Cette collection prouve que ne sont pas tous de la musique pour piano de Liszt est terriblement difficile. Allant de facile à intermédiaire, ces pièces couvrent toute carrière et le développement stylistique du compositeur - ils sont une introduction idéale à sa musique. / Piano

This volume presents easy pieces for piano by great virtuosos. It unites the two greatest, and perhaps best-known, pianists of the 19th century, Frédéric Chopin and Franz Liszt. The technical requirements of these works are very moderate without muting the stylistic characteristics of these two composers. The ability to play an original composition by Liszt in the first years of lessons can be very motivating for the piano student. Also featured in this collection are works by the virtuoso Ferdinand Hiller, to whom Robert Schumann dedicated his Piano Concerto. As in many of the works by Liszt and Chopin, Hiller's works are frequently reminiscent of folk music. His Irländisches Lied and Fandango, included in the collection, are fine examples of 19th-century 'world music'. / Piano

Partition des 24 chansons du Winterreise de Schubert. Reproduit des éditions surveillées par Liszt lui-même. Avec les notes éditoriales, et les traductions en anglais des textes allemands.

Le fait que les oeuvres pour piano de Franz Liszt nécessitent pas toujours les normes techniques les plus élevées ou sont réputés être réservée à quelques professionnels est prouvé par la présente anthologie de la Wiener Urtext Edition. Il comprend des oeuvres de Liszt qui, à partir d'un niveau facile à intermédiaire technique, encouragent à jouer, plutôt que par des harmoniques par les exigences virtuoses, et permettent encore de faire des progrès dans la technique de jeu qui finalement est bénéfique non seulement pour jouer Liszt. La sélection, allant de pièces faciles comme La cloche sonne ou les Consolations n o 1 et 2 à des oeuvres plus avancées telles que 'Au lac de Wallenstadt 'de' Années de Pèlerinage ', prend également l'aspect de popularité dans le cadre de Liszt littérature pianistique en compte. / Piano

Brilliant transcriptions by the foremost pianist-composer of his day of all 14 songs in the series, including such masterpieces as "Das Fischermädchen," "Am Meer," "Abschied," "Ständchen," "Frühlings-Sehnsucht," "Der Doppelgänger," and other famed lieder. All meticulously reproduced from rare early editions overseen by Liszt himself. A modestly priced collection of hard-to-find gems for pianists and music lovers.

Including the Transcendental Etudes, Ed. Busoni. Par LISZT FRANZ. Liszt's reputation as perhaps the greatest pianist of all time is powerfully supported by his dazzling body of work for solo piano. The undiminished popularity of his etudes with pianists and audiences alike have made them among the most performed and recorded works for solo piano in the Romantic reportoire. The first volume, Series 1, include many of Liszt's most inspired piano works and are edited by the great pianist, composer and musical scholar Ferruccio Busoni for the Franz Liszt Society and published by Breitkopf and Hartel in Leipzig in 1910-11. Each set of Etudes is a highly successful work in its own terms and are all fiendishly difficult. The separate ' Mazeppa' is yet another working of one of the etudes from these sets. The individual etudes range dramatically in style from the delicate refinement of 'Feux Follets' to the startling bravura of 'Wilde Jagd' (both from Transcendental Etudes). Each will bring to pianists and their listeners a moving encounter with the genius of this towering musical personalityLiszt's reputation as perhaps the greatest pianist of all time is powerfully supported by his dazzling body of work for solo piano. The undiminished popularity of his etudes with pianists and audiences alike have made them among the most performed and recorded works for solo piano in the Romantic reportoire. The first volume, Series 1, include many of Liszt's most inspired piano works and are edited by the great pianist, composer and musical scholar Ferruccio Busoni for the Franz Liszt Society and published by Breitkopf and Hartel in Leipzig in 1910-11. Each set of Etudes is a highly successful work in its own terms and are all fiendishly difficult. The separate ' Mazeppa' isyet another working of one of the etudes from these sets. The individual etudes range dramatically in style from the delicate refinement of 'Feux Follets' to the startling bravura of 'Wilde Jagd' (both from Transcendental Etudes). Each will bring to pianists and their listeners a moving encounter with the genius of this towering musical personality/ Répertoire / Piano

Das erhaltene Autograph der h-moll Sonate Franz Liszts ist ein faszinierendes Dokument aus dem Kompositionsprozess: Zahlreiche Streichungen und Überklebungen zeigen, wie Liszt an der Architektur des Werkes feilte. Das bisher im G. Henle Verlag lieferbare Faksimile des Autographs ermöglichte einen brillanten Einblick in diesen Arbeitsprozess - allerdings war es nicht möglich zu sehen, was Liszt an den überklebten Stellen ursprünglich notierte. Diese Überklebungen wurden inzwischen abgelöst, und wir können in unserer Neuausgabe erstmals im Faksimile zeigen, was sich darunter verbirgt. Die fachkundige Einleitung der Liszt-Expertin Mária Eckhardt kommentiert diesen einmaligen Blick über die Schulter des Komponisten ausführlich. / Piano

Franz Liszt
Années de pèlerinage, Première Année - Suisse
Peter Jost (Editeur)
Francesco Piemontesi (Doigtés)
Edition Urtext, reliure paperback
édition révisée
remplace HN 173
Les trois volumes des Années de pèlerinage appartiennent au noyau central de l’œuvre pour piano de Liszt. Dans le premier volume, Suisse, le compositeur traite des impressions recueillies lors d’un long séjour en Suisse, en 1835/36. Les pièces, en majeure partie publiées dès 1840/41, furent ensuite substantiellement révisées par Liszt, et le recueil enrichi de deux numéros, pour atteindre sa forme définitive en 1855. Pour la refonte de l’édition urtext Henle, il a été possible de prendre pour la première fois en compte l’exemplaire – redevenu accessible – ayant servi à la gravure de la première édition. La préface et les remarques exposent de manière détaillée la réévaluation des sources qui en a résulté, ainsi que d’autres avancées dans la recherche lisztienne. Pour la réalisation des doigtés, nous avons pu compter sur le pianiste suisse Francesco Piemontesi. / Partitions classique / Piano - instruments à clavier / Piano / HENLE VERLAG

Transcribed By Franz Liszt. Par SCHUBERT FRANZ. Durée: 23', Format: ETP small/ Répertoire / Piano et Orchestre

The Complete Schwanengesang. Par LISZT FRANZ. The foremost pianist-composer of his day, Franz Liszt unselfishly promoted the works of his fellow composers through his brilliant piano transcriptions of their music. Among his most inspired contributions to the literature were his legendary transcriptions of Franz Schubert's songs. This volume, the third in the series, contains Schubert's complete Schwanengesang, and nine other great lieder. Reproduced from extremely rare early editions edited by Liszt himself, they retain all the lyric beauty and emotional depth of Schubert's original music, yet reflect Liszt's incomparable mastery of the difficult art of transcription from the original medium of voice and piano to that of solo piano. The foremost pianist-composer of his day, Franz Liszt unselfishly promoted the works of his fellow composers through his brilliant piano transcriptions of their music. Among his most inspired contributions to the literature were his legendary transcriptions of Franz Schubert's songs. This volume, the third in the series, contains Schubert's complete Schwanengesang, and nine other great lieder. Reproduced from extremely rare early editions edited by Liszt himself, they retain all the lyric beauty and emotional depth of Schubert's original music, yet reflect Liszt's incomparable mastery of the difficult art of transcription from the original medium of voice and pianoto that of solo piano./ Répertoire / Piano

Arrangeur: Franz Liszt. Par LISZT FRANZ. Franz Liszt's transcriptions of other composers' music are as highly regarded as his original piano works. First acquainted with Bach through his piano studies, Liszt further explored the earlier composer's works in his career as a virtuoso performer. His piano interpretations of Bach's Organ Music are executed in a simple and straightforward manner, and they rapidly became the classic models for all future works in this genre. This compilation features Six Organ Preludes and Fugues (BWV 543-548) and the Fantasia and Fugue in G Minor (BWV 542). Franz Liszt's transcriptions of other composers' music are as highly regarded as his original piano works. First acquainted with Bach through his piano studies, Liszt further explored the earlier composer's works in his career as a virtuoso performer. His piano interpretations of Bach's Organ Music are executed in a simple and straightforward manner, and they rapidly became the classic models for all future works in this genre. This compilation features Six Organ Preludes and Fugues (BWV 543-548) and the Fantasia and Fugue in G Minor (BWV 542)./ Répertoire / Piano

Par LISZT FRANZ. Franz Liszt was not only a brilliant and innovative composer and the greatest piano virtuoso of the 19th century; he was also a generous populariser of other composers’ music. One of his primary methods was through his superb piano transcriptions of great orchestral, operatic and other pieces. These transcriptions made it possible for people to enjoy music to which they otherwise had no access to. This collection offers a memorable feast of pianistic virtuosity sure to delight pianists, and admirers of Liszt. Franz Liszt was not only a brilliant and innovative composer and the greatest piano virtuoso of the 19th century; he was also a generous populariser of other composers’ music. One of his primary methods was through his superb piano transcriptions of great orchestral, operatic and other pieces. These transcriptions made it possible for people to enjoy music to which they otherwise had no access to. This collection offers a memorable feast of pianistic virtuosity sure to delight pianists, and admirers of Liszt./ Répertoire / Piano

Par LISZT FRANZ. This final volume in Liszt?s Années de pèlerinage in the Urtext edition by renowned Liszt scholar, Leslie Howard, contains the Troisième Année ? Italie S163, together with Trois Odes funèbres S516, S516a and S517. Although the Odes funèbres are not originally part of the Années they have been included in this volume because they form a musical and spiritual bridge between Années II and III. Together, these works demonstrate a character not met elsewhere in the great music literature of the nineteenth century. The thinning out of the style, almost to the point of deliberate barrenness, and the simultaneous impression of avant-garde pioneering and the reflection in solitude, even loneliness, that comes with age are particular to Liszt. Final volume of the Années de pèlerinage series by acknowledged Liszt specialist Leslie Howard Informative Preface and Critical Notes With original illustrations and historical texts Other volumes of Liszt piano music from Edition Peters edited by Leslie Howard: Consolations / Liebesträume (Notturnos) EP7820, ISMN 979-0-57708-610-1 (published 2006) Two Episodes from Lenau?s ?Faust? EP7987, ISMN 979-0-57708-642-2 (published 2008) Sonata B minor EP71900, ISMN 979-057708-723-8 (published 2011) Trois Études de concert (S144) EP72780, ISMN 979-0-57701-106-6 (published 2016) Années de pèlerinage: Première Année ? Suisse (S160) and Trois Morceaux suisses (S156b) EP72782, ISMN 979-0-57701-108-0 (published 2019) Années de pèlerinage: Deuxième Année ? Italie (S161) and Venezia e Napoli (S162) EP72783, ISMN 979-0-57701-109-7 (published 2019) / Date parution : 2022-07-20/ Recueil / Piano

Supplement 8 of the New Liszt Edition contains first versions of Hungarian Rhapsodies Nos 12-21 and two shorter Liszt pieces with a Hungarian connection. All works in the volume appear here for the first time in a scholarly edition. This version of the Hungarian Rhapsodies ensued in 1846-50 from Magyar dallok (Hungarian Songs) Nos 1-11, published in Supplement 7. Piece #13 is based on the Rákóczi March, which Liszt set on several occasions. It had been a vital encore piece since his first concert in Hungary in 1839. Inclusion in this volume of the first version of the piece known as the Mosonyi Funeral March (a forerunner of the much later #7 in the Hungarian Historical Portraits) is especially notable as its autograph manuscript only emerged recently. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This editions contents are identical to those of the hardcover edition with the exception that the critical notes are not included. / Piano