Concert Band/Harmonie - Grade 3 SKU: BT.AMP-282-140 Quelle est cette o...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-282-140
Quelle est cette odeur
agreable. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Score
Only. Composed 2009. 16
pages. Anglo Music Press
#AMP 282-140. Published
by Anglo Music Press
(BT.AMP-282-140).
9x12
inches.
English-German-French-Dut
ch.
‘Whence
is that Goodly Fragrance
Flowing?’ is the
first line of an old
French Christmas song
that originated in the
17th century. In 1728
John Gay used this joyous
and markedly festive
melody that honours Jesus
Christ and His miraculous
birth in his
Beggar’s
Opera. Philip Sparke
has given this melody a
new lease of life with
his charming and
imaginative arrangement
for the Christmas season.
Woher kommt
dieser angenehme
Duft?“ lautet die
erste Zeile dieses
ursprünglich
französischen
Weihnachtsliedes aus dem
17. Jahrhundert. Die
strahlend fröhliche
und festliche Melodie
dieses Liedes über die
Geburt Jesu wurde 1728
von John Gay in seiner
Bettleroper
verwendet und kommt auch
in Philip Sparkes
Bearbeitung für
Blasorchester sehr
schön zur Geltung.
Fanfare Band - Grade 3 SKU: BT.AMP-282-020 Quelle est cette odeur agre...(+)
Fanfare Band - Grade 3
SKU:
BT.AMP-282-020
Quelle est cette odeur
agreable. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2009.
Anglo Music Press #AMP
282-020. Published by
Anglo Music Press
(BT.AMP-282-020).
9x12
inches.
English-German-French-Dut
ch.
‘Whence
is that Goodly Fragrance
Flowing?’ is the
first line of an old
French Christmas song
that originated in the
17th century. In 1728
John Gay used this joyous
and markedly festive
melody that honours Jesus
Christ and His miraculous
birth in his
Beggar’s
Opera. Philip Sparke
has given this melody a
new lease of life with
his charming and
imaginative arrangement
for the Christmas season.
Woher kommt
dieser angenehme
Duft?“ lautet die
erste Zeile dieses
ursprünglich
französischen
Weihnachtsliedes aus dem
17. Jahrhundert. Die
strahlend fröhliche
und festliche Melodie
dieses Liedes über die
Geburt Jesu wurde 1728
von John Gay in seiner
Bettleroper
verwendet und kommt auch
in Philip Sparkes
Bearbeitung für
Fanfareorchester sehr
schön zur Geltung.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-282-010 Quelle est cette o...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-282-010
Quelle est cette odeur
agreable. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2009.
Anglo Music Press #AMP
282-010. Published by
Anglo Music Press
(BT.AMP-282-010).
9x12
inches.
English-German-French-Dut
ch.
‘Whence
is that Goodly Fragrance
Flowing?’ is the
first line of an old
French Christmas song
that originated in the
17th century. In 1728
John Gay used this joyous
and markedly festive
melody that honours Jesus
Christ and His miraculous
birth in his
Beggar’s
Opera. Philip Sparke
has given this melody a
new lease of life with
his charming and
imaginative arrangement
for the Christmas season.
Woher kommt
dieser angenehme
Duft?“ lautet die
erste Zeile dieses
ursprünglich
französischen
Weihnachtsliedes aus dem
17. Jahrhundert. Die
strahlend fröhliche
und festliche Melodie
dieses Liedes über die
Geburt Jesu wurde 1728
von John Gay in seiner
Bettleroper
verwendet und kommt auch
in Philip Sparkes
Bearbeitung für
Blasorchester sehr
schön zur Geltung.
Fanfare Band - Grade 3 SKU: BT.AMP-282-120 Quelle est cette odeur agre...(+)
Fanfare Band - Grade 3
SKU:
BT.AMP-282-120
Quelle est cette odeur
agreable. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Score
Only. Composed 2009.
Anglo Music Press #AMP
282-120. Published by
Anglo Music Press
(BT.AMP-282-120).
9x12
inches.
English-German-French-Dut
ch.
‘Whence
is that Goodly Fragrance
Flowing?’ is the
first line of an old
French Christmas song
that originated in the
17th century. In 1728
John Gay used this joyous
and markedly festive
melody that honours Jesus
Christ and His miraculous
birth in his
Beggar’s
Opera. Philip Sparke
has given this melody a
new lease of life with
his charming and
imaginative arrangement
for the Christmas season.
Woher kommt
dieser angenehme
Duft?“ lautet die
erste Zeile dieses
ursprünglich
französischen
Weihnachtsliedes aus dem
17. Jahrhundert. Die
strahlend fröhliche
und festliche Melodie
dieses Liedes über die
Geburt Jesu wurde 1728
von John Gay in seiner
Bettleroper
verwendet und kommt auch
in Philip Sparkes
Bearbeitung für
Fanfareorchester sehr
schön zur Geltung.
Brass Band - Grade 3 SKU: BT.AMP-282-130 Quelle est cette odeur agreab...(+)
Brass Band - Grade 3
SKU:
BT.AMP-282-130
Quelle est cette odeur
agreable. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Score
Only. Composed 2009. 20
pages. Anglo Music Press
#AMP 282-130. Published
by Anglo Music Press
(BT.AMP-282-130).
9x12
inches.
English-German-French-Dut
ch.
‘Whence
is that Goodly Fragrance
Flowing?’ is the
first line of an old
French Christmas song
that originated in the
17th century. In 1728
John Gay used this joyous
and markedly festive
melody that honours Jesus
Christ and His miraculous
birth in his
Beggar’s
Opera. Philip Sparke
has given this melody a
new lease of life with
his charming and
imaginative arrangement
for the Christmas season.
Woher kommt
dieser angenehme
Duft?“ lautet die
erste Zeile dieses
ursprünglich
französischen
Weihnachtsliedes aus dem
17. Jahrhundert. Die
strahlend fröhliche
und festliche Melodie
dieses Liedes über die
Geburt Jesu wurde 1728
von John Gay in seiner
Bettleroper
verwendet und kommt auch
in Philip Sparkes
Bearbeitung für Brass
Band sehr schön zur
Geltung.
Brass Band - Grade 3 SKU: BT.AMP-282-030 Quelle est cette odeur agreab...(+)
Brass Band - Grade 3
SKU:
BT.AMP-282-030
Quelle est cette odeur
agreable. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2009.
Anglo Music Press #AMP
282-030. Published by
Anglo Music Press
(BT.AMP-282-030).
9x12
inches.
English-German-French-Dut
ch.
‘Whence
is that Goodly Fragrance
Flowing?’ is the
first line of an old
French Christmas song
that originated in the
17th century. In 1728
John Gay used this joyous
and markedly festive
melody that honours Jesus
Christ and His miraculous
birth in his
Beggar’s
Opera. Philip Sparke
has given this melody a
new lease of life with
his charming and
imaginative arrangement
for the Christmas season.
Woher kommt
dieser angenehme
Duft?“ lautet die
erste Zeile dieses
ursprünglich
französischen
Weihnachtsliedes aus dem
17. Jahrhundert. Die
strahlend fröhliche
und festliche Melodie
dieses Liedes über die
Geburt Jesu wurde 1728
von John Gay in seiner
Bettleroper
verwendet und kommt auch
in Philip Sparkes
Bearbeitung für Brass
Band sehr schön zur
Geltung.
Composed by Claude Debussy (1862-1918). For piano. Format: piano solo book. With...(+)
Composed by Claude
Debussy (1862-1918). For
piano. Format: piano solo
book. With thematic
index. Impressionistic.
136 pages. 9x12 inches.
Published by Schirmer.
Orchestra (Study Score) SKU: HL.50600470 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.50600470
Study Score.
Composed by Xiaoyong
Chen. Score. Classical,
Contemporary. Softcover.
56 pages. Sikorski
#SIK8579. Published by
Sikorski (HL.50600470).
8.25x11.75x0.183
inches.
“In
early 2006 I was
commissioned to write a
piece to be premiered in
a church. Before
beginning work on it, I
tested the acoustics
there, according to which
the compositional concept
developed. Somewhat later
I began to compose the
piece 'with the church',
so to speak. During the
process of composition,
however, the music
gradually distanced
itself from the original
spatial conditions and
developed into a piece
whose characteristics
were transformed into a
church-acoustical
structure. 'I see your
music when I hear it', a
listener once said to me.
Does one really see the
music? Can fragrances be
heard? Or can one smell
colours? This 5-part
composition is music in
which the tones move in
space on different
levels, even when they
are sometimes very quiet
and slow; they are clear
and transparent even when
they are apparently
dense, complicated and
energetic.â€
(Xiaoyong Chen).
Partly based on a
theme by Guglielmo
Czuberth as written in
1861. Composed by
Jacob De Haan. Applause
Series. Original Light
Music. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1125213-010. Published by
De Haske Publications
(BT.DHP-1125213-010).
9x12 inches.
English-German-French-Dut
ch.
Picture
yourself in the
marvellous paradise of
Italy’s Grado
Lagoon. The magnificent
display of colour and the
salty scent of sea air
combine with the fragrant
tamarisk to create a
unique atmosphere. In
this glorious haven time
stands still - except for
the flight of the
seagulls and the slow
flood tide. From a
distance you hear an
adagio coming through the
air from a procession of
boats. Its solemn tones
dissipate into the
landscape of the lagoon.
Stelt u zich eens
voor… U bent in
Laguna di Gardo, een
paradijselijke lagune in
Italië. In een unieke
sfeer waar oceaanblauwe
vergezichten het beeld
bepalen. Te midden van
wonderbaarlijke kleuren
van gekristalliseerd
zeezout snuiftu de geur
van de bloeiende
tamarisk. Een hemels
landschap, waar tijd
slechts wordt gemeten aan
de vlucht van de meeuw en
aan de kalme wisselingen
van de getijden. Alsof ze
stil staat... Dan
verschijnt heel in de
verte een Adagioaan het
firmament: plechtige
klanken, die traag hun
weg vinden in het fraaie
landschap van deze
bijzondere
lagune.
Stellen
Sie sich vor, Sie
wären in der
paradiesischen Laguna di
Grado in Italien.
Inmitten einer
einzigartigen
Atmosphäre, welche
durch den wundschönen
Fächer an Farben aus
zerstäubtem Meersalz
und den Duft der
Tamarisken erzeugt wird.
In diesen himmlischen
Gefilden wird die Zeit
nur am Flug der
Seemöwen und den
Gezeiten gemessen - man
könnte fast glauben,
sie stehe still. Aus der
Ferne, von einer
Prozession aus Booten,
schallt ein Adagio durch
die Lüfte: Seine
feierlichen Klänge
verlieren sich in der
Landschaft der
Lagune.
Immaginate
di immergervi nello
splendido paradiso della
Laguna di
Grado.Un'atmosfera unica,
resa inconfondibile da
una splendida tavolozza
di colori, a tratti
vivaci ad altri delicati,
profumata dall'odore
intenso del sale e delle
tamerici, in cui il
tempo, scandito dal volo
dei gabbiani e dal lento
moto delle maree, sembra
essersi fermato.Da una
processione di
imbarcazioni pavesate a
festa riecheggiano
solenni le note
dell'Adagio 1, che
armoniosamente si fondono
con l'ambiente lagunare
circostante.
Partly based on a
theme by Guglielmo
Czuberth as written in
1861. Composed by
Jacob De Haan. Applause
Series. Original Light
Music. Score Only.
Composed 2012. 16 pages.
De Haske Publications
#DHP 1125213-140.
Published by De Haske
Publications
(BT.DHP-1125213-140).
9x12 inches.
English-German-French-Dut
ch.
Picture
yourself in the
marvellous paradise of
Italy’s Grado
Lagoon. The magnificent
display of colour and the
salty scent of sea air
combine with the fragrant
tamarisk to create a
unique atmosphere. In
this glorious haven time
stands still - except for
the flight of the
seagulls and the slow
flood tide. From a
distance you hear an
adagio coming through the
air from a procession of
boats. Its solemn tones
dissipate into the
landscape of the lagoon.
Stelt u zich eens
voor… U bent in
Laguna di Gardo, een
paradijselijke lagune in
Italië. In een unieke
sfeer waar oceaanblauwe
vergezichten het beeld
bepalen. Te midden van
wonderbaarlijke kleuren
van gekristalliseerd
zeezout snuiftu de geur
van de bloeiende
tamarisk. Een hemels
landschap, waar tijd
slechts wordt gemeten aan
de vlucht van de meeuw en
aan de kalme wisselingen
van de getijden. Alsof ze
stil staat... Dan
verschijnt heel in de
verte een Adagioaan het
firmament: plechtige
klanken, die traag hun
weg vinden in het fraaie
landschap van deze
bijzondere
lagune.
Stellen
Sie sich vor, Sie
wären in der
paradiesischen Laguna di
Grado in Italien.
Inmitten einer
einzigartigen
Atmosphäre, welche
durch den wundschönen
Fächer an Farben aus
zerstäubtem Meersalz
und den Duft der
Tamarisken erzeugt wird.
In diesen himmlischen
Gefilden wird die Zeit
nur am Flug der
Seemöwen und den
Gezeiten gemessen - man
könnte fast glauben,
sie stehe still. Aus der
Ferne, von einer
Prozession aus Booten,
schallt ein Adagio durch
die Lüfte: Seine
feierlichen Klänge
verlieren sich in der
Landschaft der
Lagune.
Immaginate
di immergervi nello
splendido paradiso della
Laguna di
Grado.Un'atmosfera unica,
resa inconfondibile da
una splendida tavolozza
di colori, a tratti
vivaci ad altri delicati,
profumata dall'odore
intenso del sale e delle
tamerici, in cui il
tempo, scandito dal volo
dei gabbiani e dal lento
moto delle maree, sembra
essersi fermato.Da una
processione di
imbarcazioni pavesate a
festa riecheggiano
solenni le note
dell'Adagio 1, che
armoniosamente si fondono
con l'ambiente lagunare
circostante.
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.
Composed by Lani Smith. For organ: 3-staff (with optional flute). Sacred, Christ...(+)
Composed by Lani Smith.
For organ: 3-staff (with
optional flute). Sacred,
Christmas. Intermediate.
Lorenz Publishing Company
#70/1929L. Published by
Lorenz Publishing Company
Edited by Gilbert M. Martin. Arranged by Gilbert M. Martin. For Organ solo. Gilb...(+)
Edited by Gilbert M.
Martin. Arranged by
Gilbert M. Martin. For
Organ solo. Gilbert M.
Martin an Organ Series.
Organ and Sacred. Level:
Medium Adult. 74 pages.
Duration 41 min, 40 sec.
Published by Hinshaw
Music Inc.
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged ...(+)
Performed by Various
Artists. By Cedric
Chauveau / Bernhard
Kiessling. Arranged by
Cedric Chauveau /
Bernhard Kiessling. For
piano solo. This edition:
Editions Bourges R. In
Edit. Instrumental. Sheet
music. 3 pages. Published
by Editions Bourges
(French import).
Guitar SKU: HL.276429 DMI Guitar Labs. General Merchandise. Hal Leonard #...(+)
Guitar
SKU:
HL.276429
DMI Guitar
Labs. General
Merchandise. Hal Leonard
#MBTTR. Published by Hal
Leonard (HL.276429).
UPC: 712038110827.
1.6x1.6x5.0
inches.
Maple
Butter(tm) and it's
non-corrosive formula is
designed to easily clean
all non-porous
fingerboards, especially
Maple, leaving them clean
and clear without any wax
residue. DIRECTIONS:
Apply Maple Butter onto
microfiber and wipe
surface to clean. * 100%
Cruelty Free * 100% Vegan
* Abrasive Free *
Fragrance Free * Wax Free
* Polymer Free (will not
strip finish) * Contains
No Carcinogens * Prop 65
Compliant * CWA Compliant
(Clean Water Act) * UL
Certified EcoLogo * Green
Seal Certified * Made in
USA.
DMI Guitar
Labs. General
Merchandise. Duration 180
seconds. Hal Leonard
#GCL. Published by Hal
Leonard (HL.276428).
UPC: 712038110810.
1.6x1.6x6.0
inches.
Guitar
Clean(tm) effectively
removes finger prints,
smoke film, water spots,
and other soils from hard
surfaces with minimum
effort. It contains no
wax or polymers so it
will not be harmful to
your instrument's finish.
DIRECTIONS: Apply Guitar
Clean to surface, then
buff surface with
microfiber. * 100%
Cruelty Free * 100% Vegan
* Abrasive Free *
Fragrance Free * Wax Free
* Polymer Free (will not
strip finish) * Contains
No Carcinogens * Prop 65
Compliant * CWA Compliant
(Clean Water Act) * UL
Certified EcoLogo * Green
Seal Certified * Made in
USA.