Par SPEARRITT GORDON. An exciting series from Dr Gordon Spearritt. Essential Music Theory publications have been foundation music texts for generations of music students. / Niveau : Débutant / All Styles - Theory and Harmony / Répertoire / Tout Instrument

52 hymns that will keep you playing all year long! Includes: Abide with Me - All Creatures of Our God and King - Amazing Grace - Be Thou My Vision - Blessed Assurance - Crown Him with Many Crowns - Holy, Holy, Holy - How Firm a Foundation - I Surrender All - It Is Well with My Soul - Jesus Paid It All - Just As I Am - A Mighty Fortress Is Our God - Nearer, My God, to Thee - O Worship the King - The Old Rugged Cross - Savior, like a Shepherd Lead Us - Silent Night - 'Tis So Sweet to Trust in Jesus - We Gather Together - Were You There? - When I Survey the Wondrous Cross - and more. / Piano

Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste 'plat' sur le support du piano.Titres : Miserere mei, Deus [Allegri] - Sarabande [Arnold, Malcolm] - Aria from Goldberg Variations [Bach, J.S.] - Badinerie (from Orchestral Suite #2 in B Minor) [Bach, J.S.] - Prelude #11 in F Major (from The Well-Tempered Clavier) [Bach, J.S.] - Solfeggietto in C Minor [Bach, C.P.E.] - Symphony #7 - II. Allegretto [Beethoven] - Two Turtle Doves (from Partridge Pie) [Bennett, R.R.] - Prelude #6 (from Six Preludes) [Berkeley, Lennox] - Prelude from L'Arlésienne [Bizet] - Polovtsian Dances (from Prince Igor) [Borodin] - Wiegenlied (Lullaby) [Brahms] - Violin Concerto #1 - II. Adagio [Bruch] - Piano Concerto #1 - II. Larghetto (Romance) [Chopin] - Prelude in C Minor, Op.28 #20 [Chopin] - Waltz in A-flat Major, Op.69 #1 [Chopin] - Les Baricades Mistérieuses [Couperin] - The Little Shepherd (from Children's Corner) [Debussy] - Sarabande [Einaudi, Ludovico] - Snow Prelude #2 [Einaudi, Ludovico] - Nimrod (Var IX from 'Enigma' Variations) [Elgar] - Homenaje (Le Tombeau de Claude Debussy) [de Falla] - Agnus Dei (from Requiem in D Minor, Op.48) [Fauré] - Sicilienne, Op.78 [Fauré] - The North Pole (from Frozen Planet) [Fenton, George] - Prelude #1 (from Three Preludes For Piano) [Gershwin, George] - Metamorphosis Five [Glass, Philip] - Opening Piece from Glassworks [Glass, Philip] - Piano Concerto, Op.16 - I. Allegro Moderato (opening) [Grieg] - Hornpipe (Alla Danza) (from Water Music) [Handel] - Symphony #94 'The Surprise' - II. Andante [Haydn] - Consolation #5 [Liszt] - Paganini Variations (excerpts) [Lutoslawski, Witold] - Hebrides Overture ('Fingal's Cave') [Mendelssohn] - Overture to The Marriage of Figaro [Mozart] - Piano Concerto #21 in C Major - II. Andante [Mozart] - Promenade (From Pictures At An Exhibition) [Mussorgsky] - Big My Secret (from The Piano) [Nyman, Michael] - Jerusalem [Parry] - Sonata For Flute - 2nd Movement [Poulenc] - Mouvements Perpétuels - #1 [Poulenc] - Nessun Dorma (from Turandot) [Puccini] - Rondeau (from Abdelazer) [Purcell] - Piano Concerto #2 - II. Adagio Sostenuto [Rachmaninoff] - Rhapsody on a Theme of Paganini - Var XI and XVIII [Rachmaninoff] - Vocalise (No.14 from Fourteen Songs, Op.34) [Rachmaninoff] - Pavane (from Mother Goose) [Ravel] - Written On The Sky [Richter, Max] - The Elephant (from The Carnival Of The Animals) [Saint-Saëns] - Sonata in E Major, L.23 K.380 [Scarlatti, Domenico] - Unfinished' Symphony - I. Allegro Moderato [Schubert] - Sicilienne (from Album For The Young) [Schumann] - Prelude, Op.11 #15 [D-flat major] [Scriabin] - Romance in D-flat (No.9 from 10 Pieces for Piano, Op.24) [Sibelius] - The Firebird Suite - Finale [Stravinsky, Igor] - The Lamb [Tavener, John] - 1812 Overture [Tchaikovsky] - Dance of the Sugar Plum Fairy (from The Nutcracker Suite) [Tchaikovsky] - Dies Irae (from Requiem) [Verdi] - Autumn (1st movt) (from The Four Seasons) [Vivaldi] - Ride of the Valkyries [Wagner] - Vltava (The Moldau) (from Má Vlast) [Smetena] / Piano/Vocal/Guitare (PVG)

Easy-play Piano arrangements of 24 hymns and spiritual favourites by Stephen Duro. Complete with full lyrics and chord symbols. Includes The Lord Is My Shepherd, Rock Of Ages, Joshua Fight The Battle Of Jericho and Swing Low, Sweet Chariot . / Piano/Vocal/Guitare (PVG)

Par SPEARRITT GORDON. Les enfants ont un amour naturel pour et la jouissance de la musique. Maintenant vous pouvez guider votre enfant par le biais de leurs premières leçons de musique en utilisant les jeux et le plaisir activités dans ce livre.Guide niveau - junior primaire. / Niveau : Débutant / All Styles - Theory and Harmony / Recueil / Tout Instrument

Twenty-five of the most famous hymns ever written. 'The Lord Is My Shepherd', 'The Old Rugged Cross' and 'All Things Bright And Beautiful'. Piano/vocal/easy organ with chord symbols. / Piano/Vocal/Guitare (PVG) (Avec Grille D'Accords)

Par SPEARRITT GORDON. Les enfants ont un amour naturel pour et la jouissance de la musique. Maintenant vous pouvez guider votre enfant par le biais de leurs premières leçons de musique en utilisant les jeux et le plaisir activités dans ce livre.Guide niveau - junior primaire. / Niveau : Intermédiaire / All Styles - Theory and Harmony / Recueil / Tout Instrument

Par SPEARRITT GORDON. Les enfants ont un amour naturel pour et la jouissance de la musique. Maintenant vous pouvez guider votre enfant par le biais de leurs premières leçons de musique en utilisant les jeux et le plaisir activités dans ce livre.Guide niveau - junior primaire. / Niveau : Débutant à Intermédiaire / All Styles - Theory and Harmony / Recueil / Tout Instrument

Par GORDON ANDREW D.. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt. Andrew's idea for thisbook is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they havelearnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. / Niveau : 3 / Recueil / Piano

Wunderkind Sonatas Volume I for Piano and Violin K. 6-9 Editor: Wolf-Dieter Seiffert Fingering and bowing for Violin: Benjamin Schmid Fingering Piano: Ariane Haering At the time, Mozart's genius - recognised at an early age - could only be explained as being God-given. Wolfgang Amadeus and his sister Maria Anna, older by five years, were admired as being Wunderkinder (prodigies) on their travels through Western Europe between 1763 and 1766. The piano sonatas with a violin accompaniment K. 6-9 were composed in Paris. It is wonderfully fresh and varied music. The piano is joined by a violin that adds colour, but not as an equal partner unlike in the later, great violin sonatas (see HN 77-80). This music is not only ideally suitable for piano and violin teaching purposes but will also allow musicians who already know everything to discover some treasures.

for piano solo. Par GREENWOOD JONNY. 88 (No.1) by Jonny Greenwood is a contemporary work for solo piano, suitable for advanced-level players, consisting of two movements, slow and fast. Only previously performed by a handful of selected pianists, this work is now being made available for general public performance for the first time. Jonny Greenwood is best known as the lead guitarist of the band Radiohead. To date he has penned several 'classical” works including Popcorn Superhet Receiver (string orchestra), parts of which were worked into his soundtrack for the film There Will Be Blood (2007). He was also nominated for an Oscar for his soundtrack to the film Phantom Thread (2018)./ Recueil / Piano

Spartito Piano, Voce di Brazil (Aquarela do Brasil)/ Feuillet / Piano, Chant et Guitare