By Duane Funderburk. Arranged by Duane Funderburk. For violin, piano, optional oboe and strings quintet. Organ with Instruments. General. Moderately Difficult. Score and solo part. 8 pages. Published by MorningStar Music Publishers

Violin, piano

SKU: BR.EB-9407

Urtext. Composed by Joachim Raff. Edited by Severin Kolb and Stefan Kagi. Solo instruments; stapled. Edition Breitkopf. Sonata; Romantic. Score. 68 pages. Breitkopf and Haertel #EB 9407. Published by Breitkopf and Haertel (BR.EB-9407).

ISBN 9790004188811. 9 x 12 inches.

With his Six Morceaux , Raff created a collection of six short pieces with the aim of pleasantly entertaining many a listener and demonstrating that he was also capable of writing something easy. After all, he had made a name for himself in the years before with extremely demanding chamber music for renowned dedicatees. The Six Morceaux , dedicated to the violinist Ludwig Straus, on the other hand, are probably related to Raff's teaching activities at a private piano school in Wiesbaden at that time. Therefore, with the individual pieces varying in difficulty they are well suited for violin lessons without losing any of their musical ambition. The most famous piece is probably the Cavatina. Arranged for various scorings during Raff's lifetime, it continues to be one of the most popular Encore pieces altogether - Fritz Kreisler, Yehudi Menuhin and Itzhak Perlman have made recordings of the piece. They say that a piano quintet version was even heard on the Titanic . This modern Urtext edition is based on the first printing, supervised and initiated by Raff himself. In collaboration with the Joachim-Raff-Archiv Lachen (CH).

Violin & Piano

SKU: SU.91770470

For Violin & Piano. Composed by Paul Moravec. Chamber Music, String Trio/Quartet/Quintet. Score & Parts. Composed 2005. Subito Music Corporation #91770470. Published by Subito Music Corporation (SU.91770470).

Violin, Piano Duration: Composed: 2005 Published by: Subito Music Publishing.

Composed by Michael Finnissy (1946-). For violin and piano. Score and part. 40 pages. Duration 10 minutes. Published by Oxford University Press

Violin, piano

SKU: PR.144400340

For violin And Piano. Composed by Donald Erb. This edition: score & part. The premiere performance of Quintet took place on October 18, 1976 at Bowdoin College, with the Aeolian Chamber Players. Classical. Score and part(s). With Standard notation. 13+5 pages. Theodore Presser Company #144-40034. Published by Theodore Presser Company (PR.144400340).

UPC: 680160024872. 8.5 x 11 inches.

From the String Quintet, Op. 13, No. 5. By Luigi Boccherini. Arranged by Johannes Palaschko. Schott. Size 9x12 inches. 6 pages. Published by Schott.

By Duane Funderburk. Arranged by Duane Funderburk. For solo violin and piano with optional oboe and string quintet. Organ with Instruments. Oboe and string accompaniment parts. Published by MorningStar Music Publishers

Composed by Various. Softcover Audio Online. 56 pages. Published by Hal Leonard

For Four Violins and Piano. By Christopher Norton. (Set). Boosey and Hawkes Chamber Music. 24 pages. Published by Boosey and Hawkes.

Violin and Piano (Violin/Piano)

SKU: HL.50571556

Composed by Luigi Boccherini. Editions Durand. Score Only. Composed 2001. Editions Durand #DC11378. Published by Editions Durand (HL.50571556).

Chamber Music Cello, Clarinet, Flute, Piano, Violin

SKU: PR.14440517S

Composed by Robert Martin. Full score. With Standard notation. 20 pages. Theodore Presser Company #144-40517S. Published by Theodore Presser Company (PR.14440517S).

UPC: 680160667888. 9 x 12 inches.

In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. There are passages in Nostalgia that build using two layers, a louder foreground and a quieter background. Both of these layers are independent of specific instruments, in other words, the various instruments jump in to play a role in either layer, then jump to the other layer. It is as if the ensemble has doubled. The technical musical term for multiple instruments interweaving to produce a single thread or idea is called Klangfarbenmelodie (tone-color-melody). Because there are two layers (louder and softer), both using this technique, Nostalgia is a unique example of 'double Klangfarbenmelodie.' The piece ends with a series of intense rhythmic pulsations and several apocalyptic fanfares. (From the performance notes.).

Chamber Music Cello, Clarinet, Flute, Piano, Violin

SKU: PR.14440515S

Composed by Robert Martin. Full score. With Standard notation. 48 pages. Theodore Presser Company #144-40515S. Published by Theodore Presser Company (PR.14440515S).

UPC: 680160667819. 9 x 12 inches.

In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. One role of music is to evoke. Therefore, Nighttime is a nocturne, a night piece suggestive of flickering shadows, perhaps created by firelight. It is a recurrent setting in human existence. The music opens with the scene of twilight calm, gently disturbed with the slight uncertainty about what is around us, what we cannot see. Later, the clarinet takes on a solo role, and the notes bleed like careless paint into the other instruments that quietly sustain them. Next, the flute takes over the role of solo. The piece ends with a repeated cadence of morning light. (From the performance notes.).

Chamber Music Cello, Clarinet, Flute, Piano, Violin

SKU: PR.14440516S

Composed by Robert Martin. Full score. With Standard notation. 44 pages. Duration 9 minutes, 15 seconds. Theodore Presser Company #144-40516S. Published by Theodore Presser Company (PR.14440516S).

UPC: 680160667864. 9 x 12 inches.

In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. As the title suggests, the music is in a state of perpetual questioning using a variety of approaches. For example, Enigma opens using ostinati (plural of ostinato) that do not match in length, like a staircase with each step a different height. Additionally, the music has sudden starts and stops, again unexplained. There are dramatic and powerful explosive passages that are interrupted. The technique, used to create this feeling of a perplexed music world where things seem often not to make sense and to be left unresolved, is called in poetry and literature, anticlimax. In Enigma, the music suggests one direction; then refuses to continue, striking out in another direction. Artists use approaches such as this to force themselves into creative circumstances that they otherwise might not have discovered. (From the performance notes.).