Having published the scores, Critical Commentaries and the complete performance material (BA 9021-9025) as well as a boxed set of study score editions (TP 920) to all five of Beethoven's piano concertos, the study scores can now also be purchased individually. The musical text reflects a meticulous examination of every surviving source, resulting in Urtext editions at the highest possible level. The study scores are supplemented by Introductions by Beethoven scholar Barry Cooper on the genesis of the concertos as well as Forewords by the renowned editor Jonathan Del Mar, with descriptions of the sources and the editorial method. ' Urtext editions at the cutting edge of scholarship ' Reference editions for pianists, students, conductors and libraries ' Each score contains an Introduction by Barry Cooper (Ger/Eng) Edition no.: TP 921 ISMN: 9790006205486 Editor: Del Mar, Jonathan Language(s) of text: English, German Product format: Study score, Urtext edition Binding: Paperback Pages / Format: XIII, 99 S. - 22,5 x 16,5 cm

Any violinist who hears the name Sitt nowadays will probably just think of the author of studies and exercises that have long been a familiar feature in instrumental lessons. Of course the Prague violinist, music teacher and composer Hans Sitt (1850-1922) made a significant impact on methods of violin teaching, but he also wrote a whole series of other works worth listening to: concertos for violin, viola and cello and chamber music for various combinations of instruments. Sitt studied the violin in Prague and was then appointed first as leader of the orchestra and then as musical director in Breslau (now called Wroc?aw).After posts as director of music in Prague, Chemnitz - where he championed the work of Smetana - and Nice, he was eventually appointed professor of violin, orchestral playing and score reading at the Leipzig Conservatoire from 1884-1921. Besides this he also played viola in the Brodsky Quartet, organised concerts and was conductor of the Bach Society. The composers Franco Alfano - who completed Puccini's unfinished opera Turandot- and Frederick Delius studied with Sitt, as did the conductor Václav Talich. Three Album Leaves op. 13 were also composed during his time in Leipzig, published by Bosworth and Co in 1894. Romanesca, #1 in that collection, is a pretty, slightly melancholy piece of music with romantic appeal that draws out lyrical and expressive playing and is thus eminently suitable for tuition purposes and concert performances. / Violon Et Piano

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) composed Le Petit Chevrier Corse in 1952. As with his other woodwind compositions, Le Petit Chevrier Corse was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoireand went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother. This is apparent in Le Petit Chevrier Corse for Flute and Piano or Harp accompaniment. This Tomasi piece is suitable to intermediate level flautists and its popularity has been proven by its inclusion in the ABRSM grade 5 syllabus since 2005./ Répertoire / Flûte Traversière et Piano ou Harpe

Prefazione di Alfonso Alberti. Par DE SABATA VICTOR. As an orchestral conductor, Victor de Sabata was indisputably one of the leading musical figures of his day. With this edition, we hope to draw light upon the little-known but extremely interesting fruits of his 'second' career, that of composer, with his Tre pezzi per pianoforte (Three pieces for piano), which bring together the influence of Early Twentieth-Century French repertoire with an unheard of originality. / Niveau : Intermédiaire / Date parution : 1905-07-10/ Répertoire / Piano

Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the instrument's repertoire, Ballade being no exception. After a prominent career as a flautist with the Paris Opera, he was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his famous Ballade which premiered in 1927. Addressing many technical features including flourishing semiquaver passages and awide range, Ballade is a challenging yet riveting and stirring piece for aspiring flautists./ Répertoire / Flûte Traversière et Piano

Born in 1970, Eric Ledeuil is a versatile musician, working as a flautist, composer, conductor and teacher. All his expertise combined have created the sublime Les Méandres De Viviane for Flute and Harp or Piano accompaniment. Suitable for grade 2 standard flautists, Les Méandres De Viviane is made up of four sections which tell the story of the fairy, Vivian. Les Méandres De Viviane is an exciting and varied addition to the young flautist's repertoire, with a typical performance lasting around three minutes. Ledeuil's Les Méandres De Viviane is essential to beginner flautists seeking to improve and expand their repertoire for performances. / Flûte Traversière

Easy Piano arrangements of 16 favourites by Rachmaninoff . Complete with song background notes and playing hints and tips. Sergei Vasilievich Rachmaninoff was a Russian composer, pianist and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. / Piano

The Books of 1726-7 and 1741. Par RAMEAU JEAN-PHILIPPE. This is the first complete edition of the keyboard works of Jean-Philippe Rameau to incorporate all the printed collections of harpsichord music published under his supervision as well as his clavier arrangement of Les Indes Galantes. It also includes many new insights into performance practice (e. g. the handling of repeat signs in the original prints) and presents the music entirely in modern clefs. The result is a reliable and unique edition for today’s performers that does full justice to recent findings in historical performance practice. For the first time, all accidentals and expression marks are reproduced exactly as they appear in the sources. All ofRameau’s written comments – a key source on performance practice – are reproduced in the original French with translations into German and English. Rounding off the edition are instructive facsimiles and a detailed preface in which the editor, the celebrated harpsichordist and conductor Siegbert Rampe, discusses the sources, editorial method, and important aspects of performance. Complete scholarly-critical Urtext edition in modern clefs Includes the latest findings in performance practice Includes Rameau’s written comments and explanations in the original and in translations in English and German Ideal format (24. 3 x 31 cm)/ Répertoire / Piano

This Mazurka de Salon for flute and piano with its delightful elegiac and virtuoso passages is a character piece full of contrasts - moderate in difficulty, it represents a valuable addition to the repertoire for ambitious amateur players.Along with his younger brother Carl (1825-1900), Albert Franz Doppler (1821-1883) was one of the most celebrated flautists of the nineteenth Century. Their virtuoso duo playing was greatly admired and they captivated audiences in the musical capitals of Europe with works they had composed themselves.In 1842 the brothers were founder members of the Vienna Philharmonic orchestra. After spending some time as principal flautist at the Bucharest Opera (1835) and in the orchestra of the Hungarian National Theatre (1841), Franz Doppler decided to return to Vienna, where he worked as principal flautist and conductor at the Court opera and was appointed professor at the Conservatoire in 1865. Awarded the Franz-Joseph medal by the Kaiser in 1881, he died in Baden near Vienna in 1883. / Flûte Et Piano

Par GLORIEUX FRANCOIS. François Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conservatory of Ghent and guest professor at Yale University (USA). His particular art was the rare one of improvisation presented in five languages. Glorieux practices all musical styles and has been highly considered by great artists such as André Cluytens, Arthur Rubinstein, Yves Nat, Hiroyuki Iwaki, Enrique Jorda, Raphael Frühbeck de Burgos, but also Michael Jackson, Stan Kenton, Stéphane Grappelli, Paul McCartney, Toots Thielemans, Jacky Collins, Annie Girardot, Dionne Warwick, A.C. Jobim, and so on. / Date parution : 2022-11-29/ Répertoire / Piano

The Six Easy Pieces arranged by German composer, conductor, and organist Christian Gottlob Neefe (1748--1798) are inspired by the original vocal/orchestral score of The Magic Flute. These pieces are idiomatic piano duets (one piano, four hands) that remain faithful to the original composition. Filled with wit and charm, they contain many of the memorable elements of the opera: Papageno's magic bells, gentle love duets, tenderhearted trios, and lively arias. Based on the 1793 first edition, Neefe's dynamics, articulations, and phrase marks have been preserved. Editorial suggestions have been given in parentheses and footnotes to aid in performance. / Piano 4 Mains

Für Klavier und Orchester. Par ROSLER JOHANN JOSEF. Johann Joseph Rösler (1771-1812) was a composer, conductor and pianist who was active in Prague and Vienna. Later he was in the service of Prince Franz Joseph von Lobkowitz. His Piano Concerto No. 2 in E-flat major of 1803 is a fitting companion to the piano concertos of Beethoven - indeed, his first Piano Concerto in D major was mistakenly attributed to Beethoven until 1925. Now Rösler's second Piano Concerto is appearing in print for the first time. This is due to editor Alena Hönigová discovering and identifying an autograph score which is the only preserved source in the Prague Conservatory archive. In this Urtext edition Hönigová takes into account the distinctive features of Rösler's handwriting and the division of parts in the score, as befits the performance practice of his day./ Répertoire / 2 Pianos

The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop.This collection is written for full instrumentation - five saxophones, three trumpets, three trombones, and four rhythm - but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C.The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles.Titles include:Bill Bailey, Won't You Please Come Home, Birth of the Blues, Embraceable You, First Time Around, Gospel, Hot Chocolate, Jazzmin Tea, Jingle Bell Rock, Poco Loco, Splanky, Sunday Morning, TMI

Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Deux Esquisses being no exception. After a prominent career as a flautist with the Paris Opera, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Deux Esquisses for Flute and Piano, which is made up of two movements. The secondof these, Oriental, conveys many technical features including flourishing semiquaver passages, a wide range, lyricism, intervals, chromaticism and complex rhythms. Oriental from Deux Esquisses is a challenging yet exciting piece for aspiring flautists./ Répertoire / Flûte Traversière et Piano