By Johann Sebastian Bach (1685-1750). Arranged by Ralph Sauer. For trombone and piano. Baroque. Advanced. Solo and piano accompaniment. Published by Cherry Classics

Composed by Ole Olsen (1850-1927). Arranged by Christian Eriksen. For Trombone and Piano. Late Romantic Norgegian. Advanced. Solo part and Piano accompaniment. Published by Cherry Classics

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

Composed by S. Prokofiev. Arranged by Ralph Sauer. For Trombone and Piano. Russian 20th century. Advanced. Solo part and accompaniment. Published by Cherry Classics

Composed by Antonio Capuzzi, edited by Philip Catelinet. For tuba (or euphonium, trombone, Eb bass, Bb bass) and piano. Format: set of performance parts (euphonium, trombone, bass Eb and Bb parts included). With solo parts and piano reduction. Classical period. 31 pages. 9x12 inches. Published by C.F. Peters.

Composed by John Stafford Smith and Samuel A. Ward. Arranged by Jonathon Robbins. For trombone solo and piano accompaniment. Solo with Accompaniment. Patriotic. Score and solo part. Text Language: English. 8 pages. Published by Santorella Publications

(42 Recital Pieces with Piano Accompaniment). Edited by Alan Rap. For trombone, piano. Solo book and CD-Rom. 48 pages. Published by Carl Fischer

By Maurice Ravel (1875 - 1937). Arranged by David Marlatt. For Trombone and Keyboard. Brass - Trombone Solo. Romantic. Level: Medium-Difficult. Duration 00:02:10. Published by Eighth Note Publications.

Compiled by Andrew Balent. For piano accompaniment. Format: piano accompaniment book. With piano accompaniment. Classical. Series: Carl Fischer Festival Performance Solos. 9x12 inches. Published by Carl Fischer.

By Vincent d'Indy (1851-1931). Arranged by Ralph Sauer. For Tuba or Bass Trombone and PIano. French Impressionist. Advanced. Solo part and Piano. Published by Cherry Classics

By Frank Bridge (1879-1941). Arranged by Ralph Sauer. For trombone and piano. 20th British. Advanced. Solo and piano accompaniment. Published by Cherry Classics

By Leos Janacek (1854-1928). Arranged by Ralph Sauer. For Trombone and Piano. 20th Century Czech. Intermediate. Solo part and piano score. Published by Cherry Classics

By Various. Arranged by Ralph Sauer. For Trombone and Piano. Italian vocalise. Intermediate. Solo part and piano score. Published by Cherry Classics

By Traditional. Arranged by James Markey. For Bass Trombone and Piano. Religious Christian. Advanced. Solo and Piano. Published by Cherry Classics

Composed by Modest Petrovich Mussorgsky (1839-1881). Arranged by Ralph Sauer. For trombone and piano. Russian National. Advanced. Solo part and piano accompaniment. Published by Cherry Classics

By Traditional. Arranged by James Markey. For Bass Trombone and Piano. American Folk Song. Advanced. Solo and Piano. Published by Cherry Classics

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Ralph Sauer. For Trombone solo and Piano. Romantic. Advanced. Solo part with piano. Published by Cherry Classics

Composed by Reinhold Moritzovich Gliere (1874-1956). Arranged by Ralph Sauer. For trombone and piano. Russian 19th Century. Advanced. Solo part and accompaniment. Published by Cherry Classics

(22 Solo Pieces with Piano Accompaniment). Edited by Larry Clark. For trombone, piano. Score and audio CD. 36 pages. Published by Carl Fischer

By George Gershwin (1898-1937). Arranged by Ralph Sauer. For tuba or bass trombone and piano. Jazzy style. Advanced. Full score and set of parts

By ABRSM. For trombone, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

By Carl August Nielsen (1865-1931). Arranged by R. Sauer. For trombone and piano. Late Romantic. Advanced. Solo part and piano accompaniment. Published by Cherry Classics

By Antonin Dvorak (1841-1904). Arranged by Geoffrey Bergler. For trombone and piano. Romantic Solo. Intermediate. Full score and set of parts

By Various. Arranged by David Marlatt. Various. For Trombone and Piano. Brass - Trombone and Baritone Method or Collection. Solo Performer Series. Renaissance. Level: Medium-Difficult. Published by Eighth Note Publications.

By Camille Saint-Saens (1835-1921). Arranged by Ralph Sauer. For trombone and piano. Romantic. Advanced. Solo part and piano accompaniment. Published by Cherry Classics

Trombone (Trombone)

SKU: HL.48182927

Composed by Croce-Spinelli. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL24688. Published by Alphonse Leduc (HL.48182927).

UPC: 888680862763. 9.0x12.0x0.054 inches.

“Fren ch composer and music teacher, Bernard Crocé-Spinelli (1871-1932) entered the Paris Conservatoire at thirteen years old. He won many prizes at the institution, with his first published and successful composition coming when he was just 21 years old. Competition Solo for Trombone and Piano has also remained a popular piece in the repertoire. Crocé-Spinelli led a successful career as a composer and music teacher. His positions saw him compose many solos for competition and auditions, including Competition Solo for Trombone and Piano. Included in the syllabus at the Paris Conservatoire, this work addresses advanced features, including complex rhythms, semiquaver flourishes, and chromaticims, among other features. For all advanced, aspiring trombonists, Crocé-Spinelli's Competition Solo is an excellent addition to the repertoire.”.