Violin and piano SKU: VD.ED12605 Composed by Ferdinand Ries. Edited by Gu...(+)
Violin and piano
SKU:
VD.ED12605
Composed
by Ferdinand Ries. Edited
by Guido Johannes Joerg.
Arranged by Guido
Johannes Joerg.
Classical. Score, solo
part. 54 S. Part. + 8 S.
Stimme pages. Verlag Dohr
#ED12605. Published by
Verlag Dohr (VD.ED12605).
Violin and piano SKU: M7.DOHR-12605 On themes of Gioachino Rossini's O...(+)
Violin and piano
SKU:
M7.DOHR-12605
On
themes of Gioachino
Rossini's Opera
Armida. Composed by
Ferdinand Ries. Edited by
Guido Johannes Joerg.
Sheet music. Score and
part. Op.133/1. 60 pages.
MDS (Music Distribution
Services) #DOHR 12605.
Published by MDS (Music
Distribution Services)
(M7.DOHR-12605).
Violin and piano SKU: VD.ED12608 Composed by Ferdinand Ries. Edited by Gu...(+)
Violin and piano
SKU:
VD.ED12608
Composed
by Ferdinand Ries. Edited
by Guido Johannes Joerg.
Arranged by Guido
Johannes Joerg.
Classical. Score, solo
part. 46 S. Part. + 8 S.
Stimme pages. Verlag Dohr
#ED12608. Published by
Verlag Dohr (VD.ED12608).
Violin and piano SKU: M7.DOHR-12608 On themes of Gioachino Rossini's O...(+)
Violin and piano
SKU:
M7.DOHR-12608
On
themes of Gioachino
Rossini's Opera Moses in
Egitto. Composed by
Ferdinand Ries. Edited by
Guido Johannes Joerg.
Sheet music. Score and
part. Op.133/2. 52 pages.
MDS (Music Distribution
Services) #DOHR 12608.
Published by MDS (Music
Distribution Services)
(M7.DOHR-12608).
Violin and Piano Schott Student Edition - Level 2. Composed by Ferdinand K...(+)
Violin and Piano Schott
Student Edition - Level
2.
Composed by Ferdinand
Kuechler. Edited by
Ulrich
Schliephake. This
edition:
Saddle stitching. Sheet
music. Schott Student
Edition. Classical.
Softcover. Op. 12. 36
pages.
Schott Music #SE 1043.
Published by Schott Music
Violin, piano (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.EB-10708(+)
Violin, piano (solo: vl -
2.2.2.2 - 4.2.0.0 - timp
- str)
SKU:
BR.EB-10708
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Arranged by
Johannes Umbreit. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with
G. Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Piano
reduction. 76 pages.
Duration 25'. Breitkopf
and Haertel #EB 10708.
Published by Breitkopf
and Haertel
(BR.EB-10708).
ISBN
9790201807089. 9.5 x 12
inches.
Bruch's
evergreen for the first
time in Urtext Thanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto? The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Piano Accompaniment; Violin (Violin/Piano) - easy SKU: HL.49046262 Vio...(+)
Piano Accompaniment;
Violin (Violin/Piano) -
easy
SKU:
HL.49046262
Violin
and Piano. Edited by
Peter Mohrs. This
edition: Saddle
stitching. Sheet music.
String Solo. Classical.
Softcover. Op. 15. 20
pages. Schott Music
#SE1042. Published by
Schott Music
(HL.49046262).
ISBN
9783795716660. UPC:
888680954178.
9.0x12.0x0.067 inches.
German - English -
French.
Ferdinand
Küchler is regarded as
one of the great violin
teachers of the 20th
century. Apart from his
Violin Method, it is,
above all, his
concertinos that are an
absolute must for the
development of any violin
pupil, especially his
famous Concertino in G
major Op. 11 (Schott SE
1001) as well as his
Concertino in D major Op.
15 which both enjoy great
popularity. Composed
“in the style of
Antonio Vivaldiâ€,
the work has, without
doubt, been one of the
most frequently played
works in student violin
literature for decades.
It is the perfect
educational link to
Vivaldi's somewhat more
difficult “student
concertosâ€. The
completely baroque-style
movements appeal to every
pupil. The fast outer
movements contain
rewarding, always
seemingly violinistic
runs and idiomatic
figurations. The appeal
of the slow middle
movement lies in its
simple, yet tonally
demanding Siciliano
theme. The works requires
knowledge of the 2nd and
3rd positions and is here
presented in a new modern
edition. Bowing,
articulation and
fingerings are based on
today's experience of
interpreting Vivaldi's
music, providing creative
space and possibilities
for personal ideas in
modern violin lessons.
This edition is part of
the new Schott Student
Edition series which
offers varied literature
at five different levels
of difficulty,from 1
(easy) to 5 (difficult),
for instrumental lessons.
For more information see
www.schott-student-editio
n.com.
