
soli, SATB choir, 2
recorders, 2 oboes, 3
bassoons, 2 horns, 2
trumpets, timpani, 2 (3)
violins, 2 violas, cello,
basso continuo SKU:
CA.5507519 Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Complete
orchestral parts.
Innovative practice aids,
Sacred vocal music,
Oratorios. Set of
Orchestra Parts. Composed
1736/1751. HWV 75.
Duration 85 minutes.
Carus Verlag #CV
55.075/19. Published by
Carus Verlag
(CA.5507519). ISBN
9790007171438. Text
language:
German/English. For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and
parts available
separately - see item
CA.5507500. $605.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Alexander's Feast Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns...(+)
Orchestra SATB vocal
soli, SATB choir, 2
recorders, 2 oboes, 3
bassoons, 2 horns, 2
trumpets, timpani, 2 (3)
violins, 2 violas, cello,
basso continuo SKU:
CA.5507509 Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext. 2x
55.075/21 2 flutes, 1x
55.075/22 oboe 1, 1x
55.075/23 oboe 2, 3x
55.075/24 3 bassoons, 2x
55.075/31 2 horns, 3x
55.075/32 2 trumpets, 3x
55.075/32 2 trumpets, 3x
55.075/32 2 trumpets, 3x
55.075/32 2 trumpets.
Stuttgart Urtext Edition:
Handel. Harmony parts.
Innovative practice aids,
Sacred vocal music,
Oratorios. Set of
Orchestra Parts. Composed
1736/1751. HWV 75.
Duration 85 minutes.
Carus Verlag #CV
55.075/09. Published by
Carus Verlag
(CA.5507509). ISBN
9790007226794. Text
language:
German/English. For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and
parts available
separately - see item
CA.5507500. $160.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Alexander's Feast Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns...(+)
Orchestra SATB vocal
soli, SATB choir, 2
recorders, 2 oboes, 3
bassoons, 2 horns, 2
trumpets, timpani, 2 (3)
violins, 2 violas, cello,
basso continuo SKU:
CA.5507549 Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Organ. Innovative
practice aids, Sacred
vocal music, Oratorios.
Single Part, Organ.
Composed 1736/1751. HWV
75. 60 pages. Duration 85
minutes. Carus Verlag #CV
55.075/49. Published by
Carus Verlag
(CA.5507549). ISBN
9790007171315. Text
language:
German/English. For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and part
available separately -
see item CA.5507500. $80.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Alexander's Feast Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns...(+)
Orchestra SATB vocal
soli, SATB choir, 2
recorders, 2 oboes, 3
bassoons, 2 horns, 2
trumpets, timpani, 2 (3)
violins, 2 violas, cello,
basso continuo SKU:
CA.5507505 Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Innovative
practice aids, Sacred
vocal music, Oratorios.
Choral Score. Composed
1736/1751. HWV 75. 40
pages. Duration 85
minutes. Carus Verlag #CV
55.075/05. Published by
Carus Verlag
(CA.5507505). ISBN
9790007171230. Text
language:
German/English. For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score
available separately -
see item CA.5507500. $15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Alexander's Feast Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoon, 2 horns,...(+)
Orchestra SATB vocal
soli, SATB choir, 2
recorders, 2 oboes, 3
bassoon, 2 horns, 2
trumpets, timpani, 2 (3)
violin, 2 violas, cello,
basso continuo SKU:
CA.5507500 Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Innovative
practice aids, Sacred
vocal music, Oratorios.
Full score. Composed
1736/1751. HWV 75. 184
pages. Duration 85
minutes. Carus Verlag #CV
55.075/00. Published by
Carus Verlag
(CA.5507500). ISBN
9790007167769. Language:
German/English. For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. $144.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113909
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext. 1x
31.139/21 oboe d'amore 1,
1x 31.139/22 oboe d'amore
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Set of Orchestra
Parts. Composed 1724. BWV
139. Duration 20 minutes.
Carus Verlag #CV
31.139/09. Published by
Carus Verlag
(CA.3113909). ISBN
9790007208233. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and parts available
separately - see item
CA.3113900. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113919
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Set of Orchestra
Parts. Composed 1724. BWV
139. Duration 20 minutes.
Carus Verlag #CV
31.139/19. Published by
Carus Verlag
(CA.3113919). ISBN
9790007181277. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and parts available
separately - see item
CA.3113900. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113949
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Single Part,
Organ. Composed 1724. BWV
139. 16 pages. Duration
20 minutes. Carus Verlag
#CV 31.139/49. Published
by Carus Verlag
(CA.3113949). ISBN
9790007208295. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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