Saxophone Series, 2013
Edition. Composed by
The Royal Conservatory.
Saxophone Series, 2013
Edition. Book/CD. 80/40
pages. The Frederick
Harris Music Company
#WS6. Published by The
Frederick Harris Music
Company (FH.WS6).
ISBN
978-1-55440-555-8.
Unparalleled in scope,
this groundbreaking
series for E_Alto and
B_Tenor offers a single
collection of Repertoire
and supporting materials
written or arranged
specifically for
saxophone. With
Repertoire spanning from
the Baroque to
contemporary eras,
Recordings, Etudes,
Technique, and Orchestral
Excerpts, this
comprehensive series
serves as a balanced and
organized pedagogical
resource from the
beginner to advanced
levels of study. Nine
progressive volumes of
Repertoire expose
students to original
works and arrangements of
diverse styles from W.A.
Mozart to Violet Archer,
with selected works by
notable jazz artist Paul
Desmon (Take Five), and
living composer Phil
Woods. Each level
provides opportunities to
explore Baroque,
Classical, Romantic, and
contemporary works, with
original, unaccompanied
selections from Levels 5
through 8 that use
extended techniques such
as multiphonics, key
clicks, and bisbigliando.
Earlier works pre-dating
the origin of the
saxophone have been
carefully arranged with
consideration of the
unique quality of the
instrument. Exposure to
these works help to
develop musicianship and
an understanding of
tonality, creating
well-rounded and
versatile performers.
Selections written for
both E_Alto and B_Tenor
include piano
accompaniments that
function with both
instruments. Eb
Saxophone:
Mainly
Transcriptions: Sonata
op. 3, no. 5 - Giovanni
Benedetto Platti, arr.
Christine Donkin -
First Movement:
Pastorale - Third
Movement: Alla
breve Variations on a
Gavotte by Corelli -
Werner Wolf Glaser and
Sigurd Rascher Sonata
op. 3, no. 7 -
Jean-Baptiste Loeillet,
arr. Kathleen Wood -
[Complete] Mainly
Original Repertoire for
Saxophone: Neo-Funk -
Michael Garson The
Good Girl - Phil
Woods Ballad - Paul
Ben-Haim
Bb
Saxophone:
Mainly
Transcriptions: Sonata
in C minor, TWV 41:c3 -
Georg Philipp Telemann,
arr. Jason Noble -
First Movement -
Second Movement -
Third Movement Sonata
A minor, op. 1, no. 3 -
Benedetto Marcello -
[Complete] Mainly
Original Repertoire for
Saxophone: Poem -
Walter S.
Hartley Allegro
Appassionata, op. 43 -
Camille
Saint-Saens
Eb
Saxophone or Bb
Saxophone:
Unaccom
panied
Repertoire Dynamic
Control - Edward
Diemente Lyricism and
Agility - Edward
Diemente Multiple
Action - Edward
Diemente Prelude, op.
122, no. 2 - Gottlieb
Heinrich Koehler, arr.
Robert J. Ford Ballad
in Color - Ronald L.
Caravan.
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC5. Published
by The Frederick Harris
Music Company (FH.VC5).
ISBN
978-1-55440-541-1.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Concertos,
Sonatas, and
Suites: Concerto in D
Major, op. 213 -
Mendelssohn, Ludwig -
First Movement: Allegro
moderato Concertino
No. 1 in F Major -
Breval, Jean-Baptiste
arr. L.-R. Feuillard -
First Movement:
Allegro Suite in G
Major - Matz, Rudolf -
Fourth Movement -
Fifth Movement Sonata
in G Major - Bach, Johann
Christoph Friedrich arr.
Hugo Ruf - First
Movement:
Allegretto Sonata in C
Major - De Fesch, Willem
arr. Jason Noble -
First Movement:
Largo - Second
Movement:
Vivace Sonata -
Marcello, Benedetto arr.
Alfred Piatti - First
Movement: Largo -
Second Movement:
Allegro Sonata in F
Major, RV 41 - Vivaldi,
Antonio arr. Kathleen
Wood - First Movement:
Largo - Second
Movement:
Allegro Concert
Repertoire: O Canto Do
Cysne Negro -
Villa-Lobos,
Heitor Frogs Dancing
on Water Lilies -
Mustonen,
Olli Langsam, op. 102,
no. 2 - Schumann,
Robert When Music
Sounds - Coulthard,
Jean Wie einst in
schoener'n Tagen, op. 64,
no. 1 - Popper,
David Bourree, op. 24
- Squire, William
Henry Notturno, op.
59, no. 1 - Goltermann,
Georg Scherzo and Trio
- Reger, Max Lamento -
Faure, Gabriel Lied -
Rachmaninoff,
Sergei Unaccompanied
Repertoire: Capriccio
No. 5 - Matz,
Rudolf Ricercar No. 3
- Gabrielli,
Domenico Suite in C
Major - Matz, Rudolf -
Fourth Movement:
Sarabande - Seventh
Movement: Gigue Suite
No. 1 in G Major - Bach,
Johann Sebastian -
Third Movement:
Courante.
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC2. Published
by The Frederick Harris
Music Company (FH.VC2).
ISBN
978-1-55440-538-1.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Baroque and
Classical
Repertoire: Chaconne -
Handel, George Frideric
arr. Peter Heilbut Un
ballo (A Ball) -
Steibelt, Daniel arr.
Eugen Rapp Schwedisch
(Swedish) - Romberg,
Bernhard arr. Percy
Such When I Am Laid in
Earth (from Dido and
Aeneas) - Purcell,
Henry Concertino No. 4
in C Major, op. 22 -
Breval, Jean-Baptiste
arr. L.-R.
Feuillard Ombra mai fu
(Never Was a Shade)
Handel, George Frideric
arr. Gaston
Borch Traditional and
Romantic
Repertoire: The Joker,
op. 126b, no. 3 -
Grechaninov,
Alexandr Anitra's
Dance - Grieg, Edvard
arr. Ann Lindsay She's
Like the Swallow -
Canadian folk song arr.
Forrest Kinney Joyeuse
(Joyful) - Squire,
William Henry After
the Bass Is Over -
Harris, Charles K. arr.
Pat Legg and Alan
Gout Repertoire
Composed after ca
1930: Hen and Rooster
- Konicek,
Zdenek Latin Nights -
Blackwell, David and
Kathy
Blackwell Running of
the Bulls - Cheney,
Elliott W. Wrist Watch
- Birston,
Harold Sunday Drag -
Perry, Anita
D. Soft-Shoe Dance -
Reubart, Dale For a
Blue Note - Allerme,
Jean-Marc.
(Prelude to the Afternoon of a Faun). By Claude Debussy (1862-1918). Edited by D...(+)
(Prelude to the Afternoon
of a Faun). By Claude
Debussy (1862-1918).
Edited by Douglas
Woodfull-Harris. For
orchestra (3 flutes/2
oboes/english horn/2
clarinets/2 bassoons/4
horns/cymbal/2 harps/2
violins/viola/cello/doubl
e bass). This edition:
Stapled, Urtext edition.
Score. Text Language:
English/French/German. 44
pages. Duration 10'.
Published by Baerenreiter
Verlag
Viola Series, 2013
Edition. Composed by
The Royal Conservatory.
Viola Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VA2. Published
by The Frederick Harris
Music Company (FH.VA2).
ISBN
978-1-55440-564-0.
This groundbreaking
series for viola offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
virtuoso. Representing
all major style periods
and a variety of genres,
Viola Series, 2013
Edition offers all the
music and tools needed to
support a comprehensive
course of study from the
beginner to advanced
levels. A rich and varied
selection of music in
each of these nine
progressive volumes of
repertoire appeals to
violists of all ages.
From the Preparatory
Level through Level 8,
students will be exposed
to quality selections
originally written for
viola, fun arrangements
of traditional fiddle and
folk tunes, as well as
contemporary pieces by
notable composers such as
Violet Archer, Carey
Cheney, and Fritz
Kriesler. Concertos,
Concertinas, and
Fantasias: Concerto in
E Minor, op. 35 -
Rieding, Oskar - First
Movement Concertino in
the Style of Antonio
Vivaldi, op. 15 -
Kuechler, Ferdinand -
Third
Movement Concertino
No. 4 in C Major, op. 22
- Breval,
Jean-Baptiste - Third
Movement: Finale The
Infant Paganini: Fantasia
- Mollenhauer,
Eduard Baroque
Repertoire: Chaconne -
Handel, George Frideric
arr. Peter
Heilbut Sarabande -
Handel, George Frideric
arr. Christine
Gale Giguetta - Bach,
Johann Sebastian arr.
Constance
Seely-Brown Ombra mai
fu (Never Was a Shade),
from Serse - Handel,
George Frideric arr.
Gaston
Borch Polonaise, BWV
Anh. 119 - attr. Bach,
Johann Sebastian arr.
Jason Noble Two Dances
- Hasse, Johann Adolf
arr. Johannes
Palaschko Concert
Repertoire: Andante
grazioso - Mozart,
Wolfgang Amadeus arr.
Jason Gray and Katharine
Rapoport Wiegenlied
(Lullaby) - Wolf,
Hugo Dark Mood -
Archer, Violet On the
Road - Teehan,
Rob Rigadoon - Jacon,
Gordon March, from The
Nutcracker - Tchaikovsky,
Pyotr Il'yich arr. Jason
Noble Hen and Rooster
- Konicek, Zdenek.
For Easy Guitar Tablature. Performed by Various. Piano/Vocal/Chords Songbook (Ar...(+)
For Easy Guitar
Tablature. Performed by
Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). With
notes and tablature. Size
9x12 inches. 240 pages.
Published by Word Music.
Viola SKU: BA.BA05646-79 Composed by Franz Schubert. Edited by Arnold Fei...(+)
Viola
SKU:
BA.BA05646-79
Composed by Franz
Schubert. Edited by
Arnold Feil and Douglas
Woodfull-Harris. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. D
589, No. 6. 12 pages.
Baerenreiter Verlag
#BA05646_79. Published by
Baerenreiter Verlag
(BA.BA05646-79).
ISBN
9790006499175. 32.5 x
25.5 cm inches. Key: C
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA05646-74 Composed by Franz Schubert. E...(+)
First violin (1. Violin)
SKU: BA.BA05646-74
Composed by Franz
Schubert. Edited by
Arnold Feil and Douglas
Woodfull-Harris. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. D
589, No. 6. 16 pages.
Baerenreiter Verlag
#BA05646_74. Published by
Baerenreiter Verlag
(BA.BA05646-74).
ISBN
9790006499151. 32.5 x
25.5 cm inches. Key: C
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA05646-75 Composed by Franz Schubert. ...(+)
Second violin (2. Violin)
SKU: BA.BA05646-75
Composed by Franz
Schubert. Edited by
Arnold Feil and Douglas
Woodfull-Harris. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. D
589, No. 6. 12 pages.
Baerenreiter Verlag
#BA05646_75. Published by
Baerenreiter Verlag
(BA.BA05646-75).
ISBN
9790006499168. 32.5 x
25.5 cm inches. Key: C
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Franz
Schubert. Edited by
Arnold Feil and Douglas
Woodfull-Harris. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. D
589, No. 6. 12 pages.
Duration 22 minutes.
Baerenreiter Verlag
#BA05646_82. Published by
Baerenreiter Verlag
(BA.BA05646-82).
ISBN
9790006499182. 32.5 x
25.5 cm inches. Key: C
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Orchestra (Viola) SKU: BA.BA08841-79 Composed by Claude Debussy. Edited b...(+)
Orchestra (Viola)
SKU:
BA.BA08841-79
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_79. Published by
Baerenreiter Verlag
(BA.BA08841-79).
ISBN
9790006541232. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA08841-74 Composed by Claude Debussy. E...(+)
First violin (1. Violin)
SKU: BA.BA08841-74
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_74. Published by
Baerenreiter Verlag
(BA.BA08841-74).
ISBN
9790006541218. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA08841-85 Composed by Claude Debussy. Edited by Doug...(+)
Double bass
SKU:
BA.BA08841-85
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 3 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_85. Published by
Baerenreiter Verlag
(BA.BA08841-85).
ISBN
9790006541256. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA08841-75 Composed by Claude Debussy. ...(+)
Second violin (2. Violin)
SKU: BA.BA08841-75
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_75. Published by
Baerenreiter Verlag
(BA.BA08841-75).
ISBN
9790006541225. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
