Violin - easy

SKU: HL.49004497

Composed by Various. Edited by Hans Georg Weiler. Arranged by Hans Georg Weiler. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 34 pages. Schott Music #ED 3895. Published by Schott Music (HL.49004497).

ISBN 9790001046848. UPC: 073999290684. 12.0x8.75x0.424 inches.

Violin (soprano recorder) and piano.

(Violin Easy Instrumental Play-Along Book with Online Audio Tracks). By Various. For Violin (Violin). Easy Instrumental Play-Along. Softcover. 8 pages. Published by Hal Leonard

Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Hal Leonard

Instrumental Play-Along. By Various. Instrumental Play- Along. Pop. Softcover Audio Online. Published by Hal Leonard

By Various. Arranged by Brent Jorgensen. For Violin. Medium Easy. Instrumental accompaniment part. Published by Jackman Music Corporation

Composed by Martin Norgaard and Laurie Scott. Wire bound. Modern Method. Book and online audio. Published by Mel Bay Publications, Inc

By Jean Paul Westhoff. For violin. Various Agencies. Composed 1696. Published by Amadeus Verlag

Violin 1 Part. By Various. Arranged by Marshall Ocker. (Violin). Orchestra. Size 9x12 inches. 32 pages. Published by Associated.

(Violin Play-Along Volume 42). By Various. For Violin. Violin Play-Along. Softcover Audio Online. 16 pages. Published by Hal Leonard

12 Pieces from the Classical Era in Easy Swing Arrangements Violin Book/CD. By Various. Arranged by Mark Armstrong. This edition: ED13101. String Solo. Edition with CD. 32 pages. Published by Schott.

(Violin Play-Along Volume 17). By Various. Violin Play-Along. Softcover with CD. 16 pages. Published by Hal Leonard

Book with Online Audio Fiddle; Guitar; Violin 1, 2 (Violin)

SKU: HL.48025136

Traditional Fiddle Music from Around the World for Violin (2 Violins and Guitar). Composed by Various. Edited by Edward Huws Jones. Boosey and Hawkes Chamber Music. Celtic, Classical, Folk. Softcover Audio Online. 36 pages. Boosey and Hawkes #M060138904. Published by Boosey and Hawkes (HL.48025136).

ISBN 9781784547011. UPC: 196288091677. 9.0x12.0x0.14 inches.

The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club or Sarajevo street-café. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the Violin Edition (with an optional easy violin part and guitar chords); or the Complete Edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means the music can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance.

The Irish Fiddle Book. (The Art of Traditional Fiddle Playing). For Violin. Music Sales America. Irish, Traditional, Folk, Celtic. Softcover with CD. 192 pages. Ossian Publications #OMB7. Published by Ossian Publications

For Violin. Composed by Various. Music Sales America. Classical Period, Broadway and Folk. Violin solo book (no accompaniment, softcover). 96 pages. Music Sales #AM33671. Published by Music Sales

Chamber Music Bass Saxophone, alto Saxophone 1, alto Saxophone 2, alto Saxophone 3, baritone Saxophone, soprano Saxophone 1, soprano Saxophone 2, tenor Saxophone 1, tenor Saxophone 2

SKU: PR.UE037200

For violin and piano. Composed by Aleksey Igudesman. Set of Score and Parts. With Standard notation. 23 pages. Universal Edition #UE037200. Published by Universal Edition (PR.UE037200).

ISBN 9783702475079. UPC: 803452072188.

Maste r violinist Igudesman continues a series of books designed for beginning to intermediate violin students. In My Garden presents ten short pieces based on various fruits and vegetables, perfect for class and recitals. This charming collection includes drawings and short poems for each descriptive miniature. Piano accompaniment is undemanding for a more advanced fellow student or teacher.

Play Along with a Full Symphony Orchestra!. Composed by Various. Instrumental Play-Along. Play Along. Softcover Audio Online. 20 pages. Published by Hal Leonard

100 Progressive Melodies of 3 to 8 Notes with Piano Accompaniment. Composed by Various. Edited by Andrea Cappellari. Instrumental Folio. Classical. Softcover Audio Online. 36 pages. Published by Ricordi

(Violin). omposed by Various. Instrumental Play-Along. Irish. Softcover Audio Online. 32 pages. Published by Hal Leonard

Excerpts from the Operatic and Concert Repertoire. By Various. Arranged by Oswald Kastner. (Violin). Schott. Size 9.25x12 inches. 80 pages. Published by Schott.

Instrumental Play-Along(r) Series. Composed by Various. Instrumental Play-Along. Movies, Children, Disney. Softcover Audio Online. Published by Hal Leonard

Violin Play-Along Volume 53. Composed by Various. Violin Play-Along. Softcover Audio Online. 32 pages. Published by Hal Leonard

(Violin Play-Along Volume 34). By Various. For Violin. Violin Play-Along. Softcover with CD. 16 pages. Published by Hal Leonard

(Violin). By Various. Violin. Instrumental Folio. Softcover with CD. 32 pages. Published by Hal Leonard

Violin. By Various. Instrumental Play-Along. Softcover Audio Online. 20 pages. Published by Hal Leonard

For Violin. By Various. Instrumental Folio. Softcover. 160 pages. Published by Hal Leonard

Chamber Music Violin

SKU: PR.144407530

Composed by Lauren Bernofsky. 12 pages. Duration 10 minutes, 30 seconds. Merion Music #144-40753. Published by Merion Music (PR.144407530).

ISBN 9781491136614. UPC: 680160687992.

A violinist herself, Lauren Bernofsky has described SONATA FOR SOLO VIOLIN as drawn from autobiographical inspiration, including gestures from Bachâ??s beloved Partita in E Major. Bernofsky opens with a Preludio movement whose references to Bach may be disguised, but they are surely lurking. The second movement is lusciously contrapuntal with the idiomatic finesse of a violinist composing for her own instrument, while musically journaling the emotional pain of living through 2020. The third and final movement is aptly marked â??white-hot,â? and the music certainly is.
My SONATA FOR SOLO VIOLIN was commissioned by violinist Megan Healy as part of The Maud Powell Project, which celebrated the 100th anniversary of the ratification of the 19th Amendment. The project included the creation of five new works for solo violin inspired by and dedicated to the memory of pioneering American violinist Maud Powell (1867-1920). Healy premiered the sonata on May 8, 2021 at PianoForte Studios in Chicago.Among the works Powell most frequently performed in her recitals was the â??Preludioâ? movement from Bachâ??s E major Partita, and I decided to refer to that music in my own first movement, also titled â??Preludio.â? The beginning subtly reflects Bachâ??s opening three-note motive, wherein the music dips down a semitone and then comes back up. This melodic material returns throughout the movement in various forms. I also refer to Bachâ??s sixteenth-note dominated texture, and the gesture in the third measure, which outlines a perfect fifth and then fills it in with notes that alternate between a scale and a pedal tone. The corresponding passage in my piece occurs in the same place, measure 3. Apart from these references to Bach, my sonata is much more modern sounding, especially in its chromatic character.I was still thinking of Bachâ??s solo violin writing while composing the second movement, particularly the polyphonic nature of the slow movements, where the melodic interest moves around between the voices. Emotionally, I wanted my movement to reflect the acute sadness I had been experiencing over the political and social situation in the United States as I wrote the piece. I realized that this is a historically noteworthy time in U.S. history, marked not only by political unrest, but also by a challenge to the very values that I consider essential to what makes a person fundamentally human. I wanted to create a record of that pain in my music.The final movement is marked â??White-hot.â? It is imbued with a relentless, passionate intensity. Wanting again to reflect aspects of our own time, I included glissandi that refer to rock music, specifically the â??fall-offsâ? I frequently hear played by electric guitarists. I borrowed from another (completely different) musical tradition as well, one that is near-and-dear to my heart: Klezmer. Klezmer (Eastern European Jewish folk music) is characterized in part by scales colored by augmented seconds, and is often performed by solo instrumentalists who improvise embellishments like quick grace notes. The second, more lyrical theme in this movement is my nod to Klezmer style.While this piece is an homage to Maud Powell, I also think of it as my own musical autobiography, as it combines some of my favorite aspects of music, and is played on my own instrument.

(Violin Play-Along Volume 11). By Various. Violin Play-Along. Softcover with CD. 40 pages. Published by Hal Leonard

Violin Solo. By Various. Arranged by Nathan Milstein. (Violin). String Solo. Size 9x12 inches. 16 pages. Published by G. Schirmer, Inc.