Big Note Songbook. Beginning pianists will love to play the 18 familiar movie hits in this collection, including: Alice - The Bare Necessities - Bundle of Joy - Can't Stop the Feeling - City of Stars - Evermore - Everything Is Awesome - How Far I'll Go - In Summer - Lava - Linus and Lucy - Rey's Theme - Something Wild - Sophie's Theme - Spirit in the Sky - Strong - Try Everything - Unforgettable. Includes lyrics where applicable./ Recueil / Piano

Une collection regroupant 72 des plus grands standards de la pop internationale spécialement transcrits pour Piano, voix et diagrammes d'accords guitare.Titres : A Design For Life [Manic Street Preachers] - Black And White Town [Doves] - Bring Me To Life [Evanescence] - Come Away With Me [Jones, Norah] - Country Girl [Primal Scream] - Driftwood [Travis] - Drops Of Jupiter [Train] - Good Souls [Starsailor] - Hallelujah [Buckley, Jeff] - Heartbeats [Gonzalez, Jose] - How To Save A Life [Fray, The] - How You Remind Me [Nickelback] - In The Morning [Coral, The] - Ironic (Acoustic Album Version) [Morissette, Alanis] - Journey From A To B [Badly Drawn Boy] - Lullaby [Mullins, Shawn] - Naive [Kooks, The] - Natures Law [Embrace] - Never Be Lonely [Feeling, The] - Nightswimming [R.E.M.] - Put You Records On [Rae, Corrine Bailey] - Same Jeans [View, The] - Smile [Allen, Lilly] - Smile [Allen, Lily] - Somewhere Only We Know [Keane] - Sophia [Pallot, Nerina] - Speed Of Sound [Coldplay] - Suddenly I See [Tunstall, KT] - Take A Chance [Magic Numbers, The] - The Bucket [Kings Of Leon] - They Can't Buy The Sunshine [Turin Brakes] - Tumble And Fall [Feeder] - Valerie [Zutons, The] - Waterfall [Stone Roses, The] - When You Were Young [Killers, The] - Wherever You Will Go [Calling, The] - Wonderwall [Oasis] - Wonderwall [Oasis] - You Give Me Something [Morrison, James] - You Had Me [Stone, Joss] - Ashes [Embrace] - Cannonball [Rice, Damien] - Crazy (James Michael Mix) [Morissette, Alanis] - Dakota [Stereophonics] - Dream Catch Me [Faulkner, Newton] - Everybody Here Wants You [Buckley, Jeff] - Jenny Don't Be Hasty [Nutini, Paolo] - LDN [Allen, Lily] - Like A Star [Rae, Corinne Bailey] - Love Me Like You [Magic Numbers, The] - One Horse Town [Thrills, The] - Other Side Of The World [Tunstall, KT] - Over My Head (Cable Car) [Fray, The] - Pressure Suit [Aqualung] - Rocks [Primal Scream] - She's Got You High [Mumm-Ra] - Should I Stay Or Should I Go [Clash, The] - Silence Is Easy [Starsailor] - Smokers Outside The Hospital Doors [Editors] - Something To Talk About [Badly Drawn Boy] - Song 4 Mutya (Out Of Control) [Groove Armada] - Take Her Back [Pigeon Detectives, The] - Tender [Blur] - Torn On The Platform [Penate, Jack] - Walk On The Wild Side [Reed, Lou] - Wasted Little DJ's [View, The] - What's The Frequency, Kenneth? [R.E.M.] - Why Does It Always Rain On Me? [Travis] - Why Won't You Give Me Your Love? [Zutons, The] - Worried About Ray [Hoosiers, The] - Yellow [Coldplay] - Young Folks [Moren, Peter] [Eriksson, John] [Yttling, Bjorn] - Your Love Alone Is Not Enough [Manic Street Preachers] / Piano/Vocal/Guitare (PVG)

Ce recueil passionnant dispose authentique piano et vocal de 18 transcriptions de chansons de Alicia Keys 'à succès les plus connus.Parmi les chansons retrouvez: Fallin' - How Come You Don't Call Me - If I Ain't Got You - No One - Prelude to a Kiss - When You Really Love Someone - Wild Horses - A Woman's Worth - You Don't Know My Name / Piano Et Voix

'Woodcutter's Son', 'Stanley Road', 'The Weaver', 'Wild Wood' et seize autres chansons, spécialement arrangées avec seulement quelques accords pour vous aider à jouer sans attendre. / Paroles Et Accords

Par WEDGWOOD PAM. This book is perfect for those looking for something to bridge the gap between grades 2 and 3. Pam Wedgwood's inimitable style is guaranteed to breathe new life into your piano playing - the varied pieces in this bright new collection range from toe-tapping jazzy numbers to more classical styles, all designed to ease you gently on towards the next grade. So lighten up and move on with Up-Grade! / Pédagogie / Date parution : 1995-09-22/ Recueil / Piano

Tender is the night on what is, perhaps, Keith Jarrett's most intimate album. It is comprised of solo piano renderings of jazz ballads and folk songs, played with unmistakable affection. Jarrett dispenses with the jazz soloist's conventional emphasis on dexterity, the 'clever' phrase, the virtuosic sleight-of-hand. Instead he strips these songs to their melodic essence and, gently, lays bare their emotional core. This transcription, which has Keith Jarrett's personal approval, was worked out at the keyboard and aims, above all, for maximum playability within the greatest tonal range. Friedrich Grossnick, as an experienced pedagogue, has produced an outstanding score with particular sensitivity to Jarrett's interpretation thus enabling its faithful recreation on the piano. I Loves You Porgy I Got It Bat And That Ain't Good Don't Ever Leave Me Someone To Watch Over Me My Wild Irish Rose Blame It On My Youth (with Meditation) Something To Remember You By Be My Love Shenandoah I'm Through With Love

Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano

195 Lyrics And Chords. Par BEATLES THE. 195 lyrics and chords, Tutti i testi con gli accordi per chitarra delle canzoni dei Beatles/ Recueil / Chant et Piano

Par BEATLES THE. Pop/Rock / Rép International / Recueil / Piano, Chant et Guitare

Budget Books, the sensational value for money series presents Movie Songs, arranged for PVG. 74 Songs, including Crouching Tiger Hidden Dragon, The Little Mermaid, Magnolia, Moulin Rouge, Notting Hill, Raiders of the Lost Ark, Shakespeare in Love, Terms of Endearment.

Par BEATLES THE. This matching folio is now available again and re-issued with a new cover to coincide with the re-release of the digitally re-mastered classic album. Arranged for Piano, Voice and Guitar with complete lyrics and Guitar chord boxes. Includes the classics Blackbird, While My Guitar Gently Weeps, Back In The USSR and Dear Prudence / Rép International / Recueil / Piano, Chant et Guitare

Après les Beatles A-I (HL00312017) ce deuxième volume comprend plus de 100 chansons, cette fois en commençant par les lettres J - Y, compléter les paroles et cordes diagrammes afin que vous ayez l'essentiel de leur jeu chaque fois qu'un clavier se trouve à proximité. / Mélodie/Vocal/Piano (MVP) / 232 pages / Partition

Un choix de douze excellentes chansons provenant de l'album, transcrites en tablature de guitare et en notation standard, avec les paroles et les symboles d'accord. Explication de tablature en anglais, français allemand et italien. / Tablatures guitare (avec les accords)