By Malcolm Kogut. For Voices: Unison, some SATB, assembly. Piano. Coll; Celeb Sacred. 54 pages. Published by GIA Publications.
Level: easy.

By John Foley. For Voices: Unison, some descants, cantor, assembly. Keyboard accompaniment. Celeb; Coll Sacred. Level: easy. 57 pages. Published by GIA Publications.

By Malcolm Kogut. For Unison, SATB Choir and Piano accompaniment. Psalms for the Church Year. Includes guitar chord names. Sacred. 8 pages. Published by GIA Publications

Entrance and Communion Antiphons for the Church Year. Composed by M. Roger Holland, II. Sacred. 64 pages. Published by GIA Publications (GI.G-9233).

By Marty Haugen. For Voices: various. Instruments: Woodwinds in C (instruments optional). Keyboard accompaniment. Celeb; Coll Sacred. Level: easy. 54 pages. Published by GIA Publications.

By Mike; Daigle Dameans: Balhoff. For Voices: SATB, cantor, congregation. Instruments: various (instruments optional). Keyboard accompaniment. Coll; Celeb Sacred. Level: easy. 54 pages. Published by GIA Publications.

Composed by Gerald Near (1942-). For organ. Chant-Based. Catholic Sequences, Complete Mass, Pentecost, Trinity, Communion. Medium. Published by Aureole Editions

By Various. Edited by Armin Kircher. Choral collections. Chorbuch Kirchenjahr. A cappella-Repertoire. Mass sections; Advent, Lent and Passiontide, Holy Week, Easter and Eastertide, Whitsun, Christmas; Peace and justice, Wedding, Praise and thanks, Psalms, Baptism, Mourning, death, Our Father. Choral collection. 184 pages. Published by Carus Verlag

2-part equal voices, 2-part mixed voices, SAB choir, SATB choir

SKU: GI.G-3612A

Composed by Gary Daigle and Rory Cooney. Psalms for the Church Year. Sacred. Octavo. 16 pages. GIA Publications #3612A. Published by GIA Publications (GI.G-3612A).

UPC: 785147361206. Scripture: various.

11 more psalm settings for use on various Sundays, feasts, and rites. Lectionary listings provided. Reprintable refrains for assembly included. SATB (many), Guitar, Acc. CONTENTS: PSALM 32: I TURN TO YOU/FORGIVE THE WRONG I HAVE DONE • PSALM 30: I WILL PRAISE YOU LORD • PSALM 34: CRY OF THE POOR • PSALM 31: I PLACE MY LIFE • PSALM 8: HOW GLORIOUS IS YOUR NAME • PSALM 119: HAPPY ARE THOSE WHO FOLLOW • PSALM 95: HARDEN NOT YOUR HEARTS • PSALM 63: MY SOUL IS LONGING • PSALM 68: YOU HAVE MADE A HOME FOR THE POOR • PSALM 116: I WILLW ALK IN THE PRESENCE OF GOD • PSALM 146: PRAISE THE LORD, MY SOUL.

By Hal H. Hopson. Edited by Various authors. Arranged by Various Authors. Author's Collections. Sacred. Book. 96 pages. Published by Hope Publishing Company

By The Dameans. For SATB Choir, Cantor and Keyboard accompaniment. Psalms for the Church Year. Includes guitar chord names. Sacred. 32 pages. Published by GIA Publications

By Roy James Stewart. For SATB Chorus, Cantor and Keyboard accompaniment. Psalms for the Church Year. Includes guitar chord names. Sacred. 80 pages

SATB choir, cantor, voice solo, assembly, piano accompaniment - Early intermediate

SKU: GI.G-9431

Entrance and Communion Antiphons for the Church Year. Composed by M. Roger Holland, II. Sacred. 40 pages. GIA Publications #9431. Published by GIA Publications (GI.G-9431).

UPC: 785147943105. English. Text Source: 1. Ps. 96:1, 3, 6-9, alt., The Revised Grail Psalms, 2. 1 Jn. 4:16, Ps. 103:1-2, 8, 10-12, 17-18a, The Grail, 1983, 3. Is. 7:14, Ps. 19:2-6, RGP, 4. Jn. 6:57, Ps. 119:1-2, 11, 49-50, 65, 72, 103, Grail, 1983, Ps. 2. Scripture: Psalm 96:1, 3, 6–9, 1 John 4:16, Psalm 103:1–2, 8, 10–12, 17–18a, Isaiah 7:14, Psalm 19:2–6, John 6:57, Psalm 119:1–2, 11, 49–50, 65, 72, 103, Psalm 23:5ad.

Noted composer M. Roger Holland has taken antiphons from the 2010 Roman Missal and paired them with psalm verses, creating compositions that have wide use in the liturgy. Some parishes will want to use these pieces on the appointed day for entrance or communion processionals. Others may find use for them throughout the entire year, perhaps using them as a weekly song through the season. The songs work well as stand-alone processional pieces and many choirs will want to use them as choir anthems or congregational songs during the preparation of the gifts and altar. While utilizing official texts of the Roman rite, they can be used by congregations of any denomination. Roger explores the wide breadth that is African American music, you’ll find lyric ballades, spiritualinspired offerings, gospel-style songs, and pieces with a more uptempo feel. This is the fourth volume in this series. Contains: O Sing a New Song • God Is Love • Behold Emmanuel • Communion Song For cantor or soloist.

SATB choir, cantor, assembly, keyboard accompaniment - Intermediate

SKU: GI.G-10314

Composed by Charles Thatcher. Advent, Christmastide, Lent, Eastertide, Ordinary Time. Sacred. 64 pages. GIA Publications #10314. Published by GIA Publications (GI.G-10314).

ISBN 7851471031413. English, Latin. Text Source: Antiphons tr. Charles Thatcher, verses, The Grail, 1963.

Entrance Antiphons for the Church Year contains thirty antiphon texts from the Graduale Simplex, translated from Latin and set to newly composed music. The psalm verses appointed for these antiphons are taken from the Grail translation (1963). As with the Responsorial Psalm of the Mass, the assembly sings the antiphon after its intonation by the cantor/choir, repeating it after each verse of the psalm. The number of psalm verses which are sung may vary according to need. The singing of the doxology, Glory to the Father, while recommended, is optional. In several cases (e.g., Christmas and Easter), the assembly sings a refrain—a simple acclamation in Latin—and the actual antiphon text is sung by the cantor/choir. The antiphon functions as a first and final verse. It is thought that liturgical singing in the early Church consisted in part of such short acclamatory phrases. Many of the antiphons in this collection are proper to a specific Sunday, solemnity, or feast. The rest are seasonal in nature and, like the common Responsorial Psalms of the Lectionary, may be chosen according to what seems best for the occasion. The antiphons of Christmas Day and Easter Sunday could be used at daily Masses during their octaves. Notations in the scores of some antiphons suggest alternate occasions when they are appropriate. Regarding performance, these compositions were conceived with flexibility in mind. Assembly participation and instrumental accompaniment are assumed. SATB choral singing is effective, but not necessary. Discrete use of descants where provided can lend an air of festivity. Psalm verses might be sung by an entire choir, by a small group or cantor, or a combination of both.