(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 ...(+)
Edited by Amy Appleby.
Collection and examples
CD for easy solo piano.
Over 200 great
masterpieces from the
baroque, classical,
romantic and modern eras.
Series: Piano Treasury
Series. 399 pages.
Published by Music Sales.
Piano seul [Partition + Accès audio] - Débutant Faber Piano Adventures
Book with Media Online. Composed by Nancy Faber and Randall Faber. Faber Piano A...(+)
Book with Media Online.
Composed by Nancy Faber
and Randall Faber. Faber
Piano Adventures.
Educational, Method.
Softcover Media Online.
184 pages. Faber Piano
Adventures #FF1302.
Published by Faber Piano
Adventures
Piano seul [Partition + CD + DVD] Faber Piano Adventures
Book with CD, DVD and Online Support. Composed by Nancy Faber and Randall Faber....(+)
Book with CD, DVD and
Online Support. Composed
by Nancy Faber and
Randall Faber. Faber
Piano Adventures.
Educational, Method.
Softcover with DVD. 184
pages. Faber Piano
Adventures #FF1302CD.
Published by Faber Piano
Adventures
The Piano Bench of Easy Classical Music arranged by Amy Appleby. For Piano Solo....(+)
The Piano Bench of Easy
Classical Music arranged
by Amy Appleby. For Piano
Solo. Music Sales
America. Classical.
Softcover. 400 pages.
Music Sales #AM967549.
Published by Music Sales
Schirmer's Library of Musical Classics Volume 2109. Composed by Various...(+)
Schirmer's Library
of
Musical Classics Volume
2109. Composed by
Various.
Piano Collection.
Softcover.
192 pages. G. Schirmer
#LB2109. Published by G.
Schirmer
Piano - easy SKU: BT.EMBZ14967 Essential Sonatinas for Music Education...(+)
Piano - easy
SKU:
BT.EMBZ14967
Essential Sonatinas
for Music Education -
Ausgewählte Sonatinen
für die
Musikausbildung. By
Jozsef Sarmai.
Educational Tool. Book
Only. Composed 2016. 44
pages. Editio Musica
Budapest #EMBZ14967.
Published by Editio
Musica Budapest
(BT.EMBZ14967).
Hungarian-English-Germ
an-French.
Sonatina
s form a vital part of
the teaching material for
beginner and intermediate
piano students. Compared
to the great classical
piano sonatas, they are
technically and musically
simpler and typically
shorter. However, they
still convey the basic
elements of Classical
style: the relation of
melody to accompaniment,
articulation,
stylistically authentic
playing, and correct
interpretation. For the
two volumes of Giraffe
Piano, the most favoured
and instructive of the
sonatinas have been
chosen. Volume 1 contains
simpler pieces and Volume
2 is compromised of
moderately difficult
ones. Correct
interpretation of the
pieces is facilitated by
added performance and
fingeringmarks. Learning
is helped along by clear
presentation of the
score, carefully placed
page turns, and by
inspiration from colour
images showing the
keyboard instruments of
the 1720-1820 period for
which the pieces were
written. The most notable
of them is the giraffe
piano, after which the
collection is named.
Im Lehrstoff
für Anfänger und
fortgeschrittene
Klavierschüler auf
Mittelstufenniveau sind
Sonatinen unverzichtbar.
Sie sind technisch und
musikalisch einfacher und
vor allem kürzer als
die großen klassischen
Klaviersonaten, zugleich
kann man an ihnengut die
Grundelemente des
klassischen Stils, das
Verhältnis von Melodie
und Begleitung, eine
klare, stilgetreue
Vortragsweise und die
richtige Formgebung
üben.
In den zwei
Bänden des
Giraffenklaviers
haben wir die
beliebtesten und auch
für den Unterricht am
meisten geeigneten
Sonatinen
zusammengestellt. Im 1.
Band befinden sich
leichte, im 2.
mittelschwere Stücke.
Den richtigen Vortrag der
Stücke unterstützt
der Herausgeber mit HIlfe
von Artikulations- und
Vortragszeichen sowie
Fingersätzen. Über
das klare Notenbild und
die sorgsam gewählten
Stellen zum Umblättern
hinaus machen farbige
Bilder von
zeitgenössischen,
zwischen 1720 und1820
gebauten
Tasteninstrumenten,
für die auch Stücke
des Bandes geschrieben
wurden, ihre Aneignung zu
einem besonderen
Erlebnis. Das
eigentümlichste unter
ihnen war das auf dem
Umschlag abgebildete
Giraffenklavier, das dem
Album auch seinen Namen
gab.
Easy to Int. Solos 65 Works from Symphonies, Operas, Concertos, Piano Literature...(+)
Easy to Int. Solos 65
Works from Symphonies,
Operas, Concertos, Piano
Literature and Chamber
Music. World's Greatest
Classical Music. Size
9x12 inches. Published by
Hal Leonard.
Edited by Amy Appleby. Music Sales America. Baroque, Classical Period and World....(+)
Edited by Amy Appleby.
Music Sales America.
Baroque, Classical Period
and World. Softcover
collection (spiral
bound). With fingerings
(does not include words
to the songs). 240 pages.
Music Sales #AM967440.
Published by Music Sales
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
An Innovative Method Enhanced with Audio and MIDI Files for Practice and Perform...(+)
An Innovative Method
Enhanced with Audio and
MIDI Files for Practice
and Performance. By Kenon
D. Renfrow, E. L.
Lancaster. For Piano.
Piano - Alfred's Group
Piano for Adults.
Alfred's Group Piano for
Adults. Book and CD-ROM.
360 pages. Published by
Alfred Publishing.
Piano seul [Partition + Accès audio] - Intermédiaire Faber Piano Adventures
Developing Artist Original Keyboard Classics. Edited by Nancy Faber and Randall ...(+)
Developing Artist
Original Keyboard
Classics. Edited by Nancy
Faber and Randall Faber.
Faber Piano Adventures.
Classical, Supplementary.
Softcover Audio Online.
128 pages. Faber Piano
Adventures #FF1282.
Published by Faber Piano
Adventure
Composed by Wolfgang Amadeus Mozart (1756-1791). For solo piano. Format: piano s...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). For solo
piano. Format: piano solo
book. Classical period.
Series: The World's Great
Classical Music. 208
pages. 9x12 inches.
Published by Hal Leonard.
Arranged by Paul Sheftel. Collection for Piano. This comprehensive volume for be...(+)
Arranged by Paul Sheftel.
Collection for Piano.
This comprehensive volume
for beginning piano
students offers the
player 132 original
masterpieces from
Beethoven to Bartok and
covers a wide range of
styles. Selected by noted
piano pedagogue Paul
Sheftel, this collection
will offer the beginning
student challenging
repertoire as well as
hours of enjoyment. 157
pages. Published by Carl
Fischer.
Piano - Grade 4 SKU: BT.WMP2216 2015-2016 Grades 4-5. Composed by ...(+)
Piano - Grade 4
SKU:
BT.WMP2216
2015-2016 Grades
4-5. Composed by
Josephine Koh. Teachers'
Choice. Method. Book
Only. 40 pages. Wells
Music Publishers
#WMP2216. Published by
Wells Music Publishers
(BT.WMP2216).
ISBN
9789810924096.
English.
Teachers’ Choice,
Selected Piano Repertory
& Studies for
grades 4-5 is compiled to
provide teachers and
students with good
options for the 2015 &
2016 ABRSM Piano
examinations.
-
This collection
ofinteresting and
appealing Piano pieces
contains editorial
suggestions for
pedagogical purposes.
Most teachers will find
the performance points
helpful in developing
stylistic awareness in
the
students.
-Examinat
ionrequirements aside,
details on articulation,
dynamics, fingering,
pedal marks and tempo
serve to provide a
directed approach for
students to strive
towards achieving musical
excellence and
perfection.
-Effect
ivetechnicalstudies
suited to each level have
been carefully selected,
forming in themselves,
supplementary materials
to enhance technical
competence.
-Most
important of all, enjoy
the high standards of
music typography
suchclear, professionally
laid scores supported by
modern publishing
technology and musical
semiotics. The digital
print on quality
cream-coloured paper
ensures comfort in the
reading of musical
scores.
By Nancy Faber and Randall Faber. For Piano. Faber Piano Adventures®. Method. P...(+)
By Nancy Faber and
Randall Faber. For Piano.
Faber Piano Adventures®.
Method. Primer - Level
2B. CD only. Faber Music
#CD1025. Published by
Faber Music
Piano (Piano Solo) SKU: HL.51481453 Works of the 20th Century. Com...(+)
Piano (Piano Solo)
SKU: HL.51481453
Works of the 20th
Century. Composed by
Various. Edited by
Jingxian Xie. Henle Music
Folios. Chinese,
Classical. Softcover. 88
pages. G. Henle #HN1453.
Published by G. Henle
(HL.51481453).
UPC:
196288191933.
9.25x12.25x0.283
inches.
This
extraordinary edition
includes a selection of
ten piano works by
Chinese composers from
the second half of the
20th century. They are
marked by Western
influences while also
reflecting the
multifaceted folk music
of China. They range from
short character pieces to
sonatinas, from simple
song arrangements to
multi-movement cycles.
These works are of medium
difficulty and offer a
representative
cross-section of a
musical cosmos that
remains largely unknown
in Europe. Predominantly
pentatonic in character,
these works unite the
magic of Far Eastern
music with the sound of
the piano. We were able
to get the well-known
pianist Jingxian
(âJaneâ) Xie
from Shanghai to select
these compositions, which
she herself regularly
performs in the concert
hall. She not only
provided the fingerings,
but has also written a
preface that offers a
general overview of
modern Chinese piano
music and introductions
to each of the individual
pieces. CONTENTS: Wei Qu:
Flower Drum Pei-Xun Chen:
Thunder during a Drought
Li-San Wang: Sonatina
Hu-Wei Huang: Pictures
from Bashu Yi-Qiang Sun:
Threshing Dance Wang-Hua
Chu: The Moon Reflected
in the Erquan Spring
Jian-Zhon wang: A Hundred
Birds Pay Homage to the
Phoenix Jian-Zhong Wang:
Colorful Clouds Chasing
the Moon Ying-Hai Li:
Adieux at Yangguan Li-San
Wang: The Sound of the
Waves.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Favorite Piano Classics (CC10) by Various. For Piano. Published by Santorella Pu...(+)
Favorite Piano Classics
(CC10) by Various. For
Piano. Published by
Santorella Publications
(SP.78200).
ISBN 1-58560-526-3.
There is certainly an
abundance of Classical
piano literature in
print. Every publisher
has a collection of piano
classics in their catalog
and the differences are
determined by several
factors. When we narrow
the field to include only
"unedited original works"
of the greatest
composers, the largest
difference is content.
Favorite Piano Classics
from Santorella
Publications contains the
finest assortment of
"unedited original" piano
works in print. Let's let
the titles and their
fathers speak for
themselves.
Repertoire for Piano Duet, Two Pianos, and Multiple Pianos. Composed by Select...(+)
Repertoire for Piano
Duet,
Two Pianos, and Multiple
Pianos. Composed by
Selected
by E. L. Lancaster and
Kenon
D. Renfrow.
Method/Instruction; Piano
-
Alfred's Group Piano for
Adults. Alfred's Group
Piano
for Adults. Book. 96
pages.
Alfred Music #00-47850.
Published by Alfred Music
106 Graded Pieces from Baroque to the 20th C. Compiled and Edited by P. Low, ...(+)
106 Graded Pieces from
Baroque to the 20th C.
Compiled and Edited by P.
Low,
S. Schumann, C. Siagian.
Composed by Various.
Edited
by Charmaine Siagian.
Willis.
Classical, Recital,
Solos.
Softcover. Published by
Willis Music
(For the Later Beginner). Arranged by Tom Gerou. For Piano. Book; Graded Standar...(+)
(For the Later Beginner).
Arranged by Tom Gerou.
For Piano. Book; Graded
Standard Repertoire;
Method/Instruction; Piano
- Alfred's Basic Piano
Library. Alfred's Basic
Piano Library. Broadway;
Children; Movie; Pop.
Beginner. 40 pages.
Published by Alfred Music