SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114914

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Single Part, basso continuo. BWV 149. 12 pages. Duration 22 minutes. Carus Verlag #CV 31.149/14. Published by Carus Verlag (CA.3114914).

ISBN 9790007208592. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114912

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Single Part, Violin 2. BWV 149. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.149/12. Published by Carus Verlag (CA.3114912).

ISBN 9790007208578. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114949

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Single Part, Organ. BWV 149. 16 pages. Duration 22 minutes. Carus Verlag #CV 31.149/49. Published by Carus Verlag (CA.3114949).

ISBN 9790007208608. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114905

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Choral Score. BWV 149. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.149/05. Published by Carus Verlag (CA.3114905).

ISBN 9790007161958. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score available separately - see item CA.3114900.

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114911

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Single Part, Violin 1. BWV 149. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.149/11. Published by Carus Verlag (CA.3114911).

ISBN 9790007208561. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114909

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. 1x 31.149/21 oboe 1, 1x 31.149/22 oboe 2, 1x 31.149/23 oboe 3, 1x 31.149/24 bassoon, 4x 31.149/31 trumpet/timpani. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Set of Orchestra Parts. BWV 149. Duration 22 minutes. Carus Verlag #CV 31.149/09. Published by Carus Verlag (CA.3114909).

ISBN 9790007208554. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and parts available separately - see item CA.3114900.

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114913

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Single Part, Viola. BWV 149. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.149/13. Published by Carus Verlag (CA.3114913).

ISBN 9790007208585. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107609

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. 1x 31.076/21 Oboe and Oboe d'amore, 1x 31.076/22 oboe 2, 1x 31.076/31 trumpet. German title: Die Himmel erzahlen die Ehre Gottes 5. Sacred vocal music, Cantatas, Psalms, German. Set of Orchestra Parts. Composed 1723. BWV 76. 24 pages. Duration 35 minutes. Carus Verlag #CV 31.076/09. Published by Carus Verlag (CA.3107609).

ISBN 9790007044930. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and parts available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107605

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Choral Score. Composed 1723. BWV 76. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.076/05. Published by Carus Verlag (CA.3107605).

ISBN 9790007044916. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score available separately - see item CA.3107600.

Orchestra SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107607

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. This edition: Paperbound. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Study score. Composed 1723. BWV 76. 72 pages. Duration 35 minutes. Carus Verlag #CV 31.076/07. Published by Carus Verlag (CA.3107607).

ISBN 9790007044923. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107611

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Single Part, Violin 1. Composed 1723. BWV 76. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.076/11. Published by Carus Verlag (CA.3107611).

ISBN 9790007044947. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107612

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Single Part, Violin 2. Composed 1723. BWV 76. 8 pages. Duration 35 minutes. Carus Verlag #CV 31.076/12. Published by Carus Verlag (CA.3107612).

ISBN 9790007044954. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107613

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Single Part, Viola. Composed 1723. BWV 76. 8 pages. Duration 35 minutes. Carus Verlag #CV 31.076/13. Published by Carus Verlag (CA.3107613).

ISBN 9790007044961. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107619

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Set of Orchestra Parts. Composed 1723. BWV 76. Duration 35 minutes. Carus Verlag #CV 31.076/19. Published by Carus Verlag (CA.3107619).

ISBN 9790007134082. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and parts available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3112400

Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Meinen Jesum lass ich nicht. Sacred vocal music, Cantatas, Epiphany. Full score. Composed 1725. BWV 124. 36 pages. Duration 17 minutes. Carus Verlag #CV 31.124/00. Published by Carus Verlag (CA.3112400).

ISBN 9790007048808. Key: E major. Language: German/English. Text: Keymann, Christian. Text: Christian Keymann.

SATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.3117149

Cantata for New Year's Day; Circumcision of Christ. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger, Anja Morgenstern. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gott, wie dein Name. Sacred vocal music, Cantatas, New year. Single Part, Organ. Composed circa 1729. BWV 171. 16 pages. Duration 22 minutes. Carus Verlag #CV 31.171/49. Published by Carus Verlag (CA.3117149).

ISBN 9790007209490. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

Score available separately - see item CA.3117100.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.3117107

Cantata for New Year's Day; Circumcision of Christ. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger, Anja Morgenstern. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gott, wie dein Name. Sacred vocal music, Cantatas, New year. Study score. Composed circa 1729. BWV 171. 40 pages. Duration 22 minutes. Carus Verlag #CV 31.171/07. Published by Carus Verlag (CA.3117107).

ISBN 9790007103279. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

Score available separately - see item CA.3117100.

SATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.3117111

Cantata for New Year's Day; Circumcision of Christ. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger, Anja Morgenstern. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gott, wie dein Name. Sacred vocal music, Cantatas, New year. Single Part, Violin 1. Composed circa 1729. BWV 171. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.171/11. Published by Carus Verlag (CA.3117111).

ISBN 9790007209452. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

Score available separately - see item CA.3117100.

SATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.3117105

Cantata for New Year's Day; Circumcision of Christ. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger, Anja Morgenstern. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gott, wie dein Name. Sacred vocal music, Cantatas, New year. Choral Score. Composed circa 1729. BWV 171. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.171/05. Published by Carus Verlag (CA.3117105).

ISBN 9790007103262. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

Score available separately - see item CA.3117100.

SATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.3117113

Cantata for New Year's Day; Circumcision of Christ. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger, Anja Morgenstern. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gott, wie dein Name. Sacred vocal music, Cantatas, New year. Single Part, Viola. Composed circa 1729. BWV 171. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.171/13. Published by Carus Verlag (CA.3117113).

ISBN 9790007209476. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

Score available separately - see item CA.3117100.

SATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.3117114

Cantata for New Year's Day; Circumcision of Christ. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger, Anja Morgenstern. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gott, wie dein Name. Sacred vocal music, Cantatas, New year. Single Part, Cello/Double Bass. Composed circa 1729. BWV 171. 12 pages. Duration 22 minutes. Carus Verlag #CV 31.171/14. Published by Carus Verlag (CA.3117114).

ISBN 9790007209483. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

Score available separately - see item CA.3117100.

SATB vocal soli, SATB choir, oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3112414

Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Meinen Jesum lass ich nicht. Sacred vocal music, Cantatas, Epiphany. Single Part, Cello/Double Bass. Composed 1725. BWV 124. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.124/14. Published by Carus Verlag (CA.3112414).

ISBN 9790007207564. Key: E major. Language: German/English. Text: Keymann, Christian. Text: Christian Keymann.

Score available separately - see item CA.3112400.

SATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.3117112

Cantata for New Year's Day; Circumcision of Christ. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger, Anja Morgenstern. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gott, wie dein Name. Sacred vocal music, Cantatas, New year. Single Part, Violin 2. Composed circa 1729. BWV 171. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.171/12. Published by Carus Verlag (CA.3117112).

ISBN 9790007209469. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

Score available separately - see item CA.3117100.

SATB vocal soli, SATB choir, oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3112413

Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Meinen Jesum lass ich nicht. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. Composed 1725. BWV 124. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.124/13. Published by Carus Verlag (CA.3112413).

ISBN 9790007207557. Key: E major. Language: German/English. Text: Keymann, Christian. Text: Christian Keymann.

Score available separately - see item CA.3112400.

SATB vocal soli, SATB choir, oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3112419

Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Meinen Jesum lass ich nicht. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. Composed 1725. BWV 124. Duration 17 minutes. Carus Verlag #CV 31.124/19. Published by Carus Verlag (CA.3112419).

ISBN 9790007136680. Key: E major. Language: German/English. Text: Keymann, Christian. Text: Christian Keymann.

Score and parts available separately - see item CA.3112400.

Orchestra SATB vocal soli, SATB choir, oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3112407

Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Meinen Jesum lass ich nicht. Sacred vocal music, Cantatas, Epiphany. Study score. Composed 1725. BWV 124. 32 pages. Duration 17 minutes. Carus Verlag #CV 31.124/07. Published by Carus Verlag (CA.3112407).

ISBN 9790007103149. Key: E major. Language: German/English. Text: Keymann, Christian. Text: Christian Keymann.

Score available separately - see item CA.3112400.

SATB vocal soli, SATB choir, oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3112409

Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Paul Horn. This edition: urtext. 1x 31.124/21 oboe d'amore, 1x 31.124/31 horn. Stuttgart Urtext Edition: Bach vocal. German title: Meinen Jesum lass ich nicht 2. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. Composed 1725. BWV 124. 6 pages. Duration 17 minutes. Carus Verlag #CV 31.124/09. Published by Carus Verlag (CA.3112409).

ISBN 9790007207526. Key: E major. Language: German/English. Text: Keymann, Christian. Text: Christian Keymann.

Score available separately - see item CA.3112400.

SATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.3117109

Cantata for New Year's Day; Circumcision of Christ. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger, Anja Morgenstern. This edition: urtext. 1x 31.171/21 oboe 1, 1x 31.171/22 oboe 2, 1x 31.171/31 trumpet 1, 1x 31.171/32 trumpet 2, 1x 31.171/33 trumpet 3, 1x 31.171/41 timpani. Stuttgart Urtext Edition: Bach vocal. German title: Gott, wie dein Name 6. Sacred vocal music, Cantatas, New year. Set of Orchestra Parts. Composed circa 1729. BWV 171. 16 pages. Duration 22 minutes. Carus Verlag #CV 31.171/09. Published by Carus Verlag (CA.3117109).

ISBN 9790007209445. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

Score available separately - see item CA.3117100.

SATB vocal soli, SATB choir, oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3112403

Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Meinen Jesum lass ich nicht. Sacred vocal music, Cantatas, Epiphany. Vocal score. Composed 1725. BWV 124. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.124/03. Published by Carus Verlag (CA.3112403).

ISBN 9790007097073. Key: E major. Language: German/English. Text: Keymann, Christian. Text: Christian Keymann.

Score available separately - see item CA.3112400.

SATB vocal soli, SATB choir, oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3112405

Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Meinen Jesum lass ich nicht. Sacred vocal music, Cantatas, Epiphany. Choral Score. Composed 1725. BWV 124. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.124/05. Published by Carus Verlag (CA.3112405).

ISBN 9790007103132. Key: E major. Language: German/English. Text: Keymann, Christian. Text: Christian Keymann.

Score available separately - see item CA.3112400.