(LN) SKU: HL.49032987 Robert Schumann und seine musikalischen Zeitgeno...(+)
(LN)
SKU:
HL.49032987
Robert
Schumann und seine
musikalischen
Zeitgenossen.
Composed by Bernhard R.
Appel. Edited by Bernhard
R. Appel. This edition:
Full-cloth binding. Book.
Edition Schott. Eine
Sammlung grundlegender
Beitrage zum Verstandnis
des personlichen Umfelds
und der kunstlerischen
Entwicklung Robert
Schumanns. 372 pages.
Schott Music #ED 9277.
Published by Schott Music
(HL.49032987).
ISBN
9783795704292.
German.
Robert und
Clara Schumann pflegten
zeitlebens intensive
Kontakte zu anderen
Musikerpersonlichkeiten,
seien es
Komponistenkollegen,
Musikerfreunde, Schuler
oder Ratsuchende. Die in
diesem Band versammelten
Symposionsbeitrage
konzentrieren sich nicht
nur auf die namhaften
unter ihnen, wie Brahms,
Mendelssohn Bartholdy
oder Liszt, sondern
weiten die Untersuchungen
auf jenen grossen
Personenkreis aus, der
sich aus der Befragung
aller zeitgenossischen
Quellen ergibt,
angefangen von Schumanns
Schwager Woldemar Bargiel
bis hin zu der weithin
unbekannten Komponistin
Elise Muller.
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC2. Published
by The Frederick Harris
Music Company (FH.VC2).
ISBN
978-1-55440-538-1.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Baroque and
Classical
Repertoire: Chaconne -
Handel, George Frideric
arr. Peter Heilbut Un
ballo (A Ball) -
Steibelt, Daniel arr.
Eugen Rapp Schwedisch
(Swedish) - Romberg,
Bernhard arr. Percy
Such When I Am Laid in
Earth (from Dido and
Aeneas) - Purcell,
Henry Concertino No. 4
in C Major, op. 22 -
Breval, Jean-Baptiste
arr. L.-R.
Feuillard Ombra mai fu
(Never Was a Shade)
Handel, George Frideric
arr. Gaston
Borch Traditional and
Romantic
Repertoire: The Joker,
op. 126b, no. 3 -
Grechaninov,
Alexandr Anitra's
Dance - Grieg, Edvard
arr. Ann Lindsay She's
Like the Swallow -
Canadian folk song arr.
Forrest Kinney Joyeuse
(Joyful) - Squire,
William Henry After
the Bass Is Over -
Harris, Charles K. arr.
Pat Legg and Alan
Gout Repertoire
Composed after ca
1930: Hen and Rooster
- Konicek,
Zdenek Latin Nights -
Blackwell, David and
Kathy
Blackwell Running of
the Bulls - Cheney,
Elliott W. Wrist Watch
- Birston,
Harold Sunday Drag -
Perry, Anita
D. Soft-Shoe Dance -
Reubart, Dale For a
Blue Note - Allerme,
Jean-Marc.
Viola Series, 2013
Edition. Composed by
The Royal Conservatory.
Viola Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VA6. Published
by The Frederick Harris
Music Company (FH.VA6).
ISBN
978-1-55440-568-8.
This groundbreaking
series for viola offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
virtuoso. Representing
all major style periods
and a variety of genres,
Viola Series, 2013
Edition offers all the
music and tools needed to
support a comprehensive
course of study from the
beginner to advanced
levels. A rich and varied
selection of music in
each of these nine
progressive volumes of
repertoire appeals to
violists of all ages.
From the Preparatory
Level through Level 8,
students will be exposed
to quality selections
originally written for
viola, fun arrangements
of traditional fiddle and
folk tunes, as well as
contemporary pieces by
notable composers such as
Violet Archer, Carey
Cheney, and Fritz
Kriesler. Concertos:Concerto in B flat
Major - Hoffmeister,
Franz Anton arr. Alison
A. Copland - First
Movement Premier Solo,
op. 77, no. 1 - Dancla,
Charles Concerto in C
Major - Schmitt, Joseph
arr. Bernhard Pauler -
First
Movement Sonatas: S
onata in E Minor, HWV 375
- Handel, George Frideric
arr. Harold Birston -
Second Movement -
Third Movement Solo
per alto viola (The
Billiard Sonata) -
Giardini, Felice arr.
Christine Donkin -
Second Movement -
Third Movement Sonata
in B flat Major -
Stamitz, Carl - First
Movement Concert
Repertoire: Couplets
de folies - Marais, Marin
arr. Paul
Doktor Hebrew Melody
No. 1 - Joachim,
Joseph Air with
Variations (The
Harmonious Blacksmith) -
Handel, George Frideric
arr. Watson
Forbes Orientale -
Granados, Enrique arr.
Christine
Donkin elegie, op. 44
- Glazunov,
Aleksandr Unaccompanie
d Repertoire: Fantasia
No. 1 in E flat Major,
TWV 40:14 - Telemann,
Georg Philipp - First
Movement - Second
Movement Suite No. 1
in G Major, BWV 1007 -
Bach, Johann
Sebastian - First
Movement: Prelude -
Second Movement:
Gigue.
Kantaten BWV 2, 76/
BWV 21, 135. Composed
by Johann Sebastian Bach.
Edited by George S.
Bozarth and Paul
Brainard. This edition:
Complete edition. Linen.
New Bach Edition (NBA)
I/16. Complete edition,
Critical commentary,
anthology. BWV 21, 135,
BWV 2, 76. 188 pages.
Baerenreiter Verlag
#BA05055_41. Published by
Baerenreiter Verlag
(BA.BA05055-41).
ISBN
9790006462810. 24.5 x
17.5 cm
inches.
This
separately published
Critical Commentary
offers extensive
information on the
genesis, reception,
sources, and readings of
the works included in the
music volume.
Composed by Johann Sebastian Bach (1685-1750). Edited by Robert Moreen; George S...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Robert Moreen; George S.
Bozarth; Paul Brainard.
For voice/mixed
choir/orchestra. This
edition: Complete
edition, Urtext edition.
Half-leather binding. New
Bach Edition. Series I,
Volume 16. Score,
anthology. Published by
Baerenreiter Verlag
By George Frideric Handel (1685-1759). Edited by Bernhard Moosbauer. For Violin,...(+)
By George Frideric Handel
(1685-1759). Edited by
Bernhard Moosbauer. For
Violin, Basso Continuo.
Set of parts. Published
by Wiener Urtext/Vienna
Urtext
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
First violin (1. Violin) SKU: BA.BA10021-74 Cantata for the 3rd Sunday...(+)
First violin (1. Violin)
SKU: BA.BA10021-74
Cantata for the 3rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
George S. Bozarth and
Paul Brainard. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
21. 8 pages. Baerenreiter
Verlag #BA10021_74.
Published by Baerenreiter
Verlag (BA.BA10021-74).
ISBN 9790006538058.
32.5 x 25.5 cm
inches.
Study score
= TP 1021.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
(Urtext der Neuen Mozart-Ausgabe). By Johann Sebastian Bach (1685-1750). Edited ...(+)
(Urtext der Neuen
Mozart-Ausgabe). By
Johann Sebastian Bach
(1685-1750). Edited by
Robert Moreen; George S.
Bozarth; Paul Brainard.
For Soli, Mixed Choir,
Orchestra. Neue
Bach-Ausgabe. Serie I,
Band 16. Score; Urtext
Edition; Complete Edition
(cloth bound). Published
by Baerenreiter Verlag
(Cantata for the 3rd Sunday after Trinity). Composed by Johann Sebastian Bach (1...(+)
(Cantata for the 3rd
Sunday after Trinity).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Robert Moreen; George S.
Bozarth; Paul Brainard.
Arranged by Martin Focke.
For soprano voice solo,
alto voice solo, tenor
voice solo, bass voice
solo, SATB choir, piano.
This edition: Urtext
edition. Stapled. Level
3. Piano reduction. BWV
21. 67 pages. Published
by Baerenreiter Verlag
Piano - advanced SKU: BT.LCM9790570121830 Exam Material. Book Only. 112 p...(+)
Piano - advanced
SKU:
BT.LCM9790570121830
Exam Material. Book Only.
112 pages. London College
Music #LCM9790570121830.
Published by London
College Music
(BT.LCM9790570121830).
English.
London
College of Music Piano
handbooks contain all of
the material that is
needed to take an LCM
exam in a single
publication — a
wide selection of pieces,
all of the required
technical work, and
guidance and examples for
the supporting tests.
Accompanying the pieces
are performance notes
written by a team of
leading pianists,
teachers and composers,
bringing the music to
life with their unique
interpretative
insights.
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
Organ SKU: BA.BA10021-67 Cantata for the 3rd Sunday after Trinity....(+)
Organ
SKU:
BA.BA10021-67
Cantata for the 3rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
George S. Bozarth and
Paul Brainard. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
21. 23 pages.
Baerenreiter Verlag
#BA10021_67. Published by
Baerenreiter Verlag
(BA.BA10021-67).
ISBN
9790006538096. 32.5 x
25.5 cm
inches.
Study score
= TP 1021.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA10021-75 Cantata for the 3rd Sunda...(+)
Second violin (2. Violin)
SKU: BA.BA10021-75
Cantata for the 3rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
George S. Bozarth and
Paul Brainard. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
21. 8 pages. Baerenreiter
Verlag #BA10021_75.
Published by Baerenreiter
Verlag (BA.BA10021-75).
ISBN 9790006538065.
32.5 x 25.5 cm
inches.
Study score
= TP 1021.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Viola SKU: BA.BA10021-79 Cantata for the 3rd Sunday after Trinity....(+)
Viola
SKU:
BA.BA10021-79
Cantata for the 3rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
George S. Bozarth and
Paul Brainard. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
21. 8 pages. Baerenreiter
Verlag #BA10021_79.
Published by Baerenreiter
Verlag (BA.BA10021-79).
ISBN 9790006538072.
32.5 x 25.5 cm
inches.
Study score
= TP 1021.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through