Concert Band; Orchestra
1.1.2.1: 2.2.1.0:
Perc(2): Pno Cond Sc in
set: Str (9-8-7-6-5 in
set)
SKU:
AP.36-A742502
Arranged by Johann
Strauss Jr. and ed./arr.
by Adolphe Dumont. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A742502.
Published by
LudwigMasters
Publications
(AP.36-A742502).
UPC:
659359906169.
English.
JOHANN
STRAUSS II (1825-1899)
initially wrote
FRÜHLINGSSTIMMEN, Op.
410 (VOICES OF SPRING) as
a concert aria. He
dedicated the piece, with
a libretto by Richard
Genée, to
pianist-composer Alfred
Grünfeld. When Bertha
Schwarz (stage name,
Bianca Bianchi) sang the
first performance at the
Theater an der Wien on
March 1, 1883, the
audience loved it so much
that they demanded an
encore. The composer
wasted no time in
arranging a purely
orchestral version, which
the Strauss Orchestra
premiered only seventeen
days later. The waltz
achieved great success
during his Russian tour
in 1886. This edition for
reduced orchestra was
arranged by Adolphe
Dumont. Instrumentation:
1.1.2.1: 2.2.1.0:
Perc(2): Pno Cond Sc in
set: Str (9-8-7-6-5 in
set). Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Johann Sebastian Bach (1685-1750), edited by Alfred Kreutz. Collecti...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Alfred Kreutz. Collection
for piano. Urtext. With
introductory text and
performance notes. Nos.
1-6 (A,a,g,F,e,d) (BWV
806-811) . 125 pages.
Published by C.F. Peters.
Eb or Bb Contrabass Clarinet, Piano SKU: SU.80601350 For Eb or Bb Cont...(+)
Eb or Bb Contrabass
Clarinet, Piano
SKU:
SU.80601350
For Eb
or Bb Contrabass
Clarinet, Piano.
Composed by Alfred Reed.
Woodwinds, Clarinet.
Accompanied by piano.
Score. Edward B. Marks
Music #80601350.
Published by Edward B.
Marks Music
(SU.80601350).
Eb or Bb
Contrabass Clarinet,
Piano Composed: 1966
Published by: E.B.
Marks.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Chor-Bibliothek (Choral
Library). Mass;
Classical. Choral score.
Composed 1780. 44 pages.
Duration 20'. Breitkopf
and Haertel #ChB 5289-02.
Published by Breitkopf
and Haertel
(BR.CHB-5289-02).
ISBN
9790004412046. 7.5 x 10.5
inches.
According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998.
Haitian Dance Clarinette Basse, Piano [Conducteur et Parties séparées] Edward B. Marks Music Company
Bb Bass Clarinet, Piano SKU: SU.80601370 For Bb Bass Clarinet, Piano(+)
Bb Bass Clarinet, Piano
SKU: SU.80601370
For Bb Bass Clarinet,
Piano. Composed by
Alfred Reed. Woodwinds,
Clarinet. Accompanied by
piano. Score & Parts.
Edward B. Marks Music
#80601370. Published by
Edward B. Marks Music
(SU.80601370).
Bb Bass
Clarinet, Piano Composed:
1966 Published by: E.B.
Marks.
Fantasia a Due Tuba et Piano [Conducteur et Parties séparées] Edward B. Marks Music Company
Tuba & Piano SKU: SU.80601080 For Tuba & Piano. Composed by Alfred...(+)
Tuba & Piano
SKU:
SU.80601080
For
Tuba & Piano.
Composed by Alfred Reed.
Brass, Tuba. Accompanied
by piano. Score & Parts.
Edward B. Marks Music
#80601080. Published by
Edward B. Marks Music
(SU.80601080).
Tuba & Piano
Composed: 1978 Published
by: E.B. Marks.
Summer Is Gone Chorale SATB SATB A Cappella Gentry Publications
SATB a cappella Choral (SATB a cappella) SKU: HL.1197761 Out from the ...(+)
SATB a cappella Choral
(SATB a cappella)
SKU:
HL.1197761
Out
from the Shadows: A
Contemporary Choral
Series. Composed by
Samuel Coleridge-Taylor.
Edited by James E. Green
and Marques L. A.
Garrett. Gentry
Publications. Concert.
Octavo. 8 pages. Duration
180 seconds. Gentry
Publications #JG2655.
Published by Gentry
Publications
(HL.1197761).
UPC:
196288134930.
6.75x10.5x0.019
inches.
The Out
from the Shadows Choral
Series brings you
“Summer Is
Gone,†a new
setting of British poet
Christina Rosetti's 1862
poem “Bitter for
Sweet.†The
composer, Samuel
Coleridge Taylor,
displays superb control
of text painting and
dynamics, creating vocal
lines as natural as
speech. In perfect
harmony with Rosetti's
text, falling chromatic
figures tossed back and
forth among voice parts
create an inescapable
sense of decay and
sorrow. Taylor's harmonic
rhythm conveys the latent
impression of time
stretching and
constricting. A truly
masterful work, this
piece makes for a great
festival or competition
performance. A fun
challenge for an
accomplished chamber or
larger choir, and a
memorable addition to any
concert. Samuel
Coleridge-Taylor
(1875-1912) was an
English-born composer and
conductor who hailed from
an English and African
musical family. After
discovering his inherent
musical ability,
Coleridge-Taylor's family
arranged for him to study
at the Royal College of
Music under composition
professor Charles
Villiers Stanford. After
completing his degree,
Coleridge-Taylor was
appointed a professor at
the Crystal Palace School
of Music and became the
conductor of the Croydon
Conservatoire Orchestra.
With his compositions,
Samuel Coleridge-Taylor
sought to draw from
traditional African music
and integrate it into the
classical tradition, in a
similar fashion to Brahms
and Dvorak with Hungarian
and Bohemian music. He
was a prolific composer
and a well-respected
conductor in England and
America, even touring in
America and being
received at the White
House by President
Theodore Roosevelt. His
most celebrated work was
his cantata Hiawatha's
Wedding Feast. On his
death, close friend and
poet Alfred Noyes said,
“Too young to die:
his great simplicity, his
happy courage in an alien
world, his gentleness,
made all that knew him
love him.â€.
E.B. Marks Concert Band Grade 5. By Alfred Reed. Score and full set of parts. Ha...(+)
E.B. Marks Concert Band
Grade 5. By Alfred Reed.
Score and full set of
parts. Hal Leonard
Concert Band Series.
Grade 4. Book only. Size
9x12 inches. Published by
Edward B. Marks
Publishing Company.
Soir?e de Vienne, Op. 56 (A Concert Paraphrase of Johann Strauss's Waltz Motives...(+)
Soir?e de Vienne, Op. 56
(A Concert Paraphrase of
Johann Strauss's Waltz
Motives from Fledermaus).
By Alfred Grunfeld
(1852-1924). Edited by F.
H. Schneider. BH Piano.
Book only. 14 pages. Bote
and Bock #M202500316.
Published by Bote and
Bock (
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Choir; Softbound.
Partitur-Bibliothek
(Score Library). Mass;
Classical. Full score.
Composed 1780. 68 pages.
Duration 20'. Breitkopf
and Haertel #PB 5329.
Published by Breitkopf
and Haertel (BR.PB-5329).
ISBN 9790004210420. 10
x 12.5
inches.
According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998.
Sarabande Clarinette et Piano [Conducteur et Parties séparées] Edward B. Marks Music Company
Eb Alto Clarinet, Piano SKU: SU.80601420 For Eb Alto Clarinet, Piano(+)
Eb Alto Clarinet, Piano
SKU: SU.80601420
For Eb Alto Clarinet,
Piano. Composed by
Alfred Reed. Woodwinds,
Clarinet. Accompanied by
piano. Score & Parts.
Edward B. Marks Music
#80601420. Published by
Edward B. Marks Music
(SU.80601420).
Eb Alto
Clarinet, Piano Composed:
1966 Published by: E.B.
Marks.
Hora Clarinette et Piano [Conducteur et Parties séparées] Edward B. Marks Music Company
Bb Soprano Clarinet, Piano SKU: SU.80601390 For Bb Soprano Clarinet, P...(+)
Bb Soprano Clarinet,
Piano
SKU:
SU.80601390
For Bb
Soprano Clarinet,
Piano. Composed by
Alfred Reed. Woodwinds,
Clarinet. Accompanied by
piano. Score & Parts.
Edward B. Marks Music
#80601390. Published by
Edward B. Marks Music
(SU.80601390).
Bb Soprano
Clarinet, Piano Composed:
1966 Published by: E.B.
Marks.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Part.
Composed 1780. 12 pages.
Duration 20'. Breitkopf
and Haertel #OB 5329-15.
Published by Breitkopf
and Haertel
(BR.OB-5329-15).
ISBN
9790004333532. 10 x 12.5
inches.
According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998.
2. Version in D major with 4 movements inserted and transposed from the first ve...(+)
2. Version in D major
with 4 movements inserted
and transposed from the
first version in E-flat
major. By Johann
Sebastian Bach. Edited by
Alfred Durr. For Mixed
Choir-SSATB. Chorus
Score. BWV 243. Published
by Baerenreiter-Ausgaben
(German import). (BA5103
91)