16 Short Lyric Pieces For Flûte And Piano. Par GALWAY JAMES. This collection is the first-ever publication of 19th-20th Century exam pieces composed for the Paris Conservatory, meticulously compiled, arranged and edited over the course of many years by accomplished flutist Nancy Andrews. All 16 pieces include solo flute part with piano accompaniments. Optional digital downloads are available as well of the original cello/string ensemble accompaniments where available. Sir James Galway's introduction to the album states: It is my great pleasure to present this collection of pieces originally intended as the sight reading exam for the flute class of the Paris conservatoire. Each piece is a little jewel and could be used as an encore to a recital or even in the main part of a recital. Nancy Andrew has done a magnificent job of preparing them for publication. I look forward with great joy to include them in my future recitals. Works included: Charles Colin 1873 Allegretto, Ernest Guiraud 1874 Allegretto Scherzando, Emile Paladilhe 1875 Allegretto Moderato, Jules Cohen 1878 Andantino, Theodore Dubois 1880 Allegretto, Jules Duprato 1882 Allegro Moderato, Adrien Barthe 1886 Andante, 1891 Moderato, 1895 Allegretto, Georges Marty 1893 Allegretto, Paul Vidal 1894 Allegro Moderato, Raoul Pugno 1896 Tres doux et tres tranquille, Alphonse Duvernoy 1897 Allegretto, Alphonse Duvernoy 1899 Allegro Moderato, Gabriel Pierne 1918 Modere, Jules Mouquet 1924 Andantino/ Recueil / Flûte Traversière et Piano

Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste 'plat' sur le support du piano.Titres : Miserere mei, Deus [Allegri] - Sarabande [Arnold, Malcolm] - Aria from Goldberg Variations [Bach, J.S.] - Badinerie (from Orchestral Suite #2 in B Minor) [Bach, J.S.] - Prelude #11 in F Major (from The Well-Tempered Clavier) [Bach, J.S.] - Solfeggietto in C Minor [Bach, C.P.E.] - Symphony #7 - II. Allegretto [Beethoven] - Two Turtle Doves (from Partridge Pie) [Bennett, R.R.] - Prelude #6 (from Six Preludes) [Berkeley, Lennox] - Prelude from L'Arlésienne [Bizet] - Polovtsian Dances (from Prince Igor) [Borodin] - Wiegenlied (Lullaby) [Brahms] - Violin Concerto #1 - II. Adagio [Bruch] - Piano Concerto #1 - II. Larghetto (Romance) [Chopin] - Prelude in C Minor, Op.28 #20 [Chopin] - Waltz in A-flat Major, Op.69 #1 [Chopin] - Les Baricades Mistérieuses [Couperin] - The Little Shepherd (from Children's Corner) [Debussy] - Sarabande [Einaudi, Ludovico] - Snow Prelude #2 [Einaudi, Ludovico] - Nimrod (Var IX from 'Enigma' Variations) [Elgar] - Homenaje (Le Tombeau de Claude Debussy) [de Falla] - Agnus Dei (from Requiem in D Minor, Op.48) [Fauré] - Sicilienne, Op.78 [Fauré] - The North Pole (from Frozen Planet) [Fenton, George] - Prelude #1 (from Three Preludes For Piano) [Gershwin, George] - Metamorphosis Five [Glass, Philip] - Opening Piece from Glassworks [Glass, Philip] - Piano Concerto, Op.16 - I. Allegro Moderato (opening) [Grieg] - Hornpipe (Alla Danza) (from Water Music) [Handel] - Symphony #94 'The Surprise' - II. Andante [Haydn] - Consolation #5 [Liszt] - Paganini Variations (excerpts) [Lutoslawski, Witold] - Hebrides Overture ('Fingal's Cave') [Mendelssohn] - Overture to The Marriage of Figaro [Mozart] - Piano Concerto #21 in C Major - II. Andante [Mozart] - Promenade (From Pictures At An Exhibition) [Mussorgsky] - Big My Secret (from The Piano) [Nyman, Michael] - Jerusalem [Parry] - Sonata For Flute - 2nd Movement [Poulenc] - Mouvements Perpétuels - #1 [Poulenc] - Nessun Dorma (from Turandot) [Puccini] - Rondeau (from Abdelazer) [Purcell] - Piano Concerto #2 - II. Adagio Sostenuto [Rachmaninoff] - Rhapsody on a Theme of Paganini - Var XI and XVIII [Rachmaninoff] - Vocalise (No.14 from Fourteen Songs, Op.34) [Rachmaninoff] - Pavane (from Mother Goose) [Ravel] - Written On The Sky [Richter, Max] - The Elephant (from The Carnival Of The Animals) [Saint-Saëns] - Sonata in E Major, L.23 K.380 [Scarlatti, Domenico] - Unfinished' Symphony - I. Allegro Moderato [Schubert] - Sicilienne (from Album For The Young) [Schumann] - Prelude, Op.11 #15 [D-flat major] [Scriabin] - Romance in D-flat (No.9 from 10 Pieces for Piano, Op.24) [Sibelius] - The Firebird Suite - Finale [Stravinsky, Igor] - The Lamb [Tavener, John] - 1812 Overture [Tchaikovsky] - Dance of the Sugar Plum Fairy (from The Nutcracker Suite) [Tchaikovsky] - Dies Irae (from Requiem) [Verdi] - Autumn (1st movt) (from The Four Seasons) [Vivaldi] - Ride of the Valkyries [Wagner] - Vltava (The Moldau) (from Má Vlast) [Smetena] / Piano/Vocal/Guitare (PVG)

La référence FP 198 de l'éditeur Fertile Plaine dont l'auteur célèbre est Casiez F./Soldano J.C., qui a pour titre Moderato cantabile ( flute et piano ), a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition

Treasury of piano music by great Norwegian composer, including the perennial favorites, Peer Gynt Suites Nos. 1 and 2 and the Holberg Suite, as well as a rich selection of other pieces: Vier Stucke, Op. 1, Humoresker, Op. 6, Sonata in E Minor, Op. 7, and many others. Content :
Four Pieces [Vier Stücke], Op. 1 (dedicated to E. F. Wenzel)
I. Allegro con leggerezza
II. Non Allegro e molto espressivo
III. Mazurka
IV. Allegretto con moto
Poetic Tone-Pictures [Poetiske tonebilleder], Op. 3 (dedicated to Benjamin Feddersen)
I. Allegro, ma non troppo
II. Allegro cantabile
III. Con moto
IV. Andante con sentimento
V. Allegro moderato
VI Allegro scherzando
Humoresques [Humoresker], Op. 6 (dedicated to Rikard Nordraak)
I. Tempo di Valse
II. Tempo di Menuetto ed energico
III. Allegretto con grazia
IV. Allegro alla burla
Sonata in E Minor, Op. 7 (dedicated to Niels W. Gade)
Allegro moderato
Andante molto
Alla Menuetto, ma pocco più lento
Finale
Concerto in A Minor, Op. 16, Arranged for Solo Piano (dedicated to Edmund Neupert)
Allegro molto moderato
Adagio
Allegro moderato e molto marcato
Four Album Leaves [Fire albumblade], Op. 28 (dedicated to Minna Petersen)
I. Allegro con moto
II. Allegretto espressivo
III. Vivace
IV. Andantino serioso
Two Elegiac Melodies [Zwei elegische Melodien], Op. 34 (dedicated to Heinrich von Herzogenberg. arrangement of a work for string orchestra based on the songs Op. 33, nos. 3 and 2)
I. Heart's Wounds [Herzwunden]
II. Last Spring [Letzter Frühling]
From Holberg's Time [Fra Holbergs tid. Holberg Suite], Op. 40 (dedicated to Erika Lie-Nissen)
I. Praeludium
II. Sarabande
III. Gavotte
IV. Air
V. Rigaudon
Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (I), Op. 41
I. Lullaby [Wiegenlied]
II. Little Haakon [Klein Haakon]
III. I Love Thee [Ich liebe dich]
IV. She Is So White [Wenn einst sie lag an meiner Brust/Sie ist so weiss]
V. The Princess [Die Prinzessin]
VI. To Springtime [An den Lenz]
Peer Gynt Suite No. 1, Op. 46 (arrangement of orchestral work)
I. Morning Mood [Morgenstimmung]
II. Åse's Death [Åses Tod]
III. Anitra's Dance [Anitras Tanz]
IV. In the Hall of the Mountain King [In der Halle des Bergkönigs]
Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (II), Op. 52
I. A Mother's Grief [Mutterschmerz]
II. The First Meeting [Erstes Begegnen]
III. The Poet's Heart [Des Dichters Herz]
IV. Solvejg's Song [Solvejgs Lied]
V. Love [Liebe]
VI. The Old Mother [Die alte Mutter]
Two Melodies [Zwei Melodien], Op. 53 (dedicated to Franz Neruda. arrangement of a work for string orchestra based on the songs Op. 33, no. 12, and Op. 21, no
I. Norwegian [Norwegisch]
II. The First Meeting [Erstes Begegnen]
Peer Gynt Suite No.2, Op 55 (arrangement of orchestral work)
I. Ingrid's Lament [Ingrids Klage]
II. Arabian Dance [Arabischer Tanz]
III. Peer Gynt's Return Home [Peer Gynts Heimkehr]
IV. Solvejg's Song [Solvejgs Lied]
Moods [Stimmungen], Op. 73
I. Resignation
II. Scherzo-Impromptu
III. Night Ride [Natligtridt]
IV. Folksong [Folketone]
V. Study [Studie] (Hommage à Chopin)
VI. Students' Serenade [Studenternes serenade]
VII. The Mountaineer's Song [Lual?t]
Nordraak's Funeral March [Sörgemarsch over Rikard Nordraak], WoOp.
Three Piano Pieces [Drei Klavierstückel], WoOp.
I. White Clouds [Hvide skyer]
II. Gnomes' Tune [Tusselsl?t]
III. The Dance Goes On [Dansen går]

INSTRUMENTATION : PIANO AND ORCHESTRA VERSION : STUDY SCORE CONTENU : I. ALLEGRO MOLTO MODERATO - II. ADAGIO - III. ALLEGRO MODERATO MOLTO E MARCATO-QUASI PRESTO-ANDANTE MASTOSO NOMBRE DE PAGES : 120 COLLECTION : EULENBURG MINIATURE SCORES FORMAT : ETP SMALL

Par WIDOR CHARLES-MARIE. Charles-Marie Widor (1844-1937) was a great organist who did not only focus on Organ composition. From orchestra pieces to chamber music, he wrote various different compositions, including Suite for Flute and Piano, Op. 34 which was composed for Paul Taffanel. This suite, a subtle mix of Romanticism and Classicism, particularly stands out for its nuances and is composed of four movements: - Moderato - Scherzo - Romance - Final Charles-Marie Widor also composed 10 symphonies for Organ, some Operas, and some Piano Concerti./ Répertoire / Flûte Traversière et Piano

To provide greater availability for a work of such importance, the original publishers secured from Gershwin a solo piano version wherein the orchestral parts are fused together with the solo piano part (PS0047). Due to concerns that the composer's arrangement presented too many technical demands to pianists not possessing the requisite technique, a modified arrangement was delicately solicited from pianists of the time. (Gershwin's untimely death precluded any modification from the composer himself.) Many attempts at technical modifications were rejected on ethical grounds until Herman Wasserman--who taught Gershwin to play the piano--submitted a manuscript which became this edition. Several prominent pianists who reviewed the score all attested to the amazing reduction in technical demands while retaining the clarity, sonority, and brilliance of the original. This edition is designed for Early Advanced pianists, although some sections, including the well-known Moderato middle section, are accessible to those performing at less-advanced levels.

Des douze compositeurs de notre série « Au piano », Franz Schubert était sans doute le moins à l'aise au piano ? mais néanmoins quels chefs-d'?uvre il nous a laissés pour cet instrument ! Il n'est guère de pianiste qui ne soit immédiatement captivé par l'atmosphère joyeuse mais mélancolique des impromptus et des Moments musicaux de Schubert. Même les pièces simples de Schubert au début de ce volume réservent des rebondissements surprenants qui leur confèrent une profondeur qui leur est propre. Ses danses ne sont pas non plus de simples « divertissements ». Peu importe à quel point ils peuvent sembler charmants à première vue, il y a toujours un ton mélancolique dans ses valses et ses ländler. Cela semble refléter le pressentiment du compositeur gravement malade de sa propre mort.
Scherzo en si bémol majeur D 593/1
Trois Ländler en si bémol majeur D 378 Nr. 6 - 8 de 8 Ländler D 378
8 Écossaises D 977
Premières Valses op. 9D 365 : non. 1 et 2 en la bémol majeur
Menuet en ré majeur D 41 no. 16 de 20 Menuets D 41
Danse allemande op. Publier. 171 D 790 n° 1 en ré majeur de 12 danses allemandes op. Publier. 171D 790
Impromptu op. Publier. 142 D 935 n° 2 en lab majeur
Moment musical op. 94 non. 3 en fa mineur D 780/3 de Moments musicaux op. 94
Moment musical op. 94 non. 6 en la bémol majeur D 780/6 de Moments musicaux op. 94
Mélodie hongroise en si mineur D 817
Var. I?VII et XIII de 13 Variations D 576 sur un thème de Hüttenbrenner
Sonate en la majeur op. Publier. 120 D 664 : Allegro moderato ? Andante ? Allegro
/ Partitions classique / Piano - instruments à clavier / Piano / HENLE VERLAG

Voici enfin éditée la Sonate pour violon et piano (1940) de Jeanne Demessieux (13 février 1921 - 1er novembre 1968), écrite d'un trait dans la tourmente des débuts de la guerre, à l'occasion du concours de sortie du Conservatoire, A l'évidence, l'originalité du propos est ce qui en fait le prix, et il ne fait pas de doute que l'oeuvre mérite d'être présentée aux violonistes d'aujourd'hui, On peut penser qu'elle trouvera sa place dans la riche collection des duos violon-piano qui semble, à elle seule, retracer un siècle de musique française,Alexis Galpérine- Allegro moderato (6'30'')- Adagio cantabile (2')- Thema et variations (7') Collection Le Violon Rouge / Violon Et Piano

Description The entire corpus of Brahms' short piano pieces is contained in this volume. The music is reproduced directly from the definitive Vienna Gesellschaft der Musikfreude edition. Songlist [Unknown] Agitato B Minor Andante Con Moto C Sharp Minor Andante Con Moto, B Major Andante D Major Andante Moderato E Flat Major Andante Non Troppo B Flat Minor Ballade G Minor Ballades Op.10 Capriccio B Minor Capriccio C Major Capriccio C Sharp Minor Capriccio D Minor Capriccio F Sharp Minor Capriccio G Minor Edward D Minor Eight Piano Pieces Op.76 Fantasies Op.116 Four Piano Pieces Op.119 Intermezzo A Flat Major Intermezzo A Major Intermezzo A Minor Intermezzo B Flat Major Intermezzo B Minor Intermezzo C Major Intermezzo E Flat Minor Intermezzo E Major Intermezzo E Minor Intermezzo F Minor Intermezzo, Allegro, B Minor Molto Passionato G Minor Rhapsody E Flat Major Romance F Major Scherzo E Flat Minor Op.4 Six Piano Pieces Op.118 Three Intermezzi Op.117 Two Rhapsodies Op.79 Waltzes Op.39

Easy to medium difficulty original Piano DuetsInstrument : piano (4 hands)Nombre de Pages : 64The edition is part of the Trinity syllabus 2007 (grade advanced recital)Content : L.v. Beethoven: Gavotta F-Dur - P. Tschaikowsky: Fünf russische Volkslieder - J.F.X. Sterkel: Allegro - R. Volkmann: Ländler, op. 39/7 - C.M.v. Weber: Moderato, op.10/1 - F. Kuhlau: Menuett aus op. 44/3 - L.v. Beethoven: Marcia, op. 45/1 - F. Schubert: Militärmarsch, op. 51/1 - R. Schumann: Bilder aus dem Osten, op. 66/2 und 4 - G. Bizet: Schaukelpferd, op. 22/4 - J. Brahms: Liebeslieder-Walzer, op. 52a/9, 10, 11 und 15 - A. Dvorák: Walzer g-Moll, op. 54/5

Par HAHN. Composed by Reynaldo Hahn, Sonatine En Ut Majeur (1907) is a piece for Piano for intermediate players. This really melodious piece is divided in three main movements. 1. Allegro Moderato in C The main theme starts the piece with an accent on the tonic arpeggio. Counterpoint principle is also used thanks to a canon in two measures. 2. Andantino Rubato in G Written in the form ABA, this movement is then continued by four variations of the theme. 3. Final in G The piece ends on a coda with harmonious arpeggios, played after a ternary dance. Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, he also wrote many pieces and melodies for different instruments./ Répertoire / Piano

Par CAFOLLA ROMA. A modern interpretation of the ancient Dance Suite. Virtuosic writing for the soloist. As a child I was privileged to be introduced to these dances by Ms Watson my ballet teacher. She was an immense talent and explained the nuances and intricacies with care and passion for the subject. 1. Prelude (Allegro) - The introduction to the suite. 2. Allemande (Moderato con moto) An elaborate court dance popular in the 16th century. It is usually followed by the Courante. 3. Courante (Allegro delicato) A dance of french origin. The name is derived from the french word courir to run. Typically in triple time, it features a short up beat. Staccato in nature and lively in performance. 4. Sarabande (Grave patetico) A slow courtly dance in triple time oftenfollowed by a Gigue. 5. Gigue (Vivace Leggiero) A lively baroque dance originating from the Irish jig and imported into France in the mid 17th century. It usually appears at the end of a suite. / Niveau : Intermédiaire à Avancé / Répertoire / Flûte Traversière et Piano