Etudes - Sight-reading sont une des compétences plus importants encore négligées pour tout musicien et une composante importante du Conseil associés et autres examens de la musique. (Piano accompagnements par Anita Hew-tt-Jones) / Violoncelle

For Violin, Viola and Piano (Reduced from the orchestra version). Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the case around the time of his Opus 1 Sinfonietta , composed in the summer of 1932, his second year as a student at the Royal College Of Music. The Sinfonietta was written (in less than three weeks) very soon after Britten had completed the first draft of the Double Concerto - but after finishing the Sinfonietta he went back to revise the Concerto's second movement. He started work on his Op.2 Phantasy for Oboe and String Trio a few weeks later. Although the Concerto follows the same three-movement pattern as the Sinfonietta , it is more ambitious in scale - and since the sketch is, unusually for Britten, complete in practically every detail, it is puzzling that he never made a full score of the work after finishing the composition, and seems to have made no attempt to get it performed. It is not clear if he had particular performers in mind (he was, of course, a Viola player, although he is not likely to have intended the part for himself). He showed the work to his composition teacher at the college, John Ireland, who, as Britten recorded in his diary, was 'pretty pleased' with it - but it is distinctly possible that his experience in rehearsing the Sinfonietta with a student orchestra in 1932 ('I have never heard such an appalling row!' reads another diary entry) discouraged him from going on to complete the Double Concerto in score. He was not to hear any of his orchestral works until the first performance of Our Hunting Fathers in 1936. In the absence of Britten's full score it was necessary for me to prepare the work from the sketch. But the instrumentation is so carefully indicated in the draft that the resulting score is not far from being 100% Britten - only between bars 70 and 74 of the slow movement did there seem to be any need to add anything significant to Britten's texture. The Double Concerto (Britten's manuscript title was 'Concerto In B Minor', but he referred to it in his diary, in characteristic shorthand, as '2ble Concerto') is the most recent addition to his corpus of works, mostly dating from Britten's youth and early maturity, that, since his death, have been revived after many years, or performed for the first time. Britten himself occasionally returned to his early works, and in his last years revised both the early String Quartet In D of 1931 and the opera Paul Bunyan . The Piano score published separately is not a reduction from the orchestral score, but a transcription of Britten's composition sketch, including his indications of instrumentation. The first performance of the Double Concerto was given at the 50th Aldeburgh Festival by Katherine Hunka and Philip Dukes, with the Britten-Pears Orchestra conducted by Kent Nagano, on June 15th 1997. -Colin Matthews / Violon, Alto Et Piano

 Cette petite pièce pour violon avec accompagnement piano, est destinée aux jeunes musiciens niveau débutants, Elle est écrite pour des cordes à vide afin de maîtriser la bonne tenue de l'archet ainsi que celle du violon,Le choix de la mesure à 3 temps permet d'acquérir la légèreté pour interpréter une valse expressive au tempo modéré, Un progrès rythmique est à réaliser, le thème étant écrit au début en blanches pointées, puis repris avec des ' soupirs-blanches ',Les notions de nuances contrastées et les variations du tempo sont abordées, L'accompagnement du piano éduquera l'oreille par une écriture avec des accords aux résonnances modernes, / Violon Et Piano

Orchestres est une des compétences plus importants encore négligées pour tout musicien et une composante importante du Conseil associés et autres examens de la musique. (Piano accompagnements par Anita Hew-tt-Jones) / Violon Etudes

Par WUORINEN CHARLES. Charles Wuorinen\'s Second Piano Trio was found on his desk at the time of his passing in March 2020. A single, nine-minute movement, it is characterized by a complex, lively rhythmic interplay between the three instruments, in particular a wittily repeated figure of sixteenth-note quintuplets. Upon reviewing Wuorinen\'s third and final draft for this piece posthumously, three of Wuorinen\'s close musical confidant his student, composer Anthony Cornicello, who edited and engraved the work; his partner and manager, Howard Stokar; and his frequent collaborator, cellist Fred Sherry have decided unanimously that while Wuorinen would certainly have added small details to the score, what he has left behind is a complete and substantial piece. It is published for sale as a full piano score with violin and cello parts. This is the last known work completed by Charles Wuorinen. / Date parution : 2022-09-07/ Répertoire / Violon, Violoncelle et Piano

These two collections (BA 9668, BA 9669) give young students and teachers a rich selection of recital pieces, either to complement the Sassmannshaus 'Early Start on the Violin? method or to play independently from it. As all the pieces are written entirely in first position, they can be used after just a few months of lessons.The piano part may be played by the teacher or an advanced student. As an alternative, the accompaniment can be played by a second violin.All the pieces are available in exemplary recordings on YouTube.From the contents of Volumes 1 and 2:Nursery rhymes, folksongs but also less well-known gems, as well as original pieces by the editors, all precisely tailored to meet the needs of young students.- New recital pieces for the tried and trusted Sassmannshaus violin method- All pieces written in first position- With a second violin part for duet performance- Available in freely accessible recordings on YouTubeKurt Sassmannshaus, the editor of a great many string editions in the Bärenreiter catalogue, continues the tradition founded by his father Egon Sassmannshaus in the 'Early Start? string methods. He developed these two new editions together with his wife Melissa Lusk and his son Christoph Sassmannshaus.Similar editions are in preparation for the cello. / Violon Et Piano

Originally composed in 2011 for Anne Akiko Meyersa and her daughter Natalie, it was later orchestrated for Marin Alsop's 20th season at the Cabrillo Festival of Contemporary Music, and has been transcribed for band. This original version is accessible to musicians and audiences, yet extremely sensitive with its dramatic sonorities, the music is both soothing and subtle even as the tonality is stretched. Soothing and lush, John Corigliano's 'Lullaby for Natalie' could lead a drowsy child toward a land of blissful slumber...this piece holds special significance for [Anne] Akiko Meyers: It was commissioned by her husband as a surprise to welcome their new daughter, Natalie, into the world...G. Schirmer has released the lullaby in print for violinists who want to explore this lovely, heartfelt piece.--Strings magazine / Violon Et Piano

Dalle Corde Vuote A Tutta La Prima Posizione - Per Violino E Pianoforte. Par ZANETTOVICH DANIELE. / Répertoire / Violon et Piano

Transcription Pour Violon et Piano De Samuel Dushkin. Par RAVEL MAURICE. La transcription du ' Menuet ', avant-dernier numéro de la suite pour piano Le Tombeau de Couperin (1914-17), effectuée par le violoniste polonais naturalisé américain Samuel Dushkin (1891-1976), connu pour avoir lié son nom à celui de Stravinsky dans les années 30 et, précédemment, à celui de Ravel. / Niveau : Intermédiaire / Répertoire / Violon et Piano

A typical example of the music of Fazil Say, packed with musical motifs by Beethoven. Great fun for both violin and piano players and a delightful encore! / Violon Et Piano

25 popular opera melodies arranged for violin and piano. Des mélodies d'opéra connues et des favoris du public sont alignés dans La donna è mobile. Le dernier volume de la série Violinissimo présente une sélection de plus de 25 arrangements de difficulté moyenne pour violon et piano, qui servent à compléter et à assouplir le répertoire pédagogique standard à des fins d'interprétation et peuvent ainsi accompagner les élèves avancés dans leurs leçons. / Niveau : Moyen / Recueil / Violon et Piano