(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
By Johann Sebastian Bach (1685-1750). Arranged by Elizabeth Start. Orchestra. Pa...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
Elizabeth Start.
Orchestra. Part(s);
Score; String Orchestra.
Belwin Concert String
Orchestra. Form: Fugue;
Prelude. Baroque;
Masterwork Arrangement.
Grade 3.5. 124 pages.
Published by Belwin
Publishing
(for Woodwind Quintet). Composed by Wolfgang Amadeus Mozart (1756-1791). Edite...(+)
(for Woodwind Quintet).
Composed by Wolfgang
Amadeus
Mozart (1756-1791).
Edited
by William Purvis. Score
and
Parts. Southern Music.
Hal
Leonard #SU786. Published
by
Hal Leonard
(for Woodwind Quintet). Composed by Wolfgang Amadeus Mozart (1756-1791). Edite...(+)
(for Woodwind Quintet).
Composed by Wolfgang
Amadeus
Mozart (1756-1791).
Edited
by William Purvis. Score
and
Parts. Southern Music.
Hal
Leonard #SU787. Published
by
Hal Leonard
Orchestra - Grade 3.5 SKU: AP.33688S Composed by Johann Sebastian Bach. A...(+)
Orchestra - Grade 3.5
SKU: AP.33688S
Composed by Johann
Sebastian Bach. Arranged
by Elizabeth Start.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Concert String
Orchestra. Form: Fugue;
Prelude. Baroque;
Masterwork Arrangement.
Score. 12 pages. Belwin
Music #00-33688S.
Published by Belwin Music
(AP.33688S).
UPC:
038081376998.
English.
From Book
I of Bach's The
Well-Tempered Klavier,
this lively reworking of
the Prelude and Fugue in
B-flat minor, No. 22
provides students the
wonderful experience of
playing Baroque
counterpoint in a minor
key. Though rhythms are
not complex, counting
skills will be honed. The
piece remains mainly in
first position, yet also
includes melodic
augmented seconds. In the
five-part fugue, the
double basses have their
own independent line, so
let them shine.
(60 Classical Masterpieces in Easy Piano Arrangements). By Various. Edited by Ha...(+)
(60 Classical
Masterpieces in Easy
Piano Arrangements). By
Various. Edited by
Hans-Günter Heumann.
Piano Collection.
Softcover. 184 pages.
Schott Music #ED20764.
Published by Schott Music
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Set de Parties séparées] - Intermédiaire/avancé Schirmer
Performed by The Canadian Brass, arranged by Walter H. Barnes. Performance part ...(+)
Performed by The Canadian
Brass, arranged by Walter
H. Barnes. Performance
part (quintet parts
needed for performance)
for Bb trumpet (2nd
trumpet). With
performance notes and
black & white photos. 44
pages. Published by G.
Schirmer, Inc.
Performed by The Canadian Brass, arranged by Walter H. Barnes. Performance part ...(+)
Performed by The Canadian
Brass, arranged by Walter
H. Barnes. Performance
part (quintet parts
needed for performance)
for tuba. With
performance notes and
black & white photos. 42
pages. Published by G.
Schirmer, Inc.
Performed by The Canadian Brass, arranged by Walter H. Barnes. Performance part ...(+)
Performed by The Canadian
Brass, arranged by Walter
H. Barnes. Performance
part (quintet parts
needed for performance)
for french horn. With
performance notes and
black & white photos. 44
pages. Published by G.
Schirmer, Inc.
By George Frideric Handel (1685-1759). For solo keyboard. Piano Collection. Dove...(+)
By George Frideric Handel
(1685-1759). For solo
keyboard. Piano
Collection. Dover
Edition. Baroque.
Collection. Introductory
text (does not include
words to the songs). 169
pages. Published by Dover
Publications collection
Baroque
(BWV 1021, BWV 1023, BWV 1026) Composed by Johann Sebastian Bach (1685-1750), ar...(+)
(BWV 1021, BWV 1023, BWV
1026) Composed by Johann
Sebastian Bach
(1685-1750), arranged by
Meniker Zvi, edited by
Andrew Manze, Peter
Wollny. Score; Set of
Parts; Urtext Edition for
violin and basso
continuo. Published by
Baerenreiter-Ausgaben
(German import).
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 2. Composed
1723. BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/12. Published by
Carus Verlag
(CA.3113612).
ISBN
9790007208127. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 1. Composed
1723. BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/11. Published by
Carus Verlag
(CA.3113611).
ISBN
9790007208110. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Featuring: Toccata and Fugue in D Minor / A Night on Bald Mountain / Thriller...(+)
Featuring: Toccata and
Fugue in D Minor / A
Night on Bald Mountain /
Thriller. Composed by
Rod Temperton, Johann
Sebastian Bach, and
Modest Mussorgsky.
Arranged by Ralph Ford.
Masterworks; Score;
String Orchestra. Pop
Concert String Orchestra.
Form: Medley. Fall;
Halloween; Masterwork
Arrangement; Pop. 24
pages. Published by
Alfred Music (AP.45851S).
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Viola. Composed 1723. BWV
136. 4 pages. Duration 22
minutes. Carus Verlag #CV
31.136/13. Published by
Carus Verlag
(CA.3113613).
ISBN
9790007208134. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Trinity.
Single Part, basso
continuo. Composed 1723.
BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/14. Published by
Carus Verlag
(CA.3113614).
ISBN
9790007208141. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Arrangement for Piano. Composed by Johann Sebastian Bach (1685-1750). Edited...(+)
Arrangement for Piano.
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Christian Schaper,
Ullrich
Scheideler, and
Marc-Andre
Hamelin. Arranged by
Feruccio
Busoni. Henle Music
Folios.
Classical. Softcover. 28
pages. G. Henle #HN1479.
Published by G. Henle